Blood (a J!-ENT Blu-ray Review)
March 12, 2011 by Dennis Amith · Leave a Comment

A vampire film that is more about its romance and bloody violence than focusing on being a vampire film. It may not be for everyone but if you are wanting a Japanese horror film with a lot of gratuitous nudity and its fair share of bloody moments, “Blood” is definitely for you!
Images courtesy of © 2009 “Blood” Film Partners. All Rights Reserved.

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TITLE: Blood
FILM RELEASE DATE: 2009
DURATION: 86 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition (16×9 Full Frame), Stereo/5.1 Dolby Surround Sound
COMPANY: Well Go USA
RATED: Not Rated (Note: This film does have nudity and bloody violence)
RELEASE DATE: March 15, 2011

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Directed by Ten Shimoyama
Original Story and Screenplay by Shigenori Takechi
Producer: Shigeji Maeda, Tsuneo Seto, Kazuyuki Yokoyama
Music by Kiyoshi Yoshikawa
Cinematography by Gen Kobayashi
Edited by Seigo Hirasawa, Ten Shimoyama

Starring:
Aya Sugimoto as Miyako Romberk
Kanji Tsuda as Detective Hoshino
Guts Ishmatsu
Jun Kaname as Ukyo Kuronuma
Satoshi Matsuda
Hidejiro Mizumoto
Yuri Morishita
Atsushi Narasaka
Rin Sakuragi
Harumi Sone
Masahiro Sudo
Sayo Yamaguchi

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Police Detective Hoshino (Kanji Tsuda) investigates the murder of a maid at a mansion belonging to Miyako Rozmberk (Aya Sugimoto), a seductive vampire mistress and “cougar” all in one. Ukyo Kuronuma (Jun Kaname), an Edo-era swordsman who was turned into a vampire by Miyako, is blamed for the crime, but before anything can be done about it, Hoshino ends up under Miyako’s spell as well. This leads Hoshino and Ukyo to battle one another for the privilege of staying with Miyako for eternity.
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If you enjoyed “Shinobi”, you will probably more than likely enjoy the latest film from director Ten Shimoyama titled “Blood”, a vampiric horor/suspense action film. The story is from Shigenori Taechi, known for writing films such as “Izo”, “Araburu Tamashii-tachi”, the “Gokudo Seisen: Jihaado” films and “Yakuza Demon”.
The 2009 film begins in traditional Japan with a sword fight and a lone swordsman beats a group of men but is suffering from some type of illness as he coughs up blood. We see the man sitting alone and a beautiful woman come by. She tastes the blood coming out of his mouth and suddenly we see her holding him and her fangs coming out.
Fast forward to the present time and we see a housemaid being murdered. The murder happens to be a 14-years-old and is close to reaching the statute of limitations expiration date and for police investigator Hoshino (played by Kanji Tsuda), this case has meant so much to him. But he has been relocated to another office and frustrated about it. Fortunately, his boss gives him a go ahead despite the police department not wanting to support him.
When he opens the case files of the woman who owned the home where the housemaid was killed, it shows the picture of a Japanese woman named Miyako Romberk (played by Aya Sugimoto), who looks like the female vampire from shown hours earlier.
But as he meets with Miyako, she gives the name of the murderer, a millionaire named Ukyo (played by Jun Kaname). When Detective Hoshino goes after him, he witnesses him biting into a young girl who is begging for her life. We learn that both Ukyo and Miyako are vampires and both share bloody and body together. But when detective Hoshino is then turned into a vampire, he also wants Miyako and thus both he and Ukyo become part of a bloody battle over Miyako.


VIDEO:
“Blood” is presented in 1080p High Definition (1:85:1). The picture quality is pretty cool especially during the beginning of the film in which blue lighting is used and the red blood looks as if it’s crimson red with that just sticks out vibrantly. If anything, those wanting a bloody horror film will get a bloody horror film as you will see a lot of it throughout “Blood”. Skintones are natural, blacks are nice and deep but it’s the use of colors that makes “Blood” quite interesting to watch for a vampire film.
AUDIO & SUBTITLES:
“Blood” is presented in Japanese DTS-HD Master Audio 5.1 (despite the rear case mentioning it’s Stereo/5.1 Dolby Surround Sound). The film is primarily fornt and center channel driven and while the fight sequences do showcase ambient affects, it’s not the most immersive lossless soundtrack but the dialogue and effects are quite clear through the front channels.
Subtitles are in English.

SPECIAL FEATURES:
“Blood” comes with no special features.
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“Blood” may not be as enjoyable as “Shinobi” but for those who want an anime-esque style of Japanese film that incorporates vampires and swordfighting, you can’t go wrong with “Blood”. In fact, it reminded me a lot of the 1990′s vampire anime films mixed with indie Japanese camp and nudity and simply, when I first found out that ’80s J-Pop singer and actress Aya Sugimoto (“Ai no Shinsekai”, “Flower and Snake”, “Hana to hebi”), it kind of was a no-brainer that we will see a lot of Aya Sugimoto unclothed especially since she’s known for her sexuality and has become one of the most outspoken talents in Japan on sexuality. And in Japan, because she was nude quite a bit in this film, many of her fans and horny otaku turned out to watch her in this film.
While the film is a vampire film, at the same time it would be wrong for me to say it was and people coming in to think it was a “Lost Boys”, “Twilight” type of film because it’s not. It’s pretty much a bloody romantic triangle between two men (who happen to be vampires) who vie for Miyako’s attention. And in many ways, it’s a sensual, kinky and carnal (yes bloody) way of showing it.
If I had one problem about the film is that you are expecting more as you find out that Ukyo went from being a samurai to leader of a crime network. It doesn’t really go much into it at all, if anything, the film tries to stay within the confines of the three individuals.
Yes, there is action in this film and in fact, there is quite a bit of wire-work implemented in “Blood” but while the carnage, romance and even action scenes are very good compared to a lot of similar-themed Japanese vampire films, “Blood” is predictable, contrived and in the end it ends up being a popcorn romantic triangle, bloody action film but it’s not dramatic like “Twilight”. But it does get quite campy but not in the indie Japanese film type of way, the production values and its presentation enhances one’s appreciation for the film.
If there was one major bummer about this Blu-ray release is the lack of special features but other than that, it all comes down to if you are wanting a horror film with a lot of blood and violence but also a touch of romance (and yes, gratuitous nudity). If so, “Blood” is definitely for you!

The Man From Nowhere (a J!-ENT Blu-ray Disc Review)
February 27, 2011 by Dennis Amith · Leave a Comment

Riveting, pulse-pounding action and drama. “The Man From Nowhere” is simply magnificent!
Images courtesy of © 2010 CJ Entertainment. All Rights Reserved.

