Woody Allen’s “Magic in the Moonlight” is still entertaining and has a lot of charm, but considering the film uses the word “magic” in its title, it is a film that is missing that special magic that we have seen on other captivating Woody Allen films.
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DVD TITLE: Magic in the Moonlight
DATE OF FILM RELEASE: 2014
DURATION: 97 Minutes
DVD INFORMATION: 2:39:1, Anamorphic Widescreen, English , French and English -Audio Description Track 5.1 Dolby Digital, Subtitles: English, English SDH, French, Spanish
COMPANY: Sony Picture Classics
RATED: PG-13 (For a Brief Suggestive Comment and Smoking Throughout)
RELEASE DATE: December 16, 2014
Directed by Woody Allen
Written by Woody Allen
Produced by Letty Aronson, Stephen Tenenbaum, Edward Walson
Co-Produced by Raphael Benoliel, Helen Robin
Executive Producer: Ron Chez
Co-Executive Producer: Jack Rollins
Cinematography by Darius Khondji
Edited by Alisa Lepselter
Production Design by Anne Seibel
Set Decoration by Jille Azis
Costume Design by Sonia Grande
Colin Firth as Stanley
Emma Stone as Sophie
Marcia Gay Harden as Mrs. Baker
Jacki Weaver as Grace Catledge
Hamish Linklaster as Brice Catledge
Simon McBurney as Howard Burkan
Eileen Atkins as Aunt Vanessa
Acclaimed magician Stanley Crawford (Academy Award Winner® Colin Firth*) dazzles his audiences with feats of supernatural amazement. But when it comes to the inexplicable, Stanley is a dedicated skeptic. Enter Sophie Baker (Emma Stone), psychic, soothsayer, and stunning seductress. As Stanley and Sophie embark on misadventures up and down the French Riviera, will they discover proof of a world beyond the laws of physics or have they fallen under the sway of a more earthly chemistry? Woody Allen pulls the strings with precision in this enchanting romantic comedy that explores the realm between what’s understood in our minds and what’s known in our hearts. *Colin Firth, Academy Award® Winner, The King’s Speech, Best Actor, 2010
Since 1977, director Woody Allen has had a film released in the U.S. and with each release, cinema fans are often debating if the director’s later films are still just as sharp and brilliant as his past films or the director’s work has waned considerably late in his career.
But for those who enjoy Woody Allen films, each movie has been fresh, different from any past films that has done and for the most part, have entertained fans for nearly 40-straight years which is remarkable.
Not many filmmakers have had this longevity nor had they had a film released each year of their working life but Allen, continues to show movie fans that he is able to make films that will entertain audiences and the same could be said for his 2014 film “Magic in the Moonlight”.
The film would star Colin Firth (“The Kings Speech”, “A Single Man”, “Love Actually”), Emma Stone (“The Help”, “Easy A”, “The Amazing Spider-Man” films), Marcia Gay Harden (“Into the Wild”, “Mystic river”, “The Mist”), Simon McBurney (“The Duchess”, “Body of Lies”, “The Last King of Scotland”), Hamish Linklater (“Fantastic Four”, “42”, “Battleship”) and Jacki Weaver (“Stoker”, “Animal Kingdom”, “Silver Linings Playbook”).
The film will be released on Blu-ray and DVD courtesy of Sony Pictures Classics in Dec. 2014.
“Magic in the Moonlight” is set in 1928 and introduces us to the famous illusionist, Wei Ling Soo, who happens to be a British man named Stanley (portrayed by Colin Firth). After his performance, he is visited by a fellow (and not-as-popular) illusionist named Howard Burkan (portrayed by Simon McBurney), who tells him to accompany him to Cote d’Azure where a wealthy American family, the Catledges, have been taken in by a clairvoyant and mystic woman named Sophie (portrayed by Emma Stone).
The son, Brice (portrayed by Hamish Linklater) is smitten by Sophie and wants to marry her, while his sister Caroline (portrayed by Erica Leerhsen) and brother-in-law George (portrayed by Jeremy Shamos) are concerned of Brice proposing a marriage to her and want Stanley to find out if Sophie is a true clairvoyant or a fraud.
Howard believes that Sophie has uncovered secrets that no one else would know and that she may have supernatural powers, but Stanley, who is known to have debunked many charlatan mystics, will do what he can to prove that she is a fraud. Even going so far as going by another name and a man who is a businessman.
The two end up spending time together and while visiting his aunt Vanessa (portrayed by Eileen Atkins), Sophie goes into various trances and is able to pull up personal details about his life and also Vanessa’s past, including her great love affair.
Shocked by this, Stanley feels that Sophie’s powers now have changed the way he looks at the world and immediately becomes smitten by her, despite being engaged to a woman named Olivia.
But as Stanley spends more time with Sophie, will he find a woman that is true to herself or will he determine that she is actually a fraud?
VIDEO & AUDIO:
“Magic in the Moonlight” is presented in 2:39:1 aspect ratio (Anamorphic Widescreen) in English, French and English – Audio Description track in 5.1 Dolby Digital.
It’s important to note that if you want the best quality of “Magic in the Moonlight”, you will want to check out the film on Blu-ray as it will offer the best picture and audio quality.
As for the DVD, picture quality is very good as one can expect on DVD and there is a hint of the film grain during your viewing of the film. Skin tones do look natural but I can imagine detail and clarity would become much more evident on Blu-ray. I didn’t notice any major artifacts or banding issues while watching this DVD.
As for audio, the soundtrack employs a lot of Woody Allen’s passion for 1920’s jazz music, dialogue is clear and for this film, is strictly a center/front channel-driven soundtrack.
Subtitles are in English, English SDH, French and Spanish.
“Magic in the Moonlight” features the following special features:
- Behind the Magic – (11:21) The cast discuss the film, working on a Woody Allen film and more.
- On the Red Carpet: Los Angeles Film Premiere – (2:46) The cast promote their film at the LA film premiere.
- Theatrical Trailer – (2:08) Theatrical trailer for “Magic in the Moonlight”.
“Magic in the Moonlight” comes with an UltraViolet code, so one can watch this film via online streaming.
I’m not the type of reviewer who tends to be critical of Woody Allen films to the point that they would stop watching them because they felt he has lost the magic of filmmaking.
It is surely not the case as we have seen him create wonderful films in the past five years which include “Blue Jasmine” and “Midnight in Paris” but when you look deep into his 40-year oeuvre, there are films that will no doubt captivate you, films that entertain you but you just want to see it just once and films that you feel, it’s best that he shouldn’t have made it.
“Magic in the Moonlight” is a film that interests me because knowing that Woody Allen loves the music of the 1920’s-1930’s, let alone having performed that style of music for his own band, I know he has enjoyed films from the Golden Years of Hollywood.
With his latest cinematic offering for 2014, I feel it’s another romantic comedy placed in the 1920’s that lie on the performance of its main characters played by Colin Firth and Emma Stone.
Colin Firth does a great job playing an arrogant illusionist named Stanley whose beliefs are set and anything to disrupt those beliefs are wrong and he one thing that he is skeptical about is clairvoyant mystics.
And he will do whatever he can to debunk them.
Enter Sophie played by Emma Stone. Sophie, a younger clairvoyant mystic who is able to go in a trance and provide information that shocks Stanley because of her ability to know detail about his life, let alone his aunt’s life and thus challenging his thought on life and his set of beliefs.
While the character of Stanley is your typical “know-it-all”, Firth does a good job of playing the stick-in-the-mud who goes to the South of France in order to debunk an American young woman named Sophie. Is she there to marry Brice and become wealthy? Or is she a genuine clairvoyant mystic?
While the film is more of a life-changing experience for Stanley who can’t explain how Sophie knows these deep, personal moments about his life and his aunt’s life, it gives him a new lease on life.
While entertaining, the film is rather predictable. And while the performance by Firth is very good, you can’t help but feel that his casting was a miscast as the chemistry with Emma Stone did not feel genuine onscreen. It doesn’t help that Colin Firth could probably play Emma Stone’s father in a film.
Also, the film misses the intellectual dialogue that we often get from a Woody Allen film. And its ending and overall scenarios seemed a bit rushed for my tastes.
While it’s hard to dislike this film because it is entertaining, the film seems like a step back when compared to “Blue Jasmine” and “Midnight in Paris”. While location and costume design, especially the music selection works well for the film, the Woody Allen magic we are used to seeing in his films are missing in “Magic in the Moonlight”.
But still, even Woody Allen’s “Magic in the Moonlight” is still entertaining and has a lot of charm, but considering the film uses the word “magic” in its title, it is a film that is missing that special magic that we have seen on other captivating Woody Allen films.
“Land Ho!” is an entertaining road trip comedy, showing that no matter how old you are, it’s never too late to have fun! A beautiful film worth watching! A beautiful film that looks fantastic on Blu-ray!
TITLE: Land Ho!
TELEFILM RELEASE: 2014
DURATION: 95 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition (1:78:1 aspect ratio), English, French 5.1 DTS-HD MA, English-Audio Description Track, Spanish 5.1 Dolby Digital, Subtitles: English, English SDH, French and Spanish
COMPANY: Sony Pictures Classics
RATED: R (Some Language, Sexual References and Drug Use)
Release Date: November 4, 2014
Written and Directed by Aaron Katz and Martha Stephens
Produced by Christina Jennings, Mynette Louie, Sara Murphy
Co-Producer: Birgitta Bjornsdottir, Hlin Johannesdottir
Executive Producer: Wendy Ettinger, David Gordon Green
Co-Executive Producer: Abigail Disney, Wendy Ettinger, David Gordon Green, Emily Ting
Music by Keegan DeWitt
Cinematography by Andrew Reed
Edited by Aaron Katz
Earl Lynn Nelson as Mitch
Paul Eenhoorn as Colin
Karie Crouse as Ellen
Elizabeth McKee as Janet
Alice Olivia Clarke as Nadine
Mitch, a bawdy former surgeon, convinces mild‐mannered Colin, his ex‐brother‐in‐law, to embark on an unplanned trip to Iceland with him. In an effort to get their grooves back, the odd couple set off on a road trip that takes them through trendy Reykjavík to the rugged outback. Mitch and Colin’s picaresque adventures through Iceland evolve into a candid exploration of aging, loneliness and friendship.
