Beggars of Life (a J!-ENT Blu-ray Disc Review)

September 20, 2017 by · Leave a Comment 

With the popularity of Louise Brooks, there is no denying that “Beggars of Life” is a must-buy, must-own title.  And for silent film fans, the film is entertaining, suspenseful and action-packed. May you be a Louise Brooks, Wallace Beery or Richard Arlen fan, I can faithfully say that this silent film on Blu-ray is highly recommended!

Images courtesy of © 1928 Paramount Pictures. 2017 KINO LORBER. All Rights Reserved.

TITLE: Beggars of Life


DURATION: 81 Minutes

BLU-RAY INFORMATION: 1080p (1:33:1 Aspect Ratio), B&W, 2.0 Stereo, English Intertitles

COMPANY: Kino Lorber

RATED: Not Rated

RELEASE DATE: August 22, 2017

Based on the Book by Jim Tully

Directed by William A. Wellman

Adapatation by Benjamin Glazer

Produced by Allan Dwan

Executive Producer: Adolph Zukor

Music Performed by Jeff Rapsis

Cinematography by Harold Rosson


Wallace Beery as Oklahoma Red

Louise Brooks as Nancy – The Girl

Richard Arlen as Jim – The Boy

Blue Washington as Black Mose

Kewpie Morgan as Skinny

Andy Clark as Skelly

Mike Donlin as Bill

Roscoe Karns as Lame Hoppy

Bob Perry as The Arkansaw Snake

An American silent film classic, Beggars of Life (1928) stars Louise Brooks as a train-hopping hobo who dresses like a boy to survive. After escaping her violent stepfather, Nancy (Brooks) befriends kindly drifter Jim (Richard Arlen). They ride the rails together until a fateful encounter with the blustery Oklahoma Red (Wallace Beery) and his rambunctious band of hoboes, leading to daring, desperate conflict on top of a moving train. Based on the memoir of real-life hobo Jim Tully, and directed with adventuresome verve by William Wellman (The Ox-Bow Incident), Beggars of Life is an essential American original.

From legendary filmmaker William A. Wellman (“A Star is Born”, “The Ox-Bow Incident”, “The Public Enemy”) comes his romantic comedy silent film “Beggars of Life”.

A film that was released in 1928 as a silent film but it was considered lost until an incomplete copy was found in Czechoslovakia.

And now the film will be released as a silent film with English intertitles and a musical score compiled and performed by the Mont Alto Motion Pictures Orchestra, who employed selections from the original 1928 Paramount cue-sheet.

“Beggars of Life”  is based on an autobiography by Jim Tully and would star Wallace Beery (“Grand hotel”, “The Champ”, “The Lost World”), Louise Brooks (“Pandora’s Box”, “Diary of a Lost Girl”, “Miss Europe”), Richard Arlen (“Wings”, “Island of Lost Souls”, “Alice in Wonderland”) and Blue Washington (“Haunted Gold”, “The Butler”).

The film is known as being Louise Brooks best American film and also a film that would feature a Black actor, Blue Washington and one of the first films that would feature a man of color in the opening credits which was not common during that era.

And now the 1928 film will be available on Blu-ray courtesy of Kino Lorber.

The film begins with a hungry homeless man named Jim (Richard Arlen) wondering into someone’s property, begging for the owner to please give him food and he would work hard for it.

When Jim sees someone sitting but not answering, he walks inside to find the man shot in the head and dead.  Seeing the deceased man startles him and he hears a young woman named Nancy (portrayed by Louise Brooks) scurrying around.

When Jim asks if she killed the man, she admits to it.  She explains that she was an orphan and taken in by the family but as she got older, the man would sexually assault her and having had enough of being raped, she took his firearm and shot him with it.

The two decide to escape and Nancy disguises herself as a young boy.  Meanwhile, Jim feels he just wants to help her get on the train, so she can get to Canada.  Unfortunately, getting on a train is not so easy for Nancy and she sprains her ankle.  Jim ends up taking care of Nancy and the next day, as they swipe some pastries from a bakery car, he sees a wanted photo of Nancy for murder.

As the two walk, they end up walking into a homeless camp, they meet the blunt and fearsome homeless man that goes by Oklahoma Red (portrayed by Wallace Beery) and they meet gang leader, The Arkansaw Snake (portrayed by Bob Perry).  When the Snake observes Jim and Nancy, he realizes that Nancy is a woman and not a man and wants to have his time with her.  But as Jim tries to come to her rescue, he is overtaken by the other homeless men and is held back.

But Jim ends up showing everyone to Nancy’s wanted poster and everyone steps back, worried about being around a murderer and not wanting to draw authorities to them, so they prefer to distance themselves away from her.

But when the police arrive, they see Nancy and as they are to stop her, all the homeless step in and Oklahoma Red handcuffs them all together, so they are unable to escape.

Oklahoma Red helps Nancy and Jim  but Red also wants to be with Nancy.

Will Nancy be able to escape to Canada with the authorities chasing after her?  Can Jim protect her?


“Beggars of Life” is presented in 1080p High Definition (1:33:1 aspect ratio) and is presented in black and white. The quality of the film on Blu-ray is very good in terms of clarity and sharpness.  Considering the film’s age, I didn’t notice any major film warping and while there are scratches that can be seen on various frames, the fact that this film has been lost and was recently discovered, is a major plus and I’m sure glad that what was found is still a good print that was restored from 35 mm film elements preserved by the George Eastman Museum.


“Beggars of Life” is presented in DTS-HD Master Audio 2.0 and the music presented for this release is a wonderful score compiled and performed by the Mont Alto Motion Picture Orchestra, employing selections from the original 1928 Paramount cue-sheet.


“Beggars of Life” comes with the following special feature:

  • Audio Commentary – Featuring audio commentary by William Wellman, Jr.
  • Audio Commentary #2 – Featuring audio commentary by Thomas Gladysz, founding director of the Louise Brooks Society.


“Beggars of Life” comes with a booklet essay by film critic Nick Pinkerton.

When it comes to Louise Brooks, many are familiar with her European films directed by George Wilhelm Pabst and of course, her reputation.

Considered an actress that was ahead of her time, she took on roles that were portrayed sexuality that was not common for the era.  She was an intellectual, some considered her a snob, rumors were spread all over Hollywood that she slept with all her actors and facing so much in the U.S., she no doubt developed a tough skin.

For the most part, going to Europe did wonders for her career, especially post-posthumously such as “Pandora’s Box” or “Diary of a Lost Girl” are well-revered today.  But back then, while great films, her loathing of Hollywood and being denied by Paramount for a promised raise was enough for her to leave America which would lead her to become blacklisted.

Prior to moving away from America though, while starring in several silent light comedies and flapper films, it was “Beggars of Life” that would be considered her best American film.

Surprisingly, considering that she never thought about the film positively and not being faithful to Jim Tully’s book, which the film was an adaptation of Tully’s autobiography of the same name.

Nor did Louise Brooks get along with her co-star Richard Arlen and also director William A. Wellman, it’s a sign of a good actress that she was able to take on the role and give a solid performance as murderer on the run, Nancy.

But the tone of the film is set as Nancy was an orphan who was repeatedly raped by the man who took her in and tired of being assaulted, she shot and killed him.  And now she just wants to be free.  Free and happy and Jim, wants to help her escape to Canada but he needs to disguise her as a boy as he knows authorities will be after her.

The film broke new ground, no surprise as William A. Wellman was in an experimentation mode.  You have a woman dressed and disguised like a young man which no doubt, went against Hollywood norm and upset a number of people.  You also have Blue Washington, a Black actor in a major role and also being featured in the opening credits.  While Washington is not featured during the first half of the film, he becomes more prominent towards the second half of the film as a homeless man trying to take care of another sick homeless man.

But along with Louise Brooks, you also have to talk about the two prominent male actors.  Richard Arlen is the main protagonist that is paired with Louise Brooks as the homeless man named Jim who tries to help Nancy escape to Canada.  At first, he just wants to help her get to Canada on train but when he sees that she is not experienced to do much, let alone jumping on trains, he ends up helping her and protecting her from the homeless men who want to take advantage of her.

And of course, the actor who gets top billing, Wallace Beery as Oklahoma Red.  A homeless man who seems like he would be the antagonist, the alpha male among many homeless men, a man with a reputation that some fear him and a homeless man who also carries a heavy wooden barrel wherever he goes.  And he has his eyes on Nancy and wanting her to be his.  But he wants to naturally help her escape as well, just with him and not Jim.

Beery had appeared in many major films and while at that time, it makes sense for him to get top billing and be known as the star of the film.  Since the release of the film and the escalation of Louise Brooks as an actress and has received recognition as an early cinema sex symbol, she has also received respect for her independence as a woman.  Defying Hollywood, defying the norm and some may even make comparisons to modern day stars such as Madonna.

And part of the mystique that surrounds Louise Brooks is that there is much written about her, but yet many of her films are lost.  Fortunately, her key silent films filmed in Europe such as “Pandora’s Box” and “Diary of a Lost Girl” have survived.  And of course, her American film “Beggars of Life” that was discovered in 2016, has finally been released and giving many fans a chance to enjoy an early American film starring Louise Brooks.

And earlier this year, 23 minutes of a long missing 1927 Brooks film, “Now We’re in the Air” was found in the Czech Republic and is another significant film in Brooks’ oeuvre as four of the films she had made in 1927 were considered lost.  And this World War One comedy also features Wallace Beery, and Brooks in two supporting roles.

Going back to “Beggars of Life”, it’s important to note that while this film was released as an early sound film, the original sound recordings have not been found and thus was released as a silent film.  And while it is sad that we don’t have the original audio, considering that this was an earlier film that experimented with sound, the film works much more effectively as a silent and the score by Mont Alto Motion Picture Orchestra was fantastic.

Picture quality on this Blu-ray release was digitally restored from 35mm film elements preserved by the George Eastman Museum and they did a magnificent job.  Scratches are not so evident and there is no major damage or film warping at all.  And you get two audio commentaries and a essay booklet included as well.

With the popularity of Louise Brooks, there is no denying that “Beggars of Life” is a must-buy, must-own title.  And for silent film fans, the film is entertaining, suspenseful and action-packed. May you be a Louise Brooks, Wallace Beery or Richard Arlen fan, I can faithfully say that this silent film on Blu-ray is highly recommended!


KINO Video/KINO International/KINO Lorber (a J!-ENT Listing of All KINO Blu-ray and DVD Reviews)

September 19, 2017 by · Leave a Comment 

Kino International was founded in 1977 as a theatrical distribution company specializing in classics and foreign language art films. The company began operation with a license to handle theatrical distribution of the Janus Collection, a library containing over 100 important European and Asian art films of the 40s, 50s and 60s.

Kino now boasts a catalog of over five hundred films — one of the most important libraries of classic and contemporary world cinema titles available to the home video collector — and has been honored by numerous critical accolades, including the prestigious Heritage Award from the National Society of Film Critics for its work in film preservation in 2002 and 2003.

The following is a list of all the KINO VIDEO/KINO INTERNATIONAL/KINO LORBER Blu-ray and DVD’s we have reviewed on J!-ENT thus far.