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TITLE: The Man From Nowhere (Ajeossi, 아저씨)
FILM RELEASE DATE: 2010
DURATION: 119 Minutes + 29 Minutes (Extra)
BLU-RAY DISC INFORMATION: 1080p High Definition (16×9), Stereo/5.1 HD Surround Sound, Korean with English dub and subtitles
COMPANY: Well Go USA
RATED: R (For Strong Bloody Violence, Pervasive Language, Drug Content and Brief Nudity)
RELEASE DATE: March 8, 2011

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Written and Directed by Jeong-beom Lee
Produced by Tae-hun Lee
Executive Produced by Katharine Kim, Lee Tae Hun
Cinematography by Lee Tae-Yoon
Lighting by Lee Chol-O
Visual Effects Supervisor: Kim Tae-Ui
Edited by Kim Sang-Bum
Production Design: Yang Hong Sam
Costume Desgin: Jang Ju-Hee
Music by Shim Hyun Jung

Starring:
Won Bin as Tae-Sik Cha
Kim Sae-ron as So-Mi Jeong
Kim Hyo-seo as Hyo-Jeong (So-Mi’s Mother)
Kim Tae-hoon as Kim Chi-gon
Kim Hee-won as Man-seok
Kim Sung-oh as Jong-seok
Lee Jong-pil as Detective No
Thanayong Wongtrakul as Ramrowan

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An ex-special agent Tae-sik Cha’s only connection to the rest of the world is a little girl, So-mi, who lives nearby. Her mother, Hyo-jeong smuggles drugs from a drug trafficking organization and entrusts Tae-sik with the product, without letting him know. The traffickers find out about her smuggling and kidnap both Hyo-jeong and So-mi. The gang promises to release them if Tae-sik makes a delivery for them, however it is actually a larger plot to eliminate a rival drug ring leader. When Hyo-jeong’s disemboweled body is discovered, Tae-sik realizes that So-mi’s life may also be in danger. Tae-sik becomes enraged at the prospect that So-mi may already be dead and prepares for a battle, putting his own life at risk.
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Riveting, pulse-pounding action and drama. “The Man From Nowhere” is simply magnificent!
The winner of seven Korea Film Awards (the most awards ever received for a film in Korea) and multiple awards worldwide, the 2010 film “The Man From Nowhere” will be released on Blu-ray and DVD in the US on March 8th!
“The Man From Nowhere” was written and directed by Jeong-beom Lee (“Cruel Winter Blues”) and stars popular Korean actor Won Bin (“Guns & Talks”, “Mother”, “Taegukgi”, “My Brother”).
The film revolves around a man named Cha Tae-sik (played by Won Bin), a man who operates a pawn shop and pretty much lives his life quietly. Living next to door to him is a young girl named So-mi (played by Kim Sae-ron) who tends to visit him quite a bit as she doesn’t have any friends and is often treated like trash, even by her mother, exotic dancer/heroin addict Hyo-jeong.
Typically when Hyo-jeong sees her mother drugged out, she stays with Cha, despite him not communicating all that much.
One day, after dancing at a club, Hyo-jeong uses a stun gun on a man and steals bags of heroin which were meant to be picked up by a drug trafficking organization. To make sure she hides the bags of heroin, she puts it inside a camera bag and leaves it with Cha Tae-sik. Meanwhile, her boyfriend tells her that the organization wants the heroin and that she doesn’t know who she is dealing with. She refuses to give it up, thinking that she can get a profit for it.
As for the drug trafficking organization, they admonish Man-seok (played by Kim Hee-won) for losing the drugs and expect him to find it. Man-seok gets his brother Jong-seok (played by Kim Sung-oh) to do all he can to find it and they receive information that the person who stole it was a dancer.
Meanwhile, Cha learns a little bit about the girl. How she has no friends, she steals because she has no authority figure and he does feel some compassion for her. One day, he sees police with So-mi and a mother with her son. Both accuse the girl of trying to steal his backpack but So-mi claims she just wanted to compare it with her own. But they don’t believe she has a backpack because she is poor and the woman and the boy hit her with their backpack while the police watch. As Cha sees this, they ask her where her parents are and she points at Cha, but instead of helping her out, he leaves. And the police know that he is not her father.
As Cha goes to a nearby store, he sees So-mi who is planning to steal again and he admonishes her. But she steals anyway. As he talks to the store owner to pay for the stolen item, the store owner tells him that she needs a parent and feels badly for her, so it’s on the house.
When Cha goes to catch up with So-mi, she tells him that she stole because he was mean to her. Was he so embarrassed to be around her that he left her while the police were admonishing her? She said that she doesn’t hate him but she hurt him deeply and can never hate him because he is the only person that she cares about and gives him her lucky card… a dark knight card. Touched by this, he sees her run off back home.
When So-mi gets home, she sees Jong-seok bounding Hyo-jeong and burning her with a hair dryer and torturing her. She tries to tell So-mi to leave but she is held by a non-Korean named Ramrowan (played by Thanayong Wongtrakul). They are told that the drugs are in a camerabag held by Cha Tae-sik.
So, the thugs start go get the drugs back from Cha (who doesn’t know what they are talking about) and when they try to approach him with brute force, Cha easily beats them all up. But when the thugs call Jong-seok and tell him that this man has easily beat them, Jong-seok uses So-mi as leverage and tells him that he has both her and her mother and if he wants them safe, all he has to do is follow their orders.
He is asked to deliver a crate with a toy inside to an address and knowing that this is the only way he can free So-mi and her mother, he does it. As Cha goes to deliver the crate, he checks the contents and realizes that under it is a bag of drugs.
Cha delivers the drugs to the drug trafficking organization and demands So-mi back, but the organization has no idea what the hell is going on. They receive a phone call from the Man-seok saying that the drug trafficking organization should have never treated them badly and now has stabbed them in the back by giving police authorities a tip of there whereabout and that they are doing a drug deal.
As the police led by Detective No (played by Lee Jong-pil) arrive to make their arrests, the thugs of the organization beat Cha and throw him over the building (but is rescued as he falls on a net at the golf driving range).
Cha sees the head of the drug trafficking organization running and thinking that he knows where So-mi is and goes after him. Cha tries to pursue him and ends up crashing his car on to his and opening the back trunk. When Cha walks off, he sees something in the back trunk and the police surround him and see what is in the back trunk. It’s So-mi’s mother and her eyes are gone and her vital organs are also gone.
As Cha is being held by the police, the police are shocked that his file has been locked and police can not access it, only high-level security. Because the police were asked by the White House in America to search for a Korean terrorist, they were given a one-time access for information and they use it to get the identity of Cha Tae-sik and are surprised by his true identity and his background and why his file was locked.
Meanwhile, Man-seok and Jong-seok, who have So-mi, have delivered her to a place that kidnaps kids and use them to deliver drugs but also are kept for the purpose of when they get older, they would be killed and their eyes and organs would be taken and sold. Both criminals run an organ harvesting underground facility and make their money through that and drug trafficking.
As for Cha Tae-sik, he manages to escape from police holding and is determined to do all it takes to rescue So-mi.


VIDEO:
“The Man From Nowhere” is presented in 1080p High Definition and is presented in 16:9 widescreen. The picture quality of this film is absolutely wonderful as grime, blood and scars can be seen with detail on the characters. You can see the detail of the suit and clothing of various people, including the buttons on their clothing.
It’s important to note that this is a bloody film known for its spectacular knife fight and its violence but by no means is it sadistic in a horror-film type of way.
While a film that does showcase a lot of black and does take place during the nighttime, during the day-time scenes or neon-light club scenes, you do see the vibrant colors. As for the action sequences, no blurring or any interlacing. I saw no compression artifacting, DNR or any significant visual problems. A pretty solid release PQ-wise from Well Go USA.
AUDIO & SUBTITLES:
“The Man From Nowhere” is presented in Korean and English 5.1 DTS-HD Surround Sound. While there is an English dub version of the film, I do not listen to English dubs for live action Asian films and prefer to watch the film in its original language, Korean dialogue with English subtitles. So, I can’t comment on the quality of the English dub for this film.
But as for the lossless audio, the dialogue is clear and there are a good amount of action scenes with car chases, car crashing, gunshots and action-sequences which can be heard through the surround channels. While not a film that does have repetitive action that utilizes the surround sound and LFE to create an immersive soundscape, the lossless audio fits this film quite well and is pretty much crystal clear.
The only audio that sounds distorted is the special features but overall, the film sounds great in HD on Blu-ray!

