Featuring a wonderful performance by Daniel Radcliffe and Dane DeHaan, “Kill Your Darlings” is a stylish, dark and entertaining film about the Beat Generation worth checking out!
© 2013 KYD Film LLC. All Rights Reserved.
TITLE: Kill Your Darlings
FILM RELEASE: 2013
DURATION: 103 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition, 2:40:1 aspect ratio, English 5.1 DTS-HD MA, Czech, Polish VO 5.1 Dolby Digital, Subtitles: English
COMPANY: Sony Pictures Classics
RATED: R (For Sexual Content, Language, Drug Use and Brief Violence)
Release Date: March 18, 2014
Directed by John Krokidas
Written by Austin Bunn and John Krokidas
Produced by Michael Benaroya, Rose Ganguzza, John Krokidas, Christine Vachon
Co-Producer as Rose Ganguzza, James Lejsek, Sierra Nielsen, Missy Papageorge
Associate Producer: Matthew Vose Campbell, David Hinojosa
Executive Producer as Jared Goldman, Joe Jenckes, Randy Manis
Music by Nico Muhly
Cinematography by Reed Morano
Edited by Brian A. Kates
Casting by Lauren Rosenthal
Production Design by Stephen H. Carter
Art Direction by Alexios Chrysikos
Set Decoration by Sarah E. McMillan
Costume Design by Christopher Peterson
Daniel Radcliffe as Allen Ginsberg
Dane Dehaan as Lucien Carr
Michael C. Hall as David Kammerer
Jack Huston as Jack Kerouac
Ben Foster as William Burroughs
David Cross as Louis Ginsberg
Jennifer Jason Leigh as Naomi Ginsberg
Elizabeth Olsen as Edie Parker
When Allen Ginsberg (Daniel Radcliffe) is accepted at Columbia, he finds stuffy tradition clashing with daringly modern ideas and attitudes – embodied by Lucien Carr (Dane DeHaan). Lucien is an object of fascination for shy, unsophisticated Allen, and soon he is drawn into Lucien’s hard-drinking, jazz-clubbing circle of friends, including William Burroughs (Ben Foster) and David Kammerer (Michael C. Hall), who clearly resents Allen’s position as Lucien’s new sidekick. A true story of friendship, love and murder, Kill Your Darlings recounts the pivotal year that changed Allen Ginsberg’s life forever and provided the spark for him to start his creative revolution.
For filmmaker John Krokidas and writer Austin Bunn, both men would be inspired by the work of those who are from the Beat Generation which included famous poet, Alan Ginsberg.
As closet gay young men at the time, the work of Allan Ginsberg, William S. Burroughs and Jack Kerouac were inspirational for both men and the true story that revolved around the Beat Generation’s Lucien Carr and the murder of David Kammerer, a former English teacher who was obsessed with Lucian and stalked him wherever he went.
Wanting to focus on the introduction of the Beat Generation and the murder of David Kammerer, years of trying to craft the film, “Kill Your Darlings” was created.
The biographical drama film would star Daniel Radcliffe (“Harry Potter” films), Dane DeHaan (“Lincoln”, “Chronicle”, “Lawless”), Michael C. Hall (“Paycheck”, “Six Feet Under”), “Dexter”), Jack Huston (“American Hustle”, “Outlander”), Ben Foster (“3:10 to Yuma”, “Pandorum”), David Cross (“Eternal Sunshine”, “Arrested Development”), Jennifer Jason Leigh (“Fast Times at Ridgemont High”, “The Machinist”) and Elizabeth Olsen (“Oldboy”, “Martha Marcy May Marlene”).
And “Kill Your Darlings” would go on to receive positive reviews from film critics. And now the film will be released on Blu-ray+DVD from Sony Pictures Classics.
“Kill Your Darlings” is a film that is set in the early 1940’s and revolves around Allen Ginsberg (portrayed by Daniel Radcliffe), son of writer Louis Ginsberg who is from a troubled home and is trying to get a fresh start in life at his college.
But when he comes across a fellow intellectual named Lucien Carr (portrayed by Dane DeHaan), he is introduced to other writers such as Jack Kerouac (portrayed by Jack Huston) and William Burroughs (portrayed by Ben Foster), and these writers would be known as the Beat Generation, a group of writers that were non-traditional and controversial for their time. Challenging their professors but also challenging each other, these friends, they inspired each other to push themselves outside of boundaries to experience and experiment.
And as Ginsberg and Carr begin to form a close friendship which would inspire Ginsberg to become a writer, Carr would have to deal with a stalker named David Kammerer, which would one day lead to a murder that would eventually shatter the Beat Generation.
“Kill Your Darlings” is presented in 2:40:1 aspect ratio and in 1080p High Definition. The film manages to have this 1950’s look, with the choice of colors that is more cooler and less vibrant. Closeups of the characters show amazing detail and for the most part, manages to look like a film that was set in the ’40s. I did not notice any artifacts or banding issues during my viewing of the film.
AUDIO & SUBTITLES:
“Kill Your Darlings” is presented in English 5.1 DTS-HD MA and Greek and Polish VD 5.1 Dolby Digital. The film is primarily dialogue and musically driven, which both are crystal clear through the center and front channels. Some scenes with crowds or parties utilize the surround channels for ambiance, but for the most part, the film is center and front-channel driven.
Subtitles are in English.
“Kill Your Darlings” comes with the following special features:
- Audio Commentary – Featuring audio commentary from director John Krokidas, actors Daniel Radcliffe, Dane DeHaan and writer Austin Bunn.
- Q&A with John Krokidas and Austin Bunn – (1:05:39) An informative Q&A with John Krokidas and Austin Bunn.
- In Conversation with Daniel Radcliffe and Dane DeHaan – (6:05) Jenelle Riley interviews Daniel Radcliffe and Dane DeHaan.
- On the Red Carpet at the Toronto Film Festival – (7:30) Director John Krokidas, writer Austin Bunn and the cast arriving to the red carpet.
- Deleted Scenes - (7:26) Featuring seven deleted scenes.
- Theatrical Trailer – (2:05) Theatrical trailer for “Kill Your Darlings”.
I know many friends who are influenced by certain groups of the past. May it be the Cahiers du Cinema writers in France during the French Nouvelle, the early creatives of Weimar-era Berlin, the creatives of Urban Bohemia of early Greenwich Village, to name a few.
But for writers, there are those who are influenced by the Beat Generation, American post-World War II writers of the 1950’s. The prominent names affiliated with the Beat Generation are Allen Ginsberg, William S. Burrough and Jack Kerouac.
But unlike other groups that were well-respected and loved, the Beat Generation also had their dark years that revolved around a murder involving a an important friend of those in the Beat Generation, Lucien Carr, a man who would be known for his work as an editor at United Press International but in the past, a man known for introducing Ginsberg, Burrough and Kerouac to one another.
I’ve always been fascinated by this story because these young men were wild, free but yet intellectuals, how were these young men involved in something so dark?
And this is where I found myself looking forward to John Krokidas and Austin Bunn’s film “Kill Your Darlings”. A film that may be highlighted for Daniel Radcliffe’s acting post-Harry Potter, but for me, it was a film that showcased the Beat Generation, in its minimal glory, it’s defiance and sexuality but also the brutality of the murder of stalker, David Krammerer.
What I enjoyed about the film is how it brought out its ensemble cast and not solely focusing on one certain member. Allen Ginsberg and Louis Carr are the primary talents of the film but the four major players of the Beat Generation are featured.
The portrayal of Radcliffe’s Allen Ginsberg was a young man from a troubled home who found solace with the members of the Beat Generation. A young man raised by a father who was a writer but was a literary rebel. But the film was able to take Radcliffe and use his talent as a thespian, which he has honed in theater and also in other films, trying to break out of the Harry Potter stigma and become Allen Ginsberg, a man trying to discover himself, while being closeted in his sexuality during the 1950’s.
For Ben Foster’s portrayal of postmodernist author William S. Burrough, the portrayal was a man who was born of wealth but also a man who would engage in narcotics which would play a big part in Burrough’s successful work, “Naked Lunch”. It’s important to note that Lucien Carr was not the other black mark on the Beat Generation as William S. Burrough was also convicted for the murder of his common-law wife, Joan Vollmer (both Burrough and Volmer were drunk and she was killed accidentally during a game of “William Tell), the most prominent female member of the Beat Generation.
Jack Huston’s portrayal of novelist and poet Jack Kerouac, a close friend of Lucien Carr and his relationship with Edie Parker (portrayed by Elizabeth Olson) was featured in the film. Kerouac who is known for his literary work, was also imprisoned for his role in assisting Lucien Carr in the murder.
But if there was one person who was quite notable for his role in the film was Dane DeHaan’s portrayl of Lucien Carr. An exceptional student, an intellectual who is seen befriending Allen Ginsberg and introducing him to the other Beat Generation members. The writing and portrayal of Lucien Carr by writer Austin Bunn was fantastic. In one scene, we see Lucien Carr and Allen Ginsberg going to a party in which a woman kisses Carr. When Ginsberg asks Carr if he knew the woman, Carr tells Ginsberg “No, I don’t plan to. She tasted in imported sophistication of domestic cigarettes”.
But the film would showcase the friendship and the romantic/sexual relationship between Lucien Carr and Allen Ginsberg (note: Which I have never seen any factual information the two did have a sexual relationship but it is known that Ginsberg was attracted to Carr).
As the film shows Carr’s intelligence, it also shows is weakness and that is his relation to David Kammerer.
While the film showcases Kammerer as a man respected amongst his peers, but a man jealous of Carr’s association with Ginsberg. But in reality, life for Carr was problematic since the age of 14. Kammerer who was a family friend of William S. Burrough, became infatuated with Lucien Carr. So badly that each school that Lucien Carr would move to, Kammerer would follow.
It was probably one of the high-profiled cases of stalking leading to murder in American history but also a murder compounded in conservative America of a story of an obsessed homosexual man trying to go after a young heterosexual man, which was used in Carr’s self-defense.
But “Kill Your Darlings” is a film that managed to do a fine job of showcasing these four individuals, the life they lived during that time but also creating a story with factual elements but also a story with fictional elements regarding the friendship and relationship between Allen Ginsberg and Lucien Carr.
The acting for the film is well-done, the production design and music for the film was well-done. But what I enjoyed about the film is the writing and how both John Krokidas and Austin Bunn were able to bring out their characters for this smart and enjoyable film.
As for the Blu-ray release, picture quality is very good but it’s not a film that will be seen for being vibrant. Picture quality is very good, especially during the closeups, lossless audio is primarily dialogue driven but dialogue and music is crystal clear. Special features are also insightful, from the audio commentary but also a Q&A between director John Krokidas and writer Austin Bunn that really goes into the making of the film, but also the challenges they faced. And how Krokidas was about to quit his filmmaking career because of the challenges he faced until “Kill Your Darlings” became a reality and was made to a feature film.
There have been a dozen of films about the Beat Generation, and while not completely factual, “Kill Your Darlings” is no doubt one of the better films to depict all four members. Granted, cineaste will no doubt want to check out David Cronenberg’s 1991 film “Naked Lunch” (based on William S. Burrough’s 1959 novel) and others may enjoy the 2012 adventure film “On the Road” (an adaptation of Jack Kerouac’s 1957 novel) directed by Walter Salles. And also the 2012 experimental film “Howl” (which explores Allen Ginsberg’s well-known poem “Howl”) directed by Rob Epstein and Jeffrey Friedman.
Featuring a wonderful performance by Daniel Radcliffe and Dane DeHaan, “Kill Your Darlings” is a stylish, dark and entertaining film about the Beat Generation worth checking out!
“The Patience Stone” is unlike any film that I have ever seen, especially how the film tackles situations that may be considered tabu in the Middle East. I really enjoyed the film for its bold storyline and wonderful performance. It may not be for everyone but I definitely recommend this film for those with an open mind!