Note: Reviews are from 1999-Present

5 Broken Cameras

Abraham Lincoln

Amal Akbar & Tony


Avant-Garde: Experimental Cinema of the 1920s and ’30s: Ménilmontant by Dimitri Kirsanoff


Battleship Potemkin 

Beggars of Life

Big Joy: The Adventures of Jim Broughton

Bird of Paradise

The Birth of a Nation

Blank City

The Blue Angel (2-Disc Ultimate Collection)

The Blue Angel: Special Two-Disc Collection

Boccaccio ’70

The Bubble

Buster Keaton: The Short Films Collection 1920-1923

The Cabinet of Dr. Caligari

Café de Flore

Casanova ’70 (as part of the “Great Italian Directors Collection”)

The Cat and the Canary: The Photoplay Restoration (as part of the “American Silent Horror Collection”)

The Charley Chase Collection Vol. 2: Dog Shy

Charlotte Rampling: The Look

The Cigarette Girl of Mosselprom

City of Life and Death


Computer Chess

The Constance Talmadge Collection: Her Night of Romance

The Constance Talmadge Collection: Her Sister From Paris

David Holzman’s Diary: Special Edition


Deutschland 83

The Devil Bat

The Devil’s Needle & Other Tales of Vice and Redemption

Diary of a Lost Girl

Die Nibelungen: Special Edition

Dormant Beauty

Dr. Jekyll and Mr. Hyde Deluxe Edition

Dr. Mabuse: The Gambler

Drawing Flies: Anniversary Edition

Edge of Dreaming


The Epic of Everest

A Farewell to Arms


Fear and Desire

Film Socialisme

A Fool There Was

Foolish Wives

Fritz Lang: The Earlier Works

Gaumont Treasures Vol. 2 1908-1916

The General

Genius Within: The Inner Life of Glenn Gould – Director’s Cut

The Gianfranco Rosi Collection

The Girl on a Motorcycle

Giorgio Moroder presents Metropolis

Go West and Battling Butler

Gog in 3-D

Going Places

Goodbye to Language 3D

The Good Fairy (as part of the “Glamour Girls” DVD Box Set)

Great Directors

Great Italian Directors Collection

Greenwich Village: Music That Defined a Generation

– Gueros

happily ever after (Ils se marièrent et eurent beaucoup d’enfants)

Harry Langdon…the forgotten clown: Long Pants

Hell’s House


The Hitch-Hiker

if i were you

Ingrid Bergman in Sweden

Intermezzo (as part of the “Ingrid Bergman in Sweden” DVD Box Set)

Intolerance (as part of the Griffith Masterworks DVD Box Set)

It/Clara Bow: Discovering the “It” Girl

It Felt Like Love

Jafar Panahi’s Taxi

June Night (as part of the “Ingrid Bergman in Sweden” DVD Box Set)

King: A Filmed Record… Montgomery to Memphis


La Ronde

The Last of England

Le Quattro Volte

Les Vampires

Life of Riley

Little Fugitive

Little Lord Fauntleroy



Lost Keaton (DVD)

Lost Keaton (Blu-ray)

Mademoiselle Chambon

Manuscripts Don’t Burn

Marriage Italian Style

Mauvais Sang

The Max Linder Collection

The Messenger

Metropolis: The Complete Metropolis

Metropolis: Restored Authorized Edition

More Than Honey

Mountains May Depart

The Navigator

Neon Bull

The Norma Talmadge Collection: Kiki

The Norma Talmadge Collection: Within the Law



Nothing Sacred


The Ocean Waif (as part of “The Ocean Waif plus 49-17”)

Of Human Bondage

Our Hospitality

Pandora and the Flying Dutchman

The Penalty


Rabin, the Last Day


The Red Chapel

The Retrieval

The Robber

Russian Ark

The Sacrifice: Remastered Edition

Sample This: The Birth of Hip Hop

Santa Claus Conquers the Martians

The Saphead

Scarlet Street

The Scent of Green Papaya

Seven Chances

The Sheik

Sherlock Jr. and Three Ages

Shoot the Sun Down: Restored Director’s Cut

Sidewalk Stories


The Son of the Sheik

The Sound of Insects

The Spiders (DVD)

The Spiders (Blu-ray)

A Star is Born

Steamboat Bill, Jr.

Story of a Love Affair (as part of the “Great Italian Directors Collection”)

The Stranger


A Summer in La Goulette

They Made Me a Fugitive

Those Redheads from Seattle

A Touch of Sin

Two in the Wave

United Red Army

Vice & Virtue


The Wanderers

Way Down East

We Won’t Grow Old Together

The Well-Digger’s Daughter

Who is Harry Nilsson (and Why is Everybody Talkin’ About Him)?

– Who’s Crazy?

Winnebago Man

Winter Sleep

A Woman’s Face (as part of the “Ingrid Bergman in Sweden” DVD Box Set)

The Woodmans

A Year in Burgundy

Yesterday, Today and Tomorrow


Who’s Crazy? (a J!-ENT Blu-ray Disc Review)

July 30, 2017 by · Leave a Comment 

Thomas White’s “Who’s Crazy?” is a fascinating film that captures creative energy on film but also through the mesmerizing music of Ornette Coleman Trio.  A wonderful, frenetic blend of free cinema and free jazz that I highly recommend.

Images courtesy of © 2017 KINO LORBER. All Rights Reserved.

TITLE: Who’s Crazy?


DURATION: 73 Minutes

BLU-RAY INFORMATION: 1080p (1:33:1 Aspect Ratio), English 2.0 Stereo, B&W

COMPANY: Kino Lorber

RATED: Not Rated

RELEASE DATE: July 25, 2017

Directed by Thomas White, Allan Zion

Written by Thomas White, Allan Zion

Produced by Thomas White, Allan Zion

Music by Ornette coleman, David Izenzon, Charles Moffett

Cinematography by Bernard Daillencourt

Edited by Denise de Casabianca


Wimme Andre

Melvin Clay

Tom Edmonston

Carl Einhorn

Michael Elias

Warren Finnerty

Peter Glaze

Gene Gordon

Diane Gregory

Leroy House

Nona Howard

Steven Ben Israel

Gene Lipton

Michele Mareck

Dorothy Shari

William Shari

Barry Shuck

Esther Silber

Luke Theodore

Steve Thompson

James Tiroff

Lester Waldman

Long thought to be lost until the only surviving copy was salvaged from director Thomas White s garage, Who s Crazy? (1966) is a wild, free-form burst of 1960s experimentalism.

Accompanied by an ecstatic original soundtrack by the great Ornette Coleman, and starring actors from The Living Theatre, Who s Crazy? follows a group of mental patients who hole up in a deserted Belgian farmhouse, where they cook large quantities of eggs and condemn one of their own in an impromptu court. The actors don t have much need for words when they can dance around, light things on fire, and drip hot wax on each other instead.

Ornette Coleman and the other members of his trio David Izenzon and Charles Moffett recorded their score for Who s Crazy? in one go while the film was projected for them, and the result feels like a slapstick silent film with the greatest possible accompaniment.

Back in the ’60s, many creative individuals looked towards experimentation with media.  May it be musical or film, it was the sign of the times.

And for Thomas White, who lived in Paris at the time, produced a semi-improvised movie featuring the members of the avante-garde Living Theater and featured the music by the free jazz innovator Ornette Coleman and bassist David Izenzon and drummer Charles Moffett.

While the film was screened at the 1966 Cannes Film Festival, the film was never seen again and was considered as lost.

But filmmaker Vanessa McDonnell, a fan of Ornette Coleman, started a search for the film after Coleman’s death (she saw a short version online via streaming video website Vimeo and found Thomas White’s name) and wanted to find out if a surviving copy exists.  So, looking for a Thomas White, she contacted every Thomas White she can find and managed to find Thomas White in Connecticut and learned that he had a print of the film in the shelf of his garage and has been there for decades.

As White lived a Bohemian lifestyle in Paris, next door to his apartment was a fathering place for musicians, writers and artists.  And that is how he was able to recruit members of the Living Theater to take part of his film in 1964.

And immediately, the film was cleaned and repaired by Anthology Film Archives and the film which was screened in 2016, is now made available to the public via Blu-ray and DVD courtesy of Kino Lorber.

The film which was fully improvised begins with a bus transporting psychiatric patients in the middle of nowhere.  When the bus breaks down, an in inmate runs and as the two guards go after him, the rest of the patients escape from their keepers and run to an abandoned farmhouse to take shelter and creating their own new beatnik society.

And as the patients take part in various activities such as playing music, screaming, trying out breathing exercises, staring into one’s eyes, playing with candles, taking part in a ritual or wedding and more.


“Who’s Crazy?” is presented in 1080p High Definition (1:331 aspect ratio) and is presented in black and white. The quality of the film on Blu-ray is very good in terms of clarity and sharpness and Anthology Film Archives did a good job with restoring the film.


“Who’s Crazy?” is presented in DTS-HD Master Audio 2.0 and the music presented for this release is a wonderful as the music is a key highlight as it features the Ornette Coleman trio and just listening to the musical soundtrack, it was magnificent.


“Who’s Crazy?” comes with the following special features:

  • David, Moffett & Ornett – (28:17) Featuring a 1966 episode of Tempo International.
  • Q&A with Director Thomas White – (27:48) Moderated by Vanessa McDonnell and Nicolas Rapold, courtesy of the Film Society of Lincoln Center.
  • Trailer – The theatrical trailer for “Who’s Crazy?”.


Includes a booklet essay by Adam Shatz, contributing editor at the “London Review of Books”

Call it experimental.  Call it avant garde.  Call it a film that was a sign of the times.

Watching Thomas White’s “Who’s Crazy?” brings us a creative look into a film where everything is improvised, everything goes and while watching these individuals, who happened to be members of the Living Theater, improvising and coming up with things creative and wild.  And while the troupe do their thing, captivating one’s senses it he music by the Ornette Coleman Trio.

What people may not realize is that visually, you are watching actors being creative.  Not knowing what will come next but just running with it while Thomas White captures them on film.  And as wild and crazy they may be, Ornette Coleman and his technique could be seen as the same.  A master of the alto sax (and other instruments), hearing his music sets the mood as these individuals, who happen to be psychiatric patients, enjoying their freedom.

While one must think this is a film about mental health, director Thomas White has said it wasn’t.   While mental health is in the forefront of news today, the mindset towards the mentally ill were different.   This film is not about people suffering but creative freedom, the freedom of expression and free will.

Gone are the prison clothes and when the men and women get dressed up, the group shows us a display of limitless energy.

But as the film will be enjoyed by man, one of the biggest inclusions to the Blu-ray release of “Who’s Crazy?” is the inclusion of “David, Moffett & Ornette”, a 1966 episode in which one see what has taken place behind-the-scenes in the making of this film as the Ornette Coleman and musicians play to what they see on screen but also the mindset of the times and the disagreements that people had.

Watching this featurette alone, you can’t help but be amazed to see the music being played and recorded.  It gave me a deeper appreciation for the music for the film.

The Kino Lorber Blu-ray release also features the Q&A with director Thomas White recorded in 2016 at the Film Society of Lincoln Center and also included is a booklet essay by Adam Shatz, contributing editor at the “London Review of Books”.