SPECIAL FEATURES:
“The Man From Nowhere” comes with the following special features in standard definition:
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- Teaser - (1:08) A teaser trailer for “The Man From Nowhere”
- Full Trailer- (1:42) The original theatrical trailer for “The Man From Nowhere”.
- Highlights – (5:11) A feature that focuses on the important scenes between Cha Tae-sik and So-mi.
- Making Of – (17:23) The making of the action-based sequences. No dialogue but pretty much we can see how those scenes were created with the talent and the crew around them.
EXTRAS:
“The Man From Nowhere” comes with a slipcover case.
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I have been highly anticipating to watch this movie. Having heard how it won all these awards in Korea and the fact that I have seen a good number of Korean films and very good ones that never won as many awards as “The Man From Nowhere”, you can’t help but think that this film must be special.
And after watching it, I can definitely say that this film was truly one of a kind. Stepping away from typical gangster or revenge films by focusing on the characters but also delivering in the action.
I have watched Won Bin grow from Korean dramas and seeing him become a film star, but “The Man From Nowhere” is a film where he truly shines and what best than to have a story where you play this character that seems quite stoic but then seeing him as an individual with emotions that he has dragged on all these years because of a tragic circumstance.
Also, the film does shed some light on the underground of Korea (which also happens in other countries of Asia) and where this film could have truly been hampered by terrible child acting, young actress Kim Sae-ron who plays So-mi, does it with so much emotion and adds to the film’s efficacy.
And while the dramatic portions are well-done, you have or will probably read how “The Man From Nowhere” has one of the best knife fighting scenes in a film. As some Asian cinema fans may be used to seeing in samurai films with sword vs. sword battles, “The Man From Nowhere” is just impressive with its fight choreography that I was amazed. There is no cheapening of the scenes, you are made to feel that the fight scenes look at feel right and never come out feeling disappointed by the results.
This is classic planning and excellent execution when it comes to the action and in balance with great performances, well-written dramatic elements, “The Man From Nowhere” was just magnificent to watch and I enjoyed this film extremely.
Granted, it is bloody and it is violent but the violence are nothing compared to a slasher, horror film, so it’s easily tolerable and not scary at all. But if you are sensitive to bloody violence, this film may not be for you. But if you are open to it, this film delivers in riveting, pulse-pounding action and drama. “The Man From Nowhere” is simply magnificent!
So far, Well Go USA has delivered with its Blu-ray release of “Ip Man” and now with “The Man From Nowhere” and with the Asian films that they brought to the U.S. thus far, I’m excited to see what other films they tend to bring in the near future.
Overall, there is really nothing for me to complain about this Blu-ray release. Granted, I wish there were more special features and wish the features were in HD but other than that, “The Man From Nowhere” is a film that I can easily give my highest recommendation.

Alien vs. Ninja (a J!-ENT Blu-ray Disc)
February 25, 2011 by Dennis Amith · Leave a Comment

The concept may seem unusual but for a Sushi Typhoon film, it’s actually a pretty fun, anime-esque live action sci-fi/horror film. Plenty of humor, violence and action… I found “Alien vs. Ninja” to be quite entertaining and hilarious.
Images courtesy of © 2011 FUNimation Entertainment. All Rights Reserved.

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TITLE: Alien vs. Ninja
FILM RELEASE DATE: 2010
DURATION: 81 Minutes
BLU-RAY DISC INFORMATION: 1080i High Definition (16×9 – HD Native), Dolby TrueHD Japanese 5.1, Dolby TrueHD English 5.1, Subtitles: English
COMPANY: Nikkatsu/Sushi Typhoon, FUNimation Entertainment
RATED: TV MA
RELEASE DATE: February 22, 2011

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Directed by Seiji Chiba
Produced by Seiji Chiba, Yoshinori Chiba
Executive Producer: Akifumi Sugihara
Cinematography by Tetsuya Kudo, Ryo Uematsu
Editing by Seiji Chiba

Starring:
Masanori Mimoto as Yamata
Mika Hijii as Rin
Shuji Kashiwabara as Jinnai
Donpei Tsuchihira as Nezumi
Yuki Oge

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The fiercest ninjas of the Iga clan face their toughest enemies – and they aren’t from this planet! A fiery mass crashes in the forest and soon horrifyingly savage creatures reduce the warriors to tasty snacks. But these extraterrestrials have bitten off more than they can chew: swords and throwing stars may fail against unearthly goons, but ninja skills don’t stop at sharp stuff.
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From the filmmakers behind “Tokyo Gore Police” and “The Machine Girl” join the Sushi Typhoon to bring a Japanese sci-fi, horror comedy for International audiences.
Director Seiji Chiba knnown for “Evil Ninja”, “Sengoku: Iga no Ran”, “Red Letters” returns with “Alien vs. Ninja”, a film that incorporates Western alien sci-films and anime-style action and bring them together for an alien attacks film that takes place in feudal Japan. This time…the ninjas become the hunted!
The film begins with three ninjas who infiltrate a rival clan’s castle and blows it up. The three are being pursued by ninja. While they run, we are introduced to the team leader Jinnai (played by Shuji Kashiwabara), the cocky warrior Yamata (played by Masanori Mimoto) and the always scared but crafty weapons developer Nezumi (played by Donpei Tsuchihira).
Nezumi gives a weapon to Mimoto for him to use in battle and as the three are surrounded by enemy ninja, Yamata (played by Masanori Mimoto) easily defeats them in battle, while one is kept alive and Mimoto tests Nezumi’s spinning top. Unfortunately, the weapon does not work (as most of Nezumi’s weapons do not work) in battle.
But as they finish with their mission and are about to return home, a big fireball comes from the sky and lands near them. Instead of investigating, the three head back home and Yamata is admonished by his clan’s administrative leaders and reminded that he was not born a ninja but was taken in by the clan. All three are told to see their master who needs to talk to them.
Meanwhile, in the forest, another ninja clan is planning to head back home. This one led by Rin (played by Mika Hijii, “Kamen Rider Blade”) who led several ninjas with her to investigate an intuition that she had but proved to be fruitless. The group also sees a fireball flying over them and landing.
As Jinnai and his men meet with their master, they are told to investigate the fireball that has flown over and so, the three take off on another mission. But before they go, Nezumi introduces a new weapon, a pistol that shoots out bullets, like a Western weapon.
As the three joke around and have fun, they run into Rin’s group and tell them that together, they need to investigate the fireball that landed near them. And as the ninja travel towards the forest, they see a boy running and is bloodied. They try to find out more details but the boy can’t speak.
Next thing you know, the ninjas are attacked as one by one, someone is literally eating them alive or tearing their body limps apart. They realize their opponent is a monster they have not seen before.
With the majority of the ninjas slaughtered, only the living…Jinnai, Yamata, Nezumi, Rin and one of her ninja from her group, along with the boy are the last ones living and they retreat.
As they retreat, one of the aliens shows up and we see small aliens coming out of its head and one of them going inside the nose of one of the wounded ninja.
Knowing that they are taking on an opponent that they have never come across that is so tough to beat, the living ninjas must decide if they are willing to fight or are willing to die fighting these killer monsters.