© 2013 Razor Film Produktion GmbH, The Film SAS, Arte France Cinema, Corniche Pictures, Jahan-e-Honar Productions and Orange Studio. All Rights Reserved.
DVD TITLE: The Patience Stone
DATE OF FILM RELEASE: 2013
DURATION: 102 Minutes
DVD INFORMATION: 2:35:1, Anamorphic Widescreen, Persian/Farsi 5.1 Dolby Digital, Subtitles: Engish, English, SDH
COMPANY: Sony Picture Classics
RATED: R (For Sexual Content, Some violence and Language)
RELEASE DATE: March 11, 2014
Directed by Atiq Rahimi
Scenario by Jean-Claude Carriere and Atiq Rahimi
Novel by Atiq Rahimi
Produced by Michael Gentile
Co-Produced by Remi Burah, Gerhard Meixner, Roman Paul
Executive Producer: Bendeicte Bellocq, Hani Farsi
Associate Producer: Lauraine Heftler, Verona Meier, David Pierret
Cinematography by Theirry Arbogast
Edited by Herve de Luze
Production Design by Erwin Prib
Costume Design by Malek Jahan Khazai
Golshifteh Farahan as the Woman
Hamid Djavadan as The Man
Hassina Burgan as The Aunt
Massi Mrowat as The Young Soldier
Mohamed Al Maghraoui as The Mullah
In a country torn apart by war, a young woman watches over her older husband. A bullet in the neck has reduced him to a comatose state. One day, the woman’s vigil changes. She begins to speak truth to her silent husband, telling him about her suffering, her dreams, and secrets. After years of living under his control, with no voice of her own, she says things she could never have spoken before. Her husband has unconsciously become syngué sabour (THE PATIENCE STONE) – a magical black stone that, according to Persian mythology, absorbs the plight of those who confide in it. The woman’s confessions are extraordinary and without restraint. But after weeks of looking after her husband, she begins to act, discovering herself in the relationship she starts with a young soldier. THE PATIENCE STONE is adapted from the best-selling novel by Atiq Rahimi.
In 2008, French-Afghan writer Atiq Rahimi, wrote the critically acclaimed novel titled “The Patience Stone”.
Regarded as an important book giving voice that explores the turmoil and thoughts, no matter how dark, how sexual of a Middle Eastern woman, suffice to say, it’s not a common thing to see a woman portrayed in such a a way. As women continue to have no voice in the Middle East, and as women fight for their own rights, “The Patience Stone” is a surprising and yet entertaining film that one can enjoy for its unique portrayal of a Middle Eastern woman telling her deepest and darkest thoughts to her deathly sick husband.
It’s audacious and there is no doubt that the story is deserving of the praise and criticism because it’s so daring and so different.
And sure enough, what best than to see such a storyline adapted into a film.
Directed by the original author Atiq Rahimi, “The Patience Stone” would star actress Golshifteh Farahani (“Body of Lies”, “About Elly”), an Iranian model and actress who, like the film, has received praise and criticism for her topless model photoshoots. A woman who is daring to fight the conservatism of traditional practices, suffice to say, she is the right person to play the protagonist, the woman.
“The Patience Stone” is a reference to a magical black stone in Persian folklore that absorbs the plight of those who confide in it and due to the hardship and pain, the stone blows up and leads to the apocalypse.
For the film, “The Patience Stone” refers to the husband (portrayed by Hamid Djavadan), a war hero, who got into an argument and was shot in the neck. Now he is near death and comatose but his young wife (portrayed by Golshifteh Farahani) is told by the Mullah that he should be given medicine to keep him alive.
And for the woman, she is determined in taking care of her husband, for her two daughters sake and the fact that all her family have left her. Her closest confidant, her aunt (portrayed by Hassina Burgan) is all that she has left, but even she has left the war torn area of Afghanistan.
And when the war comes too close to home as the woman’s neighbors are murdered by soldiers, the woman is determined in taking care of her husband but must find her aunt, so she can leave her kids with her temporarily. We learn that the woman’s aunt is a prostitute who was left behind by her husband because she is unable to have children, and so she was raped by her father-in-law until she killed him. But the woman’s aunt is her true confidant and one that has helped the woman through her toughest times.
But while the woman tries to take care of her husband by feeding him, soldiers have come in to her home and as one could have raped her, she tells them she is a prostitute and is spat on by the man who is disgraced by the woman for selling her body.
Her aunt tells her that she made the right move because men have no problems raping a virgin but they will never rape a whore.
But as the woman goes back to her husband to feed and care of him, she starts to talk about the difficult life she had with her husband to him. How she was always stuck at home as he was at war, that during their marriage, his dagger was there in his place.
But the woman is blunt about her emotions. How she feels that men wanted her body, how many masturbated to her, wanted to have sex with her and when she was in the mood around her husband, she wanted to play with herself but because her husband would see it as unnatural, she was made to sleep with the children in the other room.
But one day, after a young soldier (with a severe stuttering problem) tries to pay for services with her, at first she is unnerved about nearly being raped but needing money to take care of her husband and her family, she realizes that perhaps she can make money selling her body. And also be pleasured sexually, which her husband can’t do.
But the more this woman begins to be lost about her life as a wife and a woman of religion, her taste of freedom and sexual freedom begin to take over her and she begins to have this inner turmoil about whether to pursue her true feelings or to be the traditional wife to watch and care over her husband, no matter how bad things are and the fact that he may never come back to life.
And as the free spirit of the woman begins to emerge, also unleashed are the skeletons in her closet.
VIDEO & AUDIO:
“The Patience Stone” is presented in 2:35:1 aspect ratio (Anamorphic Widescreen), Persian/Farsi 5.1 Dolby Digital.
Picture quality is good as one can expect on DVD as the film utilized natural lighting. The film was shot with Canon 5D Mark II’s and shots were done in Turkey and Afghanistan.
While picture quality is good, the film is pretty much dialogue driven and there are some aspects with bomb blasts that will catch you by surprise thanks to the sound effects of bombs going off.
Subtitles are in English and English SDH.
“The Patience Stone” features the following special features:
- Making of “The Patience Stone” – (29:42) Behind-the-scenes making of the Patience Stone
- Theatrical Trailer – (2:01) Theatrical trailer for “The Patience Stone”.
In every country, you come across films that are audacious and shocking to their culture.
From Nagisa Oshima’s “In the Realm of Senses” which was banned in Japan and even in America with “Deep Throat” which was banned throughout the United States during its release, there are many films that are controversial for various reasons.
“The Patience Stone” is a film that may not be a sexual film in the sense of the two films I just mentioned but its the discussion of private thoughts from a woman, dirty thoughts from a Middle Eastern woman, that is rather intriguing because we are aware that rights for females is restricted.
Women are fighting for equalization, some fight against the culture and its conservatism and with “The Patience Stone”, at first the film plays off a storyline about a young wife trying to take care of her husband who was shot in the neck after an accident and he is near dead, but has been using all her money in order to keep her husband alive and in hopes he will make a full recovery.
And as the film plays out like a woman who will do anything for her man because she loves him, we start to see her discussions start to become bolder and much more antagonistic towards her husband because of the restrictions placed on a woman’s right of freedom or expression.
Having to face a strict lifestyle with her husband, the woman has no choice but to abide by his rules. Do things by his rules and for her, she wants to explore the thoughts that she has in her head, may it be her feeling towards the war that has led to the deaths of her neighbors and even putting herself in harms way.
But after seeing how men during the war treat woman like they are meat and want to have sex with them without remorse and how women take up a profession of being a whore because they need to make money, we see this woman changing her tone with her discussions with her husband that lies there. She feels that he must listen to her as he can’t do anything to hurt her and so one-by-one, we start to hear about her fantasies as well as revealing the skeletons in her closet.
Actress Golshifteh Farahan is quite amazing for playing such a role in which all the work falls on her shoulders. Most of the dialogue in the film is her in conversations with her husband and it was no doubt a stressful role for the actress as she even felt herself falling in the path of madness of her character. From many pages of dialogue that she had to remember in a short amount of time but to live and breath like this character who goes through a transformation.
It’s a bold film which I never would expect to watch a film in the Middle East featuring women discuss their sex lives and sexual exploits, it just doesn’t happen and the things discussed in the film are no doubt tabu, that I can understand if the film received its tough criticism, especially for those who are religious or came from a traditional upbringing.
The DVD is presented in 2:35:1 aspect ratio, while picture quality is good as what one can expect on DVD, audio is presented in Persian/Farsi 5.1 and English subtitles are easy to read. You also get a making of special feature which shows us how things were behind-the-scenes as they filmed in Turkey and also in Afghanistan.
Overall, “The Patience Stone” is an audacious film in one aspect, but also a wonderful film featuring a fantastic performance by actress Golshifteh Farahan with a role that defies Middle East traditional and conservative practices. I can see audiences who will praise this film for being non-traditional and bold, while others who are religious, become upset with how the film engages topics that are tabu and a woman going against a culture.
But “The Patience Stone” is unlike any film that I have ever seen, especially how the film tackles situations that may be considered tabu in the Middle East. I really enjoyed the film for its bold storyline and wonderful performance. It may not be for everyone but I definitely recommend this film for those with an open mind!
“Austenland” is a solid directorial debut for Jerusha Hess and a romantic comedy that is a lot of fun and features a solid cast, but for story, it’s average at best.
© 2013 Fickle Fish Films, LLC. All Rights Reserved.
DVD TITLE: Austenland
DATE OF FILM RELEASE: 2013
DURATION: 94 Minutes
DVD INFORMATION: 2:40:1, Anamorphic Widescreen, English, French, Portuguese, Spanish, Thai 5.1 Dolby Digital, Subtitles: Engish, English, SDH, Chinese, French, Korean, Portuguese, Spanish, Thai
COMPANY: Sony Picture Classics
RATED: PG-13 (Some Suggestive Content and Innuendo)
RELEASE DATE: February 11, 2014
Directed by Jerusha Hess
Based on the novel by Shannon Hale
Written by Jerusha Hess, Shannon Hale
Producer: Stephanie Meyer, Gina Mingacci
Executive Producer: Robert Fernandez, Dan Levinson
Associate Producer: Jared Hess, Meghan Hibbett
Co-Producer: Jane Hooks
Cinematography by Larry Smith
Music by Ilan Eshkeri
Edited by Nick Fenton
Casting by Nicole Daniels, Michelle Guish, Courtney Sheinin
Production Design by James Merifield
Art Direction by Patrick Rolfe
Set Decoration by Jacqueline Abrahams
Costume Design by Annie Hardinge
Keri Russell as Jane Hayes
JJ Feild as Mr. Henry Nobley
Bret McKenzie as Martin
Jennifer Coolidge Miss Elizabeth Charming
James Callis as Colonel Andrews
Georgia King as Lady Amelia Heartwright
Rupert Vansittart as Mr. Wattlesbrook
Ricky Whittle as Captain East
Jane Seymour as Mrs. Wattlesbrook
Ayda Field as Molly
Ruben Crow as Chad
Demetri Goritsas as Jimmy
Jane Hayes’s (Keri Russell) adoration of all things Jane Austen is complicating her love life. Determined to be the heroine of her own story, Jane spends her life savings on a trip to Austenland, an eccentric resort where guests experience complete immersion in the Regency era. Armed with her bonnet, corset and needlepoint, Jane strives to avoid spinsterhood … but has a difficult time determining where fantasy ends and real life—and maybe even love—begins. Jennifer Coolidge (Legally Blonde) and Jane Seymour (Wedding Crashers) also star in this charming romantic comedy.
From Jerusha Hess, the writer and producer of the comedies “Napoleon Dynamite”, “Gentlemen Broncos” and “Nacho Libre”, comes her directorial debut, “Austenland”.