Overall, Thomas White’s “Who’s Crazy?” is a fascinating film that captures creative energy on film but also through the mesmerizing music of Ornette Coleman Trio.  A wonderful, frenetic blend of free cinema and free jazz that I highly recommend.

Zaza (a J!-ENT Blu-ray Disc Review)

July 2, 2017 by · Leave a Comment 

If you are a silent film fan, definitely consider Allan Dwan’s “Zaza” and discover one of many films featuring legendary actress, Gloria Swanson.  Recommended!

Images courtesy of © 1923 Paramount Pictures. 2017 KINO LORBER. All Rights Reserved.



DURATION: 84 Minutes

BLU-RAY INFORMATION: 1080p (1:33:1 Aspect Ratio), B&W,

COMPANY: Kino Lorber

RATED: Not Rated

RELEASE DATE: June 6, 2017

Based on the Play by Pierre Berton and Charles Simon

Directed by Allan Dwan

Written by Albert S. Le Vino

Produced by Allan Dwan

Executive Producer: Adolph Zukor

Music Performed by Jeff Rapsis

Cinematography by  Harold Rosson


Gloria Swanson as Zaza

H. B. Warner as Bernard Dufresne

Ferdinand Gottschalk as Duke de Brissac

Lucille La Verne as Aunt Rosa

Mary Thurman as Florianne

Yvonne Hughes as Nathalie, Zaza’s Maid

Riley Hatch as Rigault

L. Rogers Lytton as Stage Manager

Gloria Swanson is all flounce and swagger as Zaza, a street gamine turned music hall star, strutting her stuff, tossing off quips and taunts with her irrepressible backside, which is sometimes adorned with a pert bow for emphasis. Over the course of the film, directed by Allan Dwan (Robin Hood), she engages in two knock-down drag-out cat fights, frisks through playful love scenes, writhes in a hospital bed, nurses a broken heart, and evolves into a soberly dignified woman. Her physicality dominates the film, which does not suffer from being essentially a well-crafted frame for her performance. Swanson s ebullience in Zaza was unfeigned; she called it the fastest, easiest, most enjoyable picture I ever made. Imogen Sara Smith

Back in 1899, the French play “Zaza” had entertained audiences.  So, popular that the play was produced on Broadway and the first film adaptation was released by Paramount in 1915.

While there were a few more adaptations of “Zaza” created, in 1923, a silent romantic drama directed and produced by Allan Dwan (“Rebecca of Sunnybrook Farm”, “Sands of Iwo Jima”, “Robin Hood”) and executive produced by Adolph Zukor was released.

Starring Gloria Swanson (“Sunset Boulevard”, “Queen Kelly”, “The Trespasser”, “Indiscreet”), H.B. Warner (“It’s a Wonderful Life”, “Sunset Boulevard”, “Mr. Smith Goes to Washington”, “Mr. Deeds Goes to Town”), Ferdinand Gottschalk (“Grand Hotel”, “Les Miserables”, “Tonight or Never”), Lucille La Verne, Mary Thurman, Yvonne Hughes, Riley Hatch and L. Rogers Lytton.

And a print of the film is housed at the George Eastman House and the Library of Congress.

During this time, Gloria Swanson was the most sought-after actress in Hollywood and a box office draw for Paramount.  In fact, what she wore on screen influenced fashion  all over the world.

And now the silent classic will be released on Blu-ray courtesy of Kino Lorber.

“Zaza” is set in France and begins with showing us how Zaza (portrayed by Gloria Swanson) is a popular performer with a temperament.  Often taking things out on her maid Nathalie (portrayed by Mary Thurman) when she loses things and is frustrated, when she is kind, she can be a major giver of fine jewelry to her maid.

Meanwhile, many men desire Zaza including Duke de Brissac (portrayed by Ferdinand Gottschalk) but the only man Zaza is interested in is Bernard Dufresne (portrayed by H.B. Warner) of the diplomatic corps.  Who often comes to visit the stage as he also fancies Zaza.

While Florianne (portrayed by Mary Thurman), Zaza’s stage rival, was once popular in the Odeon, she also fancies Dufresne.

At the show, it was said whoever catches Zaza’s shoe can be with her and when one man comes to claim his “prize”, he manhandles Zaza, in which Bernard Dufresne comes to her rescue.

But as both Zaza and Florianne vie for Dufresne’s attention, which woman will win?

Meanwhile, what secrets is Bernard hiding from Zaza?  And will the fact that Bernard lives far from Zaza affect any chance of a relationship?


“Zaza” is presented in 1080p High Definition (1:331 aspect ratio) and is presented in black and white. The quality of the film on Blu-ray is very good in terms of clarity and sharpness. The film is does have scratches but for the most part, the film looks very good on Blu-ray considering its over 90-years old.


“Zaza” is presented in DTS-HD Master Audio 2.0 and the music presented for this release is a wonderful piano score by Jeff Rapsis.


“Zaza” comes with the following special feature:

  • Audio Commentary – Featuring audio commentary by Frederic Lombardi (author of Allan Dwan and the Rise and Decline of the Hollywood Studios)

A silent romantic drama about love discovered, distance that hinders romance but secrets that can tear people apart.

This is the story of “Zaza”, among one of the well-known silent films starring the legendary actress Gloria Swanson and actor H.B. Warner and also one of the last films to star Mary Thurman (who could come down with pneumonia working on a film a year later and would die from complications from the illness the following year), who was also engaged to the film’s director, Allan Dwan.

In some ways, since the film is based on a play, the film can also get a little bit of exhausting wondering if these two individuals, Swanson’s Zaza and Warner’s Dufresne would be together.

While Zaza comes off as impetuous and bombastic early in the film, we see her character transform.  Transformed by love, by jealousy, by anger and by sadness.  Gloria Swanson had to no doubt show various sides of Zaza and for the most part, it was a very well-done performance.  From emotional to even action as she and Thurman’s Florianne engage in a few tussles onscreen.

H.B. Warner plays a stoic Bernard Dufresne.  A man who is captivated by Zaza but there is something preventing him from going to far in his relationship wtih Zaza, which we find out the truth later in the film.

The film on Blu-ray features wonderful detail for the film over 90-years old and for its lossless audio, you get a piano score composed and performed by Jeff Rapsis, adapted from the original 1923 cue sheet.  And also included is a very informative audio commentary by Frederic Lombardi.

Overall, I really welcome Allan Dwan’s “Zaza” on Blu-ray.  One of the things that I hope to see is more silent actresses films on Blu-ray.  There have been so much focus on Chaplin, Keaton, Harold Lloyd, on Blu-ray, which is understandable but it would be nice to see more Pickford, more Swanson, more Gish, Bow, Brooks, Talmadge, Normand, Davies, Bara, Thomas, to name a few on Blu-ray.  So, Gloria Swanson’s “Zaza” on Blu-ray is a major plus and hopefully this means more silent actress greats and their films will be featured on Blu-ray in the near future.

If you are a silent film fan, definitely consider Allan Dwan’s “Zaza” and discover one of many films featuring legendary actress, Gloria Swanson.  Recommended!

Those Redheads from Seattle (a J!-ENT Blu-ray Disc Review)

June 4, 2017 by · Leave a Comment 

“Those Redheads from Seattle” may not be a well-known musical classic, but it is a notable American film as the first ever 3-D musical and the first widescreen film released by Paramount Pictures.  And now, one can enjoy the this wonderful Blu-ray release (in 2D and 3-D) courtesy of Kino Lorber.

Images courtesy of © 2017 Paramount Pictures. All Rights Reserved.

TITLE: Those Redheads from Seattle


DURATION: 90 Minutes

BLU-RAY INFORMATION: 1080p High Definition, 1:66:1 Aspect Ratio

COMPANY: Kino Lorber

RATED: Not Rated

RELEASE DATE: May 23, 2017

Directed by Lewis R. Foster

Written by Lewis R. Foster, Daniel Mainwaring, George Worthing Yates

Produced by William H. Pine, William C. Thomas

Music by Sidney Cutner, Leo Shuken

Cinematography by Lionel Lindon

Edited by  Archie Marshek

Art Direction: A. Earl Hedrick, Hal Pereira

Set Decoration by Sam Comer, Ray Moyer

Costume Design by Edith Head


Rhonda Fleming as Kathie Edmonds

Gene Barry as Johnny Kisco

Agnes Moorehead as Mrs. Edmonds

Teresa Bower as Pat Edmonds

Th Bell Sisters as Connie and Nell Edmonds

Jean Parker as Liz

Roscoe Ates as Dan Taylor

John Kellogg as Mike Yurkil

Frank Wilcox as Vance Edmonds

Walter Reed as Whitey Marks

William Pullen as Rev. Louis Petrie

Newly Restored in HD and 3-D from 2K Scans! A married woman (Agnes Moorehead) takes her four unmarried redheaded daughters (Rhonda Fleming, Teresa Brewer, Cynthia and Kay Bell of The Bell Sisters) to Alaska during the 1898 Gold Rush so they could help their father run his newspaper. All four are members of the singing sister act The Edmonds Sisters, and upon arriving in Yukon they find out their father was murdered. The four heroines get work at the saloon owned by Johnny Kisco (Gene Barry). Kathie Edmonds (Fleming) searches for her father s murderer, who may or may not be Kisco. Hollywood veteran Lewis R. Foster directed this wonderful and colorful musical, which was the first ever 3-D musical and the first widescreen film released by Paramount Pictures.

In 1953, the 3-D American Technicolor film “Those Redheads from Seattle” was released in theaters.

While “Kiss Me Kate”, the November 1953 MGM film adaptation of the Broadway musical, was considered as the first 3-D musical, Paramount Pictures “Those Redheads from Seattle” was released a month before and is now considered the first ever 3-D Musical.  Also the first widescreen film released by Paramount Pictures.

“Those Redheads from Seattle” was directed by Lewis R. Foster (who wrote the film “Mr. Smith Goes to Washington” and “The More the Merrier”) and co-written along with Daniel Mainwaring and George Worthing Yates.

The film stars Rhonda Fleming (“Spellbound”, “Out of the Past”, “The Spiral Staircase”), Gene Barry (“Burke’s Law”, “The War of the Worlds”, “Bat Masterson”), Agnes Moorehead (“Bewitched”, “Citizen Kane”, “The Magnificent Ambersons”), music artist Teresa Brewer, singing duo The Bell Sisters, singer Guy Mitchell and John Kellogg (“Twelve O’Clock High”, “The Greatest Show on Earth”).

The 3-D film was remastered in 2K and now “Those Readheads from Seattle” will be released (both 2D and 3-D versions together on Blu-ray) courtesy of Kino Lorber.

The film is set in Alaska during the 1898 Gold rush and Dawson is a booming community. We see an article on the Dawson Daily Bonanza newspaper with the heaadline “No Place in Dawson for Klondike Club – say Law Abiding Ciizens” and how the newspaper would be publishing prison records of Klondike Club employees.  And then we see a man burning the newspaper and then we see the Daily Bonanza warehouse on fire.

Dawson Daily Bonanza publisher, Vance Edmonds (portrayed by Frank Wilcox) and the citizens suspect that someone working for John Kisco (portrayed by Gene Barry), owner of the Klondike Club is responsible.  And Edmonds confronts Kisco’s partner Mike Yurkil (portrayed by John Kellogg) and splashes water on him.