Featuring a collaboration with filmmakers Aaron Katz (“Cold Weather”, “Quiet City”) and Martha Stephens (“Pilgrim Song”, “Passenger Pigeons”) comes a comedy titled “Land Ho!” starring Earl Lynn Nelson (“Pilgrim Song”) and Paul Eenhoorn (“This is Martin Bonner”, “Chemistry”). The film was the first feature to be financed by Gamechanger Films, an equity fund dedicated to financing features and co-directed by women.
A low-budget film that premiered at the Sundance Film Festival and shot with a $676,000+ budget, the film will be released on Blu-ray + DVD courtesy of Sony Pictures Classics.
“Land Ho!” is a film that begins with retired surgeon Mitch (portrayed by Earl Lynn Nelson) visiting his ex-brother in law Colin (portrayed by Paul Eenhoorn), who is trying to get over his divorce. Seeing how Colin has not been in the best of spirits, Mitch surprises him with tickets to Iceland in order to help get him on with life.
While Colin is more reserved, Mitch seems like a young man who is wanting to discover the good things in life through travel and cuisine. But when Mitch tries to get Colin out of his shell and visit areas such as Rejkjavik, Skogar, Jokulsarion, Landmannalaugar, Gulfoss, Strokkur and Blue Lagoon, what happens when Mitch and Colin have dinner with college students, go to a dance club and enjoy the beauty of Iceland?
“Land Ho!” is presented in 1080p High Definition (1:78:1 aspect ratio). The film was shot on two Red One cameras and close-ups showcasing amazing detail to the chagrin of actor Earl Lynn Nelson who tells the viewers via the audio commentary that it’s too clear that you can see his wrinkles. But that is how detailed the picture quality is and the shots of the various locations in Iceland are absolutely gorgeous to look at.
The cinematography by Andrew Reed is absolutely gorgeous! Definitely a film that looks amazing on Blu-ray.
AUDIO & SUBTITLES:
“Land Ho!” is presented in English and French 5.1 DTS-HD MA and English – Audio Description Track, Spanish 5.1 Dolby Digital. The lossless soundtrack is primarily dialogue driven but there are moments where you can hear the ambiance of the ocean, the geyser and of course, the crystal clear music at the dance club. But overall soundtrack and it’s dialogue-driven soundtrack is crystal clear.
Subtitles are in English, English SDH, Spanish and French.
“Land Ho!” comes with the following special features:
- Commentary with Paul Eenhoorn, Earl Lynn Nelson, Martha Stephens and Aaron Katz
- LA Film Fest Q&A with Paul Eenhoorn, Earl Lynn Nelson, Martha Stephens, Aaron Katz and Elizabeth McKee – (13:21) A fascinating post-screening Q&A with a few of the cast and crew.
- Deleted Scenes – (12:18) Featuring three deleted scenes and an alternate opening.
- Theatrical Trailer – (1:56) The theatrical trailer for “Land Ho!”.
“Land Ho!” comes with both the Blu-ray and DVD version of the film.
Quite often when you watch films about friends going on a trip, it usually is about a group of young people discovering another world and quite often, your banal story of self-discovery, finding love with the addition of your typical shenanigans.
With “Land Ho!”, the film we see is quite rare because the main characters are older men. Men who have had their ups and downs with women, have gone through divorce and pretty much want to enjoy life and also discover another world different from the life they currently live. Of course, in this case, the men journey through the beautiful areas of Iceland.
While the film was scripted, the film allowed for improvisation and what makes it interesting is the men are not far off from their characters. Actor Earl Lynn Nelson is nearly like his character of Mitch, not afraid to talk about the bodies of younger women and doesn’t care about seeing something and equate it to a penis or ejaculation.
And this goes beyond your general road trip, these men discuss life and Mitch enjoying life at its best and moving past his divorces and just having fun. He doesn’t care he’s older, he has no qualms of smoking weed or going to a dance club to observe younger women, he’s all good with that. As for Colin, he’s the opposite. He is reserved and is often annoyed by Mitch and his constant cajoling and he is a man that seems to wallow in his sadness because his relationships have gone south.
But through this road trip, it does touch upon the banality of road trip films of self discovery, meeting women and having fun, but instead of the teenage shenanigans, it is replaced by two men rediscovering life at an older age. And of course, the film is set in Iceland and adds to the charm and beauty of the film.
As for the Blu-ray release, picture quality is gorgeous, while the lossless soundtrack is dialogue-driven as expected but also crystal clear. You also get a fascinating audio commentary and a LA Film Festival post-screening Q&A that I couldn’t help but laugh because both are entertaining and the comments are often unexpected.
While the friendship between Mich and Colin is rather interesting because they are total opposites, the film doesn’t play out as effectively when compared to the Gene Saks/Neil Simon 1968 comedy “The Odd Couple” but the premise of the film of two older men rediscovering life in another country is fascinating. And I found myself wanting to visit Iceland because the scenes from various locations showcase the beauty of Iceland.
Overall, “Land Ho!” is an entertaining road trip comedy, showing that no matter how old you are, it’s never too late to have fun! A beautiful film that looks fantastic on Blu-ray!
“Third Person” is a film that audiences may regard as his best or worse film which he had written and directed. For those who are inspired by Haggis’ box office hits may grumble that the film is too convoluted, while others will applaud the filmmaker for creating a film that makes audiences think and a film requires discussion. I personally enjoyed the film on its take on personal loss but also Haggis’ bold step outside of the types of films he had created and giving viewers something unique and different. “Third Person” is recommended.
TITLE: Third Person
TELEFILM RELEASE: 2013
DURATION: 91 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition (2:35:1 aspect ratio), English DTS-HD MA 5.1, Audio Description Track 5.1 Dolby Digital, Subtitles: English, English SDH, Spanish
COMPANY: Sony Pictures Classics
RATED: R (For Language and Sexuality/Nudity)
Release Date: September 30, 2014
Directed by Paul Haggis
Written by Paul Haggis
Produced by Paul Breuls, Paul Haggis, Michael Nozik
Co-Producer: Moran Atias
Executive Producer: Nils Dunker, Fahar Faizaan, Arcadiy Golubovich, Andrew David Hopkins, Tim O’Hair, Guy Tannahill, Anatole Taubman
Associate Producer: Veronique Huyghebaert, Samuel Nozik, Emelie Vervecken
Music by Dario Marianelli
Cinematography by Gianfilippo Corticelli
Edited by Jo Francis
Casting by Elaine Grainger
Production Design by Laurence Bennett
Art Direction by Dimitri Capuani, Luca Tranchino
Set Decoration by Raffaella Giovannetti
Costume Design by Sonoo Mishra
Liam Neeson as Michael
Maria Bello as Theresa
Mila Kunis as Julia
Kim Basinger as Elaine
Michele Melega as Giorgio
Adrien Brody as Scott
Olivia Wilde as Anna
Katy Louise Saunders as Gina
James Franco as Rick
Loan Chabanol as Sam
Riccardo Scamarcio as Marco
Moran Atias as Monika
Third Person tells three stories of love, passion, trust and betrayal. The tales play out in New York, Paris and Rome through three couples who appear to have nothing related, but share deep commonalities: lovers and estranged spouses, children lost and found. Featuring an award-winning ensemble cast including Liam Neeson (Schindler’s List), Adrien Brody (The Pianist), James Franco (127 Hours), Olivia Wilde (Rush), Mila Kunis (Black Swan), Kim Basinger (L.A. Confidential) and Maria Bello (A History of Violence). Written and directed by Academy Award® winner Paul Haggis (Best Motion Picture, Crash, 2005), Third Person is a mystery, a puzzle in which the truth is revealed in glimpses, clues are caught by the corner of the eye and nothing is truly what it seems.
Award-winning filmmaker/writer Paul Haggis is best known for writing hit films such as “Crash”, “Million Dollar Baby”, “Casino Royale” and “Quantum of Solace”.
Wanting to challenge himself as a filmmaker, after completion, Haggis felt he had created the best film that he had ever made.
“Third Person” is a star-studded film starring Liam Neeson (“Schindler’s List”, “Batman Begins”, “Taken”), Olivia Wilde (“Rush”, “Tron: Legacy”), Kim Basinger (“L.A. Confidential”, “Batman”, “8 Mile”), James Franco (“Spider-Man” films, “127 Hours”, “This is the End”), Mila Kunis (“Black Swan”, “That 70’s Show”, “Ted”), Adrien Brody (“King Kong”, “The Pianist”, “Predators”), Moran Atias (“Crash”, “Land of the Lost”, “The Next Three Days”) and Maria Bello (“History of Violence”, “Prisoners”, “Payback”).
“Third Person” is a film that revolves around three different stories taking place in different cities.
In Paris, Michael (portrayed by Liam Neeson) is a writer who escapes to another country write his latest book. He has left his wife Elaine (portrayed by Kim Basinger) and is having an affair with Anna (portrayed by Olivia Wilde), who he really loves but is having hard time in committing because he also loves Elaine. But he is unaware that Elaine has a big secret.
In New York, Julia (portrayed by Mila Kunis) is a former actress who was charged for trying to kill her young son. She denies the charges and now, her son is living with his father Rick (portrayed by James Franco) and doing all he can to prevent her from getting him back. As Julia is doing all she can to get her son back, working a hotel job and living without much money, will she ever be reunited with her son?
In Rome, Scott (portrayed by Adrien Brody) is an American businessman who takes an interest in an Albanian gypsy named Monika (portrayed by Moran Atias). As he tries to pursue Monika, he is unaware that she is trying to do all she can to free her daughter who has been kidnapped by a Russian gangster who is holding her hostage. But is she really in dire trouble or is this all a setup to get his money?
“Third Person” is presented in 1080p High Definition (2:35:1 aspect ratio). Picture quality of the film is magnificent as the cinematography by Gianfilippo Corticelli (“Don’t Move”, “Facing Windows”) is sexy and beautiful. The digital photography showcases the crisp details during closeups. Skintones are natural and black levels are inky and deep. But overall, picture quality for “Third Person” is magnificent with no trace of banding or artifact issues.
AUDIO & SUBTITLES:
“Third Person” is presented in English DTS-HD Master Audio 5.1 with an English – audio description 5.1 Dolby Digital track. The lossless audio is dialogue and musically driven. Both are crystal clear with crowd ambiance heard during one scene in a club. But for a film like this, the soundtrack is appropriate.