The film based on Shannon Hale’s novel of the same title, is a British-American romantic comedy produced by “Twilight” writer Stephanie Meyer and stars Keri Russell (“Felicity”, “Mission: Impossible III”), JJ Feild (“Captain America”, “Centurion”), Bret McKenzie (“The Hobbit: An Unexpected Journey”, “The Lord of the Rings: The Return of the King”, “The Muppets”), Jennifer Coolidge (“American Pie”, “Legally Blonde”), James Callis (“Battlestar Galactica”), “Bridget Jones” films), Jane Seymour (“Dr. Quinn, Medicine Woman”, “Wedding Crashers”, “Live and Let Die”), Georgia King (“The Duchess”, “One Day”), Ricky Whittle (“Single Ladies”, “Hollyoaks”) and Rupert Vansittart (“Braveheart”, “Four Weddings and a Funeral”).
The film premiered at the 2013 Sundance Film Festival and had a limited screening around the United States. And now, “Austenland” will be released on Blu-ray and DVD courtesy of Sony Pictures Classics.
“Austenland” is a film that revolves around Jane Hayes (portrayed by Keri Russell), a 30-year-old woman who has been obsessed with “Pride & Prejudice” and Colin Firth’s portrayal of Mr. Darcy. Wanting an English man, in hopes of finding her Mr. Darcy, she decides to spend her entire savings on a trip to the Jane Austen-themed resort in England known as “Austenland”.
Ran by Mrs. Wattlesbrook (portrayed by Jane Seymour), Jane meets others who are fans such as the man-hunting Elizabeth Charming (portrayed by Jennifer Coolidge), the suave Mr.Henry Nobley (portrayed by JJ Feild), the servant and bad singing Martin (portrayed by Bret McKenzie), the cold Englishwoman Lady Amelia Heartwright (portrayed by Georgia King) and the often shirtless Captain George East (portrayed by Ricky Whittle).
And as everyone at Austenland tries to live their life as it was back in the early 1800’s, as depicted in Jane Austen’s 1813 novel “Pride and Prejudice”, will life for Jane Hayes be as she imagined and will she meet her Mr. Darcy at Austenland?
VIDEO & AUDIO:
“Austenland” is presented in 2:40:1 aspect ratio (Anamorphic Widescreen) and English, French, Portuguese, Spanish and Thai 5.1 Dolby Digital. It’s important to note that if you want the best picture and audio quality, you will want to go for the Blu-ray version of the film.
Picture quality is good as one can expect on DVD, the film is pretty much dialogue driven but there is a lot of ’80s music that is played throughout the movie, but for the most part, dialogue and music is clear through the front and center channel.
Subtitles are in English, English SDH, Chinese, French, Korean, Portuguese, Spanish and Thai.
“Austenland” features the following special features:
- Audio Commentary – Featuring audio commentary by Jerusha Hess and Stephanie Meyer.
- Q&A – (32:44) Q&A with Keri Russell, Jennifer coolidge, Janey Seymour, Bret McKenzie, Georgia King, JJ Feild, Ricky Whittle and James Callis.
- Theatrical Trailer – (2:07) Theatrical trailer for “Austenland”.
I have to admit that I am a fan of Jerusha Hess films.
The films that she has written are quirky, humorous and just a lot of fun!
So, as a person familiar with Jane Austen novels, let alone knowing people who are fans of her novels and finding out that Jerusha Hess was directing the film adaptation of Sarah Hale’s “Austenland”, suffice to say, I have been looking forward to this film.
First, let’s start off with the positives and what I enjoyed about this film.
It’s great to see Kerri Russell again and to see her playing the role of a Jane Austen fan girl in search of her Mr. Darcy, at first, it may seem too farfetched, but once you see actress Jennifer Coolidge in her role as the typical ditzy, sexy bombshell of a woman that she has played in other films, you know that you are in for a treat!
The idea of a Jane Austen resort is quite fascinating and to see people who want to take part in that world by given the chance to dress like one would in the early 1800’s is rather fascinating. And I suppose, there was a part of me that wanted to see the quirkiness and the humor that Hess put into her films such as “Nacho Libre” or “Napoleon Dynamite” to also be in “Austenland” but as it turns out, we have a film about three women and four men interacting in the resort.
Jennifer Coolidge’s Elizabeth Charming resembles the style and humor of her character of “Legally Blonde” and if anything, you feel you want to see more of Elizabeth, as Jane is often trying to find her Mr. Darcy with a bad singing Martin (portrayed by Bret McKenzie), the very English Mr. Henry Nobley (portrayed by JJ Feild) and as for the sexually ambiguous Colonel Andrews (portrayed by James Callis), he appears to be more eye candy for Elizabeth Charming’s character.
Meanwhile, Georgia King’s character of Lady Amelia Heartwright seems to be an awkward role that is seen going crazy for the often shirtless Captain George East (portrayed by Ricky Whittle).
While I did enjoy the characters, I was taken aback by the whole romance plot. It was less of a love triangle and more of a hodgepodge of men that Jane may seem interested in.
And while most of us who grew up in the ’80s and ’90s will be familiar with the music featured in the film, they often seem out of place because the characters are trying to live in a faux early-1800’s setting.
So, I found the storyline to have a few problems with Jane’s association with various men, I did like the premise of the story because it is unique, crazy and something that is somewhat way out there. Maybe not as a fun as “Nacho Libre” of socially awkward as “Napoleon Dynamite” but fun in its own way. Jane Austen die-hards may find the film too over-the-top but I felt this romantic comedy does have it’s share of hilarious moments from beginning to end, especially the Nelly “Hot in Herre” music video by the cast during the ending credits.
As for the DVD, picture quality and audio quality is good on DVD but one may want to look towards the Blu-ray release for even better picture quality and lossless audio. The special features are very fascinating as the audio commentary features both Jerusha Hess and producer Stephanie Meyer, while the Q&A with the cast is one of the most hilarious Q&A’s post-screening panels I have seen. Once again, Jennifer Coolidge wins the audience with her humor!
Overall, “Austenland” is a solid directorial debut for Jerusha Hess and a romantic comedy that is a lot of fun and features a solid cast, but for story, it’s average at best.
“Wadjda” is a groundbreaking film for Saudi Arabia but also for Saudi women who want more opportunities of freedom and open a dialogue within society. An inspiring film from filmmaker Haifaa Al-Mansour, “Wadjda” is recommended!
© 2012 Razor Film Produktion GmbH and High Look Communications Group. All Rights Reserved.
FILM RELEASE: 2013
DURATION: 97 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition, 1:78:1 aspect ratio, Arabic, French 5.1 DTS-HD MA, Subtitles: English, English SDH, French
COMPANY: Sony Pictures Classics
RATED: PG-13 (For Thematic Elements, Brief Mild Language and Smoking)
Release Date: February 11, 2014
Directed by Haifaa Al-Mansour
Written by Haifaa Al-Mansour
Produced by Gerhard Meixner, Roman Paul
Executive Producer: Bettina Ricklefs, Rena Ronson, Hala Sarhan, Chrstian Granderath, Louise Nemschoff
Music by Max Richter
Cinematography by Lutz Reitemeier
Edited by Andreas Wodraschke
Production Design by Thomas Molt
Art Design by Tarik Saeed
Set Decoration by Maram Algohani
Costume Design by Peter Pohl
Reem Abdullah as Mother
Waad Mohammed as Wadjda
Abdullrahman Al Gohani as Abdullah
Ahd as Ms. Hussa
Sultan Al Assaf as Father
Alanoud Sajini as Fatin
Rafa Al Sanea as Fatima
Dana Abdullilah as Salma
A story set in Saudi Arabia and focused on the experiences of a young girl who challenges her country’s traditions.
For some, filmmaker Haifaa Al-Mansour may be known for her documentary “Women Without Shadows”, while for others, they may recall her appearance on “The Daily Show with John Stewart”, “HARDtalk” and “Real Time with Bill Maher”.
But if there is one accolade in the oeuvre of Al-Mansour, is her Saudi Arabian-German film titled “Wadjda”.
The film has the distinction to be the first feature film shot entirely in Saudi Arabia, the first feature-length film to be made by a female Saudi filmmaker and the film would become the first Saudi Arabian film submitted for consideration for “Best Foreign Language Oscar”.
But the reason why many find Haifaa Al-Mansour’s work important but also controversial is that it showcases how women’s life is in Saudi Arabia and the custom of women wearing an abaya (a dressing that women cloak their heads and shoulders).
So controversial that she has received hate mail and criticism and taking on topics which are typically considered taboo for discussion.
Taking five years to make (getting financial backing in Saudi Arabia is difficult due to the fact that there is no film industry and no movie theaters, the reality is that films are looked as lower than television), with the help of the Sundance Institute and German production company Razor Film, Haifaa Al-Mansour’s goal was to create a film with a message about freedom.
But once receiving the funding, the challenge of filmmaking is the fact that women’s place in society is lower than a man, and since the film was shot in the capital city of Riyadh, the film was often shot behind a van and in accordance to cultural rules, she was not able to mingle with the men in crew and can only communicate via walkie-talkie and observing the actors via a monitor during a shot.
And now Haifaa Al-Mansour’s award winning film will be released on Blu-ray and DVD courtesy of Sony Pictures Classics in Feb. 2014.
“Wadjda” introduces us to a 10-year-0ld girl named Wadjda (portrayed by Waad Mohammed). A free-spirited girl who lives with her mother (portrayed by Reem Abdullah) and her father (portrayed by Sultan Al Assaf).
Quite often, when she travels to school, she races with her friend Abdullah (portrayed by Abdullrahman Algohani), which she often wins but he usually comes back with a bike in which she can’t compete with. So, she vowed that she would ride a bike and beat Abdullah.
Unfortunately, for Saudi girls, it’s not appropriate for girls to ride bikes. It’s considered a practice that is more for boys.
But Wadjda is different. She is into rock music, she doesn’t like to wear her abaya and because of her somewhat rebellious nature, she is often watched by the school head mistress Ms. Hussa (portrayed by Ahd Kamel).
She also doesn’t have a normal homelife. Her mother as a bit of the spunk like her daughter but she is often seen trying to get her husband to stay home and only look towards her, but the truth is that her true distraction is because her husband is intending to take a second wife.
But as her mother won’t buy her a bike and Ms. Hussa wondering if Wadjda will change for the best, Wadjda sets off to find a new way to purchase her bike, by participating in a Qur’an recital competition which the winner can take home around SR1,000 ($270 US).
“Wadjda” is presented in 1:78:1 aspect ratio and features beautiful picture quality. Skin tones are natural, scenes are well-lit and for the most part, the cinematography by Lutz Reitemeier was able to capture the emotions of the characters but also the traditional location and the various environments.
I did not notice any artifacts or banding during my viewing of the film.
AUDIO & SUBTITLES:
“Wadjda” is presented in Arabic and French 5.1 DTS-HD MA. The film is primarily a dialogue driven soundtrack but there are moments where scenes do show a classroom or building room full of children, so there are some use of crowd ambiance for the surround channels. Dialogue is crystal clear.
Subtitles are in English, English SDH and French.
“Wadjda” comes with the following special features:
- Audio Commentary – Featuring audio commentary from director Haifaa Al-Mansour.
- Making of Wadjda – (33:25) A behind-the-scenes look at the making of “Wadjda”, from interviews with the the director, the cast and members of the German production team and the challenges of shooting a film in Riyadh.
- Directors Guild of America Q&A – (38:20) Featuring a Q&A with Haifaa Al-Mansour at a post-screening of “Wadjda” at the Directors Guild of America.
- Theatrical Trailer – (2:04) Theatrical trailer for “Wadjda”.
While I’m not an erudite when it comes to Arabic culture and society, I am aware that women are not seen as equal to men and that women must cover themselves up, nor should they be seen walking or talking with men. And it’s a part of the culture that extends to children as well.
So, watching Haifaa Al-Mansour’s “Wadjda” is fascinating in the fact that we watch a 10-year-old who tries to live a life to the beat of her own drum, being told about the strict rules of the land and how a girl must behave.