Despite the warehouse being burned down, Edmonds manages to use wallpaper to publish the latest newspaper and goes into the Klondike Club to present that day’s newspaper. Johnny confronts Mike and Mike admits that he burned the warehouse and John warns him to stop because it will give his place a bad name.

Seeing that Vance may pose a problem, while writing his family back home to not visit Alaska (due to the problems), while on his way to mail the letter, he is shot and killed by Mike, who then suddenly disappears.

Back home, we are introduced to the Edmonds family.  Pat (portrayed by Teresa Brewer) is the daughter he saw a burlesque and would love to be onstage doing that type of career, while oldest sister Kathie (portrayed by Rhonda Fleming) is more conservative.  Meanwhile, middle sister Connie (member of the Bell Sisters) has a similarity with her sisters that they each have red hair, with the exception of younger sister Nell (the other half of the Bell Sisters) who has blonde hair and often teased by her sisters because of her hair color and also because she tends to tattle on them.

While the Edmonds live a lavish life and each of them are well-educated, with their mother (portrayed by Agnes Moorehead) worried about her husband, she and the family make the decision to travel to Alaska. When they arrive, the family has been waiting for transportation to take them to Dawson but after a week waiting, they are still stranded in Skagway.

When the ladies arrive, middle sister Connie Edmonds strikes a friendship with Joe Keenan (portrayed by Guy Mitchell), a singer who comes to Alaska to perform at the Klondike Club and wanting to help the Edmonds family get to Dawson, convinces his friend Joe to bring the family and escort them to Dawson.  While John was unwilling, when he finds out that they are the family of Vance Edmond’s, feeling guilty for what his partner did to Mr. Edmonds, he decides to help the Edmonds family get to Dawson.

When the ladies and their mother arrive to Dawson to book a room at the hotel, he is unaware that the family does not know what happened to Mr. Edmonds.  While no one has the guts to tell them that Mr. Edmonds had passed, Johnny has Rev. Louis Petrie (portrayed by William Pullen) tell Mrs. Edmonds and the children the bad news.

But as there is an attraction by Kathie and Johnny, when she finds out that he knew that her father was killed, she wants nothing to do with him.  But to make things worse, while she still has feelings for Johnny, her sister Pat comes in and kisses him and reveals that she has become one of the burlesque dancers at his club (Johnny has feelings for Kathie but due to the circumstances, he knows that the kiss from Pat probably hurt his chances with her).

This leads Kathie to continue the work that her father had done and that is to be the new editor of the newspaper.

But what will happen between John and Kathie?  And will the murderer of Mr. Edmonds ever be caught?


“Those Redheads from Seattle” maintains the Technicolor look and thanks to the restoration and 2K remastering, the film’s colors are much more vibrant, detail is much more evident.  But while the HD restoration no doubt makes this film look great on Blu-ray, watching the film in 3-D, was quite amazed of how much went into the 3-D of this film in 1953.

Credits are shown in different levels and for an older 3-D film, there is impressive depth, much better than a few modern 3-D films that I have watched.  Overall, a wonderful restoration by the 3-D Film Archive.

It’s important to note that to watch the 3-D version of the film, you must have a 3-D enabled Blu-ray player and 3-D glasses.  Otherwise you can select the 2-D version.


“Those Redheads from Seattle” is presented in the film’s original 1953 monaural soundtrack (DTS-HD Master Audio 2.0) and also a 3.0 soundtrack.  Dialogue and music are crystal clear through either soundtrack.

It’s important to note that the original 1953 3-channel magnetic stereophonic tracks no longer survive.  So, this is a new 3.0 stereo mix from existing elements.


“Those Redheads in Seattle” comes with the following special features:

  • Audio Commentary – Featuring audio commentary by film historians Hillary Hess, Greg Kintz, Jack Theakston and Bob Furmanek.
  • Restoration Demo – (5:25) 3-D Film Archive discusses the restoration demo through comparisons and the challenges they faced for the restoration.
  • 3-Channel Stereo Demo – (3:00) A demonstration via the song “Chick-a-Boom” and how the central channel is utilized with the front channels.
  • Interview with Rhonda Fleming – (8:15) An interview with Rohnda Fleming by Bob Furmanek at the 2006 3-D screening at the World 3-D Expo in Hollywood.
  • Original Theatrical Trailer

“Those Redheads from Seattle” will historically be known to be one of the first drama/musical films to be released in 3-D.  In fact, technically it is the first 3-D drama/musical, despite MGM proclaiming “Kiss Me Kate” of being the first 3-D musical, the Paramount Pictures film came out one month before the MGM film.

The film would star the popular Rhonda Fleming (who starred in the Ingrid Bergman and Gregory Peck, Alfred Hitchcock 1945 film “Spellbound”), while Gene Barry was known for his work on “The War of the Worlds”.

“Those Redheads from Seattle” would also star music artist Teresa Brewer (popular for her hit songs “Music! Music! Music!” and “‘Till I Waltz Again With You”), music duo The Bell Sisters (best known for their songs “Bermuda”, their cover of “Wheel of Fortune”) and music artist Guy Mitchell (known for his hits “My Heart Cries For You”, “Singing the Blues”, “Heartaches By the Number” and “My Truly, Truly Fair”).

The film is quite entertaining and also humorous.  As it deals with a love triangle between sisters Kathie and Pat vying for John Kisco.  Also, drama as Kathie is upset that John never told her that he knew about their father’s murder and that his partner was responsible.  This leads Kathie taking up the newspaper publisher/editor mantle of her deceased father and continuing his goal to stop the Klondike Bar, which is run by John Kisco.  John’s livelihood is the club but he also has fallen for Kathie Edmonds.

Comedy is primarily for younger Bell Sisters, Kay Strother, who places Nell Edmonds, the only sister with blonde hair.  And the treatment the redhead sisters give to their younger sister, treating her that she may not be part of the family, which upsets their very conservative mother, played by Agnes Moorhead.

And while the 2K restoration of this film look great on Blu-ray, what made me watch this film in awe is how well-planned the 3-D was for this film, when it came to how the credits were featured and the depth which was very great for its time and even bests a few of the 3-D films of today.  But of course, the technology of the time was not perfect, as viewers suffered headaches or eye problems during the earlier years of 3-D and not much was known about the technology, other than trying to get people into the movie theater as the theaters saw television being a major threat.  But whichever version you want to see, both 2D and 3-D version of the films are included.

Also, included is a DTS-HD Master Audio 2.0 monaural soundtrack and also a new three channel stereophonic sound soundtrack as well.

As for special features, the Blu-ray comes with an audio commentary by film historians Hillary Hess, Greg Kintz, Jack Theakson and Bob Furmanek, a 2006 interview with actress Rhonda Fleming who plays the role of Kathie, the before/after restoration and a stereophonic sound demonstration.

Overall, “Those Redheads from Seattle” may not be a well-known musical classic, but it is a notable American film as the first ever 3-D musical and the first widescreen film released by Paramount Pictures.  And now, one can enjoy the this wonderful Blu-ray release (in 2D and 3-D) courtesy of Kino Lorber.

The Son of the Sheik (a J!-ENT Blu-ray Disc Review)

May 22, 2017 by · Leave a Comment 

“The Son of the Sheik” is no doubt an exciting romance/action silent film worth watching.  And will forever be remembered as a Rudolph Valentino classic.  Recommended!

Images courtesy of © 1926 Artcinema Associates. 2017 KINO LORBER. All Rights Reserved.

TITLE: The Son of the Sheik


DURATION: 80  Minutes

BLU-RAY INFORMATION: 1080p, Color tinted, DTS-Master Audio 2.0

COMPANY: Kino Lorber

RATED: Not Rated

RELEASE DATE: May 30, 2017

Based on the Novel by Edith Maude Hull

Directed by George Fitzmaurice

Screen Adaptation by Frances Marion, Fred De Gresac

Titles by George Marion Jr.

Produced by George Fitzmaurice

Music Composed and Performed by Alloy Orchestra

Cinematography by George Barnes


Rudolph Valentino as Ahmed/The Sheik

Vilma Banky as Yasmin

George Fawcett as Andre

Montagu Love as Ghabah

Karl Dane as Ramadan

Bull Montana as Mountebank

Agnes Ayres as Diana – Wife of the Sheik

In this visually intoxicating sequel to Valentino’s career-defining film The Sheik, the silent screen’s greatest lover portrays a cultured yet untamed young man who is lured into a thieve’s trap by a beautiful dancer, Yasmin (Vilma Banky). After escaping, he kidnaps the damsel and holds her captive in his desert lair, dressing her in Arabian finery and threatening to unleash his violent passion upon her. Exotic romance saturates every frame of this Orientalist epic; its sadomoasochistic fantasies are acted out against the lavish set design of William Cameron Menzies (The Thief of Bagdad) and lushly photographed by George Barnes (Sadie Thompson). The Son of the Sheik proved to be Valentino’s final film. He died suddenly on August 23rd, 1926 at the age of 31, just before the picture’s release. This edition is mastered from the best surviving 35mm elements and features a dazzling score by Alloy Orchestra.

In 1921, “The Sheik” was the film that launched Hollywood’s first male sex symbol, Rudolph Valentino.

Despite the success of “The Sheik” and his 1922 film “Blood and Sand”, due to his divorce with Jean Acker and the negative publicity he had received for being romantically involved with silent film costume and set designer, Natacha Rambova, thus earning a reputation of a bigamist, he was also in a battle against Famous Players which earned him a reputation of having an ego and being a diva for not settling for the proposed salary that they had given him.

And Valentino would then go on a break until his return to make more films and eventually signing with United Artists thanks to his friends and fellow silent actors, Charlie Chaplin and Douglas Fairbanks.  And in 1926, he would go on to film “The Son of the Sheik” despite his known hatred to use the sheik image.  But took on the role in order to pay off his debts.

While “The Son of the Sheik”, which is based on a 1925 romance novel by Edith Maude Hull was a success in the box office (grossing $1,000,000 within the first year of its release) and many decades later would be selected for preservation in the United Stations National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”, it was not a film that Valentino would enjoy.

While on a nationwide tour to promote the film, Valentino collapsed in his New York hotel room and doctors discovered that he had a perforated ulcer which required surgery.  But unfortunately, after the surgery, Valentino developed peritonitis and would die on August 23, 1926.  As critics raved Valentino’s performance as his best, the film would be released two weeks after the actor’s death.

“The Son of Sheik” was directed by George Fitzmaurice (“Suzy”, “Raffles”, “The Devil to Pay!”) and features a screen adaptation by Frances Marion (“Camille”, “The Scarlet Letter”, “The Red Mill”) and Fred De Gresac (“Sweet Hearts”, “Vida Bohemia”, “Hell Harbor”).

The film would star Valentino in a dual role as The Sheik (of the original film) and who is the father of the film’s protagonist, Ahmed.  The film would also star Agnes Ayres reprising her role as Dianna, the mother of Ahmed.  And the film would star Vilma Banky (“The Eagle”, “The Winning of Barbara Worth”, “The Awakening”), George Fawcett (“Flesh and the Devil”, “The Wedding March”, “The Merry Widow”), Montagu Love (“The Adventures of Robin Hood”, “Gunga Din”, “The Mark of Zorro”) and Karl Dane (“The Big Parade”, “The Big House”, “The Scarlet Letter”).