“Third Person” comes with the following special features:
- Audio Commentary – Featuring audio commentary with writer/director Paul Haggis, production designer Laurence Bennet, editor Jo Francis, producer Michael Nozik and actress Moran Atias.
- Q&A with writer/director Paul Haggis – (33:29) A Q&A with writer/director Paul Haggis and moderator Pete Hammond.
- The Making of Third Person – (9:49) A short featurette with the Paul Haggis and cast on the film and its characters.
- Trailer – (1:44) The theatrical trailer for “Third Person”.
I have to admit that when I was watching “Third Person”, the film was often described as a romance film.
But by the second half of the film, I realized that this film was not a romance film but a drama about characters who have gone through terrible experiences or coming off bad situations and then of course, you get eventually start to realize that these characters are interconnected because of a primary focal point that is revealed by the end of the film.
“Third Person” is a film that no many people will understand and for those who do, will realize that this film is much more than that and it’s all I can even say, because saying more would spoil the film.
Suffice to say, the three stories are interesting and very different. From writer Michael fleeing to Paris to write a book that he has having problems with. His escape is Anna, a woman that he can’t commit to.
You have Julia who is unable to reunite with her son because she allegedly hurt him and now he is with his father Rick and he wants nothing but keep his son away from her.
And then you have Scott who is smitten with an Albanian gypsy named Monika who is in dire need of money to pay off a Russian gangster in order to get her child back. But as he gets caught into her trying to retrieve her child and the gangster thinks he is a wealthy man and wants even more money, the relationship between Scott and Monika becomes even more complicated.
But I enjoyed the film is for its take on loss. There are many films about how a person grieves over a loved one. But what Paul Haggis is managed to create is a film that utilizes its characters in a fascinating way and culminate to an ending that is somber but an ending that I actually can believe in.
In many ways, this film is different from his Hollywood blockbusters because it’s a thinking person’s film. Call it arthouse, call it intellectual cinema but the film delves into the psyche of a character through its characters and attempting to achieve something different.
And because it is different, it’s one of those films that audiences either love for Haggis taking a risk on such a film and those who loathe the film for being too somber and leaving it to viewers to give their own personal interpretation of the film and its ending.
Look online and you’ll realize how people are divided about this film. But in many ways, even the greatest auteurs, have tested the waters with stories that are cerebral, stories that challenge audiences to think about cinema than forcefeeding it to them, as in traditional Hollywood cinema. Take it for what it is, if you are not a thinking person, then this film is not for you.
At 136 minutes long, the film is slowly building, details that seem improbably start to make sense as the story progresses. And there is something about the film and how Haggis able to create a film knowing that it may be uncharacteristic of his style that the audiences love him for. It’s quite daring and a bit risky and bold, as Jean-Luc Godard was after “Breathless” and then create films that were unlike it, that would baffle audiences and critics.
And as a writer and filmmaker, I applaud Haggis for wanting to escape the paradigm and try something different and new!
As for the Blu-ray release, picture quality is fantastic and for a dramatic series that is primarily dialogue and musically driven, the lossless soundtrack is appropriate for center and front channel fare. The audio commentary is enlightening, while the other featurettes included are also entertaining.
Overall, “Third Person” is a film that audiences may regard as his best or worse film which he had written and directed. For those who are inspired by Haggis’ box office hits may grumble that the film is too convoluted, while others will applaud the filmmaker for creating a film that makes audiences think and a film requires discussion. I personally enjoyed the film on its take on personal loss but also Haggis’ bold step outside of the types of films he had created and giving viewers something unique and different.
“Third Person” is recommended.
Jim Jarmusch’s “Only Lovers Left Alive” is a non-mainstream vampire film that is fantastic, wonderfully acted, smart and fresh! For those who have grown tired of the banal mainstream vampire film, “Only Lovers Left Alive” is highly recommended!
TITLE: Only Lovers Left Alive
TELEFILM RELEASE: 2013
DURATION: 123 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition (1:85:1 aspect ratio), English 5.1 DTS-HD Master Audio, English Audio Description Track 5.1 Dolby Digital, SUBTITLES: English, English SDH, French
COMPANY: Sony Pictures Classics
RATED: R (For Language and Brief Nudity)
Release Date: August 19, 2014
Written and Directed by Jim Jarmusch
Produced by Reinhard Brundig, Jeremy Thomas
Co-Producer: Carter Logan, Marco Mehlitz, Gian-Piero Ringel, Christine Strobl
Executive Producer: Christos V. Konstantakopoulos, Stacey E. Smith
Associate Producer: Viola Fugen, Alainee Kent, Richard Mansell
Music by Carter Logan, Jozef van Wissem
Cinematography by Yorick Le Saux
Edited by Affonso Goncalves
Casting by Ellen Lewis
Production designer: Marco Bittner Rosser
Art Direction by Anja Fromm, Anu Schwartz
Set Decoration by Christiane Krumwiede, Selina van den Brink
Costume Design by Bina Daigeler
Tilda Swinton as Eve
Tom Hiddleston as Adam
Anton Yelchin as Ian
Mia Wasikowska as Ava
John Hurt as Marlowe
Jeffrey Wright as Dr. Watson
Slimane Dazi as Bilal
The tale of two fragile and sensitive vampires, Adam (Tom Hiddleston) and Eve (Tilda Swinton), who have been lovers for centuries. Both are cultured intellectuals with an all-embracing passion for music, literature and science, who have evolved to a level where they no longer kill for sustenance, but still retain their innate wildness. Their love story has endured several centuries but their debauched idyll is threatened by the uninvited arrival of Eve’s carefree little sister Ava (Mia Wasikowska) who hasn’t yet learned to tame her wilder instincts. Driven by sensual photography, trance-like music, and droll humor, Jim Jarmusch’s ONLY LOVERS LEFT ALIVE is a meditation on art, science, and the mysteries of everlasting love.
Filmmaker Jim Jarmusch (“Ghost Dog: The Way of the Samurai”, “Broken Flowers”, “Down by Law”) returns with a British-German vampire film known as “Only Lovers Left Alive”.
A film that was nominated for the Palme d’Or at the 2013 Cannes Film Festival and received positive reviews from film critics, “Only Lovers Left Alive” will now be released on Blu-ray courtesy of Sony Pictures Classics.
“Only Lovers Left Alive” stars Tom Hiddleston as Adam, a vampire who has lived his long life helping many famous musicians and scientists but since then, has become a reclusive vampire (and a popular, working musician) that feels that humanity is doomed. And the only person he is in contact with is a rock-obsessed young ma named Ian (portrayed by Anton Yelchin).
Still living in the past and living in a neighborhood in Detroit, he survives on the blood given to him by Dr. Watson. But now, Adam has grown depressed and is contemplating suicide. He wants to shoot himself with a wooden bullet but when he gets a call from his wife Eve (portrayed by Tilda Swinton), Eve can tell how depressed Adam has been.
Living in Tangier and living through the blood from a vampire known as Christopher Marlowe (portrayed by John Hurt). Sensing his pain, Eve goes to Detroit to be with him and enjoy each other’s company.
But as the two share their time together, their peace and love is shattered by the arrival of Eve’s younger sister Ava (portrayed by Mia Wasikowska).
“Only Lovers Left Alive” is presented in 1080p High Definition (1:85:1 aspect ratio). Picture quality for the film is fantastic, despite being shot primarily outdoors.
AUDIO & SUBTITLES:
“Only Lovers Left Alive” is presented in English 5.1 DTS-HD MA and English – Audio Description Track 5.1 Dolby Digital. The lossless soundtrack is primarily dialogue driven.
Subttles are in English, English SDH and French.
“Only Lovers Left Alive” comes with the following special features:
- Traveling at Night with Jim Jarmusch– (49:18) A featurette on the making of “Only Lovers Left Alive”, behind-the-scenes making of the film.
- Yasmine Hamdan “Hal” Music Video – (4:48)
- Deleted and Extended Scenes – (26:18) Several deleted scenes from “Only Lovers Left Alive”.
- Theatrical Trailer – (2:19) The theatrical trailer for “Only Lovers Left Alive”.
You can leave it to filmmaker Jim Jarmusch to go the other direction of vampire film banality and create something unique and fresh.
The filmmaker is not trying to reinvent the way vampires are seen in film, nor is he trying to create a film that would satisfy teens or their mothers. “Only Lovers Left Alive” is a vampire film that was made for the cineaste who rather stay away from mainstream vampire films and want something very smart, yet entertaining.
The story of two old vampires that want to live as hip and stylish despite the drudgery of humanity, these vampires also have problems.
Quality blood is becoming hard to come by and when you lose your source of blood and have avoided killing humans for blood, what are you left to do?
But this film goes farther than the problems that vampires are facing but about a married vampire couple named Adam and Eve but living far from each other.
Adam is a musician living in Detroit who has lived many lifetimes but still loves taking part in making music with rare and expensive guitars. He depends on Ian to find him his musical instruments and complains of how humanity has become zombies and drives him crazy that people have moved towards digital (and watching music performers on YouTube).
Meanwhile, Eve lives in Tangier and depends on her aging handler Christopher Marlowe, a man who wrote Shakespeare’s plays and not thrilled that he never received credit for his work.
And these two vampires love the finer things in life. They live quite well, appreciate creativity and would not feast on humans because they don’t know where their blood has come from.
But as Adam has lived a long time, humanity has really made him depressed about the world and he wants to take his life. So, Eve leaves her home of Tangier to travel to Detroit and visit her husband.
In many ways, this is a fascinating drama because they are people who have lived through the best times of the world and see how humanity has changed so much to the point that they question the world and what has happened to humanity.
It’s a film that doesn’t try to be happy, nor does it try to be anything different. Real world problems affecting a vampire couple who lived a lifetime of creativity, meeting talented individuals and now seeing human decline. And for Adam, as a man who treasures music, seeing music today is severely bumming him out. It’s not a horror film, by no means is this a love film like “Twilight”.
If anything, the film is quite elegant and both Tilda Swinton and Tom Hiddlestone are fantastic. The production and costume design is gorgeous, the film is creative and fresh and once again, another magnificent film in the oeuvre of filmmaker Jim Jarmusch.
As for the Blu-ray release, picture quality is great but it doesn’t try to be vibrant, it’s a moody film, shot indoors primarily and the scenes are well-lit and artistic. The lossless soundtrack is primarily dialogue driven with scenes with music incorporated. And you get a few special features including a fascinating making of the film, so you can see how Jarmusch approached the film with his two talents.