VIDEO:
“Alien vs. Ninja” is presented in 1080i High Definition (16×9, HD Native). While it’s shot via digital, you can tell the difference of high quality digital and digital that is good enough. For those familiar with Japanese indie films like “Alien vs. Ninja” (or the various horror/zombie films) will know what I mean about the quality. It’s digital, it’s good digital but not the same high end digital that delivers in amazing detail. You do get good blacks but you will not see skin pores or major detail and it’s probably a good thing.
As the monsters does carry that Sentai feel of rubberized monster suits, the picture quality as is produces a better effect of not making the aliens look so rubbery. Granted, the low budget alien monsters, its babies or symbiotes do look like something that you want to give to your dog as a chew toy, I suppose that since I’m so used to this genre and watching these type of Japanese films, I’m too used to it. Otherwise, those who are not familiar with the genre and are more likely to complain how the monsters look cheap, will probably be disappointed.
I, on the other hand, watch “Alien vs. Ninja” and will say that compared to many of the Japanese zombie and indie horror films that I have seen in awhile, “Alien vs. Ninja” is among the better ones out there.
AUDIO & SUBTITLES:
“Alien vs. Ninja” is presented in Dolby TrueHD Japanese and English 5.1. Because I prefer to watch my live action Asian films in their original presentation, I preferred watching it in Japanese and could only listen to English for a short while. First the English dub, I will say that because FUNimation Entertainment employs talent voice actors, the voice acting is much better than Dimension Films or from other companies.
But with that being said, the Japanese lossless soundtrack is good. You can hear ambiance from the forest, the stomping of leaves, the clanging of steel on steel, the gun shots, Rin’s iron fists and various action-based sounds utilized through the surround channels. Dialogue is crystal clear from the center and front channels and for the most part, I’m happy to see that an Indie film such as “Alien vs. Ninja” does utilize the surround channels. It’s of course not immersive but still it is utilized throughout the film at times.
Subtitles are presented in English.

SPECIAL FEATURES:
“Alien vs. Ninja” comes with the following special features:
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- Alien vs. Ninja – Making Of - (19:32) Director Seiji Chiba and action director Yuji Shimomura talk about the film, how it came to be, the action used in the film, the talent also talk about their characters and participating in the film, plus Sochi Umezawa talks about the makeup and effects for the film.
- Original Trailer- (3:07) The English trailer for the film.
- Coming Soon – FUNimation Entertainment titles coming soon or are currently available.
EXTRAS:
“Alien vs. Ninja” comes with a slipcover case.
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I literally grew up watching sentai and watching Japanese indie monster films and horror films that you pretty much expect rubbery suits, poorly executed decapitated heads and limbs, bad acting and some of the worst action that is only helped with the banal use of nude women and women in sexy outfits doing copious amounts of fan service.
With that being said, “Alien vs. Ninja” is not that type of film. In fact, for an indie sci-fi, humor and horror driven storyline, it does have the rubbery suits, it does have hilarious moments and cheesy special effects but there is actually a storyline and the use of talent that are able to execute the moves.
First thing you will notice is how much of an anime-type feel “Alien vs. Ninja” tends to have and that is courtesy of writer and director Seiji Chiba who wanted the film to contain the Western elements of sci-fi but also utilizing over-the-top anime action. And for ninjas, you expect guys that can fight and that is another major plus because for those who have seen Japanese indie films, typically the characters are so slow and can’t fight, it’s way too evident that a director hired his buddies, best friends or an adult actress to star in the role.
Not the case with “Alien vs. Ninja”. Masanori Mimoto and Shuji Kashiwabara are effective in their role. Kashiwabara as the calm, cool and collected leader Jinnai and Mimoto as the cocky ninja Yamata. Both are involved in major fighting scenes and they give full effort in trying to make the film fun by seeing them kick some butt!
Granted, you have your obligatory goof ball and actor Donepi Tsuchihira fits the role of Nezumi perfectly. He is so inept as the weapons-maker that you wonder how this bumbling character is going to survive… or will he?
But as a ninja film, don’t expect anything remotely connected to the style of ninjas. The goal of director Seiji Chiba was to have this battle between alien vs. ninja take place but the ninjas being stylish and modern. As for the aliens…
Granted, the things they are fighting most of the time are these aliens that look like half alien, half shark or whatever monster these aliens were inspired from, but they are essentially people wearing rubber monster suits. You can see the rubber suits and no matter how much special makeup and design artist Sochi Umezawa had to mask it, because this is a low-budget indie film, you work within the budget and in this case, the aliens work. And why it works is because if you have watched Ultraman, Godzilla, Gamera, Kamen Rider or any of the Sentai-related TV shows or films, you are used to the rubberized monsters. it’s part of Japanese sci-fi and indie, campy goodness to be found in a film of this nature and it works!
And a big credit goes to using actress Mika Hijii for the role of Rin. She is sexy, flexible and is put into various scenes showcasing her flexibility but also in many action scenes that don’t suck! How many times have I watched a Japanese indie film where the female talent that may be as hot as hell but are literally slow as molasses. And for the hardcore otaku and NEET’s who are hoping to see Mika show some skin, it’s not going to happen in this film. But you will see her in tight vinyl showcasing her athleticism.
When it comes to indie sci-fi/horror films in Japan, I have to admit that most of the time, I end up feeling a bit underwhelmed. But having seen them so many times, you expect the quality to be around the same. Horror + campy comedy without any efficacy, just done for the sake of being created and churned out to the masses who want to see horror but I’m guessing, primarily nudity (as a lot of these films tend to star adult or gravure stars), but “Alien vs. Ninja”, although it retains campiness, the film is helped with people who look like they can fight, demonstrate it well on-screen and a storyline that believe it or not, works for this kind of film. And with that being said, for an indie sci-fi/horror film, it’s one of the better ones I have seen come out of Japan in a long while and I thoroughly enjoyed it (and laughed a lot while watching this film).
If you enjoy these type of films and are familiar with how Japanese indie horror/sci-fi films are, then by all means, give “Alien vs. Ninja” a chance!

A WOMAN, A GUN AND A NOODLE SHOP (a J!-ENT Blu-ray Disc Review)
January 23, 2011 by Dennis Amith · Leave a Comment

Entertaining, fun, twisted and beautiful… “A Woman, A Gun and a Noodle Shop” may be loosely-based on the Coen Brothers “Blood Simple” but Zhang Yimou creates a different but yet fantastic film all on his own. Visually impressive, fantastic cinematography… this film is definitely recommended!
Images courtesy of © 2009 Film Partner (2009) International, Inc. All Rights Reserved.

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TITLE: A Woman, A Gun and a Noodle Shop (San qiang pai an jing qi)
FILM RELEASE DATE: 2009
DURATION: 90 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition (2:40:1), Chinese Mandarin 5.1 DTS-HD MA, Subtitles: English, English SDH, French and Spanish
COMPANY: Sony Pictures Classics
RATED: R (Some Violence)
RELEASE DATE: February 1, 2011

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Directed by Yimou Zhang
Screenplay by Jianquan Shi, Jing Sang
Based on the film “Blood Simple” by Ethan and Joel Coen
Produced by William Kong, Weiping Zhang
Cinematography by Xiaoding Zhao
Edited by Peicong Meng

Starring:
Honglei Sun as Zhang
Xiao Shen-Yang as Li
Ni Yan as Wang’s Wife
Dahong Ni as Wang
Ye Cheng as Zhao
Mao Mao as Chen
Benshan as The Captain
Julien Gaudfroy as the Persian Trader