And now “The Son of the Sheik” will be released on Blu-ray in May 2017 (as well as the 1921 film, “The Sheik”) by Kino Lorber.

The film begins with an introduction to a gang of criminals who disguise themselves as a troupe.  The daughter of the gang’s leader is Yasmin (portrayed by Vilma Banky) who is a dancing girl that performs in front of men and keeps their eyes fixed on her, while her father and his men do their crimes.

One day while dancing in the ruins of Touggourt, she and Ahmed (portrayed by Rudolpha Valentino), the son of the Sheik (an older version of the character from the the first film, also played by Valentino), fall for each other and have a secret romance.  When one of the men catches the two together, her father is disappointed as she is promised to Ghabah (portrayed by Montagu Love).

Meanwhile, Ahmed is captured by the gang, as they feel they could collect a large ransom because he is the son of the Sheik.  When Ahmed asks for Yasmin, he is told by Ghabah that it was all a ruse and that Yasmin was faking everything to lure him in.  Ahmed is beaten and tortured.

While Ahmed’s men would come and rescue him, Ahmed can’t believe the woman he loved was using him.

Will his love turn to anger?  And when his father finds out that Ahmed was having a romantic relationship with a dancing girl, how will his parents react?


“The Son of the Sheik” is presented in 1080p High Definition(1:331 aspect ratio) and is color-tinted. It’s important to note that the last version I have of this DVD is the 2000 Kino Lorber DVD. And I can say that the quality of the film on Blu-ray is much better in terms of clarity and sharpness. The film is color-tinted (not black and white) and while there are scratches and some frames look blurrier, the entire film actually looks very good considering the film is over 90-years old. The picture quality is definitely an improvement over the 2000 DVD.


“The Son of the Sheik” is presented in DTS-HD Master Audio 2.0 and the music presented for this release is music composed and performed by Alloy Orchestra.  The orchestra version really gives an exciting adventure-action film type of feel to it. but I’m sure there are people who may be wondering if a second musical score is included and the theatre organ score by Jack Ward featured on the 2000 Kino Lorber DVD is not included on this Blu-ray release.


“The Son of the Sheik” comes with the following special features:

  • Introductions by Orson Welles –  (17:34) Orson Welles discusses Valentino and “The Son of the Sheik”.
  • Newspaper Headlines Announcing Valentino’s Illness and Death – (1:29) Newspaper clips featuring the headlines regarding Valentino’s illness and death.
  • Valentino: His Life and Times – (8:32) A short documentary about Rudolph Valentino.
  • Valentino at the Beach – A Short Subject – (2:25) A small short shot during a time Rudolph Valentino was not with a film company.
  • The Young Rajah Theatrical Trailer – (2:30) A trailer for Valentino’s 1922 film “The Young Rajah”.

As Rudolph would continue to make women swoon and men would question his masculinity because of the actor’s European upbringing and style.  While it has been a few years since Valentino had a major box office hit, “The Son of the Sheik” would become the actor’s finest film that would earn a significant amount of money in the box office for its time.

But the film would also showcase the final work of Valentino, as the actor passed away during the promotion of the film at the young age of 31.

Reuniting both Valentino and his “The Eagle” co-star, Vilma Banky to star in a film showcasing the love and passion between the two individuals, their love is put to the test as Valentino, playing the young Ahmed (son of “The Sheik” character of Ahmed) is captured, tortured by a gang and offered for ransom.  To make things worse, the gang puts in Ahmed’s head that his girlfriend Yasmin was using him and was in on the plan of luring him.

While Ahmed is eventually freed by his men, he has developed a hatred towards the woman he once loved.  But what happens when he captures Yasmin and keeps him at his home, his father, The Sheik is disappointed in his son’s actions.

Meanwhile, the gang wants Yasmin back and it would lead to an action-packed battle between Ahmed, his father and their soldiers versus this gang of ruffians.  What will happen to Ahmed and Yasmin?  Can their love be tested in such fashion and can these two overcome this test?  Or will Ahmed’s hatred towards Yasmin for thinking he wronged him, start to consume him?

A worthy sequel to “The Sheik”, which showcases Valentino in dual roles and also featuring the return of Agnes Ayres as the Sheik’s wife, Dianna, the sequel was a major success because of its stars but also because it had a sultry storyline which showcase Valentino and Banky showing amazing chemistry (on the big screen) with one another.  But also delivers in action, which many people will love because there is so much of it.

So, there is a good balance of drama and action in “The Son of the Sheik” and it’s a silent film that showcases Valentino’s strength as an actor.

As the film looks fantastic on Blu-ray and the Alloy Orchestra musical score is quite awesome.  But I can understand if there are those who are not thrilled that Jack Ward’s theatre organ score from the 2000 Kino Lorber DVD is not included on this Blu-ray release.

You also get a few special features which also includes another different way of seeing the funeral of Valentino, news headlines of his sickness and his death but also an introduction by Orson Welles showing his respect towards Valentino.

Overall, “The Son of the Sheik” is no doubt an exciting romance/action silent film worth watching.  And will forever be remembered as a Rudolph Valentino classic.  Recommended!

The Sheik (a J!-ENT Blu-ray Disc Review)

May 21, 2017 by · Leave a Comment 

“The Sheik” is a film that no doubt made Valentino popular despite the fact that in reality, he didn’t care for the film, nor being a Sheik. But it did cement him as Hollywood’s first sex symbol and those details may overshadow the actual film, “The Sheik” is still quite entertaining after all these years. And one should at least watch this film before watching “The Son of the Sheik”. Recommended!

Images courtesy of © 1921 BY AMOUS PLAYERS AND LASKY CORP. All Rights Reserved.

TITLE: The Sheik


DURATION: 75 Minutes

BLU-RAY INFORMATION: 1080p, Color tinted, DTS-Master Audio 2.0

COMPANY: Kino Lorber

RATED: Not Rated

RELEASE DATE: May 30, 2017

Based on the Novel by Edith Maude Hull

Directed by George Melford

Adaptation by Monte M. Katterjohn

Music Composed and Performed by Ben Model

Cinematography by William Marshall


Rudolph Valentino as The Sheik, Ahmed Ben Hassan

Agnes Ayres as Lady Diana Mayo

Ruth Miller as Zilah

George Waggner as Yousaef, Tribal Chieftain

Frank Butler as Sir Aubrey Mayo

Charles Brinley as Mustapha Ali, Diana’s Guide

Lucien Littlefield as Gaston

Adolphe Menjou as Dr. Raoul de St. Hubert

Walter Long as Omair, the Bandit

Hollywood’s first male sex symbol, Rudolph Valentino, appears in his most iconic roles in The Sheik (1921). Agnes Ayres stars as Lady Diana Mayo, a headstrong Western woman who infiltrates the private party of the handsome Sheik Ahmed Ben Hassan (Valentino). When the Sheik later encounters Diana in the desert, he abducts her and takes her to his sumptuous lair. Unable to resist the Sheik’s cruel magnetism, Diana’s defiant nature crumbles and she begins to develop affectionate feelings for her captor. The Sheik plays upon a long tradition of Orientalism in Western art, which romanticized the sands of Northern Africa as a hotbed or seduction and captivity. Theatrical organ score by Ben Model.

“The Sheik”, it was the film that launched Hollywood’s first male sex symbol, Rudolph Valentino.

A man who made women swoon and angered many men due to being different from the typical male actors of his time, as Valentino was seen as a man who was very much into high fashion, slicking back his hair and was considered by the American male populace as being effeminate.

Needless to say, while Valentino was very much a different looking man in Hollywood courtesy of his Italian father and French mother and raised with a European influence.

And with the success of the 1921 film, “The Four Horseman of the Apocalypse”, earning $1,000,000 at the box office and Valentino’s looks, it would ear lead to Valentino working with Famous Players-Lasky (which would become Paramount Pictures) and Jessy Lasky wanting to capitalize on Valentino’s looks, cast him for “The Sheik” as the film’s protagonist Sheik Ahmed Ben Hassan.

The film is based on the bestselling romance novel by Edith Maude Hull and the adaptation was directed by George Melford and the adaptation written by Monte M. Katterjohn.

“The Sheik” starred Valentino along with Agnes Ayres (“Forbidden Fruit”, “Eve’s Love Letters”), Ruth Miller (“The King of Kings”, “The Affairs of Anatol”), George Waggner (who would later become a director of films such as “The Wolf Man”, “77 Sunset Strip”, “Operation Pacific”), Frank Butler (who would go on to write films such as “Going My Way”, “Road to Morocco”, “Road to Bali”, Babes in Toyland”), Charles Brinley (“Moran of the Lady Letty”, “In the Days of Daniel Boone”), Lucien Littlefield (“Sons of the Desert”, “The Little Foxes”), Adolphe Menjou (“Paths of Glory”, “A Star is Born”, “A Farewell to Arms”) and Walter Long (“The Birth of a Nation”, “Intolerance”).

And now the film will be released on Blu-ray  Kino Lorber in May 2017.

The film begins with an introduction to Sheik Ahmed Ben Hassan as the Arabs are having a wife lottery.

Meanwhile, in the North African town of Biskra, we are introduced to the independent Lady Diana Mayo (portrayed by Agnes Ayres).  Many of the women are gossiping about Lady Diana because she plans to go to the desert alone and take on a month-long trip escorted only by natives.

While her brother tries to convince her to not go, Lady Diana is dead set in going.  And her friend proposes to her but she tells him that she doesn’t want to be married because it would make her a captive and she would rather live a life of freedom.

As she goes to a local casino, the people tell her she can not enter because an important Sheik, Sheik Ahmed Ben Hassan is there for the evening and because she is not Arab, she is not permitted to go inside.  But when the Sheik arrives, he is captivated by Lady Diana’s beauty.

And Lady Diana decides to sneak into the casino by swapping clothes with a dancer and disguising herself as one of the women.  And what Lady Diana sees is women being given away for her marriage, which she can’t fathom.  And when Lady Diana is selected as one of the women to be put up in the lottery, the Sheik sees the woman’s reluctance and realizes its the woman he saw outside of the casino.  And for her protection, he escorts her out of the casino.  And he is told by Lady Diana’s guide that he will be escorting her for her trip.

As Lady Diana goes to ride with her guide for her month-long trip through the desert, the Sheik and his men arrive with their horses and while Lady Dianna tries to flee, the Sheik captures Lady Diana and takes her to his home.

As Diana is distraught and wants to leave, the Sheik tells her that she will learn to love him.

And as her captive, will she learn to love him or will she escape from him?


“The Sheik” is presented in 1080p High Definition and is color-tinted.  It’s important to note that the last version I have of this DVD is the 2002 Image Entertainment DVD.  And I can say that the quality of the film on Blu-ray is much better in terms of clarity and sharpness.  The film is color-tinted and while there are scratches and some frames look blurrier, the entire film actually looks very good considering the film is nearly a hundred years old.  The picture quality is definitely an improvement over the 2002 DVD.