Overall, Jim Jarmusch’s “Only Lovers Left Alive” is a non-mainstream vampire film that is fantastic, wonderfully acted, smart and fresh!
For those who have grown tired of the banal mainstream vampire film, “Only Lovers Left Alive” is highly recommended!
Frank Pavich’s “Jodorowsky’s Dune” is a magnificent documentary on possibly the greatest sci-fi film never made. Highly recommended!
© 2014 The City Film, LLC. All Rights Reserved.
TITLE: Jodorowsky’s Dune
FILM RELEASE: 2013
BLU-RAY DISC INFORMATION: 1080p High Definition, 1:78:1, English 5.1 DTS-HD MA, English – Audio Description 5.1 Dolby Digital, Subtitles: English, English SDH, French
COMPANY: Sony Pictures Classics
RATED: PG-13 (For some violent and sexual images)
Release Date: July 1, 2014
Directed by Frank Pavich
Produced by Frank Pabich, Stephen Scarlata, Travis Stevens
Executive Producer: Donald Rosenfeld
Co-Producer: Michel Seydoux
Associate Producer: Alex Ricciardi
Music by Kurt Stenzel
Cinematography by David Cavallo
Edited by Paul Docherty, Alex Ricciardi
Nicolas Winding Refn
In 1975, director Alejandro Jodorowsky began work on his most ambitious project yet. Starring his own 12-year-old son alongside Orson Welles, Mick Jagger, David Carradine and Salvador Dalí, featuring music by Pink Floyd and art by some of the most provocative talents of the era, including H.R. Giger and Jean “Moebius” Giraud, Jodorowsky’s adaptation of the classic sci-fi novel DUNE was poised to change cinema forever. Through interviews with legends and luminaries including H.R. Giger (artist, ALIEN), Gary Kurtz (producer, STAR WARS EPISODES IV ‘ V) and Nicolas Winding Refn (director, DRIVE), and an intimate and honest conversation with Jodorowsky, director Frank Pavich’s film finally unearths the full saga of ‘The Greatest Movie Never Made’.
Alejandro Jodorowsky is one of the welcomed named among cineaste, especially those who have appreciated his works of arts in his oeuvre such as “Fandy y Lis”, “El Topo” and “The Holy Mountain”.
Provocative, scandalous, creative and magnificent, there is no doubt that you will see many who are appreciative of Jodorowsky’s work and those who simply don’t get it.
But Jodorowsky was a man that people knew about because his acid western “El Topo” was the first midnight cult film and his surrealist creations would eventually become classics.
But for Alejandro Jodorowsky and many sci-fi films, there was one film of his that was important in helping pave the ways for many of the sci-fi films of today, from “Star Wars”, “Indiana Jones” films, “Aliens”, “Flash Gordon”, “Prometheus” to name a few, and to one’s surprise, Jodorowsky’s film was never made.
Yes, there was the 1984 box office bomb titled as “Dune” which was directed by David Lynch (who literally wanted nothing to do with the film due to producers and execs not giving him any creative control) but if there was one adaptation of Frank Herbert’s popular sci-fi book series, it was Jodorowsky’s vision that would help pave the way for today’s science fiction films.
And now a documentary titled “Jodorowsky’s Dune” featuring interviews with Alejandro Jodorowsky, producer Michel Seydoux and many of those who were cast for the film or knew about greatest sci-fi film never made, chime in on how “Jodorowsky’s Dune”, despite not being made, still leaves its footprints behind in today’s sci-fi cinema.
From how Alejandro Jodorowsky was able to tap into talent such as Orson Welles, Mick Jagger, David Carradine, Salvador Dali and also music groups such as Pink Floyd and Magma but also artistic talents of H.R. Giger and Jean “Moebius” Giraud.
And also learning why this film was never made and Alejandro’s feelings when he watched the David Lynch version of “Dune” and more!
For anyone wanting to know more about Jodorowsky’s interpretation of “Dune” will definitely not want to miss out on this insightful, fun and entertaining documentary!
“Jodorowsky’s Dune” is presented in 1080p High Definition (1:78:1 aspect ratio). As one can expect from a documentary, there is footage from various sources, so not all is pristine. But for the most part, the main footage was shot digitally in HD. And the documentary as a whole, looks very good.
AUDIO & SUBTITLES:
“Jodorowsky’s Dune” is presented in English DTS-HD Master Audio 5.1. Dialogue and music are crystal clear coming from the center and front channels.
“Jodorowsky’s Dune” comes with the following special features:
- Deleted Scenes – 46:24 – There are nine deleted scenes including the reunion of Jodorowsky and producer Michel Seydoux who have not talked to each other since the cancellation of Jodorowsky’s “Dune”.
“Jodorowsky’s Dune” comes with both the Blu-ray and DVD version of the film.
When I was younger, I grew up reading Frank Herbert’s “Dune” and when I was in my very early teens, David Lynch’s “Dune” was the version that would play constantly on HBO.
But it was a maddening film for me because unlike “Star Wars” or other sci-fi films that have come out during that time, I couldn’t understand it. I watched the film so many times and felt the plot was just a mess and perhaps it was reaching out to sci-fi intellectuals that would comprehend and enjoy the film more than me.
Fast forward over a decade later and having become a cineaste and having a keen appreciation of film from the auteurs of the past and today, I started to learn more about Alejandro Jodorowsky’s “Dune” after I was researching his work for “El Topo” and again for “The Holy Mountain”.
Jodorowsky’s work are considered as surreal masterpiece among cineaste and his films are audacious, mesmerizing and so unique, that there is no comparison to his work.
So, if you have done any research into the work of Jodorowsky, you would learn that he was slated to direct the sci-fi film “Dune” but while you could read online about his involvement, no one delves deeper into the making of the film than filmmaker Frank Pavich for his documentary “Jodorowsky’s Dune”.
With an extensive interview with Alejandro Jodorowsky, producer Michel Seydoux and many others who are aware of the work or who were connected to the film that never came to be, the documentary sheds a lot of light of how Jodorowsky was able to get Salvador Dali, Orson Welles, Mick Jagger, to name a few. But also how he was able to tap into the talents of Chriss Foss, Jean Giraud (Moebius) and H.R. Giger.
And because Jodorowsky was an artist and his canvas was film, he wanted a film that was unlike anything that has ever been made before. Unfortunately, Hollywood execs were not too keen with Jodorowsky’s “Dune” especially the duration of the film that the film never came to be.
But those who worked on the film, carried on to bring their designs on other sci-fi films, one memorable would be on the sci-fi films “Aliens” which involved a few of those who were part of Jodorowsky’s “Dune” crew.
But watching “Jodorowsky’s Dune”, you get the sense of emotion, passion and the longing that Jodorowsky had for the making of “Dune” but we get to see how devastating it was for him, to not make it. How difficult it was for him to watch David Lynch’s version of “Dune” but to see his feeling after he watched the film. But also how his plans for “Dune” has left a footprint in other sci-fi films such as “Star Wars”, “Aliens”, “Terminator”, “Indiana Jones” to name a few.
The documentary was wonderfully researched and the amount of interviews done for this documentary was well-done. H.R. Giger, Gary Kurtz, Nicolas Winding Refn really gave great insight of the greatness of the film and why it was never made, Michel Seydoux gave us a perspective on the production side, film critic Devin Faraci gave us a perspective of a sci-fan and the importance of the making of this film to Amanda Lear discussing the moments when Jodorowsky casted her and Salvador Dali.
Many tidbits that I never knew about what went on in the planning stages of what could have become an epic sci-fi masterpiece.
The Blu-ray features great picture quality and as one can expect from a documentary featuring videos and images from various sources to a clear dialogue-driven lossless soundtrack. You also get over 45-minutes worth of deleted scenes but one that caught my attention was the reunion between Alejandro Jodrowsky and producer Michel Seydoux, who stopped talking after the film was never greenlit for production.
Overall, Frank Pavich’s “Jodorowsky’s Dune” is a magnificent documentary on possibly the greatest sci-fi film never made. Highly recommended!
“The Lunchbox” is an entertaining, warm and captivating epistolary romance film! A film about how two strangers ease their sadness and loneliness by sending letters to one other through a lunchbox. Featuring strong performances by Irrfan Khan, Nimrat Kaur and Nawazuddin Siddiqui, filmmaker Ritesh Batra’s feature film debut, “The Lunchbox” is highly recommended!
© 2014 Sony Pictures Home Entertainment. All Rights Reserved.
TITLE: The Lunchbox
FILM RELEASE: 2013
DURATION: 111 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition, 2:40:1 aspect ratio, Hindi 5.1 DTS-HD MA, English Audio Description Track 5.1 Dolby Digital, Subtitles: English, English SDH, French
COMPANY: Sony Pictures Classics
RATED: PG (For Thematic Material and Smoking)
Release Date: July 1, 2014
Written and Directed by Ritesh Batra
Produced by Anurag Kashyap, Guneet Monga, Arun Rangachari
Co-Producer: Shahnaab Alam, Marc Baschet, Benny Drechsel, Nina Lath Gupta, Nittin Keni, Cedomir Kolar, Vivek Rangachari, Karsten Stoter, Danis Tanovic
Executive Produced: Ritesh Batra, Lydia Dean Pilcher, Irrfan Khan, Vikramjit Roy
Music by Max Richter
Cinematography by Michael Simmonds
Edited by John F. Lyons
Casting by Seher Latif
Production Design by Shruti Gupte
Set Decoration by Akshi Kapoor
Costume Design by Niharika Khan
Irrfan Khan as Saajan Fernandes
Nimrat Kaur as Ila
Nawazuddin Siddiqui as Shaikh
Lillete Dubey as Ila’s Mother
Nakul Vaid as Rajeev
Bharati Achrekar as Auntie
A mistaken delivery in Mumbai’s famously efficient lunchbox delivery system connects Ila, a neglected housewife, to Saajan (Irrfan Khan), a lonely man on the verge of retirement. Through a series of exchanged notes that they pass back and forth through the lunches, Saajan and Ila find comfort in their unexpected friendship. Gradually, their notes become little confessions about their loneliness, memories, regrets, fears, and even small joys. They each discover a new sense of self and find an anchor to hold on to in the big city of Mumbai that so often crushes hopes and dreams. Still strangers physically, Ila and Saajan become lost in their virtual relationship that could jeopardize both their realities.