For those of us living in America, the idea of boys and girls not being able to play together, hanging out with each other or riding bikes together is hard to fathom but in other countries, this is how their culture is and these are traditions passed down for many generations and possibly centuries.
But as the world begins to change and as women’s rights become a hot topic in countries where women are seen in a lower level as their male counterparts, there are women who are standing up and daring these older society traditions.
For director Haifaa Al-Mansour, her film “Wadjda” may be seen as overly audacious but she was given the opportunity to be Saudi Arabia’s first filmmaker, let alone creating the country’s first feature film. While for cinema, it’s an important distinction, in the country that has no theater’s let alone a country that places television entertainment at the highest point and cinema much lower, sometimes one must create something and possibly try to open dialogue among society, even if it means approaching cultural tradition, even if it is seen as a cultural taboo to discuss these traditions, even if it means taking on the inequality of women compared to men.
From respecting cultural tradition when approaching the film, “Wadjda” is fascinating because it is film in the capital city of Riyadh and this young child named Wadjda (portrayed by Waad Mohammed), is a girl that listens to rock music, doesn’t like to wear her abaya and all she wants is to play with her friend Abdullah and ride a bike with him.
But unfortunately, society forbids her to be seen with a boy in public, her behavior of coming to school without her abaya is seen as troublesome and in her school, she is seen as a rebel and what she does is going against’a girl’s virtue.
Meanwhile, her mother is a mother who also has a bit of spunk in her as well. But mainly when it comes to her husband, a man who wants to have a son and wants to have a second wife in order to make it happen. Wadjda’s mother wants to be sexy and do all she can to convince her father to not find another woman but she knows that it’s a difficult situation.
But as mother tries her best to save her marriage and keep her husband at home, she also must deal with her daughter that has more of a rebellious side and it’s tough.
For first time actress, Waad Mohammed, she embodies that rebellious side and watching the special features included in the “Wadjda” Blu-ray, we start to see part of Wadjda in the character of Waad. Meanwhile, learning that the film features television actresses Reem Abdullah and Ahd who give a solid performance, but it’s the performance that the young Waad Mohammed that makes this film much more entertaining and satisfying.
As for the Blu-ray release, picture quality is fantastic. Skintones are natural, lighting is well-done and cinematography by Lutz Reitemeier was well-done. Lossless audio is primarily dialogue-driven but is crystal clear with surround sound usage primarily ambiance. Special features include a fascinating “making of” featurette and Directors Guild of America Q&A plus an audio commentary with filmmaker Haifaa Al-Mansour.
Overall, “Wadjda” is a groundbreaking film for Saudi Arabia but also for Saudi women who want more opportunities of freedom and open a dialogue within society. An inspiring film from filmmaker Haifaa Al-Mansour, “Wadjda” is recommended!
An intelligent film that is possibly the most tragic of Woody Allen movies and featuring a Oscar-winning performance by Cate Blanchett, “Blue Jasmine” is unlike any Woody Allen film that you will ever see and one that is also thought-provoking at the same time. And for a filmmaker and writer who has continued to direct a new original film nearly every year, for over fifty years, “Blue Jasmine” is another film that makes us feel happy due to its unpredictable nature and ending but also showing is that Woody Allen still has that magic that has captivated generations for many decades. “Blue Jasmine” is recommended!
Images courtesy of © 2013 Gravier Productions, Inc. All Rights Reserved.
TITLE: Blue Jasmine
MOVIE RELEASE DATE: 2013
DURATION: 98 Minutes
DVD INFORMATION: 2:40:1 Anamorphic Widescreen, English and French 5.1 Dolby Digital, Subtitles: English SDH, French
RATED: PG-13 (For Mature Thematica Material Language and Sexual Content)
COMPANY: Sony Pictures Classics/Sony Pictures Home Entertainment
Released Dated: January 21, 2014
Directed by Woody Allen
Written by Woody Allen
Executive Producer: Leroy Schecter, Adam B. Stern
Co-Executive Producer: Jack Rollins
Producer: Letty Aronson, Stephen Tenenbaum, Edward Walson
Co-Producer: Helen Robin
Cinematography by Javier Aguirresarobe
Edited by Alisa Lepselter
Casting by Patricia Kerrigan DiCerto, Juliet Taylor
Production Design by Santo Loquasto
Art Direction: Michael E. Goldman, Doug Huszti
Set Decoration by Kris Boxell, Regina Graves
Costume Design by Suzy Benzinger
Cate Blanchett as Jasmine
Alec Baldwin as Hal
Sally Hawkins as Ginger
Andrew Dice Clay as Augie
Bobby Cannavale as Chili
Max Casella as Eddie
Ali Fedotowsky as Melanie
Louis C.K. as Al
Peter Sarsgaard as Dwight
Poignant, romantic, and mesmerizing, writer/director Woody Allen’s latest masterpiece centers around Jasmine (Cate Blanchett), a former New York socialite teetering on an emotional tightrope, balancing between her troubled east coast past and a fresh start in San Francisco. Having moved into her sister’s humble apartment, Jasmine ricochets between the tumultuous acceptance of her new limitations, and the dreams of reclaiming her past life’s glamour. Join a powerful cast for an intimate portrayal of the battle between fantasy and reality which rages within us all.
Each year, we can always expect a Woody Allen film.
And with each film, many often wonder if Woody Allen (“Annie Hall”, “Manhattan”, “Midnight in Paris”) can retain the brilliance that he has brought to the big screen since the late ’60s.
One of the few living directors in America who has been able to released marketable films but also one of the few filmmakers to be able to release a film nearly every year (since 1971, the only years he did not release a film was in 1971, 1974 and 1981), in 2013, Woody Allen released his 45th film “Blue Jasmine”, a film which he wrote and directed.
Starring Cate Blanchett (“Lord of the Rings” films, “The Curious Case of Benjamin Button”, “Elizabeth”), Alec Baldwin (“Beetlejuice”, “The Departed”, “30 Rock”), Sally Hawkins (“Made in Dagenham”, “Happy Go-Lucky”, “Layer Cake”), Bobby Cannavale (“Win Win”, “The Bone Collector”, “Parker”, “The Station Agent”), Louis C.K. (“Louie”, “Down to Earth”), Andrew Dice Clay (“Pretty in Pink”, “The Adventures of Ford Fairlane”), Max Cassella (“Doogie Howser, M.D.”, “Ed Wood”, “Inside Llewyn Davis”) and Peter Sarsgaard (“Flightplan”, “Green Lantern”, “Jarhead”), the film would receive critical praise from critics worldwide.
And now “Blue Jasmine” will be released on Blu-ray and DVD in Jan. 2014.
“Blue Jasmine” revolves around a woman named Jasmine (portrayed by Cate Blanchett) who was once a wealthy woman married to Hal (portrayed by Alec Baldwin) who embezzled, spent and lost a lot of the money of investors.
Divorced, poor and suffering anxiety issues, Jasmine is unable to continue her lifestyle and moves to San Francisco and live with her step-sister Ginger (portrayed by Sally Hawkins), a single of mother of two who is now engaged to a mechanic named Chili (portrayed by Bobby Cannavale).
While we are given flashbacks of Jasmine and Ginger’s life in the past.
Jasmine who lived a life of luxury and being vain, but yet believed in her husband Hal, who is messing around with other women behind her back.
Meanwhile, Ginger was married to Augie (portrayed by Andrew Dice Clay) and we learn how Ginger and Augie went to New York City after winning the lottery, Ginger’s first time visiting her step-sister in many years and trying to get financial advice of what to do with the money. Augie wants to invest it into a construction business but Jasmine tells her sister and Augie to invest their money with her husband Hal.
As Jasmine doesn’t want Ginger and Augie to be around them (as they are not the type to be around the upperclass), she still tries to help them enjoy their trip to New York City and books a limousine tour around the city and that is where Ginger spots Hal making out with another woman, a woman who is good friends with Jasmine.
But we are also given a glimpse of how Hal was looked at a successful financial businessman, philanthropist and popular businessman, especially by their son Danny (portrayed by Aiden Ehrenreich), who is treated with respect at Harvard. But then after the arrest of Hal, we see the disintegration of the family and how their son was so embarrassed by his father’s crime that he had to quit Harvard.
Jasmine tries to learn how to get a job and learn how to use a computer via an online class and become an interior designer. But to afford the class, she takes a job as a secretary for Dr. Flicker (portrayed by Michael Stuhlbarg), a man who is smitten with Jasmine.
But life for Jasmine has been challenging and as we see her past life and the present, we see how Jasmine was during her best times married to Hal, the worst times after he was arrested but also during the time he confronts him about his affairs and how Hal was arrested for his crime.
But to see if Jasmine will be able to move on with her life after Hal.
VIDEO & AUDIO:
“Blue Jasmine” is presented in 2:40:1 Anamorphic Widescreen and audio is presented in English and French 5.1 Dolby Digital with Subtitles in English, English SDH and French.
It’s important to note that if you want the best picture and audio quality of this film, the Blu-ray release of “Blue Jasmine” is the way to go! But as for the DVD itself, picture quality is good on DVD, I didn’t notice any major artifacts or any issues with overall PQ.
As for audio, “Blue Jasmine” features clear dialogue and an enjoyable musical soundtrack. The film is primarily dialogue-driven and if anything, it’s an appropriate center and front-channel driven soundtrack.
“Blue Jasmine” comes with the following special features:
- Notes from the Red Carpet – (5:53) Interviews with the cast of “Blue Jasmine” about their character and working with Woody Allen.
- Blue Jasmine Cast Press Conference – (24:58) Los Angeles Press Conference with Andrew Dice Clay, Cate Blanchett and Peter Sarsgaard.
- Theatrical Trailer – (1:51) Theatrical trailer for “Blue Jasmine”.
Many people criticize Woody Allen’s film each and every year, some who say he is a man who has lost his brilliance, others who say that a certain film harkens to his most wonderful work.
Suffice to say, everyone has an opinion on a Woody Allen film but many people still want to see each year of what kind of film he is going to make. Typically romantic comedies with intelligent writing, witty humor and wonderful jazz music, his films have been for the most part, delightful and upbeat despite troubled relationships here and there.
But with “Blue Jasmine”, Allen’s film maintains the intelligent writing, the witty humor and a wonderful performance from actress Cate Blanchett, but is more of tragic film than a hopeful, upbeat film which will once again, bring out many critics who will praise Woody Allen for stepping outside of the box and doing something different, while others who feel the storyline is too real and dramatic and not as accessible.
The fact is that this film takes a story from front page news ala Bernie Madoff or similar type of storyline of investors who bilked their clients money and lost it all.
We know from various news reports about the families of those responsible have been destroyed, not knowing of how far of a destructive and callous lifestyle their loved one was living. Thinking that the wealth and lifestyle they lived on was on hard work, but instead finding out that these financial frauds who orchestrated these schemes were downright rotten to the core.
For the protagonist Jasmine, Cate Blanchett plays the character with such efficacy that I do believe is deserving of an Oscar nomination. Portraying an anxiety-ridden, broken woman that needs stability and a support system, which unfortunately she is not going to get with her current attitude. But there is no doubt that losing her husband, losing her wealth and losing all things important to her has left her a broken woman.
Jasmine is a character that part of you feels bad for her but also part of you despises her. She is a person who is vain, who lived a life of privilege with wealth and aside from her social circle, she looked down upon her sister Ginger and her first husband Augie.
And then you see her with nothing. No longer part of that social circle, broke and in need of desperate help but she pushes her sister away because she wants to feel better than her. Her belief that she is better than not so wealthy people because of where she lived previously but to everyone else, including her sister and new fiance. The wealthy environment that she is from is built upon the money that her husband had scammed from others.