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It looks like a perfect plan: the affair will come to a cruel but satisfying end when a Chinese noodle shop owner plots to execute his unfaithful wife and her lover. But the lover has a lethal plan of his own in this violent tale of adultery and revenge based on the Coen Brother’s debut classic Blood Simple.
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Chinese filmmaker Zhang Yimou is known for his epic films such as “Hero”, “House of Flying Daggers”, “Curse of the Golden Flower” and he also happens to be a fan of the Coen Brothers 1985 film “Blood Simple”. So, as a departure of the kind of films that Zhang is known for, a Chinese (loosely-based) adaptation of the film was created and “A Woman, A Gun and a Noodle Shop” was born.
Shot in Northwest China at the Gansu province, “A Simple Noodle Story” is a mixture of a dark thriller but also comedy. Praised for its visual look and vibrant colors (as Zhang Yimou was praised for his use of colors in “Hero”), “A Woman, A Gun and a Noodle Shop” was nominated for a Golden Bear when the film had its international premiere at the 60th Berlin International Film Festival.
The film begins with four people at the noodle shop looking at the various items for sale by a Persian trader. The Persian trader shows the wife (played by Ni Yan) of the owner of the noodle shop a gun and how it can kill a person immediately. He shows them how the gun takes three bullets and the employees are shocked that Wang’s wife would even buy a gun.
The Persian trader tries to get her to buy a cannon and shows them how it is used. They fire a blast in which the cannon shoots off towards the mountains but Wang’s wife decides that she is happy with the gun instead.
Unfortunately, the police are alerted by the cannonball explosion and head off to the noodle shop.
As the police arrive, Li (played by comedian Xiao Shen-Yang) is scared that Wang’s wife bought a gun but she tells him to not worry as she has hidden it in a vase and for now, the employees should make noodles for the police. The police captain (played by Benshan Zhao) at first suspects that the people of the noodle shop maybe responsible for firing a cannonball and he asks one of his detectives Zhang (played by Hongeli Sun) to keep an eye out for them and any trouble in the area.
Meanwhile, the foolish employee Zhao (played by Ye Cheng) goes down to where the owner Wang (played by Dahong Ni) is staying and tells him that his wife has purchased a gun and now Wang suspects that maybe she purchased it to kill him.
As Wang’s wife is with her husband, you realize that their love is not equal. He purchased her from someone and she has not been able to deliver a baby and is dismayed by her. So much that he tortures her by burning metal and branding her.
The only person that knows about her pain is Li and each time, the two leave the noodle shop, ride out to the hills and talk. Wang’s wife looks at him as her only confidant and is happy that he is with her. He knows how badly his boss treats her and tries to help her with her injuries by putting medication on her. Unfortunately, when he does that, it sounds like the two are making love.
The police detective, Zhang, overhears this and he has suspected that each meeting the two have up in the hills is sexual and he reports to Wang about his discovery.
Now Wang is paranoid. He feels that his wife is having sex with his employee and he has to see this for himself. After paying Zhang for watching his wife, Zhang escorts Wang to the hill area where the two are staying and a confrontation between Wang and his wife (and Li) develop. But she pulls the gun out on him and eventually he runs off leaving. He meets with Zhang and tells him that he feels his wife is trying to kill him and he wants both of them dead.
He wants to rid of his wife and Li and make it seem like they ran off together. Zhang agrees if only Wang will pay him 15 Guan and both have a deal.
The following day, both Wang’s wife and Li go to the hills once again and when Zhang goes to kill them, he thinks they have committed suicide as Li is laying on the bottom as if he was dead of the carriage and Wang’s wife looks dead as well. He takes a piece of their clothing which looks bloody, as well as the gun that Wang’s wife had bouht and returns to Wang and he tells them that he killed them and now wants payment.
Seeing that Wang is a rich man with a lot of money hidden inside his safe, Zhang shoots and kills Wang. He tries to make it look like his wife killed him with the gun.
Meanwhile, as Zhang tries to break into the safe, he is unable to and must leave to find a way to break the lock. Unbeknown to Zhang, both Li and Wang’s wife have woken up and returned home. Wang’s wife drinks herself to sleep, while Li wants forgiveness by Wang for him catching them together and to let him know that he has not had an affair with his wife.
When he goes down to the cellar to talk to Wang, he finds him dead and the gun laying in front of him. Scared that Wang’s wife is now in trouble for murder, Li will do everything he can to hide the murder of Wang and protect his wife. But first, he must get Wang and the gun of the cellar and he must bury him.
But what Li doesn’t know is that Zhang will return to try and steal Wang’s money from the safe and also that the other two employees, Zhao and Chen (played by Mao Mao), who haven’t received their pay, want to sneak into the safe and get the money that is owed to them.
And Zhang will not hesitate to kill any of them, if they discover that he is trying to steal the money.
As a paranoid Li tries to bury Wang’s body, to his surprise while burying him, Wang is not dead. He is still alive!
By the end of the day, which one of these individuals will remain alive and who will be dead?


VIDEO:
“A Woman, A Gun and a Noodle Shop” is presented in 1080 High Definition (2:40:1).
When Zhang Yimou’s “Hero” was released, the film caught everyone by surprise by its use of color and the overall vibrant colors were a magnificent accomplishment by cinematographer Chris Doyle. And since then, every production, may it be for the Beijing Olympics, Chinese New Year or any film that Zhang Yimou has taken part in has embraced color.
This time around, Zhang Yimou collaborates with his cinematographer Xiaoding Zhao, who he worked with previously in “House of Flying Daggers” and “Curse of the Golden Flower” and once again, color use in this film is magnificent.
For one, the characters are wearing colors that pop. Wang’s wife in green, Li in pink, Zhao in orange and Chen in blue. The background of where the film is shot is very close to these hills that are red and earthtone ambers and the colors absolutely pop!
Also, what I found amazing is the detail. The details of the hills and mountain around the area, to the wood-based design of the noodleshop. But you can also see the detail of the clothing and fabric. The curvature of the police uniform that Zhang is wearing and everything is so detailed, that I found it to be amazing in HD. And typically when you get these colors, you expect to see some banding and I didn’t see any banding at all. Nor did I see any crush, especially during the scenes with Wang (who tends to stay in the dark in the cellar). Blacks are nice and deep, I didn’t notice any artifacts or edge enhancement.
“A Woman, A Gun and a Noodle Shop” looks amazing in HD!
AUDIO & SUBTITLES:
Similar to the picture quality, “A Woman, A Gun and A Noodle Shop” has its moments where the lossless audio track really catches your attention. Presented in Chinese Mandarin 5.1 DTS-HD MA, from the opening scenes with the cannonball being blasted or when a gun is being shot. But where you will hear awesome audio is when the noodle shop is working and you can hear the flames through the surround channels, also the ambiance of the police men inside the restaurant or when they are traveling and you can hear the whirl from a fan that they are carrying.
While the majority of the film is dialogue and music-driven and a lot of it through the front and center channels, you do get enough of noise coming through the surround channels as well and it’s well-utilized throughout the film. Even for little things such as Li’s clumsiness as he keeps tripping, Zhang firing off arrows or hearing him unsheat his sword or trying to break into the safe, these moments really come alive as if it is happening right near you in real-time.
So, overall, the lossless audio soundtrack is amazing.
Subtitles are presented in English, English SDH, French and Spanish.