“The Sheik” is presented in DTS-HD Master Audio 2.0 and the music presented for this release is music composed and performed by Ben Model.  And once again, another splendid musical composition by Ben but I’m sure there are people who may be wondering if a second musical score is included, there is only one and the Gaylord Carter composition is not included.


“The Sheik” comes with the following special features:

  • Audio Commentary – Featuring audio commentary by historian Gaylyn Studlar.
  • Archival Footage  – (3:02) Archived footage taken at Rudolph Valentino’s funeral.
  • “Blood and Sand” (1922) Theatrical Trailer – (2:02) The original theatrical trailer.

Considered as one of the biggest box office silent films and also socially influential films of all time, “The Sheik” is also known for propelling the career of Rudolph Valentino, making him Hollywood’s first sex symbol.

In someway, the film was an unknown risk.  As Edith Maude Hull’s best selling novel “The Sheik” was controversial for racial miscegenation and rape, the film left out certain aspects from the film.

The other risk was by Jesse Lasky of Famous Players-Lasky (which would eventually become Paramount Pictures) casting the not too established actor, Rudolph Valentino.  But wanting to capitalize on Valentino’s “Latin Lover” reputation, the risk paid off as many women turned out to the film to watch Valentino on the big screen.

For me, watching the film again over a decade later, I appreciate the film much more today.  For one, the film features Lady Diana Mayo, an independent woman, who speaks against herself getting married, as she sees marriage as being in captivity and the end of independence.  And the character, keeps her strong demeanor throughout the film, despite being distraught of being captured and possibly being forced to do things against her will.

In the original novel, the character of Lady Diana was raped by the Sheik but in the film, while the Sheik wants to take advantage of her, he sees her crying and distraught, that he decides to leave her alone.  Many critics wrote that they wish there was no deviation from the original novel, but perhaps rape would be strong for a major film and it works to the favor of Rudolph Valentino as he is shown as a man with sensitivity and not going primal and making his captive, his sexual plaything.

I also am in awe of how far the director and film crew had gone to ensure a desert setting involving many extras, especially many who are on horseback.  And while there is no clear answer of where the film was shot, set design to costume design is really well-done for this 1921 classic silent film.

My enjoyment of watching this film on HD is seeing the clarity of the film on Blu-ray versus how things looked on DVD 15-years ago.  While not pristine, the film still looks much better than it ever has.  And for the accompany musical score by Ben Model, he did a wonderful job scoring the film from beginning to end.  And you also get a small featurette featuring Valentino’s funeral and the original theatrical trailer for “Blood & Sand”.

While “The Sheik” will be remembered for being a successful film that propelled both Rudolph Valentino and Agnes Ayres, a film so beloved by women that it made women in the audience faint and “The Sheik” would also become part of teenage lingo and even created a fashion trend for Arabian clothing.  And the moniker “Valentino” has been used to describe certain type of guys still goes on today, despite many of those saying it, probably don’t know much about Rudolph Valentino at all.

“The Sheik” is a film that no doubt made Valentino popular despite the fact that in reality, he didn’t care for the film, nor being a Sheik.  But it did cement him as Hollywood’s first sex symbol and those details may overshadow the actual film, “The Sheik” is still quite entertaining after all these years. And one should at least watch this film before watching “The Son of the Sheik”.


The Gianfranco Rosi Collection (a J!-ENT Blu-ray Disc Review)

May 14, 2017 by · Leave a Comment 

Each of these four films presented in the “Gianfranco Rosi Collection” are entertaining but also highlight the artful technique of the skillful documentarian, Gianfranco Rosi.  Observational and enlightening, “The Gianfranco Rosi Collection” is an excellent addition to one’s cinema collection featuring the works of one of the most awarded and and respected documentarians of today.  Recommended!

Images courtesy of © 2017 Kino Lorber, Inc. All Rights Reserved.

TITLE: The Gianfranco Rosi Collection

DATE OF FILM RELEASE: Fire at Sea (2016), Below Sea Level (1988), Boatman (1993), Sacro GRA (2013)

DURATION: Fire at Sea (113 Minutes), Below Sea Level (117 Minutes), Boatman (57 Minutes), Sacro GRA (91 Minutes)

BLU-RAY INFORMATION: Fire at Sea (1:85:1, 5.1 Surround), Below Sea Level (1:85:1, 2.0 Stereo), Boatman (1:33:1, 2.0 Stereo), Sacro GRA (1:78:1, 2.0 Stereo)

COMPANY: Kino Lorber


RELEASE DATE: April 25, 2017

Fire at Sea

Written by Gianfranco Rosi

Idea by Carla Cattani

Produced by Roberto Cicutto, Paolo Del Brocco, Camille Laemle, Serge Lalou, Donatella Palermo, Gianfranco Rosi, Martine Saada

Co-Producer: Remi Burah, Olivier Pere

Cinematography by Gianfranco Rosi

Edited by Jacopo Quadri

Blow Sea Level

Written by Gianfranco Rosi


Written by Gianfranco Rosi

Fire at Sea

Samuele Pucillo, Pietro Bartolo, Samuele Caruana, Maria Costa, Maria Signorello, Mattias Cucina, Francesco Paterna, Giuseppe Fragapane, Francesco Mannino

Gianfranco Rosi has emerged as one of the most awarded and provocative documentarians working today. His observational films artfully and sympathetically depict the lives of subcultures and displaced peoples the world over. The Gianfranco Rosi Collection includes four of his greatest films. Fire at Sea (2016), an Academy Award® Nominee for Best Documentary Feature and winner of the Golden Bear at the Berlin Film Festival, is a heartwrenching portrait of African refugees pouring into the Italian island of Lampedusa. Sacro GRA (2013), winner of the Golden Lion at the Venice Film Festival, is an engaging tour of Rome s ring road, populated by a fascinating group of eccentrics. Rosi spent five years shooting Below Sea Level (2008), which documents the hand-to-mouth existence of California flatland squatters. And his first feature, Boatman (1993), captures life and death on the Ganges River in India.

One of the most prominent documentary filmmakers in Italy is Giafranco Rosi.  A man who not only directs, also is a camera operator, producer and screenwriter.

Rosi gained prominence when his 2013 documentary “Sacro GRA” won a Golden Lion at the 70th Venice International Film Festival and was the first documetnar film to win a Golden Lion in the history of the Venice Film Festival and the first Italian film to win at the festival in 15 years.

Rosi followed up with another award-winning documentary in 2016 titled “Fire at Sea”, which won a Golden Bear at the 66th Berlin International Film Festival.

Rosi has created a total of six films since 1993 and now his four films: “Fire at Sea”, “Below Sea Level”, “Boatman” and “Sacro GRA” will be released on Blu-ray and DVD courtesy of Kino Lorber.

The first film featured is Rosi’s most recent film “Fire at Sea” (2016) and is shot on the Sicilian island of Lampedusa.  Shot during the European migrant crisis but also featuring the reality of many people who are refugees and those who risk their lives to travel through the Mediterranean Sea in hopes to get to Lampedusa and start a new life.

The film gives us perspectives of those living in Lampedusa.  A young boy named Samuele who belongs to generations of fisherman living in Lampedusa and gives us an innocent look at life on the island.  The film also shows us a perspective through the life of Dr. Bartolo, the doctor and director of the hospital at Lampedusa who is sensitive and wanting compassion towards refugees.  To not turn them away and lead them to their deaths but to let them, treat them and then discussion can begin.  But far too often the harsh reality is many who travel far to go to Lampedusa do not survive.

And we learn from the refugees of why many of them risk their lives to travel to Lampedusa.

For the 2008 film “Below Sea Level”, the film gives us a perspective of people who live their lives in Slab City, a desolate area in Imperial County, California where many RV owners and squatters from North America come to live permanently.  Some to stretch their retirement income, others to live off the grid and others to get away from society.

“Below Sea Level” was shot over a five-year period and documented the lives of a small group of homeless residents living in RV’s, buses or tents.

For Rosi’s first film “Boatman” (1993), the film is set in the River Ganges in India which stretches from the Himalayas to the Bay of Bengal.  The river is considered sacred and millions of Hindus cremate their dead.

It is believed by practicing Hindus that an unwed girl given a water burial will ensure she is born again into the family.  Also, due to poverty, to avoid the cost of cremation, many conduct water burials.

Also, many go into the river to cleanse themselves, believing that the river will cleanse them of sin and free them from the cycle of rebirth.

While the film interviews and showcases many who have come to the river to bury the dead including travelers who are in awe of what they are seeing, as boats run through the river with dead bodies floating up in the water.

The film focuses on a boatman whose job is to ferry people through the rivers and Rosi gives us a personal look at the life of the boatman, his job and the questions that he receives from foreigners so often.

And the final film is “Sacro GRA” (2013), the film features life for those who live along the Grande Raccordo Anulare, the ring-road highway that circles Rome.

Rosi spent two years filming and another eight months to edit and the film was inspired by Italo Calvino’s novel “Invisible Cities”, which is about Marco Polo as imagined describing his travels to the Emperor of China Kublai Khan.

The film showcases those who live near the highway such as EMS worker Roberto and taking care of his elderly mother.  Francesco is a scientist who catalogues palm trees that were ravaged by the red palm weevil.  Paolo and his daughter Amelia from northern Italy transferred to a new housing block.  Cesare is one of the last eel fisherman on the Tiber River who talks about the endangered traditions due to the GRA.  Filippo is a proprietor with a home with statues and an emporium of memorabilia that is rented out for movie sets and theater companies.  Also, to host parties and also is a B&B.  Also, life featuring prostitutes and go-go dancers at some of the neighborhoods.

No interactions with the camera, just the camera capturing the day and the life of the various people living near the GRA.


For “The Gianfranco Rosi Collection”, the more recent the film, the better the picture quality.  “Fire at Sea” and “Sacro GRA” being the latest films (the former presented in 1:85:1 aspect ratio and the latter in 1:78:1 aspect ratio) by Rosi looks great on Blu-ray, “Below Sea Level” (presented in 1:85:1 aspect ratio) also looks very good, while “Boatman” being the oldest of the films, is presented in black and white 1:33:1.


Each of the films from “The Gianfranco Rosi Collection” is presented in 2.0 stereo, with the exception of “Fire at Sea” which is is presented in Italian 5.1 surround.  “Below Sea Level” is presented in English, “Boatman” in English, Italian and Hindi” and “Sacro GRA” in Italian.  Each with optional English subtitles.

Dialogue is clear through the front channels and English subtitles are easy to read.


“The Gianfranco Rosi Collection” comes with the following special features:

  • Interview with Gianfranco Rosi – (5:12) Filmmaker Gianfranco Rosi talks about his filming style and waiting for the right moments to shoot and how the location and the people are important.
  • Interview with Pietro Bartolo – (29:55) Interview with Pietro Bartolo, doctor and director of the hospital of Lampedusa.
  • NYFF: Q&A with Gianfranco Rosi  – (23:41) Q&A with filmmaker Gianfranco Rosi.  Q&A is moderated by Dennis Lim, courtesy of Film Society of Lincoln Center.


“The Gianfranco Rosi Collection” comes with a 12-page booklet featuring an essay “Unsentimental Journeys: The Films of Gianfranco Rosi” by Nicolas Rapold.