Ritesh Batra was one of 2013’s success stories.
Best known for his short films, his 2013 feature romantic film “Dabba” (The Lunchbox) would receive positive reviews from film critics and audiences around the world.
Starring Irrfan Khan (“Life of Pi”, “Slumdog Millionaire”, “The Amazing Spider-Man”), Nimrat Kaur (“One Night with the King”) and Nawazuddin Siddiqui (“Talaash”, “Kahaani”, “Gangs of Wasseypur”), “The Lunchbox” will be released on Blu-ray courtesy of Sony Pictures Classics.
“The Lunchbox” focuses on two unhappy characters.
Saajan Fernandes (portrayed by Irrfan Khan) is an accountant close to retiring and must help the younger Shaikh (portrayed by Nawazuddin Siddiqui) of how to do his job. A widowed man who is often seen as anti-social and grumpy, he is also lonely.
Lia (portrayed by Nimrat Kaur) is a married woman with a child. With the help of her auntie (featuring the voice of Bharati Achrekar), she is trying to make dishes in hopes to win her husband’s affections and feels he is having an affair.
One day, as Lia prepares a dish for her husband, the lunchbox delivery man (Dabbawalas) accidentally delivers the lunchbox to Saajan Fernandes. When Fernandes tastes the food, he notices how delicious it is.
As for Lia, hoping to hear comments about her cooking and most of all, seeing an improvement in the relationship with her husband, he doesn’t respond at all and is critical about her cooking of cauliflower which she was not responsible for.
Realizing that her food is going to another man, she writes a note to whoever may be eating her food and continues to make food for the lunchbox that is delivered to Fernandes and he responds and it ultimately leads to these two unhappy people to write each other about how they truly feel about their current life.
But what happens when their communication by mail grows to be more than strangers writing each other but a dependent on each other for support during their tough time in their lives?
“The Lunchbox” is presented in 1080p High Definition (2:40:1 aspect ratio). The film looks magnificent on Blu-ray. Earthy colors, close-ups show great detail and for the most part, no signs of excessive banding or artifact issues.
AUDIO & SUBTITLES:
“The Lunchbox” is presented in Hindi DTS-HD Master Audio 5.1. Audio descriptive track in English 5.1 Dolby Digital. The film is primarily dialogue driven as dialogue is crystal clear through the front channels. There are use of the surround channels for more ambiance (especially inside the train). But as a romantic film, the soundtrack is appropriate.
Subtitles are in English, English SDH and French.
“The Lunchbox” comes with commentary by writer/director Ritesh Batra.
“The Lunchbox” comes both with a Blu-ray and DVD copy of the film.
The concept of accidental messages have been topics in film and television for years.
From “Il Mare/The Lake House” which dealt with mail communication from a man in the past to a woman of the future, to the Japanese TV series “With Love” about a woman who accidentally receives a composition from a music composer and begins an e-mail dialogue or “The Shop Around the Corner” and “You Got Mail” which dealt with two people counting on each other for support but hopefully finding love.
“The Lunchbox” was rather fascinating that while the film could have been another romantic epistolary film, because of the Indian culture, the storyline for “The Lunchbox” is rather different from the films just mentioned.
Similar to these other films, how communication soothes their soul and makes them reflect on their current lives, there is always that time when both agree to meet each other. Will any romance happen between the older Fernandes and the younger Lia?
One must watch and find out but most importantly, the warmness of the film, its characters and character direction was well-done.
There is no doubt that Ritesh Batra hit a homerun with his feature film debut and thanks to the magnificent acting of Irrfan Khan, Nimrat Kaur and Nawazuddin Siddiqui, one can only hope that the hype that “The Lunchbox” has received worldwide that she churns out another captivating film.
As for the Blu-ray release, picture quality is magnificent. Close-up details are well-done, colors are natural and earthy. I didn’t notice any artifacts or edge enhancement issues during my viewing of the film. As for the lossless soundtrack, as one can expect from a romance film, the dialogue is primarily front-channel driven. While surround channels showcase the ambiance of the character’s surroundings, especially on a train. You get a single special feature which is a commentary with writer/director Ritesh Batra.
Overall, “The Lunchbox” is an entertaining, warm and captivating epistolary romance film!
A film about how two strangers ease their sadness and loneliness by sending letters to one other through a lunchbox. Featuring strong performances by Irrfan Khan, Nimrat Kaur and Nawazuddin Siddiqui, filmmaker Ritesh Batra’s feature film debut, “The Lunchbox” is highly recommended!
“Tim’s Vermeer is a fascinating and entertaining film in which one brilliant man uses his skills to replicate Johannes Vermeer’s amazing skill with light and to show that possibly, Vermeer may have been using technology to help him achieve such realism. A wonderful documentary from Penn and Teller!
© 2013 High Delft Pictures LLC. All Rights Reserved.
TITLE: Tim’s Vermeer
FILM RELEASE: 2013
DURATION: 111 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition, 1:78:1 aspect ratio, English 5.1 Dolby Digital, Subtitles: English, English SDH, French
COMPANY: Sony Pictures Classics
RATED: PG-13 (Some Strong Language)
Release Date: June 10, 2014
Directed by Teller
Produced by Pen Jillette, Farley Ziegler
Executive Producer: Glenn S. Alai, Peter Adam Golden, Tim Jenison, Teller
Music by Conrad Pope
Cinematography by Shane F. Kelly
Edited by Patrick Sheffield
Tim Jenison, a Texas-based inventor, attempts to solve one of the greatest mysteries in all art: How did Dutch master Johannes Vermeer manage to paint so photo-realistically 150 years before the invention of photography? Spanning a decade, Jenison’s adventure takes him to Holland, on a pilgrimage to the North coast of Yorkshire to meet artist David Hockney, and eventually even to Buckingham Palace. The epic research project Jenison embarks on is as extraordinary as what he discovers.
Tim Jenison may not be a well-known name but for those who are familiar with 3D software, especially “Lightwave 3D”, Jenison’s company NewTek, Inc. is well-known for its products .
From VideoToaster to creating DigiPaint for the old Commodore Amiga, Jenison has received the title of “Father of Desktop Video” (from the San Antonio Inventors Hall of Fame) but it’s that technical mind that has led to a new documentary film from comedians Teller and Penn Jillette. Teller narrates the film, while Penn directs the film with the help of producer Farley Ziegler.
For Tim Jenison, he has been a man appreciative of art and having worked in the video games and video industry, he is very knowledgeable about light and lenses. And because of that appreciation for art, especially in the work of Dutch artist, Johannes Vermeer, an artist who was able to create his lifelike photos with precision, especially when it came to lighting, Jenison had a theory.
Because mirrors were used during that period of time, what if Johannes Vermeer was able to utilize this technology in order to paint?
What makes things difficult about Johannes Vermeer is that there is not many documentation about his work, only his paintings. Partly due because for several centuries, his work was not acknowledged until the 19th century and is now considered one of the greatest painters of the Dutch Golden Age.
Not an artist, Jenison took it upon himself to design various lenses and see if he can reproduce various pieces of art by painting his father and then taking it to other people, including those who have written about Vermeer’s art and show him his theory.
But of course, in order to fully test out his theory of Vermeer, he would need to paint and try to duplicate the work of Vermeer using technology that Jenison believes was used at the time and was utilized by Vermeer.
And through several painstaking years, Jenison who is not a painter, will learn from his discoveries whether or not his theory of the painting techniques of Johannes Vermeer were true.
“Tim’s Vermeer” is presented in 1080p High Definition. The film was shot digitally and overall colors are very good. Closeups of Tim’s Vermeer paintings show great detail and for the most part, I didn’t detect any problems with video quality. No banding, artifacts, etc.
Subtitles are in English, English SDH and French.
AUDIO & SUBTITLES:
“Tim’s Vermeer” is presented in English DTS-HD Master Audio 5.1. As a documentary, this is a dialogue-driven film and dialogue is crystal clear.
“Tim’s Vermeer” comes with the following special features:
- Audio Commentary – Featuring audio commentary from director Pen Jillette, Teller, Tim Jenison and Farly Ziegler.
- Toronto International Film Festival Q&A – (21:21) A post-screening Q&A at TIFF featuring Pen Jillette, Teller, Tim Jenison and Farly Ziegler.
- Deleted Scenes – (22:45) A total of six deleted scenes.
- Extended and Alternate Scenes – (2:18:13) Featuring over two hours of five extended and alternate scenes.
- Theatrical Trailer – (2:05) Theatrical trailer for “Tim’s Vermeer”.
“Tim’s Vermeer” comes both with a Blu-ray and DVD copy of the film.
There is no doubt that “Tim’s Vermeer” is a documentary that will fascinate and entertain many audiences, especially those who are familiar with Vermeer’s work. But at the same time, may incite some controversy because the brilliant technology and business owner, Tim Jenison is pretty much showing people that Vermeer’s lighting in his paintings were done using technology.
Of course, art can be appreciated by any person and interpreted their own personal way. If one is to use Adobe Photoshop for their artwork, does it make their work any less impressive? Would it be considered as cheating in order to accomplish a desired look.
Some will say no, others may say yes.
And of course, Jenison’s observations and discoveries are very fascinating to the point that it makes you wonder if Jenison’s theory may hurt the work of Vermeer? I personally think that this is not the case.
Reason being is that Vermeer created these paintings back in the 1600’s and other painters utilized some sort of creativity in order to capture settings and people in his paintings.
And before anyone can say, “it’s not possible”, both Teller and Penn Jillette with the reproduction work created by Tim Jenison, were able to tap into observations that can only mean that lenses and mirrors may have been utilized.
The film is simple to understand and follow, especially by the film’s second half as we watch the progress of Tim Jenison and see for ourselves how he is able to paint using a lens with great efficacy. Teller’s narration helped make the film more fun but also doing a great job in setting up each scene.
As for the Blu-ray release, picture quality is very good as one can expect from a documentary shot digitally. If anything, colors are pleasing, close-ups show great detail and the film looks very good in HD. Lossless audio is not immersive, considering the film is dialogue-driven. But there are many special features which include an audio commentary, film festival Q&A, deleted scenes and its extended scenes which are over two hours long.
Overall, “Tim’s Vermeer is a fascinating and entertaining film in which one brilliant man uses his skills to replicate Johannes Vermeer’s amazing skill with light and to show that possibly, Vermeer may have been using technology to help him achieve such realism. A wonderful documentary from Penn and Teller!