SPECIAL FEATURES:
“A Woman, A Gun and a Noodle Shop” comes with the following special features:
- Creating A Woman, A Gun and a Noodleshop – (1:59:14) Presented in standard definition, this featurette actually comprises of probably close to two dozen mini-featurettes. This special feature goes through so many elements of what took place behind-the-scenes of the film and also featuring mini-featurettes focused on the director and the six major talents of the film. From covering the costume design, casting, what the talent like to do during the off-time, singing, learning dance moves, stunt coordination and also giving us an idea of a behind-the-scenes look at the filming of “A Woman, A Gun and A Noodle Shop”. But also to showcase how busy a director Zhang Yimou is because while he was working on this film, he was also working on a Chinese New Year event.
- Theatrical Trailer - (1:55) The original theatrical trailer to “A Woman, A Gun and A Noodle Shop”.
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Absolutely enjoyable, fun and a bit twisted… “A Women, A Gun and A Noodle Shop” was a pleasant surprise!
If anything, Zhang Yimou is a fantastic filmmaker. He knows what he wants, he has been able to create these visually fantastic films and also epic Chinese films but “A Women, A Gun and A Noodle Shop” is a big surprise. For one, I never expected to see Zhang take on a Coen Brothers film and do a loose adaptation of it. And because of the departure from his previous films, many see this film as a way for the director to try something experimental, crazy but also a homage to the Coen Brother’s 1984 debut classic but done in a Chinese way, using impressive and visually appealing colors.
I have to admit, I’m still surprise by how he was able to take the storyline of the Coen Brothers’ “Blood Simple” and transform this film to a Chinese period film.
As mentioned, “A Women, A Gun and A Noodle Shop” relies heavily on visuals, physical comedy, even the use of gags that may have been seen in ’70s and ’80s Chinese comedy/period films, these are not the type of films that Zhang Yimou is known for. But he is able to craft this film, using “Blood Simple” as a blueprint and having fun with the storyline. And to see this balance of comedy, vibrant colors to moments of dark twisted planning, with wonderful cinematography, beautiful costume design and also impressive set design as everything is shot with these breathtaking red/amber-colored hills and blue sky, this movie was not only artistic, creative and fun, it’s another great film among the many awesome films in Zhang Yimou’s oeuvre. It’s literally a work of art!
And typically with many Chinese period films, there are so many characters and special effects that at times, the storyline can get convoluted or even derivative of past Chinese films but this time, the story is kept simple within six characters. The visual storytelling and how each of these characters are displayed was quite fascinating.
The performance by Honglei Sun as the police detective Zhang turned crooked and literally a murderer, was quite interesting and there is this sinister feeling that among the five other characters of this film, this lighthearted comedy was going to quickly change to a sinister, dark and twisted drama of who will be the last person standing?
Actress Ni Yan does a wonderful job playing Wang’s wife. Submissive to him but also strong-willed in front of the employees, this is a woman who has been hurt so much by her husband that she seems to be staying because of the financial convenience. The only person keeping her sane is the employee Li who has become like a good, listening friend for her. Mischievous, playful but also a woman trying to find her inner strength.
The comedian Xiao Shen-Yang does a wonderful job playing the paranoid Li. A man who knows between right and wrong but yet feels sorry for his boss’s wife and thus has her interests in mind, despite trying to keep his job at the noodle shop. Li does his own stunts but just captures the look and feel of a paranoid man quite well!
Dahong Ni as Wang is the elder man who is jealous that his wife is having an affair behind his back and now wants her gone. Dahong Ni does a great job of playing the rich man who has power because of money and knowing he has control over his wife which he bought and over his employees.
As for Ye Cheng as Zhao and Mao Mao as Chen, these characters are almost like characters that seem quite common when you watch a Shaw Bros. film. But this time in a Zhang Yimou film. Zhao is not very bright and has the big overbite, while Chen is the good friend of Zhao, who just works at the noodle shop and wants to keep out of trouble.
The Blu-ray release is magnificent and once again, Sony Pictures Classics gives us an incredible visual film that definitely stands out amongst Zhang Yimou’s previous, magnificent work. The special features has plenty of mini-featurettes and about two hours worth of material on the making of the film and also showing us how life is quite busy for the world renown director.
Overall, “A Woman, A Gun and a Noodle Shop” was a fantastic film and also a refreshing escape from the kind of film that we are used to seeing from Zhang Yimou. I’m not sure if I would qualify this film as being a masterpiece because of it’s crazy use of comedy at times, but still, it was an impressive film that I can see myself coming back to quite often.
Entertaining, fun, twisted and beautiful… “A Woman, A Gun and a Noodle Shop” may be loosely-based on the Coen Brothers “Blood Simple” but Zhang Yimou creates a different but yet fantastic film all on his own. Visually impressive, fantastic cinematography… this film is definitely recommended!

Soul of the Sword (a J!-ENT Asian Cinema DVD Review)
November 22, 2010 by Dennis Amith · Leave a Comment

The tragic swordfighting Shaw Bros. film “Soul of the Sword” comes to DVD! For those who want more action, sex and violence, will enjoy this latest film starring martial arts action star Lung Ti.
© 2010 FUNimation Entertainment. All Rights Reserved.

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DVD TITLE: Shaolin Prince (Sha Jue)
FILM RELEASE DATE: 1978
DURATION: 85 Minutes
DVD INFORMATION: 16:9, Mandarin and English Mono (Dolby Digital), English Subtitles
COMPANY: FUNimation Entertainment
RATED: UNRATED
RELEASE DATE: November 9, 2010

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Directed by Shan Hua
Written by Kang Chien Chiu, Chan Wei Lin
Executive Producer: Mona Fong
Supervising Producer: Run Run Shaw
Music by Yung-yu Chen
Cinematography by Te-Wei Chang
Edited by Hsing-lung Chiang
Set Decoration by Ching-Shen Chen
Costume Design by Chi-Yu Liu

Starring:
Lung Ti as Wu-ming (Nameless)
Chen Chi Lin as Ke Lien
Feng Ku as Lu as Tien Kang
Hui-Ling Liu as Three Strokes Hua-Chang
Norman Chu as Yen
Yung Henry Yu as The Emperor
Lilly Li as Lo-yang assassin

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This Shaw Brothers classic, directed by Hua Shan (The 14 Amazons), is a harrowing lesson in achieving the coveted Number One sword-wielding status. Ti Lung (Opium and the Kung- Fu Master, A Better Tomorrow) is the Nameless Swordsman bent on defeating the faceless King of Swords to claim the title, and the glory, for himself. Hordes of fighters lunge from the shadows to cut down the mysterious challenger. Even a cunning seductress takes a stab at him in a revealing bath house assassination. It is said that a man’s weapon reflects his utmost dreams, desires, and fears. A warrior with no name and one motive has a soul as merciless as cold steel.


The Shaw Brothers, the company known for their many releases of Hong Kong films for many decades ran by producer Sir Run Run Shaw, knighted by the British government and founder of Shaw University in Hong Kong and even founded the HK-TVB TV network was a major power behind the company and his third brother Runme Shaw (who founded South Sea Film), the film company would become known as Shaw Brothers Studio and become the first studio to bring Hong Kong cinema with sound in 1934.
The Shaw Brothers have created over a thousand films and with several having been aired on US television and some being released on video, the 1978 film”Soul of the Sword” (Sha jue) gets its US DVD release courtesy of FUNimation Entertainment and would star popular Shaw Bros. action star Ti Lung, actress Chen Chi Lin and directed by Shan Hua.
The film begins with The Emperor conducting a battle between a young man who seeks to become “The King of Swords”, a title held by a mysterious man who wears a hat with a black veil covering his face. A young boy hides behind the bushes to watches the battle.
Before the battle, the King of Swords tells the young man that he has a choice to back out of the fight and tells that because he brought his girlfriend (played by Chen Chi Li) with him, he will surely lose. Of course, the young man doesn’t believe it and sure enough, during the fight, the King of Swords defeats him and leads the dead young man’s girlfriend to commit suicide.
Once again the King of Swords has won, but the young boy who watched from afar, vows to unveil the true identity of the King of Swords and also will defeat him in battle.
Fastforward 20 years later and now the boy has become an expert swordsman and martial artist. And so he goes after the best swordsman in the area and takes them on (including the guards) and easily beats them. But for some reason, the image of the woman who committed suicide stays in his mind quite vividly and haunts him for some reason.
As he makes his way to the Emperor to challenge the King of Sword, because of how he has destroyed his opposition, the Emperor grants him a battle. When asked his name, the man doesn’t give it to him but just calls himself “nameless”.
As he is ready to take on the King of Sword, Nameless sees a young woman who looks identical to the girl who killed herself 20-years-ago. Who is this woman and why is the nameless one attracted to her? Will he be able to fight with a woman in his mind?