Also, another fascinating part of this film is how Woody Allen took these characters and put them in different situations. Bobby Cannavale’s role as Chili, is very abrasive. While Andrew Dice Clay’s character is serious and for the most part, a character unlike anything he has played before. We see a surprising performance from the comedian and we also see a different side of Louis C.K. in this film, more reserved and not at all like his comedic side nor any character he had played before.
Alec Baldwin also does a good job playing as the deceitful husband, Sally Hawkins as the step-sister Ginger, who had always wanted to be like Jasmine but in an interesting role reversal, which sister is actually happy? Which sister came out doing well for herself as an adult?
As for the DVD, it’s important to note that if you want the best picture quality of this film, then you will want to purchase the Blu-ray release of “Blue Jasmine”. Otherwise, the film looks good on DVD and surprisingly, another Woody Allen film to be released on Blu-ray and DVD that has several special features.
But overall, “Blue Jasmine” is a Woody Allen film from aesthetics to music and wit, but there is no doubt that Allen wanted to try something different this time around. No shooting in Europe, no young love and instead of focusing on love, we get the opposite with “Blue Jasmine”.
An intelligent film that is possibly the most tragic of Woody Allen movies and featuring a Oscar-winning performance by Cate Blanchett, “Blue Jasmine” is unlike any Woody Allen film that you will ever see and one that is also thought-provoking at the same time. And for a filmmaker and writer who has continued to direct a new original film nearly every year, for over fifty years, “Blue Jasmine” is another film that makes us feel happy due to its unpredictable nature and ending but also showing is that Woody Allen still has that magic that has captivated generations for many decades.
“Blue Jasmine” is recommended!
“Before Midnight” is another delightful film in the series that has done well in capturing the growth of these characters and their relationship as friends and now lovers within the last three decades. For those who enjoy conversational-driven cinema, “Before Midnight” is recommended!
DVD TITLE: Before Midnight
YEAR OF FILM: 2013
DURATION: 109 Minutes
DVD INFORMATION: 1:85:1 Anamorphic Widescreen, English 5.1 Dolby Digital, Subtitles: English, English SDH, French
COMPANY: Sony Pictures Classics
RATED: PG (For Mild Thematic Elements and Brief Smoking)
RELEASE DATE: October 22, 2013
Directed by Richard Linklater
Written by Richard Linklater, Julie Delpy, Ethan Hawke
Characters by Richard Linklater and Kim Krizan
Producer as Christos V. Konstantakopoulos, Richard Linklater, Sara Woodhatch
Executive Producer: Liz Glotzer, Jacob Pechenik, Martin Shafer, John Sloss
Co-Producer: Vincent Palmo, Jr. and Athina Rachel Tsangari
Associate Producer: Lelia Andronikou
Line Producer: Kostas Kefalas
Music by Graham Reynolds
Director of Photography: Christos Voudouris
Edited by Sandra Adair
Casting by Christina Akzoti, Alex Kelly
Art Direction by Anna Georgiadou
Costume Design by Vasileia Rozana
Ethan Hawke as Jesse Wallace
Julie Delpy as Celine Wallace
Seamus Davey-Fitzpatrick as Hank Wallace
Jennifer Prior as Ella Wallace
Charlotte Prior as Nina Wallace
Xenia Kalogeropoulou as Natalia
Walter Lassally as Patrick
Ariane Labed as Anna
Yiannis Papadoupoulos as Achilleas
Athina Rachel Tsangari as Ariadni
In 1995, filmmaker Richard Linklater (“Dazed and Confused”, “Before Sunrise”, “Before Sunset”, “Waking Life”) released his film “Before Sunrise” which he co-wrote with Kim Krizan.
The film which was about Jesse (portrayed by Ethan Hawke) and Celine (portrayed by Julie Delpy) meeting on a train from Budapest and the two having a conversation with each other. As the two share time in Vienna, and eventually showing they have mutual attraction with each other and make a promise to meet up with each other six months later.
The film earned Richard Linklater a Silver Bear for “Best Director” at the 45th Berlin International Film Festival and was well-received by film critics for its realism and not being banal like other 20-something romantic films.
In 2004, for the sequel “Before Sunset”, nine years have passed and Jesse had written the novel “This Time” about his time with Celine and becomes an American bestseller.
The film received positive reviews for its use of dialogue and how it goes against traditional American cinema due to its focus on communication.
As Jesse is doing a book tour, his final stop is in Paris and he sees Celine. And the two discuss why they never met six months after they promised. The two discuss their lives as Jesse is married with a son, while Celine has a boyfriend, but both are unhappy with the person they are with. And sure enough, their attraction towards each other is rekindled.
And here we are with the third film in the trilogy, “Before Midnight”. A film written by Linklater and co-written with his two stars Ethan Hawke and Julie Delpy.
After the events from the second film, we learn that both Jesse and Celine are a couple and have two twin daughters. For Jesse, he says goodbye to his teenage son, Hank, who came to visit him in Greece.
For Jesse, the time away from his son hurts him and unfortunately, it doesn’t help that his relationship with his ex-wife is not good. As the two drive away from the airport, both discuss their lives at work. Jesse as a novelist, Celine working for the French government. But he does worry for his son’s childhood, Celine’s career but Celine sees his worries as a harbinger of the downfall of their relationship.
As the two have lunch with their Greek friends, the group discuss their feelings about love and life and now, they need to spice their relationship up. The people staying at Patrick’s place buy Jesse and Celine a hotel room for the night and as the two are together, the two reminisce about their lives, how they met.
But as they stay at the hotel, the two start to question their relationship and wonder if they will ever have a happy future together.
VIDEO, AUDIO AND SUBTITLES:
“Before Midnight” is presented in 1:85:1 anamorphic widescreen and English 5.1 Dolby Digital.
It’s important to remind people that if you want the best video and audio for the film, a Blu-ray release of “Before Midnight” will be released on the same day.
As for the film, the film definitely showcases beauty as it is filmed in Greece and many scenes are shot outdoors. If there is one thing constant with each film in the trilogy thus far, it’s the use of location and setting that makes “Before Midnight” so endearing.
As for audio, this film is primarily dialogue-driven with occasional music, but the English Dolby Digital 5.1 soundtrack is clear and understandable.
Subtitles are presented in English, English SDH and French.
“Before Midnight” comes with the following special features:
- Revisiting Jesse & Celine
- Q&A with Ethan Hawke, Julie Delpy and Richard Linklater – (37:03) A post-screening Q&A moderated by Elvis Mitchell.
- Theatrical Trailer – (1:53) Theatrical trailer for “Before Midnight”.
- Before Midnight Soundtrack – Text promo for the soundtrack
I have been vocal for my appreciation of dialogue-driven films about intelligent conversations. From Eric Rohmer to even Woody Allen films.
Of course, films about long conversations are not for everyone. And for westerners, the idea of a film going against traditional Hollywood practice and following the convention off many cut scenes may not be their cup of tea.
And when it comes to American cinema, there are the Richard Linklater films in the “Before trilogy”, with “Before Sunset” and “Before Sunrise” and now the latest film, “Before Midnight”. A film that did well in the box office, has its following and also a story that was co-written by Linklater and the film’s main talents Julie Delpy and Ethan Hawke.
The film follows the characters of Jesse (portrayed by Ethan Hawke) and Celine (portrayed by Julie Delpy) who have gone past the physical and sexual attraction to now becoming a couple who have twin children.
Jesse chose to stay in Europe and leave his wife and son and the film begins with Jesse saying goodbye to his son who had a great time staying with his father. It’s quite obvious that his son wants his father in his life and Jesse wanting to be part of his son’s life but since he doesn’t get along with the mother, it’s a bit tough and also because of distance.
And it becomes a discussion that he has with Celine after he sees his son off to the airport to go back to Chicago. And as the films focused on Jesse and Celine in their 20’s, then their 30’s and now in their 40’s, life has changed as Celine wants to have a career and is not wanting to live in Chicago, so Jesse can be closer to his son. Of course, Jesse doesn’t want to be away from Celine and his children but it starts a discussion about where they are as a couple today and where they are as a couple in the future.
By hanging out with friends and seeing various sides of relationship growth, from an older couple, to a couple of the same age and to a couple younger than them, it’s the thought of what one wants to accomplish as a couple, but what one wants to achieve as they get older.
And although the two take part in long conversations and communicate with each other, there are things left unsaid and when they do come out… Let’s just say that I wouldn’t be surprise if there was a fourth film.
I talked to a friend and his thoughts on the film were not to positive as he felt the thought of nostalgia and past romance in a relationship is over-rated.
And it’s OK to feel that way.
I think with these films, especially with “Before Midnight”, the discussion is more about nostalgia about a relationship and how a couple can keep their relationship fulfilling in the future as they try hard to keep things great in the present. But should a couple be in sync, can mindsets be different. Especially how Jesse feels about his son and his wife, being a more independent woman, not wanting to be controlled by a man and focusing on her career. But as they see other couples in sync, they know that their relationship is not in sync.
I know there are some who will say that the Rohmer formula of conversation cinema works when their is focus on intelligent topics. Romance typically not one of them.
I think, and it’s my opinion, while other dialogue films discuss things about art, culture and other highbrow discussions, for Linklater’s films, this one…it goes into the worry of keeping romance alive in your older age. I suppose we all hear it as we get older from friends about how things were great in their 20’s, how sex was better before children or before they got older and other topics I suppose older couples discuss in their 30’s, 40’s or whichever age they me in their later lives.
It’s truthful conversation and the way it is presented in “Before Midnight” is real and I absolutely find it delightful. Of course, it comes down to one if they find it entertaining to watch it on screen. While some will find it great to be part of the nostalgia of growing up with these characters, there are those who may find the topic of enhancing love as a couple when you’re older to be tiring because perhaps in their relationship, the spark has long burned out or it’s getting there.
As for the DVD, as mentioned, if you want beautiful picture quality, the Blu-ray release is the way to go. Especially for this film which was shot in Greece and has many outdoor scenes. But DVD picture quality and audio is good. There are a good amount of special features included, such as audio commentary and a post-screening Q&A and more.
Overall, “Before Midnight” is another delightful film in the series that has done well in capturing the growth of these characters and their relationship as friends and now lovers within the last three decades. For those who enjoy conversational-driven cinema, “Before Midnight” is recommended!
Rama Burshtein’s “Fill the Void” is a rare and groundbreaking film that captures the complexity of love, emotion and sacrifice. Recommended!
DVD TITLE: Fill the Void
YEAR OF FILM: 2012
DURATION: 90 Minutes
DVD INFORMATION: 2:35:1 Anamorphic Widescreen, Hebrew 5.1 Dolby Digital, Subtitles: English, French
COMPANY: Sony Pictures Classics
RATED: PG (For Mild Thematic Elements and Brief Smoking)
RELEASE DATE: September 10, 2013
Directed by Rama Burshtein
Written by Rama Burshtein
Produced by Assaf Amir
Music by Yitzhak Azulay
Cinematography by Asaf Sudri
Edited by Sharon Elovic
Casting by Michal Koren
Art Direction by Uri Aminov
Costume Design by Hani Gurevitch
Hadas Yaron as Shira
Yiftach Klein as Yochay
Irit Sheleg as Rivka
Chayim Sharir as Aharon
Razia Israeli as Aunt Hanna
Hila Feldman as Frieda
Renana Raz as Esther
Yael Tai as Shifi
Michael David Weigi as Shtreicher
Ido Samuel as Yossi
Neta Moran as Bilha
Melech Thal as Rabbi
When it comes to media and Hasidic Judaism, not much is really known about the individuals and the community is often seen as private and mysterious.
For filmmaker Rama Burshtein, a woman who is part of the Haredi Jewish community in Tel Aviv, Israel, her goal was to show the artistic side of the community and thus the film “Fill the Void” was born.
The winner of seven Ophir Awards including best director and best film, Burshtein’s award-winning film will be released on DVD courtesy of Sony Pictures Classics in Sept. 2013.