“The Invisible Woman” is a gorgeous and fascinating film which boasts strong performances, gorgeous cinematography and costume design,. “The Invisible Woman” is a film that I definitely recommend!
© 2012 Headline Pictures (Invisible Woman) Limited, British Broadcasting Corporation and British Film Institute. All Rights Reserved.
TITLE: The Invisible Woman
FILM RELEASE: 2013
DURATION: 111 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition, 2:40:1 aspect ratio, English, Portuguese 5.1 DTS-HD MA, Spanish 5.1 Dolby Digital, Subtitles: English, Portuguese, Spanish
COMPANY: Sony Pictures Classics
RATED: R (For some sexual content)
Release Date: April 22, 2014
Directed by Ralph Fiennes
Screenplay by Abi Morgan
Based on a Book by Claire Tomalin
Produced by Christian Baute, Carolyn Marks Blackwood, Stewart Mackinnon, Gabrielle Tana
Co-Produced by Kevan Van Thompson
Executive Producer: Maya Amsellem, Sharon Harel, Eve Schoukroun
Music by Ilan Eshkeri
Cinematography by Rob Hardy
Edited by Nicolas Gaster
Casting by Leo Davis
Production Design by Maria Djurkovic
Art Direction by Nick Dent, Sarah Stuart
Set Decoration by Tatiana Macdonald
Costume Design by Michael O’Connor
Felicity Jones as Nelly
Ralph Fiennes as Charles Dickens
John Kavanagh as Rev. William Benham
Kristin Scott Thomas as Mr. Frances Ternan
Perdita Weeks as Maria Ternan
Gabriel Vick as Mr. Berger
Mark Dexter as Mr. August Egg
Joanne Scanlan as Catherine Dickens
Tom Hollander as Wilkie Collins
Amanda Hale as Fanny Ternan
Nelly (Felicity Jones) is haunted by her past. Her memories take us back in time to follow the story of her exciting but fragile relationship with Charles Dickens (Ralph Fiennes). Dickens – famous, controlling and emotionally isolated within his success – falls for Nelly. As Nelly becomes the focus of Dickens’ passion and his muse, for both of them secrecy is the price, and, for Nelly, a life of “invisibility”.
Charles Dickens will always be known for his literary work.
From “A Christmas Carol”, “Oliver Twist”, “A Tale of Two Cities”, “Great Expectations” to name a few, considered as a genius for his time, Dickens work continues to entertain generations.
But there is also another side of Dickens that has entertained the masses and that is his alleged affairs. Back in 1991, Claire Tomlin’s novel “The Invisible Woman: The Story of Nelly Ternan and Charles Dickens” was among the novels about Dickens affairs.
Dickens who was 45 at the time, allegedly had an affair with 18-year-old Ellen Ternan, a very big fan of his work. (Note: Dickens refuted any affairs with any women)
One thing that has been featured in writings about Dickens’ life is his lack of approval of his wife Catherine and the worries of his financial situation because he had 10 children. Also, unlike him, Catherine was seen by him as lazy and as not an intellectual like himself. Whereas Nelly was an intellect, interested in the arts, literature, theatre, politics and more.
But in Tomlin’s book, in order to avoid any public leaks regarding their affair, Dickens would travel with her using different names and thus, their affair was hidden and Ellen Ternan would become an “invisible woman” during a time where the man can do what he wishes, while the woman is seen as unimportant.
Bringing the film adaptation to the big screen, actor Ralph Fiennes (“Schindler’s List”, “Skyfall”, “Harry Potter” films) had directed only one film titled “Coriolanus” in 2011 and the challenge for his second film was that he would not only direct, but he would also star as Charles Dickens, while actress Felicity Jones (“The Tempest”, “Like Crazy”, “Hysteria”) was tapped to play the role of Ellen “Nelly” Ternan.
And now “The Invisible Woman” will be released on Blu-ray+DVD courtesy of Sony Pictures Classics.
“The Invisible Woman” revolves around how Charles Dickens (portrayed by Ralph Fiennes) was first introduced to Nelly (portrayed by Felicity Jones) and her mother Frances (portrayed by Kristin Scott Thomas).
The film would begin many years after the death of Charles Dickens death with Ellen Ternan watching a play being planned and a small gathering by her husband Mr. George Wharton Robinson (portrayed by Tom Burke).
For Rev. William Benham (portrayed by John Kavanagh), he is very interested in learning more about Nelly but moreso about her past working with Charles Dickens and the memories of her past with Charles Dickens begins to return. For William, he feels there is more to the meaning of various characters conveyed in Charles Dickens books and wonders if there are more to these characters and in relation to Nelly.
But her husband Wharton is unaware of why Nelly becomes alarmed and saddened when it comes to discussion of Charles Dickens.
As the past is remembered, Dickens would cast Frances, Nelly and one of her sisters in “The Frozen Deep” and eventually, both Dickens and Nelly would enjoy each other’s company.
We see a relationship between Nelly and Charles Dickens eventually bloom (supported by Nelly’s mother Frances as she sees it as a way for her to enhance her career) but what happens when Catherine receives a bracelet meant for Nelly? And what happens when Charles Dickens starts to see the public become interested in his public affairs?
But what is more important for Charles Dickens? Would it be Nelly, his wife and family or the public that he entertains?
“The Invisible Woman” is presented in 1080p High Definition (2:40:1 aspect ratio). The cinematography by Rob Hardy is well-done as Hardy is able to capture the romance, the sadness but all with a cinematic flair that looks gorgeous on Blu-ray.
Outdoor scenes are vibrant and beautiful, skin tones are natural and black levels are good and deep.
I didn’t notice any artifacts or banding during my viewing of the film.
AUDIO & SUBTITLES:
“The Invisible Woman” is presented in English, Portuguese 5.1 DTS-HD MA and Spanish 5.1 Dolby Digital. Dialogue is crystal clear as with the music by composer Ilan Eshkeri (“The Young Victoria”, “Kick-Ass”, “Stardust”). While the film is center and front-channel driven, there is a moment during the Staplehurst Disaster in which the lossless soundtrack utilizes the surrround channels and LFE.
The lossless soundtrack is quite adequate for this film and the lossless soundtrack is crystal clear in HD.
Subtitles are in English, Portuguese and Spanish.
“The Invisible Woman” comes with the following special features:
- Audio Commentary – Featuring audio commentary from director/actor Ralph Fiennes and actress Felicity Jones.
- SAG Foundation Conversations with Ralph Fiennes & Felicity Jones – (26:33) The Q&A with Felicity Jones and Ralph Fiennes.
- On the Red Carpet at the Toronto Premiere– (16:33) tiff behind-the-scenes on the red carpet and at the screening of the event.
- Toronto International Film Festival Press Conference – (21:00) tiff press conference with Felicity Jones and Ralph Fiennes.
- Theatrical Trailer – Theatrical trailer for “The Invisible Woman”.
For anyone who grew up reading a Charles Dickens book or even watched a Charles Dickens novel, the story about Dickens is rather interesting. From his fight against slavery, his fight against piracy of his work and his push for copyright, his criticism of religion (or deviations from Christianity), his fight for the poor and there is no doubt that Dickens was a fascinating man.
Especially because of how his films and how he presented himself as this caring, family man. The film does show the difference between the public vs. personal Charles Dickens.
And his personal matters surrounding his muse/mistress Ellen “Nelly” Turnan is rather fascinating!
While not surprising, considering that Dickens was a celebrity and one of the well-known celebrities during the early-to-mid 1800’s, it’s hard to believe this burly bearded man, who was 45 at the time, would have a relationship with an 18-year-old young woman.
But this is possibly what Dickens had desired, a woman like himself, an intellect, a person who respects the arts, theatre and a person he can have intellectual discussions and one that would understand what he is saying.
And that one would be Ellen “Nelly” Turnan.
While one can easily read on the Internet about this relationship, especially from the book by Claire Tomalin, the film does bring into context of what kind of relationship the two had especially at that time.
Sure, we are not phased by celebrity affairs in today’s society, in fact, you come to expect it. But for Charles Dickens, it was a different time because it was more about the needs of the man and a celebrity who had to take action in order to not be found out by any gossip that may harm his name.
And for Ellen Turnan, a young woman, who never really had any major relationship. Being captivated and then close to the man she idolized, having a mother who was cajoling her towards having a relationship for career purposes and Dickens ways of showing that he was in love by having his wife encounter Ellen, there is part of you that accepts the situation as a sign of the times but another side of you who felt that perhaps, Charles Dickens outside of his literary work was a jerk.
But at the same time, you study other successful men in different industries and you start to learn more about these affairs and relationships that these celebrities or wealthy and well-known individuals had at the time. As for Dickens, it’s his way of doing or handling things that is left as undesired.
Dickens wife throws Nelly a question about who is more important to Dickens, is it the woman or his public? The film shows us how this relationship has affected Nelly as the woman in his life that must be invisible to the public, not acknowledged by anyone else but Charles Dickens.
Another memorable scene in the film aside from the numerous gorgeous scenes shot by Rob Hardy is the Staplehurst rail accident, one of the largest train accidents of its time and one that was widely reported because of Charles Dickens, who was riding in the train along with Nelly and her mother, and was able to save them but at the same time, trying to save others who would eventually die of their injuries but also seeing how he was able to cover up his affair with Nelly.
The direction by Ralph Fiennes is well-done, it may be a bit slow for some viewers but the actual building of the relationship in accordance to his career was carefully paced. But the acting by Fiennes and actress Felicity Jones plus actress Joanna Scanlan was well-done and “The Invisible Woman” is a film that manages to capture the emotional suffering that the women closes to Dickens, must go through.
The film looks absolutely gorgeous in HD and the dialogue and music is crystal clear, along with a few special features including audio commentary and footage from the Toronto International Film Festival.
Overall, “The Invisible Woman” is a gorgeous and fascinating film which boasts strong performances, gorgeous cinematography and costume design,. “The Invisible Woman” is a film that I definitely recommend!
Featuring a wonderful performance by Daniel Radcliffe and Dane DeHaan, “Kill Your Darlings” is a stylish, dark and entertaining film about the Beat Generation worth checking out!
© 2013 KYD Film LLC. All Rights Reserved.