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VIDEO:
“Soul of the Sword” is presented in 16:9 widescreen and for the most part, Celestial Pictures has done a wonderful job thus far in their remastering of the Shaw Bros. films. The picture quality for this 1978 film is quite clean and didn’t detect many blemishes. But overall, a fine restoration by Celestial Pictures and “Soul of the Sword” looks very good on DVD.
AUDIO:
“Soul of the Sword” is presented in Mandarin and English mono. Mandarin is the way to go for this film as the English dub is not only cheesy but the old original English dub sounds tinny and recorded badly. In fact, you lose a lot of the crowd ambiance and the background music if you watch the English dub.
Subtitles are in English.
SPECIAL FEATURES:
“Soul of the Sword” comes with no special features but the FUNimation Entertainment trailers.
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An action-packed, swordfighting, yet tragic Shaw Bros. film.
“Soul of the Sword” is very different when compared to other Shaw. Bros martial arts films. Lung Ti has usually taken on the role of moral characters. Either a hero, taking on oppressive individuals, or some type of role in which he gets the upperhand. But for “Soul of the Sword”, he is a man literally playing with fire.
The character of nameless is a driven man and Lung Ti plays the character quite well. The man may be naive to a lot of things but he can fight! He is also a good listener and this is where Lu Tien Kang (played by Feng Ku) comes in as the elder instructor who tries to get Nameless on the right path before his battle.
But is Nameless on the right path? Driven by his need to have the “King of Sword” title and preparing for 20-years to do so, he is always haunted by the woman who had killed herself and to make things worse, he has fallen for a woman who looks exactly like her. Also, where other martial artist in films have had girlfriends and such, the film leaves you really liking the character of Nameless’ girlfriend. Chen Chi Lin plays the role of the girlfriend quite well. Just an innocent woman who loves the man, supports the man despite not knowing his name. Nameless loves her but she is not his priority, everything about his life was to beat the King of Swords.
And when his mentor Lu tells him that he needs to free himself from love in order to attain the “King of Sword” or else he will be destined to be like the young man who lost the battle 20-years-ago. And interestingly, the film takes a twist and turn as Lung Ti decides to separate from his love in the most tragic way he can.
The film also has its share of sex and nude scenes courtesy of Hui-Ling Liu who plays the assassin “Three Strokes Hua-chang” who desperately wants to kill Nameless and will seduce any man to make it happen. Also, a special guest appearance by actress Lilly Li who also plays an assassin named Lo-yang (although I believe the nude woman is a body double an not actually Lilly Li). Also in a not-as-important role but he is in the film is actor/filmmaker Cory Yuen (director of “The Transporter”, “DOA: Dead or Alive”, “Fist of Fury 1991 II”) as one of the 8 Diagram Guards.
“Soul of the Sword” is an good martial arts film but definitely not one of Lung ti’s best. The film suffers from trying to figure out how to incorporate characters. The characters of “Three Strokes” and “Lo-yang” seem to be actress that were just added for the sake of nudity which I suppose for a male audience (which these films were targeted for), works out fine. But I just wished Lung Ti’s “Nameless” was better utilized. If his girlfriend was struck down by “The King of Swords”, then we can see the motivation and root for him. But in this case, he’s just a guy who wants to prove his dominance over others by killing them in a swordfight. It’s a bit hard to sympathize with him and when you see the crazy turns that take place near the end, it’s even harder to support him.
But I suppose that is the nature of the character Nameless. Like his name which he doesn’t want people to know, it works out the same for his character, the least we know about him the better.
Overall, “Soul of the Sword” will appeal to martial arts fans, especially for those who want to see more swordfighting. But for the most part, it’s a good but not great martial arts film.

Vampire Girl vs. Frankenstein Girl (Kyûketsuki Shôjo tai Shôjo Furanken) (a J!-ENT DVD Review)
October 21, 2010 by Michelle Tymon · Leave a Comment

“Vampire Girl vs. Frankenstein Girl” is one big bloody mess… literally”.
Images courtesy of © 2010 FUNimation Entertainment. All Rights Reserved.

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DVD TITLE: Vampire Girl vs. Frankenstein Girl (Kyûketsuki Shôjo tai Shôjo Furanken)
FILM RELEASE DATE: 2009
DURATION: 90 Minutes
DVD INFORMATION: 16:9, Dolby Digital, Japanese Stereo, English 5.1 Dolby Surround Sound, English Subtitles
COMPANY: Eleven Arts/FUNimation Entertainment
RATED: TV MA
RELEASE DATE: October 19, 2010

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Based on the manga “Kyuketsuki Shojo tai Shojo Furanken” by Shungiku Uchida
Directed by Yoshihiro Nishimura, Naoyuki Tomomatsu
Screenplay by Naoyuki Tomomatsu
Executive Producer: Shuji Omata
Producer: Masatsugu Asahi, Jun Nakajima
Associate Producer: Ruka Tanaka
Music by Kou Nakagawa
Cinematography by Shu G. Momose
Edited by Yoshihiro Nishimura
Production Design by Nori Fukuda

Starring:
Yukie Kawamura as Monami/Vampire Girl
Takumi Saito as Jyugon Mizushima
Elly Otoguro as Keiko/Frankenstein Girl
Sayaka Kametani as Midori
Jiji Bu as Igor
Eihi Shiina as Monami’s Mother
Kanji Tsuda as Kenji Furano
Yukihide Benny as St. Francis Xavier

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Vampire Girl vs. Frankenstein Girl is the terrifying story of two classic monsters re-imagined as super hot – and extremely lethal – Japanese school girls. Gore rules supreme in this blood-cake cavalcade of carnage, and aficionados of psychedelic blood-filled chocolates, mad scientist principals, sumo wrestlers from hell, and sex-crazed school nurses are guaranteed to lose their heads over this old-school splatter-fest.