The film would star Hadas Yaron (“Out of Sight”), Yiftach Klein (“Policeman”), Irit Sheleg, Chayim Sharir and Razia Israeli..
“Fill the Void” begins with 18-year-old Shira Mendelman (portrayed by Hadas Yaron) with her mother as they go to meet potential suitors and is to be married to a young man that she likes. On the day of Purim (a Jewish holiday), while her pregnant older sister Esther (portrayed by Renana Raz) arrives with her husband Yochay (portrayed by Yiftach Klein), Esther seems that she is having pain and when she goes into the bathroom, people noticed she has not come out.
We find out that Esther has died but the baby was saved. As for Shira’s engagement, the father delays it due to Esther’s death and Shira and her mother Rivka (portrayed by Irit Sheleg) help Yochay raise the baby, Mordechai.
One day, Yochay’s mother asks Rivka if Shira would be willing to marry Yochay as it would be best for Mordechai and so far, the plan is to have Yochay marry a widow in Belgium. The thought that her grandson would be taken away to another country and their only link to Esther would be gone, Rivka decides to not have Shira marry the man that she liked but for her to marry Yochay.
For Shira, she is torn by her heart to marry someone she likes and love and her obligation to family. What will she do?
VIDEO, AUDIO AND SUBTITLES:
“Fill the Void” is presented in 2:35:1 and picture quality is good as one can expect from DVD. The soundtrack which is presented in Hebrew 5.1 Dolby Digital is clear and understandable while English and French subtitles are easy to read.
“Fill the Void” comes with the following special features:
- Theatrical Trailer – (2:07) Theatrical trailer for “Fill the Void”
While I know there are some who are Jewish would say this film would appeal and be more understood by those who practice Judaism, my approach to “Fill the Void” was with curiosity.
My feelings toward the film was how real and genuine the story and the performance was. Costume design looked authentic but the storyline of arranged marriages and a person torn by what she feels in her heart and family obligations is not so far from what I have seen within other families who practice arranged marriages for their adult children.
The film is about genuine feelings, an insight to the Hassidic community but exploring characters with genuine emotions. Shira is an 18-year-old who looks forward to her marriage to another man that she will like. But after her oldest sister’s death and because her mother does not want her grandchild far from the family, the family wants Shira to marry Yochay, the love of her eldest sister Esther, but it’s not her love.
There is no emphasis on the beauty of surroundings, but the focus on the capturing of emotion. To capture realism, even though it’s cinema. Long takes and what better than to capture human turmoil through a person’s thought and chance of love, being taken away for one to make a decision solely based on family.
While some people can’t fathom one thinking such a thing too choose family over love in a modern society, the fact is that many do. May it be religious or cultural reasons, arranged marriages still happen today. But unlike other marriages where a woman is not allowed to say no. For “Fill the Void”, Shira is a woman who has a voice and this marriage, hinges on her answer. Will she accept it for family? Or will she follow her heart?
Hadas Yaron is absolutely wonderful in her portrayal of Shira. Realistic, natural, not overacted and a perfectly cast for the role. It’s a role that calls for a subdued young woman, an older teenager who now has a chance of finding love according to her religion. But it’s when her character is asked to make hard decisions, this is the moment where Hadas Yarron shines.
As for filmmaker Rama Burshtein, it’s great that she is the first Orthodox Jewish woman to direct a film about Haredi Jewish community but to also get the support to shoot in the community. The fact is that the world sees the community as very private but within that community, there is so many positive aspects and talents that many people outside of the community don’t get to see. So, this film is a groundbreaking film but also a film that I found as natural but also very real.
As for the DVD, picture and audio quality is good as one can expect on DVD but also featuring an insightful audio commentary by filmmaker Rama Burshtein and actress Hadas Yaron, including a media Q&A with the two.
Overall, Rama Burshtein’s “Fill the Void” is a rare and groundbreaking film that captures the complexity of love, emotion and sacrifice. Recommended!
“Love Is All You Need” is delightful, entertaining and beautiful romantic comedy from director Susanne Bier. Recommended!
DVD TITLE: Love is All You Need
YEAR OF FILM: 2012
DURATION: 116 Minutes
DVD INFORMATION: 2:35:1 Anamorphic Widescreen, Danish and French 5.1 Dolby Digital, Subtitles: English, English SDH, French
COMPANY: Sony Pictures Classics
RATED: R (For Brief Sexuality, Nudity and Some Language)
RELEASE DATE: September 10, 2013
Directed by Susanne Bier
Screenplay by Anders Thomas Jensen
Story by Susan Bier, Anders Thomas Jensen
Produced by Vibeke Windelov, Sisse Graum Jorgenson
Co-Producer: Remi Burah, Lionello Cerri, Madeleine, Ekman, Maria Kopf, Peter Nadermann, Charlotte Pedersen, Martin Persson, Cesare Petrillo, Vieri Razzini, Marianne Slot, Sigrid Strohmann, Meinolf Zurhorst
Line Producer: Karen Bentzon, Riccardo Pintus
Music by Johan Soderqvist
Cinematography by Morten Soborg
Edited by Pernille Bech Christensen, Morten Egholm
Casting by Lene Seested
Production Design by Peter Grant
Art Direction by Tamara Marini
Costume Design by Signe Sejlund
Trine Dyrholm as Ida
Pierce Brosnan as Philip
Sebastian Jessen as Patrick
Molly Blixt Egelind as Astrid
Kim Bodnia as Leif
Ciro Petrone as Alessandro
Marco D’Amore as Marco
Paprika Steen as Bendikte
From Academy Award winning filmmaker Susanne Bier (“In a Better World”, “After the Wedding”, “Things We Lost in the Fire”) comes the Danish romantic comedy “Den skaldede frisor” (which translates to “The Bald Hairdresser”).
To be released in the U.S. as “Love Is All You Need” on Blu-ray and DVD courtesy of Sony Pictures Classics, the film will be released in Sept. on Blu-ray and DVD.
“Love Is All You Need” stars Trine Dyrholm (“The Celebration”, “A Royal Affair”, “In a Better World”), Pierce Brosnan (“Goldeneye”, “Die Another Day”, “The World is Not Enough”), Sebastian Jessen (“Nothing’s All Bad”, “2900 Happiness”), Molly Blixt Egelind (“Okay”, “Rebounce”, “Fighter”) and Kim Bodnia (“Pusher”, “Bleeder”).
“Love is All You Need” is a film that introduces us to a hairdresser named Ida (portrayed by Trine Dyrholm) who has had successful breast cancer treatment and her doctor asks if she wants to have reconstructive surgery, which Ida doesn’t feel is necessary.
The doctor tells her if she talked it over with her husband and that she should go on vacation. Fortunately, she and her husband is planning to go to Italy for her daughter’s wedding.
And as Ida heads back home, she catches her husband Leif (portrayed by Kim Bodnia) having sex with his young accountant. All her husband can say is that he had a hard time dealing with her cancer and as much as it has been difficult on her, it has been difficult on him. He ends up leaving her and leaving Ida in distress.
Meanwhile, we are introduced to Philip (portrayed by Pierce Brosnan) who is the owner of a corporation that deals with fruit. Philip is a person that is preoccupied by his work and he is not so talkative to his staff or employees and literally has closed himself off to others.
And we are introduced to Ida’s daughter Astrid (portrayed by Molly Blixt Egelind) and her fiance Patrick (portrayed by Sebastian Jessen), the son of Philip.
Both were dating for three months until agreeing on getting married and the two are planning to get married at the Italian lemon plantation in Italy. But part of the problem that Astrid feels is that despite their relationship going well, he will not be intimate with her for some reason and she starts to have her doubts.
As a distressed Ida is trying to park at a parking garage at the airport, she ends up hitting Philip’s car when she tries to backup. Upset with the woman, Philip wants to get the woman’s ID card and sees her crying and emotionally unstable. She tells him that she’s never been to the airport alone and that she’s trying to go to her daughter’s wedding in Italy and Philip tells her that his son Patrick is getting married and both realize that their children are getting married to each other.
As Ida tries to be friendly and sit with Philip, he is not enjoying her being near him and she sees him as a cold person, always focused on work.
When the two arrive in Italy, to add to Ida’s misery, they lose her luggage and to make things worse, her soon-to-be ex-husband Leif has brought his fiance, the young accountant he was caught having sex with.
Meanwhile for Philip, he must deal with his sister-in-law who keeps trying to flirt with him.
As Ida tries to enjoy her time in Italy, she swims nude in the ocean and just loves the beauty of the area. While Philip sees her clothes and her wig lying on the sand. As she comes back to the beach nude, both end up trying to ease their boredom or sadness in Italy by talking to each other.
Philip takes her through the lemon plantation that were once orange trees. And as both start to enjoy their time talking to each other, Philip can see the sadness of her having to see her ex-husband with his new fiance. Meanwhile, Ida hopes that she can help get Philip to talk about life and he reveals that he met his wife in Italy and that she was killed in a senseless car accident and it not only hurt his child but it hurt him and made him hate the world.
And both find comfort in discussing life with each other.
As for their children, the weekend with their families, may help them wake up and discover if they are right for each other.
“Love Is All You Need” is a story about seeking love and having the courage to change your life, even when you think it’s too late.
VIDEO, AUDIO AND SUBTITLES:
“Love Is All You Need” is presented in 2:35:1 Anamorphic Widescreen, Danish and French 5.1 Dolby Digital and Subtitles in English and English SDH.
For a beautiful film that is exquisitely shot in Sorrento, Italy by Morten Soborg, this is a film that will probably look so much better in HD via Blu-ray and sound much better in lossless HD. But for those who are interested in the DVD version, I can say that the picture quality is good, as one can expect on DVD. The beauty of Sorrento with it’s colors and the contrasting blue colors of Brosnan’s shirts are quite evident.
The music is crystal clear on DVD but it’s more of a front and center-channel driven soundtrack.
“Love Is All You Need” comes with the following special features:
- Audio Commentary – Featuring audio commentary with director Susanne Bier and Pierce Brosnan.
- Q&A with Pierce Brosnan, Trine Dyrholm, Susanne Bier and Anders Thomas Jensen - (8:25) Pierce Brosnan, Trine Dyrholm, Susanne Bier and Anders Thomas Jensen Q&A at Toronto International Film Festival.
- Behind the Scenes with Trine Dyrholm: Venice Film Festival 2012 – (5:21) Photographer Joachim Adrian Mikkelsen talks about the 3-day photo access he had with Trine Dyrholm for the Venice Film Festival 2012.
- Pierce Brosnan & Trine Dyrholm Interview – (9:58) Featuring an interview with Pierce Brosnan and Trine Dyrholm.
- Pierce Brosnan Interview – (7:32) Pierce Brosnan interviewed at the Venice Film Festival 2012.
- Theatrical Trailer – (1:52) The original theatrical trailer for “Love Is All You Need”.
As a cineaste who has enjoyed the films of Susanne Bier and her writing partner Anders Thomas Jensen. One thing that is consistent of their films is tackling family dysfunction but also capturing a human element.
With “Love Is All You Need”, Susanne doesn’t go through a darker or traumatic path but goes to a romantic comedy that makes one see the beauty through the cinematography of Morton Soborg (“In a Better World”, “After the Wedding”, “Chernobyl Diaries”). Capturing the beauty of Sorrento, Italy with beautiful environments and colors but also wonderful performances by actress Trine Dyrholm and Pierce Brosnan.
Trine playing the character of Ida, a woman who is dealing with cancer and fighting it, a hairdresser with no hair but wearing a wig but still not wanting to trouble her own family, but to find her own husband having an affair.
Pierce Brosnan, in reality, a man who has lost his wife and also a daughter to ovarian cancer was approached to play this role by Susanne Bier and having had the emotions of pain and loss of losing a love one or having a love one fight cancer, is tough but like the character of Philip in which he plays, possible therapeutic in taking on a story not about death or tragedy but of hope.