TITLE: Kill Your Darlings
FILM RELEASE: 2013
DURATION: 103 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition, 2:40:1 aspect ratio, English 5.1 DTS-HD MA, Czech, Polish VO 5.1 Dolby Digital, Subtitles: English
COMPANY: Sony Pictures Classics
RATED: R (For Sexual Content, Language, Drug Use and Brief Violence)
Release Date: March 18, 2014
Directed by John Krokidas
Written by Austin Bunn and John Krokidas
Produced by Michael Benaroya, Rose Ganguzza, John Krokidas, Christine Vachon
Co-Producer as Rose Ganguzza, James Lejsek, Sierra Nielsen, Missy Papageorge
Associate Producer: Matthew Vose Campbell, David Hinojosa
Executive Producer as Jared Goldman, Joe Jenckes, Randy Manis
Music by Nico Muhly
Cinematography by Reed Morano
Edited by Brian A. Kates
Casting by Lauren Rosenthal
Production Design by Stephen H. Carter
Art Direction by Alexios Chrysikos
Set Decoration by Sarah E. McMillan
Costume Design by Christopher Peterson
Daniel Radcliffe as Allen Ginsberg
Dane Dehaan as Lucien Carr
Michael C. Hall as David Kammerer
Jack Huston as Jack Kerouac
Ben Foster as William Burroughs
David Cross as Louis Ginsberg
Jennifer Jason Leigh as Naomi Ginsberg
Elizabeth Olsen as Edie Parker
When Allen Ginsberg (Daniel Radcliffe) is accepted at Columbia, he finds stuffy tradition clashing with daringly modern ideas and attitudes – embodied by Lucien Carr (Dane DeHaan). Lucien is an object of fascination for shy, unsophisticated Allen, and soon he is drawn into Lucien’s hard-drinking, jazz-clubbing circle of friends, including William Burroughs (Ben Foster) and David Kammerer (Michael C. Hall), who clearly resents Allen’s position as Lucien’s new sidekick. A true story of friendship, love and murder, Kill Your Darlings recounts the pivotal year that changed Allen Ginsberg’s life forever and provided the spark for him to start his creative revolution.
For filmmaker John Krokidas and writer Austin Bunn, both men would be inspired by the work of those who are from the Beat Generation which included famous poet, Alan Ginsberg.
As closet gay young men at the time, the work of Allan Ginsberg, William S. Burroughs and Jack Kerouac were inspirational for both men and the true story that revolved around the Beat Generation’s Lucien Carr and the murder of David Kammerer, a former English teacher who was obsessed with Lucian and stalked him wherever he went.
Wanting to focus on the introduction of the Beat Generation and the murder of David Kammerer, years of trying to craft the film, “Kill Your Darlings” was created.
The biographical drama film would star Daniel Radcliffe (“Harry Potter” films), Dane DeHaan (“Lincoln”, “Chronicle”, “Lawless”), Michael C. Hall (“Paycheck”, “Six Feet Under”), “Dexter”), Jack Huston (“American Hustle”, “Outlander”), Ben Foster (“3:10 to Yuma”, “Pandorum”), David Cross (“Eternal Sunshine”, “Arrested Development”), Jennifer Jason Leigh (“Fast Times at Ridgemont High”, “The Machinist”) and Elizabeth Olsen (“Oldboy”, “Martha Marcy May Marlene”).
And “Kill Your Darlings” would go on to receive positive reviews from film critics. And now the film will be released on Blu-ray+DVD from Sony Pictures Classics.
“Kill Your Darlings” is a film that is set in the early 1940’s and revolves around Allen Ginsberg (portrayed by Daniel Radcliffe), son of writer Louis Ginsberg who is from a troubled home and is trying to get a fresh start in life at his college.
But when he comes across a fellow intellectual named Lucien Carr (portrayed by Dane DeHaan), he is introduced to other writers such as Jack Kerouac (portrayed by Jack Huston) and William Burroughs (portrayed by Ben Foster), and these writers would be known as the Beat Generation, a group of writers that were non-traditional and controversial for their time. Challenging their professors but also challenging each other, these friends, they inspired each other to push themselves outside of boundaries to experience and experiment.
And as Ginsberg and Carr begin to form a close friendship which would inspire Ginsberg to become a writer, Carr would have to deal with a stalker named David Kammerer, which would one day lead to a murder that would eventually shatter the Beat Generation.
“Kill Your Darlings” is presented in 2:40:1 aspect ratio and in 1080p High Definition. The film manages to have this 1950’s look, with the choice of colors that is more cooler and less vibrant. Closeups of the characters show amazing detail and for the most part, manages to look like a film that was set in the ’40s. I did not notice any artifacts or banding issues during my viewing of the film.
AUDIO & SUBTITLES:
“Kill Your Darlings” is presented in English 5.1 DTS-HD MA and Greek and Polish VD 5.1 Dolby Digital. The film is primarily dialogue and musically driven, which both are crystal clear through the center and front channels. Some scenes with crowds or parties utilize the surround channels for ambiance, but for the most part, the film is center and front-channel driven.
Subtitles are in English.
“Kill Your Darlings” comes with the following special features:
- Audio Commentary – Featuring audio commentary from director John Krokidas, actors Daniel Radcliffe, Dane DeHaan and writer Austin Bunn.
- Q&A with John Krokidas and Austin Bunn – (1:05:39) An informative Q&A with John Krokidas and Austin Bunn.
- In Conversation with Daniel Radcliffe and Dane DeHaan – (6:05) Jenelle Riley interviews Daniel Radcliffe and Dane DeHaan.
- On the Red Carpet at the Toronto Film Festival – (7:30) Director John Krokidas, writer Austin Bunn and the cast arriving to the red carpet.
- Deleted Scenes – (7:26) Featuring seven deleted scenes.
- Theatrical Trailer – (2:05) Theatrical trailer for “Kill Your Darlings”.
I know many friends who are influenced by certain groups of the past. May it be the Cahiers du Cinema writers in France during the French Nouvelle, the early creatives of Weimar-era Berlin, the creatives of Urban Bohemia of early Greenwich Village, to name a few.
But for writers, there are those who are influenced by the Beat Generation, American post-World War II writers of the 1950’s. The prominent names affiliated with the Beat Generation are Allen Ginsberg, William S. Burrough and Jack Kerouac.
But unlike other groups that were well-respected and loved, the Beat Generation also had their dark years that revolved around a murder involving a an important friend of those in the Beat Generation, Lucien Carr, a man who would be known for his work as an editor at United Press International but in the past, a man known for introducing Ginsberg, Burrough and Kerouac to one another.
I’ve always been fascinated by this story because these young men were wild, free but yet intellectuals, how were these young men involved in something so dark?
And this is where I found myself looking forward to John Krokidas and Austin Bunn’s film “Kill Your Darlings”. A film that may be highlighted for Daniel Radcliffe’s acting post-Harry Potter, but for me, it was a film that showcased the Beat Generation, in its minimal glory, it’s defiance and sexuality but also the brutality of the murder of stalker, David Krammerer.
What I enjoyed about the film is how it brought out its ensemble cast and not solely focusing on one certain member. Allen Ginsberg and Louis Carr are the primary talents of the film but the four major players of the Beat Generation are featured.
The portrayal of Radcliffe’s Allen Ginsberg was a young man from a troubled home who found solace with the members of the Beat Generation. A young man raised by a father who was a writer but was a literary rebel. But the film was able to take Radcliffe and use his talent as a thespian, which he has honed in theater and also in other films, trying to break out of the Harry Potter stigma and become Allen Ginsberg, a man trying to discover himself, while being closeted in his sexuality during the 1950’s.
For Ben Foster’s portrayal of postmodernist author William S. Burrough, the portrayal was a man who was born of wealth but also a man who would engage in narcotics which would play a big part in Burrough’s successful work, “Naked Lunch”. It’s important to note that Lucien Carr was not the other black mark on the Beat Generation as William S. Burrough was also convicted for the murder of his common-law wife, Joan Vollmer (both Burrough and Volmer were drunk and she was killed accidentally during a game of “William Tell), the most prominent female member of the Beat Generation.
Jack Huston’s portrayal of novelist and poet Jack Kerouac, a close friend of Lucien Carr and his relationship with Edie Parker (portrayed by Elizabeth Olson) was featured in the film. Kerouac who is known for his literary work, was also imprisoned for his role in assisting Lucien Carr in the murder.
But if there was one person who was quite notable for his role in the film was Dane DeHaan’s portrayl of Lucien Carr. An exceptional student, an intellectual who is seen befriending Allen Ginsberg and introducing him to the other Beat Generation members. The writing and portrayal of Lucien Carr by writer Austin Bunn was fantastic. In one scene, we see Lucien Carr and Allen Ginsberg going to a party in which a woman kisses Carr. When Ginsberg asks Carr if he knew the woman, Carr tells Ginsberg “No, I don’t plan to. She tasted in imported sophistication of domestic cigarettes”.
But the film would showcase the friendship and the romantic/sexual relationship between Lucien Carr and Allen Ginsberg (note: Which I have never seen any factual information the two did have a sexual relationship but it is known that Ginsberg was attracted to Carr).
As the film shows Carr’s intelligence, it also shows is weakness and that is his relation to David Kammerer.
While the film showcases Kammerer as a man respected amongst his peers, but a man jealous of Carr’s association with Ginsberg. But in reality, life for Carr was problematic since the age of 14. Kammerer who was a family friend of William S. Burrough, became infatuated with Lucien Carr. So badly that each school that Lucien Carr would move to, Kammerer would follow.
It was probably one of the high-profiled cases of stalking leading to murder in American history but also a murder compounded in conservative America of a story of an obsessed homosexual man trying to go after a young heterosexual man, which was used in Carr’s self-defense.
But “Kill Your Darlings” is a film that managed to do a fine job of showcasing these four individuals, the life they lived during that time but also creating a story with factual elements but also a story with fictional elements regarding the friendship and relationship between Allen Ginsberg and Lucien Carr.
The acting for the film is well-done, the production design and music for the film was well-done. But what I enjoyed about the film is the writing and how both John Krokidas and Austin Bunn were able to bring out their characters for this smart and enjoyable film.
As for the Blu-ray release, picture quality is very good but it’s not a film that will be seen for being vibrant. Picture quality is very good, especially during the closeups, lossless audio is primarily dialogue driven but dialogue and music is crystal clear. Special features are also insightful, from the audio commentary but also a Q&A between director John Krokidas and writer Austin Bunn that really goes into the making of the film, but also the challenges they faced. And how Krokidas was about to quit his filmmaking career because of the challenges he faced until “Kill Your Darlings” became a reality and was made to a feature film.