Filmmaker Gianfranco Rosi is known for his attentiveness to form, waiting for the right moments to capture emotion and reactions and showcase reality in its purest form for his documentaries.

Kino Lorber’s “The Gianfranco Rosi Collection” features four different type of documentaries capturing humanity in various levels.

The first film featured is Rosi’s “Fire at Sea”, a heartbreaking film that shows us the reality of African, Syrian and other refugees from other countries who have risked their lives to leave their country in hopes for a better life in Lampadusa.

Visually, “Fire at Sea” is Gianfranco Rosi’s most impressive film.  Each shot is beautiful one side and the other side is tragic.  As the film tries to show us the more joyful side of Lampadusa of young Samuele on the island, the reality is that the island is the destination for those seeking refuge away from Africa, the Middle East and so many people perish because no other country would allow them in, but the island of Lampadusa.

We watch as a boat of African refugees arrive.  While at first you think everyone on top is safe and has made it, you start to learn the reality that the boat is a triple decker.  Those who paid more are put in the boat like sardines on top, others who have windows through the middle but those on bottom, with barely enough air to breath and to move, these are the ones that paid only a few hundred dollars less and have the most terrible conditions and where most of the dead are found.

Dr. Pietro Bartolo is a man we learn on how tragic things are, as he is the main physician and director at the hospital trying to help these refugees.  And questioning why so many have to die, when others could have let them into their countries, maybe not to live but at least give them treatment because the rid on the Mediterranean Sea is not only treacherous but they are in inhumane conditions to begin with.

And to see death as Italian authorities remove people from the boat one by one is shocking and heartbreaking and gives a new perspective to those wondering why people sacrifice their lives.  And for these people, it’s hope.  Hope that they can start a new life away from a country they once called home but is actually a living hell.  Having lived in that hell, to confront death on sea in hopes that they can survive and live a new life in a new country.

“Below Sea Level” is not as heartbreaking but more of a day in the life of those who chose to live in Scab City, away from society, homeless and all they have is whatever is in their RV or bus and just trying to make it.  Those who have called the region their home, a desolate area where many joint together to play instruments and have fun.  While others get annoyed by their neighbors.

The main highlight of the film is watching two intelligent individuals, a man and woman who are together for intelligent conversation but also for companionship.  But because their nasty living conditions with scabies and unclean areas, the female woman known as “Doctor” (who helps those in the area with medical needs) has enough and complains to her companion that she can’t live in such conditions.  But the man retorts with the fact that they are both homeless and she shouldn’t be complaining.

Others who have families, stays in touch with them via cell phone but know they chose a life of desolation.

This is not a film for one to feel bad about the individuals because for many of them, this is the life they live and are used to living.  Only a few of them want to escape that life but for the most part, it’s the only life they have lived and are comfortable with.  And Rosi just captures their conversations and their day-to-day life without questioning their lifestyle.

The third film “Boatman” is probably one of my favorites in the collection because of the correlation of what is presented on camera back in 1993 but then reading in the newspapers of the problems today.

The documentary shows us a boatman rowing through deep waters, many coming to the River Ganges to cleanse themselves of their sins or the poor to bury their loved ones in the water.  The problem today, 25-years after the film was shot is that the river has receded and the bodies are now all floating, the stench is gastly and dogs and vultures feed upon the deceased.

Eliminating the problems of the present, the film is rather interesting because we see many people who flock to the river for river burials or cleansing, travelers being taken on a tour through the river as the foreigners take pictures of the thousands who have flocked to the river, meanwhile dead bodies are floating all around.  And we learn from the Boatman of why their are bodies floating, why people bury their loved ones and while non-natives may question the Hindu tradition, the Boatman looks at it as part of life.  How it has been and no one questions it…just the foreigners who have so many questions.

Also, featured are interviews with foreigners living in India.  This includes an Italian man who is broke and homeless and stuck in India, an English doctor who cleanses himself in the waters, to foreigners who immersed themselves in Hinduism and more.

But “Boatman” is a compelling and fascinating documentary.

“Sacro GRA” is the final film which shows us the various people living near the highway circling Rome.  The winner of the Golden Lion at the Venice Film Festival, the film is also a day-in-the-life of various people.  Whereas “Below Sea Level” features people who are homeless and living as a community in a desolate area in California, “Sacro GRA” is about the different people, each with different lives, living near Sacro GRA.

Each of these four films presented in the “Gianfranco Rosi Collection” are entertaining but also highlight the artful technique of the skillful documentarian, Gianfranco Rosi. Observational and enlightening, “The Gianfranco Rosi Collection” is an excellent addition to one’s cinema collection featuring the works of one of the most awarded and and respected documentarians of today. Recommended!


The Wanderers (a J!-ENT Blu-ray Disc Review)

April 14, 2017 by · Leave a Comment 

Kino Lorber’s Blu-ray release of “The Wanderers” is not only entertaining and cool, it’s the definitive version of the film to own!  Highly recommended!

Images courtesy of © 1979 Orion Pictures Company. All Rights Reserved.

TITLE: The Wanderers


DURATION: 117 Minutes


COMPANY: Kino Lorber


RELEASE DATE: March 28, 2017

Based on the Novel by Richard Price

Directed by Philip Kaufman

Screenplay by Rose Kaufman, Philip Kaufman

Produced by Martin Ransohoff

Executive Producer: Fred C. Caruso, Richard R. St. Johns 

Associate Producer: Fred C. Caruso

Cinematography by Michael Chapman

Edited by Stuart H. Pappe, Ronald Roose

Casting by Scott Rudin

Production Design by John Jay Moore

Set Decoration by Thomas C. Tonery

Costume Design by Robert De Mora


Ken Wahl as Richie

John Friedrich as Joey

Karen Allen as Nina

Toni Kalem as Despie Galasso

Alan Rosenberg as Turkey

Jim Youngs as Buddy

Tony Ganios as Perry

Linda Manz as Peewee

William Andrews as Emilio

Erland van Lidth as Terror

Val Avery as Mr. Sharp

Dolph Sweet as Chubby Galasso

Michael Wright as Clinton

Dion Alabanese as Teddy Wong

Olympia Dukakis as Joey’s Mom

Brand New 2K Restoration! Meet the Wanderers, the Coolest Guys in Town! Tully High School seniors Richie, Joey and Perry run with a gang called The Wanderers in the Bronx. The year is 1963 but their experiences are universal: falling in love, surviving in school and defending their turf against rivals like the Fordham Baldies, the Del Bombers and the Ducky Boys. From the acclaimed first novel by Richard Price (Clockers), The Wanderers is a rich fabric of comedy and tragedy, fantasy and farce. Director Philip Kaufman (The Right Stuff) mixes dynamic talents that include Ken Wahl (The Soldier), Karen Allen (Raiders of the Lost Ark), Toni Kalem (The Sopranos) and Linda Manz (Days of Heaven) with a jukebox full of golden oldies to generate a heady atmosphere. Like American Graffiti and Saturday Night Fever, this cult-classic is a nostalgic window to a vanished world. Beautifully shot by the great Michael Chapman (Taxi Driver, Raging Bull). This special edition includes both the original theatrical version and the very rarely seen Preview Cut.

Back in 1979, director Philip Kaufman released his American drama film “The Wanderers” which was loosely based on the novel by Philip Price.

Featuring a screenplay by Philip Kaufman and his wife Rose, “The Wanderers” would star Ken Wahl (“Wiseguy”, “Fort Apache, The Bronx”, “Purple Hearts”), John Friedrichs (“The Boy in the Plastic Bubble”, “Thank God It’s Friday”, “The Final Terror”), Karen Allen (“Raiders of the Lost Ark”, “Indiana Jones and the Kingdom of the Crystal Skull”, “The Perfect Storm”), Toni Kalem (“Sister Act”, “Silent Rage”), Jim Youngs (“Footloose”, “Youngblood”, “Hotshot”), Tony Ganios (“Die Hard 2”, “Porky’s”, “Porky’s Revenge”), Linda Manz (“Days of Heaven”, “The Game”, “Out of the Blue”), William Andrews (“Saturday Night Fever”, “Plainsong”), Michael Wright (“The Interpreter”, “The Five Heartbeats”, “The Principal”) and Olympia Dukakis (“Look Who’s Talking”, “Moonstruck”).

Since its debut in 1979, “The Wanderers” has a significant cult following and with the new brand new 2K restoration, the Kino Lorber Blu-ray and DVD release of “The Wanderers” features the original 118 minute theatrical version and the very rarely seen 124 minute “Preview Cut”.

The film is set in the Bronx back in 1963 and begins with a gang of Italian-American teenagers known as the Wanderers and members Joey (portrayed by John Friedrich) and Turkey (portrayed by Alan Rosenberg) walking around.  Turkey has shaved his head in hopes he could join the rival gang, the Fordham Baldies.

Joey tries to persuade Turkey from joining and when Joey says something bad about the Baldies, the rival gang’s leader’s girlfriend Peewee (portrayed by Linda Manz) overhears them. She tells her boyfriend, Baldies leader Terror (portrayed by Erland van Lidth) and Joey and Turkey take off running and the Baldies gang chases after them.

Meanwhile, Wanderers leader, Richie (portrayed by Ken wahl) is having sex with his girlfriend Despie (portrayed by Toni Kalem), but when he hears the two in trouble, Richie and Buddy (portrayed by Jim Youngs) try to give them help but find out the entire Baldies gang is after them.

As the four Wanderers are cornered by members of the Baldies, a tall Italian guy named Perry (portrayed by Tony Ganios) comes to their rescue and beats up some of the Baldies and saves them.

As the Wanderers gang are happy that Perry came to rescue them, Joey finds out that Perry has recently moved to the Bronx from New Jersey and they live across the hall from each other.  And Perry becomes the latest member of the Wanderers.

As Joey introduces Perry to the various gangs in the school and how the Blacks and the Asians are separated from each other, during class, their teacher wanted to show them how they shouldn’t hate each other, by having the Italians and the African-American students think of derogatory terms towards each other.

Unfortunately, what the teacher was trying to get them to do and show them how they are alike, instead pits the two together and Richie and Clinton (portrayed by Michael Wright) decide to fight each other with no knives or weapons, just a fight between the two ethnic groups.

But Richie and the Wanderers know they don’t have the numbers, so they start reaching out to other ethnicities, but none of them are interested.  And those who are, want to use weapons, which Richie said he and Clinton made a promise not to.

The group try to get the Wongs involved but their leader Teddy said they will make a decision at a later time to decide who they want to side with.

So, that leaves Richie, Joey and Turkey going to the Baldies for help.  But instead, they get back at the Wanderers for their earlier skirmish and have Richie and Joe take off their pants and have Turkey do the dirty work.  And allowing Turkey to join the Baldies after betraying his friends.

Meanwhile, Richie, Joey, Perry and Buddy later have fun with the women by playing a game of “elbow titting” and Richie meets Nina (portrayed by Karen Allen).  While Richie is interested in Nina and both are flirtatious towards each other, because Richie is dating Despie, he tries to set Joey up with Nina.  And the all decide to meet up at Despie’s party.

But what happens on the night of the party?