Both have wonderful chemistry and gentleness as we see how these two individuals open each other’s hearts up. Ida, a mother and wife who had kept things inside because she doesn’t want to be a burden to anyone, while Philip is a widower who lost his wife to a car accident and has hated the world and has affected his relationship with his own son.
The storyline would also focus on both character’s children, Astrid, a young woman who wants to know what true love is in a marriage, while Patrick is a man who is not sure about himself and what love is. Both who knew each other in three months and have not been intimate decide to get married and must learn a lesson about love, while Astrid’s mother and Patrick’s father, who have had love, have chance to change their lives and possibly discover love.
I found “Love Is All You Need” to be a delightful film. Music that sets the tone of the romantic comedy with “Amore” to fascinating characters, even Kim Bodnia, known for playing action or dark roles, plays the philandering husband of Ida who tries to make people feel bad for him, that he had to have an affair with a younger woman.
As the film deals with a woman who has cancer, it’s not a film about cancer. It’s about second chances and people discovering or rediscovering love.
While “Love Is All You Need” is an enjoyable romantic comedy, it does have a few shortcomings with the relationships progressing too fast for the characters. Where some films would feature a romance over a period of weeks, months or years, this is possibly over a weekend or a few days and while plausible, I felt it would have been interesting to explore the main characters more. As for the relationship between Astrid and Patrick, it does fit the banality of young love in turmoil but I did find Molly Blixt Egelind’s performance to be fantastic and I look forward to seeing her in cinema much more in the near future.
As for the DVD release, as one can expect for a DVD, the picture quality is good and the Dolby Digital 5.1 soundtrack is very good but for those who want magnificent picture quality and a lossless soundtrack will want to opt for the Blu-ray release of the film. Special features features an insightful commentary by director Susanne Bier and Pierce Brosnan plus interviews from the Toronto International Film Festival and the Venice Film Festival.
Overall, “Love Is All You Need” is delightful, entertaining and beautiful romantic comedy from director Susanne Bier. Recommended!
“Amour” is a devastating, intelligent and unsettling masterpiece from filmmaker Michael Haneke. There are many films that confront fear but when you confront an inevitable fear that many people will experience one day, you will need masterful performances to pull it off and both legendary talents Jean-Louis Trintignant and Emmanuelle Riva deliver! Highly recommended!
FILM RELEASE: 2012
DURATION: 127 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition, 1:85:1 aspect ratio, French 5.0 DTS-HD MA, Subtitles: English, English SDH
COMPANY: Sony Pictures Classics
RATED: PG-13 (Mature Thematic Material including a Disturbing Act and For Brief Language)
Release Date: August 20, 2013
Directed by Michael Haneke
Screenplay by Michael Haneke
Produced by Stefan Arndt, Margaret Menegoz
Co-Producer: Michael Andre, Alice Girard, Daniel Goudineau, Hans-Wolfgang Jurgan, Wolfgang Lorenz, Heinrich Mis, Bettina Reitz, Bettina Ricklefs
Executive Producer: Michael Katz, Margaret Menegoz, Uwe Schott
Cinematography by Darius Khondji
Edited by Nadine Muse, Monika Willi
Casting by Kris Portier de Bellair
Production Design by Jean-Vincent Puzos
Set Decoration by Susanne Haneke, Sophie Reynaud
Costume Design by Catherine Leterrier
Jean-Louis Trintignant as Georges
Emmanuel Riva as Anne
Isabelle Huppert as Eva
Alexandre Tharaud as Alexandre
William Shimell as Geoff
Some regard filmmaker Michael Haneke as one of the bleakest directors in modern cinema.
From films such as “Benny’s Video”, “Funny Games”, “Code Unknown”, “The Piano Teacher”, “Hidden” to name a few, his films have been known for its unsettling content and sometimes its shock value.
But having won multiple awards for his film, his most well-regarded film came in 2009 with “The White Ribbon” which won the Palme d’Or at the Cannes Film Festival and multiple awards for “Best Film” including the Golden Globe Award for Best Foreign Language Film.
But it’s his 2012 film “Amour” that would make Haneke become one of the most well-revered filmmakers by winning consecutive Palme d’Or at the Cannes Film Festival, the Academy Award for Best Foreign Language Film, the Cesar Award for Best Film, the FIPRESCI Award Grand Prix and many more awards with positive reviews from film critics worldwide.
For Michael Haneke, “Amour” is somewhat a deviation when compared to his previous films. It’s his most personal film and it’s a film that he tailored for legendary French actor Jean-Louis Trintignant (“Three Colors:Red”, “The Conformist”, “My Night at Maud’s”, “Z”). One of the dream actors he had wanted to work with (the other being Marlon Brando) and felt that if he wanted to work with the actor, for this story, this film, it had to be now.
The film would also star one of the well-known names of French cinema, actress Emmanuel Riva (“Hiroshima, mon amour”, “Leon Morin, Priest”, “Three Colors: Blue”) and Isabelle Huppert, the lead actress seen in Haneke’s award-winning film “The Piano Teacher”.
And now the award-winning film “Amour” will be released on Blu-ray in August 2013 courtesy of Sony Pictures Classics.
“Amour” is a film that begins with firemen breaking into a home in a Paris apartment and they find the corpse of an older woman with flowers all around her.
The film then goes back several months earlier as we are introduced to an elderly couple, Georges (portrayed by Jean-Louis Trintignant) and his wife Anne (portrayed by Emmanuelle Riva), both are retired piano teachers and have had a loving relationship for many decades
One morning during breakfast, while having a discussion, immediately Anne goes quiet in a catatonic state, her body staring at the distance. Georges tries to talk to her, tries to damp her with a wet cloth but she is not responding. As he gets dressed to take her to the hospital, he hears the faucet that he had turned on, being shut off.
He goes to check on her and it’s like nothing has happened. He tells her to stop pulling pranks but she doesn’t know what he is talking about. But when she goes to pour a cup of tea, she is unable to pour into her cup and immediately Georges knows that something is wrong. It is revealed that Anne has suffered a stroke.
We find out through Georges conversation with daughter Eva (portrayed by Isabelle Huppert) that Anne had surgery for a blocked carotid artery but the surgery didn’t go well and now she is paralyzed on the right side of her body and must be confined to a wheelchair.
Anne asks Georges to make a promise and that is to never send her to the hospital ever again. And as Georges becomes her caretaker, Anne knows that this is not the way she wants to live, let alone her husband having to be be there for her as a caretaker and tells him that she does not want to go on living.
But Anne suffers another stroke and now she suffers from dementia and is incapable of speaking clearly. George continues to honor his promise to her but hiring a nurse for three days a week and having to take care of her becomes very difficult.
But when someone you love and their health is getting worse… For the love of that person, what would you do?
“Amour” is presented in 1080p High Definition (1:85:1 aspect ratio). The film was primarily shot on a set that resembled Michael Haneke’s parents and aunt’s room, with a green screen outside of the windows. But because everything is shot indoors, lighting is somewhat dim. You will not see the characters going outdoors in the sunlight but for the most part, as subdued the lighting is, the clarity of the picture is well-done. Closeups of the characters faces show incredible detail and skin colors are natural.
I did not notice any artifacts or any banding but for the most part, picture quality for this film is very good.
AUDIO & SUBTITLES:
“Amour” is presented in French 5.0 DTS-HD MA. For a film of this nature, one should not expect surround sound use but because the film does feature classical music, may it be listened at a live performance or played through a stereo, the dialogue and music are crystal clear.
Subtitles are in English and English SDH.
“Amour” comes with the following special features:
- Making of Amour – (24:42) Behind-the-scenes of “Amour”, interview with Michael Haneke and the cast.
- Q&A with Michael Haneke – (38:55) Film Independent Q&A interview at LACMA with Michael Haneke.
- Theatrical Trailer – (1:59) Theatrical trailer for “Amour”.
As I finished watching Michael Haneke’s “Amour”, there is a part of me that scares me.
It’s the inevitable of knowing that you and your spouse will grow old but also will face a health crisis or even death. No one wants to think about such a thing but for any living human being, we know it’s inevitable.
May it be cancer, heart attack, stroke or Alzheimer’s, some of us may have experienced it through a family member or friend and wonder and hope that it’s something we don’t have to face.
But “Amour” is a film that makes you think about life and if you were with your spouse for decades until your old age, how much suffering can one tolerate or will you tolerate.
I think about my grandmother who died of a brain aneurism and seeing my grandfather, who loved my grandmother so much, slowly start to die because his wife was no longer there. I see my grandfather now with Alzheimer’s and it’s hard for me because a few years ago, he was a man that was always discussing today’s news and his favorite sports teams but now, his memories are reduced to when he was younger but of all grandchildren, he remembers me. But seeing how my grandmother has to take care of him and I know it’s hard for her.
This film reinforces emotions that a lot of us don’t want to think about, but we do. And when we do, it’s a natural fear. For those of us who are married, you want to live a long life with your loved one, but when one becomes sick, has cancer, has a stroke or some unfortunate health problem, we are defenseless. Our love helps keep us strong for that person, to be for that person. But yet, what if that person does not want you to see them suffering or slowly deteriorating?
For those who are familiar with Haneke’s films, there is always a pervasive, unsettling mood about each of his films. In fact, you can always expect his films to shock you in some sort of way. And with his award-winning film “Amour”, it is no exception.
A non-sentimental film about long-lasting love but how that love can be tested. What happens when an elderly couple face the greatest challenge in their lives. A film that is among Haneke’s most personal and one of his best, the film boasts magnificent performances from Jean-Louis Trintignant and Emmanuelle Riva.
Trintignant as Georges, the loving husband and caretaker who is torn by his love to take care of his wife Anne (Riva), while Anne before her second stroke knows that this is not the life that she wants to live. Paralyzed and having her husband having to now do everything for her.
But after her second stroke, its the performance that further makes us know that these two legendary talents have put on one of their most magnificent performances on screen. Watching Riva play woman who is no longer able to talk, a woman who’s health can not get any better and just watching these two together is so heartbreaking, it was very hard to watch. But both manage to take on the role of these characters with amazing efficacy.
But please do not be misguided by the title of the film and think this is a film about love or happy endings. The film is heartbreaking, bleak and even for me, quite difficult to watch. And even after watching it and typing this…it’s not a film that I don’t think I can forget. Unsettling… but definitely one of Haneke’s best.
As for the Blu-ray release, “Amour” features very good picture quality. One should not expect vibrant colors as many shots are indoors and lighting is a bit subdued but the contrast and detail are very good on Blu-ray. Lossless audio is restricted to dialogue and music but both are crystal clear. You also get a few special features included as well.
Overall, “Amour” is a devastating, intelligent and unsettling masterpiece from filmmaker Michael Haneke. There are many films that confront fear but when you confront an inevitable fear that many people will experience one day, you will need masterful performances to pull it off and both legendary talents Jean-Louis Trintignant and Emmanuelle Riva deliver!
A highly recommend film and Blu-ray release but I strongly caution viewers that it may be difficult for some to watch.
“The Company You Keep” is a riveting political action thriller featuring an all-star cast! It’s an exciting, smart film that will no doubt entertain you from beginning to end. Recommended!