There have been a dozen of films about the Beat Generation, and while not completely factual, “Kill Your Darlings” is no doubt one of the better films to depict all four members. Granted, cineaste will no doubt want to check out David Cronenberg’s 1991 film “Naked Lunch” (based on William S. Burrough’s 1959 novel) and others may enjoy the 2012 adventure film “On the Road” (an adaptation of Jack Kerouac’s 1957 novel) directed by Walter Salles. And also the 2012 experimental film “Howl” (which explores Allen Ginsberg’s well-known poem “Howl”) directed by Rob Epstein and Jeffrey Friedman.
Featuring a wonderful performance by Daniel Radcliffe and Dane DeHaan, “Kill Your Darlings” is a stylish, dark and entertaining film about the Beat Generation worth checking out!
“The Patience Stone” is unlike any film that I have ever seen, especially how the film tackles situations that may be considered tabu in the Middle East. I really enjoyed the film for its bold storyline and wonderful performance. It may not be for everyone but I definitely recommend this film for those with an open mind!
© 2013 Razor Film Produktion GmbH, The Film SAS, Arte France Cinema, Corniche Pictures, Jahan-e-Honar Productions and Orange Studio. All Rights Reserved.
DVD TITLE: The Patience Stone
DATE OF FILM RELEASE: 2013
DURATION: 102 Minutes
DVD INFORMATION: 2:35:1, Anamorphic Widescreen, Persian/Farsi 5.1 Dolby Digital, Subtitles: Engish, English, SDH
COMPANY: Sony Picture Classics
RATED: R (For Sexual Content, Some violence and Language)
RELEASE DATE: March 11, 2014
Directed by Atiq Rahimi
Scenario by Jean-Claude Carriere and Atiq Rahimi
Novel by Atiq Rahimi
Produced by Michael Gentile
Co-Produced by Remi Burah, Gerhard Meixner, Roman Paul
Executive Producer: Bendeicte Bellocq, Hani Farsi
Associate Producer: Lauraine Heftler, Verona Meier, David Pierret
Cinematography by Theirry Arbogast
Edited by Herve de Luze
Production Design by Erwin Prib
Costume Design by Malek Jahan Khazai
Golshifteh Farahan as the Woman
Hamid Djavadan as The Man
Hassina Burgan as The Aunt
Massi Mrowat as The Young Soldier
Mohamed Al Maghraoui as The Mullah
In a country torn apart by war, a young woman watches over her older husband. A bullet in the neck has reduced him to a comatose state. One day, the woman’s vigil changes. She begins to speak truth to her silent husband, telling him about her suffering, her dreams, and secrets. After years of living under his control, with no voice of her own, she says things she could never have spoken before. Her husband has unconsciously become syngué sabour (THE PATIENCE STONE) – a magical black stone that, according to Persian mythology, absorbs the plight of those who confide in it. The woman’s confessions are extraordinary and without restraint. But after weeks of looking after her husband, she begins to act, discovering herself in the relationship she starts with a young soldier. THE PATIENCE STONE is adapted from the best-selling novel by Atiq Rahimi.
In 2008, French-Afghan writer Atiq Rahimi, wrote the critically acclaimed novel titled “The Patience Stone”.
Regarded as an important book giving voice that explores the turmoil and thoughts, no matter how dark, how sexual of a Middle Eastern woman, suffice to say, it’s not a common thing to see a woman portrayed in such a a way. As women continue to have no voice in the Middle East, and as women fight for their own rights, “The Patience Stone” is a surprising and yet entertaining film that one can enjoy for its unique portrayal of a Middle Eastern woman telling her deepest and darkest thoughts to her deathly sick husband.
It’s audacious and there is no doubt that the story is deserving of the praise and criticism because it’s so daring and so different.
And sure enough, what best than to see such a storyline adapted into a film.
Directed by the original author Atiq Rahimi, “The Patience Stone” would star actress Golshifteh Farahani (“Body of Lies”, “About Elly”), an Iranian model and actress who, like the film, has received praise and criticism for her topless model photoshoots. A woman who is daring to fight the conservatism of traditional practices, suffice to say, she is the right person to play the protagonist, the woman.
“The Patience Stone” is a reference to a magical black stone in Persian folklore that absorbs the plight of those who confide in it and due to the hardship and pain, the stone blows up and leads to the apocalypse.
For the film, “The Patience Stone” refers to the husband (portrayed by Hamid Djavadan), a war hero, who got into an argument and was shot in the neck. Now he is near death and comatose but his young wife (portrayed by Golshifteh Farahani) is told by the Mullah that he should be given medicine to keep him alive.
And for the woman, she is determined in taking care of her husband, for her two daughters sake and the fact that all her family have left her. Her closest confidant, her aunt (portrayed by Hassina Burgan) is all that she has left, but even she has left the war torn area of Afghanistan.
And when the war comes too close to home as the woman’s neighbors are murdered by soldiers, the woman is determined in taking care of her husband but must find her aunt, so she can leave her kids with her temporarily. We learn that the woman’s aunt is a prostitute who was left behind by her husband because she is unable to have children, and so she was raped by her father-in-law until she killed him. But the woman’s aunt is her true confidant and one that has helped the woman through her toughest times.
But while the woman tries to take care of her husband by feeding him, soldiers have come in to her home and as one could have raped her, she tells them she is a prostitute and is spat on by the man who is disgraced by the woman for selling her body.
Her aunt tells her that she made the right move because men have no problems raping a virgin but they will never rape a whore.
But as the woman goes back to her husband to feed and care of him, she starts to talk about the difficult life she had with her husband to him. How she was always stuck at home as he was at war, that during their marriage, his dagger was there in his place.
But the woman is blunt about her emotions. How she feels that men wanted her body, how many masturbated to her, wanted to have sex with her and when she was in the mood around her husband, she wanted to play with herself but because her husband would see it as unnatural, she was made to sleep with the children in the other room.
But one day, after a young soldier (with a severe stuttering problem) tries to pay for services with her, at first she is unnerved about nearly being raped but needing money to take care of her husband and her family, she realizes that perhaps she can make money selling her body. And also be pleasured sexually, which her husband can’t do.
But the more this woman begins to be lost about her life as a wife and a woman of religion, her taste of freedom and sexual freedom begin to take over her and she begins to have this inner turmoil about whether to pursue her true feelings or to be the traditional wife to watch and care over her husband, no matter how bad things are and the fact that he may never come back to life.
And as the free spirit of the woman begins to emerge, also unleashed are the skeletons in her closet.
VIDEO & AUDIO:
“The Patience Stone” is presented in 2:35:1 aspect ratio (Anamorphic Widescreen), Persian/Farsi 5.1 Dolby Digital.
Picture quality is good as one can expect on DVD as the film utilized natural lighting. The film was shot with Canon 5D Mark II’s and shots were done in Turkey and Afghanistan.
While picture quality is good, the film is pretty much dialogue driven and there are some aspects with bomb blasts that will catch you by surprise thanks to the sound effects of bombs going off.
Subtitles are in English and English SDH.
“The Patience Stone” features the following special features:
- Making of “The Patience Stone” – (29:42) Behind-the-scenes making of the Patience Stone
- Theatrical Trailer – (2:01) Theatrical trailer for “The Patience Stone”.
In every country, you come across films that are audacious and shocking to their culture.
From Nagisa Oshima’s “In the Realm of Senses” which was banned in Japan and even in America with “Deep Throat” which was banned throughout the United States during its release, there are many films that are controversial for various reasons.
“The Patience Stone” is a film that may not be a sexual film in the sense of the two films I just mentioned but its the discussion of private thoughts from a woman, dirty thoughts from a Middle Eastern woman, that is rather intriguing because we are aware that rights for females is restricted.
Women are fighting for equalization, some fight against the culture and its conservatism and with “The Patience Stone”, at first the film plays off a storyline about a young wife trying to take care of her husband who was shot in the neck after an accident and he is near dead, but has been using all her money in order to keep her husband alive and in hopes he will make a full recovery.
And as the film plays out like a woman who will do anything for her man because she loves him, we start to see her discussions start to become bolder and much more antagonistic towards her husband because of the restrictions placed on a woman’s right of freedom or expression.
Having to face a strict lifestyle with her husband, the woman has no choice but to abide by his rules. Do things by his rules and for her, she wants to explore the thoughts that she has in her head, may it be her feeling towards the war that has led to the deaths of her neighbors and even putting herself in harms way.
But after seeing how men during the war treat woman like they are meat and want to have sex with them without remorse and how women take up a profession of being a whore because they need to make money, we see this woman changing her tone with her discussions with her husband that lies there. She feels that he must listen to her as he can’t do anything to hurt her and so one-by-one, we start to hear about her fantasies as well as revealing the skeletons in her closet.
Actress Golshifteh Farahan is quite amazing for playing such a role in which all the work falls on her shoulders. Most of the dialogue in the film is her in conversations with her husband and it was no doubt a stressful role for the actress as she even felt herself falling in the path of madness of her character. From many pages of dialogue that she had to remember in a short amount of time but to live and breath like this character who goes through a transformation.
It’s a bold film which I never would expect to watch a film in the Middle East featuring women discuss their sex lives and sexual exploits, it just doesn’t happen and the things discussed in the film are no doubt tabu, that I can understand if the film received its tough criticism, especially for those who are religious or came from a traditional upbringing.
The DVD is presented in 2:35:1 aspect ratio, while picture quality is good as what one can expect on DVD, audio is presented in Persian/Farsi 5.1 and English subtitles are easy to read. You also get a making of special feature which shows us how things were behind-the-scenes as they filmed in Turkey and also in Afghanistan.
Overall, “The Patience Stone” is an audacious film in one aspect, but also a wonderful film featuring a fantastic performance by actress Golshifteh Farahan with a role that defies Middle East traditional and conservative practices. I can see audiences who will praise this film for being non-traditional and bold, while others who are religious, become upset with how the film engages topics that are tabu and a woman going against a culture.
But “The Patience Stone” is unlike any film that I have ever seen, especially how the film tackles situations that may be considered tabu in the Middle East. I really enjoyed the film for its bold storyline and wonderful performance. It may not be for everyone but I definitely recommend this film for those with an open mind!