“The Wanderers” is presented in 1080p (1:85:1 aspect ratio). Watching this cult classic once again, the 2K restoration actually looks fantastic and the best I have seen of the film yet.  Details are much more evident, closeups show better detail and I like how the colors look more vibrant instead of muted colors as seen with the older VHS version of the film.


“The Wanderers” is presented in English Dolby Digital Monaural.  While dialogue and music are crystal clear through the center channel, I didn’t notice any pops or clicks considering the age of the film.  The monaural lossless soundtrack is very good.


“The Wanderers” comes with the following special features:

  • Audio Commentary – Featuring audio commentary by director Philip Kaufman.
  • Audio Commentary – Featuring an insightful audio commentary by Columbia University Film Professor 7 author of “Philip Kaufman”, Annette Insdorf.
  • Back in the Bronx with Richard Price – (35:17) Author Richard Price talks about his book “The Wanderers” and it be adapted to a film.
  • Wanderers Forever – Live Q&A At NYC’s Film Forum – (16:37) Featuring a Q&A with Karen Allen, Toni Kalem, Tony Ganios and Richard Price.
  • The Wanderers Q&A at LA’s Cinefamily – (31:57) A Q&A with director Philip Kaufman, Alan Roseburg and Peter Kaufman
  • Audio Q&A at NYC’s Film Forum (19:46) An audio Q&A with director Philip Kaufman.
  • Audio Q&A at NYC’s Film Forum – (16:41) An audio Q&A with writer Richard Price
  • Re-Release Trailer
  • TV Spot

“The Wanderers” is no doubt a cult classic that entertains audiences for its take on the Bronx life of teenagers during the early ’60s, the gangs that existed back in the day but also the segregation among ethnic groups.

It was no doubt a tough and dangerous time back in the day, and despite the film being made in 1979, director Philip Kaufman who would be known for his work on the “Indiana Jones” films, will also be celebrated for creating this film adaptation of Richard Price’s original novel.

The film featured a cast of young talent who would later go on to make a name for themselves after “The Wanderers”.

Ken Wahl was a fixture on television thanks to the “Wiseguy” but unfortunately after an accident, his acting career was over.  But he and wife Shane Barbi (of the Barbi Twins) focus their energy on animal rights issues.

Karen Allen would become a big film star in the ’80s with “Raiders of the Lost Ark”, “Starman”, “Scrooged”). Toni Kalem would star in “The Sopranos” and “Sister Act and became a filmmaker (as did Karen Allen), Linda Manz was well-known for starring in Terrence Malick’s “Days of Heaven” in 1978 but would continue acting for two more decades and star in the David Fincher film “The Game”.

Alan Rosenberg would be seen in TV shows “The Guardian” and “Cybill” and Michael Wright would star in numerous films including “The Interpreter”, “The Five Heartbeats”, “The Principal” to name a few.

And while most of the film, these young talent would be character with their own differences, its the storyline and adaptation by Philip Kaufman that would bring these characters to life.  While not as risque as Richard Price’s original novel, “The Wanderers” manages to incorporate what people loved of films depicting ’60s life but also the film’s undertones and messages.  May it be to a reaction of JFK’s death, the music of Bob Dylan, teen fun and sexual innuendo, it’s an honest depiction of the times, including racial turbulence that was prevalent in the Bronx.

And there are numerous reasons to love the film.  For me, it was the characters, the adventures, the cultural complications, the gang lifestyle of the ’60s and as an adult, I appreciated the film so much more, in terms of character dynamics but also knowing the context of the characters and the meaning of certain scenes that I was not aware of when I saw this film in my early teens.

With the release of “The Wanderers” on Blu-ray, not only do fans get the definitive version to own but also a small reunion of characters for the film’s Q&A decades after the film was released in theaters.  But you learn about the filming and experiences behind-the-scenes as well.

I absolutely enjoyed the various Q&A featurettes but also the two insightful audio commentaries and for the most part, this is one of the most entertaining, pleasant Blu-ray releases one can own if you love “The Wanderers”.

Kino Lorber’s Blu-ray release of “The Wanderers” is not only entertaining and cool, it’s the definitive version of the film to own!  Highly recommended!

Neon Bull (a J!-ENT Blu-ray Disc Review)

September 24, 2016 by · Leave a Comment 

Gabriel Mascaro’s “Neon Bull” is a unique, sensual film that entertains viewers with its honest portrayal of its characters that work within the vaquejada in northeastern Brazil.  Recommended!

Images courtesy of © 2015 Desvia, Malbicho cine, Viking Film, Canal Brasil. All Rights Reserved.

TITLE: Neon Bull


DURATION: 103 Minutes

BLU-RAY INFORMATION: 2:35:1, Portuguese 5.1 Surround, Optional English Subtitles

COMPANY: Kino Lorber Inc.


RELEASE DATE: September 6, 2016

Directed by Gabriel Mascaro

Written by Gabriel Mascaro

Produced by Rachel Ellis

Co-Produced by Rodrigo Pia, Sandino Saravia Vinay, Marleen Slot

Music by Carlos Montenegro, Otavio Santos

Cinematography by Diego Garcia

Edited by Fernando Epstein, Eduardo Serrano

Art Direction by Maira Mesquita


Juliano Cazarre as Iremar

Maebe Jinkings as Galega

Josinaldo Alves as Mario

Roberto Berindelli as Fazendeiro

Samya De Lavor as Geise

Vinicius de Oliveira as Junior

Abigail Pereira as Valquiria

Carlos Pessoa as Ze

Alyne Santa as Caca

Neon Bull is a wild, sensual and transporting experience. Brazilian writer-director Gabriel Mascaro s second fiction feature (after August Winds), it takes place within the world of the vaquejada, a demanding traditional style of rodeo in which cowboys attempt to wrest bulls to the ground by their tails. Neon Bull explores this dangerous job through the eyes of Iremar (Juliano Cazarre ), a mysterious and handsome cowboy who cares for the bulls. While riding the roads with the animals and his close-knit circle of outcast friends, he begins to think of a world outside the ring, dreaming of sequins and fabrics and of his desire to become a fashion designer.

Filmmaker Gabriel Macaro known for his documentary “HOUSEMAIDS” and his first feature film “Ventos de Agosto” (August Winds) has received a lot of attention and critically praised reviews.  And his 2015 film “Boi Neon” (Neon Bull) would receive nominations and win awards at various festivals around the world.

And now Macaro’s “Neon Bull” will be released on Blu-ray and DVD courtesy of Kino Lorber.

Shot in northeastern Brazil, the film captures life for those who work at the Vaquejadas (a rodeo in which two cowboys ride on horseback to bring down a bull by grabbing its tail).

One of the cowboys, Iremar (portrayed by Juliano Cazarre) shares his quarters with others from the rodeo and lives in a truck that transports livestock to various events.  While most of the day, he is grooming the animals and doing his fill of shoveling manure, his passion is creating costumes, especially for his sexy female friend, Galega.

One of the truck drivers, Galega (portrayed by Maeve Jinkings) is an exotic dancer who is a truck driver by day, but participates in sexy dances for patrons wearing a horse head and tail, while neon lights shine upon her.

Galega’s husband is hardly in the picture but she has to raise her daughter Caca (portrayed by Aline Santana) who is a bit curious for her own good and being one of the youngsters touring with the Vaquejadas crew, she tends to find things that others are not wanting her to know.  Such as Ze’s (portrayed by Carlos Pessoa) stash of pornography.

But Galega is more interested in trying to live her life and is not so thrilled that Caca lives with her and not going to school and feels she should live with her grandmother, so she can live a better life at school.

Meanwhile, Galega becomes attracted to the new guy named Junior (portrayed by Vinicius de Oliveira).  While, Iremar starts to take interest in a pregnant woman who tends to show up selling cologne and perfume which she works during the day and working as a security guard at night.

Gabriel Mascaro’s “Neon Bull” is a honest portrayal of life within a group of people within a Vaquejadas crew.


“Neon Bull” is presented in 1080p (2:35:1 aspect ratio).  Picture quality for the most part is very good.  Closeups show great detail, lighting is very well done when focused on the characters (lighting plays a big part in the film).  Skintones look natural, black levels are nice and deep and there is a good amount of grain throughout the film.


“Neon Bull” is presented in Portuguese 5.1 Surround.  The lossless soundtrack is crystal clear, rodeo announcer and crowd ambiance or animal ambiance can be heard through the surround channels.  Dialogue is crystal-clear as the club music and subtitles are easy to read.


“Neon Bull” comes with the following special features:

  • Behind-the-Scenes Featurette – (14:30) Behind-the-scenes of the rehearsing and filming of “Neon Bull”.
  • Interview with Director Gabriel Mascaro – (21:09) Interview with filmmaker Gabriel Mascaro about “Neon Bull”
  • Trailer – Theatrical trailer for “Neon Bull”

When it comes to showcasing characters in a natural light, filmmaker Gabriel Mascaro is able to accomplish that very well in his previous films including his latest, “Neon Bull”.

A film that focuses on people that work within the vaquejada in northeast Brazil, “Neon Bull” is a film that is not a film one follows for its story, because there really isn’t one.  If anything, it’s an honest portrayal of workers that live their life, making sure they take care of the animals and try to co-exist with each other.

Iremar works in the upkeep of the animals, creating sultry costumes for the female driver, Galega (who behave like brother and sister) and often helping out her daughter Caca, who is at that age of sexual curiosity but still wanting her mother’s attention but never receiving much of it.

While the film can be described as sensual or sultry, considering how much dedication is put into the sex scenes in the film, one can find enjoyment in the film for its actions and dialogue.  To even the animals as Iremar and Ze use the scent of a mar to arouse a stallion, to steal his sperm to a group of guys showering together nude, filmmaker Gabriel Mascaro wants to show viewers how sex, to maintaining animals is just as everyday part of life for the characters.

But humor can be found in the film as Iremar’s pot-bellied co-worker Ze is often looking at porno and while his sticky nude pages are often drawn over by Iremar trying to envision fashion and drawing it on the nude women, he and Ze are often involved in verbal spars as Ze can’t understand why Iremar focuses to much on fashion and not the women.

But when Ze is transferred and a long-haired young man named Junior arrives and immediately, he starts to get the attention of all the women including young Caca, which leaves Iremar quite jealous.

Meanwhile for female character, Galega, she is stuck trying to work as a truck driver for the animals, wanting to have fun with the men but her life is made difficult as she feels her young daughter Caca is in her way.  So, as Galega tries to focus on her work and her life, most often, Caca is with Iremar.

So, if anything, it’s those small interactions which makes up for the film.  Emotions of characters, character interaction and how everything culminates into an honest, entertaining film.

As for the Blu-ray, picture quality is very good as cinematography showcases the characters, character interactions with animal or their daily worklife, to the lighting that shines on them when indoors, to their events with the neon bull.  The cinematography brings the characters to life.  And as for audio, the loss audio features crystal clear dialogue, music and also surround sound usage geared for crowd, animals or announcer ambiance.  And the film has a good number of special features included such as a behind-the-scenes featurette and an interview with director Gabriel Mascaro.

Overall, Gabriel Mascaro’s “Neon Bull” is a unique, sensual film that entertains viewers with its honest portrayal of its characters that work within the vaquejada in northeastern Brazil.  Recommended!

Next Page »