TITLE: The Company You Keep
FILM RELEASE: 2012
DURATION: 122 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition, 2:40:1 aspect ratio, English 5.1 DTS-HD MA, Subtitles: English, English SDH
COMPANY: Sony Pictures Classics
RATED: R (For Language)
Release Date: August 13, 2013
Directed by Robert Redford
Screenplay by Lem Dobbs
Based on the novel by Neil Gordon
Produced by Nicolas Carter, Bill Holderman, Robert Redford
Executive Producer: Craig J. Flores, Shawn Williamson
Associate Producer: Jonathan Shore
Music by Cliff Martinez
Cinematography by Adriano Goldman
Edited by Mark Day
Casting by Avy Kaufman, Maureen Webb
Production Design by Laurence Bennett
Art Direction by Jeremy Stanbridge
Set Decoration by Carol Lavallee
Costume Design by Karen L. Matthews
Robert Redford as Jim Grant/Nick Sloan
Shia LaBeouf as Ben Shepard
Julie Christie as Mimi Lurie
Susan Sarandon as Sharon Solarz
Nick Nolte as Donal Fitzgerald
Chris Cooper as Daniel Sloan
Terrence Howard as FBI Agent Cornelius
Stanley Tucci as Ray Fuller
Richard Jenkins as Jed Lewis
Anna Kendrick as Diana
Brendan Gleeson as Henry Osborne
Brit Marling as Rebecca Osborne
Sam Elliott as Mac Mcleod
Stephen Root as Billy Cusimano
Jackie Evancho as Isabel Grant
In 2003, author Neil Gordon’s novel “The Company You Keep” was released. And for actor/director/producer Robert Redford (“The Horse Whisperer”, “The Sting”, “Spy Game”), he happened to enjoy the book so much, that he wanted to make a film adaptation of the novel.
Featuring a screenplay by Lem Dobbs (“Dark City”, “The Score”, “The Hard Way”), the film would win the “Giovani Giurati del Vittorio Veneto Film Festival Award” and “Open Prize” and the Venice Film Festival and the film would go on to receive positive reviews from film critics.
The film would feature an all-star cast which includes Redford in the lead role, Shia LaBeouf (“Transformers” films, “Lawless”), Julie Christie (“Doctor Zhivago”, “Fahrenheit 451″, “Finding Neverland”), Susan Sarandon (“Thelma & Louise”, “The Client”, “The Rocky Horror Picture Show”), Nick Nolte (“48 Hours”, “The Thin Red Line”, “Cape Fear”), Chris Cooper (“American Beauty”, “The Bourne Identity”, “Adaptation”), Terrence Howard (“Iron Man”, “Hustle & Flow”, “Crash”), Stanley Tucci (“The Hunger Game”, “The Terminal”, “The Devil Wears Prada”), Richard Jenkins (“Jack Reacher”, “The Cabin in the Woods”, “Step Brothers”), Anna Kendrick (“Pitch Perfect”, “Up in the Air”, “50/50″), Brendan Gleeson (“Troy”, “Gangs of New York”, “Braveheart”), Brit Marling (“Another Earth”, “Arbitrage”, “The East”), Sam Elliott (“Hulk”, “Up in the Air”, “Tombstone”) and singer Jackie Evancho.
“The Company You Keep” begins with an introduction of extremism that grew in America in a fight against the Vietnam War. One of the extremist groups was the Weather Underground.
The film would then feature Sharon Solarz (portrayed by Susan Sarandon) saying goodbye to her family. She goes to the nearest gas station and immediately is arrested by federal authorities.
It is revealed that Sharon Solarz is a former member of the Weather Underground, a group that has been wanted by federal authorities for a 1980 Michigan bank robbery which left a bank security guard dead. Wanting to write about the arrest is an ambitious reporter named Ben Shepard (portrayed by Shia LaBeouf) of the Albany Sun Times. His editor Ray Fuller (portrayed by Stanley Tucci) assigns him to follow up on the story.
Meanwhile, we are introduced to Jim Grant (portrayed by Robert Redford), a single father who is raising his young 11-year-old daughter Isabel (portrayed by Jackie Evancho). Jim’s wife and Isabel’s mother was killed in a car accident and the two have been trying to get back into live their lives but Jim knows that his daughter is still hurting and he has to be there for her.
A successful lawyer, he is asked by former client, Billy Cusimano (portrayed by Stephen Root) who is friends with Sharon Solarz if he can represent her in court. But Jim doesn’t want to take any major cases because of his wife’s death and he wants to focus on raising his daughter, so he declines to represent Solarz but gives Billy a phone number of another lawyer.
As Ben goes to the FBI to get some information from FBI agent Diana (portrayed by Anna Kendrick), a woman he once dated back in college. With Ben prodding for more info., she gives him the name of Billy Cusimano, a man that they have wiretapped and was in contact with Sharon Solarz before she was arrested.
When Ben goes to visit Cusimano, Ben finds out that he went to Jim Grant first, but he declined such a major case. This leads to Ben trying to contact Jim and wondering why he would bypass such a major case. He meets with Jim but he gets nothing from there meeting, so Ben begins to investigate Jim Grant and he finds out that before 1979 and finds a copy of Jim Grant’s California death certificate The more he starts to investigate, he realizes that Jim Grant is actually Nick Sloan, a former member of the Weather Underground.
Jim realizes that he is about to be outted as a member of the Weather Underground and be implicated for murdering a security guard, which will take him away from his daughter. So, instead of taking Isabel to school in the morning, both leave on a father and daughter trip, which is actually a goodbye for Jim as he plans to have his brother Daniel (portrayed by Chris Cooper) watch over his daughter and makes him a temporary guardian.
When Ben’s article outing Jim Grant as Nick Sloan, the news receives media attention. So much that Sharon Solarz will grant one media interview and that would be with Ben. And through the interview, Ben learns that in the Weather Underground, they fought for what they believed in, against big corporations and the government. When Ben tries to ask about Jim Grant/Nick Sloan, she reveals that Nick and another member named Mimi were a couple.
As the FBI led by FBI Agent Cornelius (portrayed by Terrence Howard) try to find Nick Sloan, Jim is meeting up with former Weather Underground members for some reason. Meanwhile, Ben starts to wonder why Nick/Jim’s actions is not of a guilty man but appears that he’s trying to look for someone. Could that someone be a person that may have information that Jim/Nick is innocent of his crime?
“The Company You Keep” is presented in 1080p High Definition (2:40:1). There are many scenes that are shot outdoors and so, outdoor scenes are colorful and vibrant. Closeup of characters faces provide quite a bit of detail, colors are warm and black levels during darker scenes are nice and deep, didn’t notice any crush, artifacts or banding. If anything, picture quality for this film on Blu-ray is very good!
AUDIO & SUBTITLES:
“The Company You Keep” is presented in English 5.1 DTS-HD MA. The film is primarily dialogue driven but there are moments where crowd ambiance or police vehicles or helicopters are heard through the surround channels. For the most part, dialogue and music is crystal clear through the center and front channels and the lossless soundtrack is appropriate for this film.
Subtitles are in English and English SDH.
“The Company You Keep” comes with the following special features:
- Behind the Scenes: The Movement – (12:14) Interviews with the cast and behind-the-scenes footage from the film.
- Behind the Scenes: The Script, Preparation and the Cast - (17:52) The cast talks about the unfinished script that was being modified, preparation to adapt the novel to a film and casting.
- On the Red Carpet – (2:20) A look at the cast and crew on the red carpet for “The Company You Keep”.
- The Company You Keep Press Conference – (13:19) An press conference with Robert Redford, Jackie Evancho, Stanley Tucci and Brit Marling.
- Theatrical Trailer – (2:12) Theatrical trailer for “The Company You Keep”.
A riveting political action thriller featuring an all-star cast!
Director, producer and actor Robert Redford does a wonderful job as the main character on the run from the FBI in order to prove his innocence.
“The Company You Keep” does draw comparisons to one of the biggest news stories of the early ’70s, Patty Hearst and the Symbionese Liberation Army.
A real life story that took place in the early ’70s which captured America, in which the Hearst newspaper heiress was kidnapped in 1974 by the SLA and two months later, was seen as a new member of the SLA and were seen robbing banks. Hearst was described as a victim of Stockholm Syndrome (when hostages express sympathy or empathy for their captors), she was caught and arrested alongside Wendy Yoshimura, another SLA member who was involved a bank heist gone bad and a customer named Myrna Opsahl was shot and killed. Various members have remained fugitives for years, one member Kathleen Ann Soliah lived as a housewife under the name Sara Jane Olson but was arrested in 2001 as being part of the crime (and was later released after seven years in prison).
In the case of “The Company You Keep”, the Weather Underground has similarities with the SLA but were created as a voice to retaliate against the Vietnam War and in this case, take action for what they believed in.
But for “The Company You Keep”, there is a twist. The main character of Jim/Nick was a member of the Weather Underground and is wanted for his role in the murder of a security guard.
The film tries to build sympathy for Jim, the upstanding citizen/lawyer, widowed father raising his young 11-year-old daughter. Until it was revealed that he is a wanted man for a bank robbery/murder that happened 30-years ago. While the film plays out like a cat and mouse game as the FBI agents are on the move to capture him, because there are a number of Weather Underground members across America, Jim/Nick tries to meet up with each of them in order to find a woman named Mimi.
Meanwhile, the reporter Ben Shepard who was responsible for outting Jim Grant as Nick starts to wonder why Jim’s actions are not of a person who is guilty and trying to run away. The pieces left behind appear as he is trying to prove his innocence. And the more Ben starts to dig and learn about the secrets of the Weather Underground, the more he learns that many people’s live can be destroyed.
The film benefits from its riveting storyline and its all-star cast.
Robert Redford does a good job playing the stoic character but also showing that he has what it takes to quickly climb a gate at 76-years-old, playing the role of a man who is in his late 50’s or 60’s, so I give Redford credit that even now, he still has it within him to play these action roles, he even takes his shirt off onscreen. I know many critics felt Redford was much too old to play this role, but if we didn’t know he was 76, would anyone ever question him playing the role? Probably not.
Shia LaBeouf plays the job of an ambitious reporter very well, maybe a bit too well as he is always a step-ahead of the FBI and a guy who appears to have done quite well in sweet talking with the ladies, the role is probably the most mature role I have seen LaBeouf play since his 2005 golfing film “The Great Game Ever Played”.
While each of the star talents featured in the film have short roles, for me, it added to the enjoyment of the film (especially for the fact that he was able to get these talents on a smaller budget). Susan Sarandon, Nick Nolte, Richard Jenkins as a former WU members, Stanley Tucci as the editor, Anna Kendrick and Terrence Howard as the FBI agents and the “Britain Got Talent” music star, Brit Marling as an adopted daughter of a former police investigator that was investigating the bank heist case in the past, Jackie Evancho as the daughter of Jim Grant, and more!
But I did enjoy the film on how it takes on ’60s radicalism but also discussing the carelessness of modern journalism. If the film came out 20-years ago, I would have felt this film would have an amazing impact. For the American extremist groups that came out of the Vietnam War, there are those who were alive to remember how things were back in the ’70s. People who remember the Patty Hearst case or even Jane Fonda voicing her opinion on Vietnam War, people who remember a time when people were passionate to fight about what they believed in, despite some engaging in tactics that were wrong.
But now, some groups around the world have gone beyond using words to debate what they believed in. In today’s world, when we hear extremism, we worry about how far these people will go not to fight or hurt corporations and governments but hurting innocent lives as a revenge against American political behavior.
Sarandon’s role as Sharon Solarz tries to emphasize during an interview between her and the reporter Ben Shepard, that they fought in what they believed in. When she asks Ben the same question, part of me felt there was a message that young people were more vocal then than they are now. Meanwhile, a juxtaposition of Jim/Nick’s character who seems to have grown up from his former group and realized that being vocal is good but taking part in dangerous, risky and criminal tactics was wrong.
As for the Blu-ray release, picture quality for the film is very good with wonderful detail upon closeups of the characters, I saw no artifacts or banding. As for its lossless audio track, dialogue is crystal clear but this is not an action film. Sure, you get moments of a helicopter flying above or police cars with sirens on, chasing another car. But one should not expect any major action scenes from Redford, aside from the actor jumping a fence. There are a few special features included with the Blu-ray release, especially a press conference with Redford and a few of the talents of the film.
Overall, “The Company You Keep” is a riveting political action thriller featuring an all-star cast! It’s an exciting, smart film that will no doubt entertain you from beginning to end.