“Vampire Girl vs. Frankenstein Girl” is your classic love story (not really). Girl falls in love with boy. Vampire Girl also falls in love with boy. Girl dies trying to protect (?) boy from Vampire Girl. Girl comes back as Frankenstein Girl thanks to her father being a mad scientist and tries to get boy back from Vampire Girl… and then all hell breaks loose. Meanwhile, boy is just stuck in the middle of this mess…
Monami Arukado (played by Yukie Kawamura) is a transfer student that just happens to be a vampire. Nobody ever really paid any attention to her and actually, most people have a habit of forgetting she’s even there. Keiko Furano (played by Elly Otoguro) is the princess of the school who’s father is also the vice principal. She’s used to getting what she wants, including her boyfriend Jyugon Mizushima (played by Takumi Saito). However, Jyugon really never agreed to this relationship. One day, Monami approaches Jyugon and asks him to take the chocolate she made for him. Jyugon thinks nothing of this and takes the chocolate. He bites into the chocolate and realizes there’s something weird inside the chocolate… blood. It happens to be Monami’s blood, meaning he just got turned into a vampire. Thus begins the weirdest love triangle you will ever see.
Keiko obviously doesn’t like the fact that Monami is getting close to Jyugon and eventually finds out the fact that Monami is a vampire. She attempts to protect Jyugon from Monami… on the roof of the school and that doesn’t end so well. Luckily for her (?), her father is not only the vice principal, but also happens to be a mad scientist using students for his experiments (yes, really…). He is able to save (?) her and turns her into Frankenstein Girl. So begins the battle between Vampire Girl and Frankenstein Girl for their true love…
“Vampire Girl vs. Frankenstein Girl” is brought to you by the same people who brought you “Tokyo Gore Police” (directed by Yoshihiro Nishimura). Bloody, quirky, and absolutely insane: “Vampire Girl vs. Frankenstein Girl” is definitely something else…
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VIDEO:
“Vampire Girl vs. Frankenstein Girl” is presented in 16:9.
AUDIO & SUBTITLES:
“Vampire Girl vs. Frankenstein Girl” is presented in Dolby Digital. The English dub is presented in 5.1 Dolby Surround while the Japanese track is presented in Japanese stereo.
Subtitles are in English.
The English dubbing is actually pretty well acted out… however, it’s rather hard to time when the mouths move and sync the English words with the original Japanese dialogue… so at times it looks like any other Asian movie dubbed over into English. If you don’t mind this and don’t want to read subtitles, then the dub is decent. If you prefer to just stick with the original Japanese, the subtitles are very well done.
SPECIAL FEATURES:
“Vampire Girl vs. Frankenstein Girl” comes with the following special features:
- Opening Day Stage Greetings- (20:38) Greetings from the directors as well as actresses Yukie Kawamura and Elly Otoguro as well as a Q&A from opening day.
- Making of Video Part 1- (14:17) Behind the scenes footage of the film part 1.
- Making of Video Part 2- (50:00) Behind the scenes footage of the film part 2.
- Original Trailer- (1:12) The original trailer for “Vampire Girl vs. Frankenstein Girl”.
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“Vampire Girl vs. Frankenstein Girl” is one big bloody mess. Literally. However, it can be a humorous big bloody mess… or it could just be insulting, it depends on what kind of person you are. With that, if you don’t like the sight of blood (despite it being obviously fake), this movie is not for you. If you don’t mind the sight of blood and guts and enjoy some dark humor, you may enjoy this film. However, the humor is really, really dark and some of the stuff in this film is bound to offend viewers. I myself don’t mind blood and guts and I enjoy dark humor… but this film may have been a bit much for me, and in a way, it may not have been enough.
Other than the amount of violence and fake blood in this film, there is a Wrist Cutters’ club as well as a Ganguro club… The Wrist Cutters’ club is self explanatory and I don’t think I need to elaborate on how disturbing that is… (at least I hope I don’t) Also the leader of the Ganguro club happens to wear an afro wig and has prosthetics on her face to make her lips, nose, and cheekbones bigger… Pretty much this movie has at least one thing that will offend almost everyone. Not much nudity in this film, but there’s plenty of other offensive material. In general there’s plenty of stuff in this film that will make you think WTF.
The special effects in this film look ridiculous, but adds flavor to the kind of movie this is. The special effects and CG pretty much look like they are from a B movie and well… this pretty much is a B movie. This movie isn’t a serious movie so cheesy effects were the way to go. The acting itself isn’t bad… I mean there are actual professional actors in this film. It’s not completely a film with just gravure idols and B actors. The best way I can describe this film is that it’s a lot like the Troma Entertainment movies like the “Toxic Avenger” series, but Japanese. So if you enjoy those movies, you’ll enjoy this film.
With everything I’ve said so far, this should be obvious but this film is definitely not for children.
As I said, I do enjoy dark comedies so I could enjoy some of the humor of this film. The whole movie is ridiculous, and it’s meant to be… so I can appreciate that. I mean… the vice principal is a mad scientist dressed up in full Kabuki makeup. Someone has to appreciate that.
I know I didn’t have very nice things to say about this film, but seriously this movie is for a very select audience, just like the Troma pictures are. Going back to my statement earlier about this film, I personally think it had just too much blood, gore and offensive material and well… not much of anything else. For what the movie is, I think it’s an alright movie. I know there will be people who enjoy this movie a lot more than I did. Just be warned of what you’re about to watch. If you like Troma pictures, or movies with tons of fake guts and blood as well as offensive humor, you’ll enjoy it. If you don’t enjoy any of that, you might want to let this one pass.

Seven Samurai (Shichinin no Samurai) – THE CRITERION COLLECTION #2 (a J!-ENT Blu-ray Disc Review)
October 8, 2010 by Dennis Amith · Leave a Comment

“Seven Samurai” is Akira Kurosawa’s ultimate masterpiece that has been one of the highlights of the Criterion Collection for more than a decade. This Blu-ray release of “Seven Samurai” looks fantastic and is the definitive version to watch and to own. Overall, with the film, commentary and lengthy special features, “Seven Samurai” on Blu-ray is a 5-star release! Highly recommended!
Image courtesy of © 1954. 2006 Toho Co. Ltd./2010 The Criterion Collection. All Rights Reserved.

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TITLE: The Seven Samurai (Shichinin no Samurai)
YEAR OF FILM: 1954
DURATION: 207 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition (1:33:1 Aspect Ratio), Black and White, Monaural Japanese with English Subtitles
COMPANY: Janus Films/Toho/THE CRITERION COLLECTION
RELEASE DATE: October 19, 2010

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Directed by Akira Kurosawa
Written by Akira Kurosawa, Shinobu Hashimoto, Hideo Oguni
Produced by Sojiro Motoki
Music by Fumio Hayasaka
Cinematography by Asakazu Nakai
Edited by Akira Kurosawa
Production Design by Takashi Matsuyama
Costume Design by Kohei Ezaki, Mieko Yamaguchi

Starring:
Toshiro Mifune as Kikuchiyo
Takashi Shimura as Kanbe Shimada
Keiko Tsushima as Shino
Yukiko Shimazaki as Rikichi’s Wife
Kamatari Fujiwara as Manzo – Father of Shino
Daisuke Kato as Shichiroji
Isao Kimura as Katsushiro Okamoto
Minoru Chiaki as Heihachi Hayashida
Seiji Miyaguchi as Kyuzo
Yoshio Kosugi as Mosuke
Bokuzen Hidari as Yohei
Yoshio Inaba as Gorobe Katayama
Yoshio Tsuchiya as Rikichi
Kokuten Kodo as Gisaku, the Old Man

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One of the most thrilling movie epics of all time, Seven Samurai (Shichinin no samurai) tells the story of a sixteenth-century village whose desperate inhabitants hire the eponymous warriors to protect them from invading bandits. This three-hour ride from Akira Kurosawa—featuring legendary actors Toshiro Mifune and Takashi Shimura—seamlessly weaves philosophy and entertainment, delicate human emotions and relentless action, into a rich, evocative, and unforgettable tale of courage and hope.


If there is one title in which many fans of the Criterion Collection have always considered as must-have, must-own, it would be Akira Kurosawa’s 1954 film “Seven Samurai”.
The second film of The Criterion Collection, originally released back in 1999 and then re-released in 2006, the third time is indeed a charm as Kurosawa’s masterpiece will now be released on Blu-ray. And the “Seven Samurai” is a wonderful highlight in the oeuvre of Kurosawa, as it was a film in which the filmmaker wanted to make a real jidai-geki (period film).
Having success with his last film “Ikiru” and previous films such as “Rashomon”, “Stray Dog”, “Drunken Angel” to name a few, “Seven Samurai”stands out amongst his films because not only is it a samurai film, but it’s a film which captures the period of ronin who have no master and are trying to survive, some who have become bandits and pray on the weak villages and for all its 207-minutes of thrilling and compelling cinema, this is a film in which Kurosawa is deeply focused and a film in which he expected nothing less from his crew and his talent, this film demanded pure dedication, talent and staff working in frigid, cold conditions and wanting to make viewers feel that it was just a rainy day and it’s as simple as that.
But this film was anything but simple. This is a film that demanded one’s respect, one’s dedication in watching this film in its entirety and just be in awe of how thorough, how multi-layered and most of all, how awesome this film would be no matter which generation you came from. This film is truly a masterpiece.
“Seven Samurai” takes place after the civil wars, a time when samurai who have lost their master are now roaming from village to village just to find a job or ways to survive, meanwhile bandits (former samurai) have went from village to village to kill, cheat and steal young women from the village as their sexual objects.
For one farming village, one of the villagers who is hiding and listening to the bandits hear that they were going to return to the village that they just pillaged, after their crops have grown and are to be harvested. The village farmers and their families survive off their rice crops and it’s so bad that they hardly have anything left as it is.
The villagers know they are at a breaking point and things are getting worse. Some want to fight back, but others feel they don’t have what it takes to fight back. They are scared, they are weak and they don’t know what else they can do. That is until the village elder recommends them to find and hire samurai’s who would fight for them. Something the elder has seen once before a long time ago. Samurai who will come because they are hungry and at the village, they can definitely provide the rice that is needed.
So, the first story arc features the farmers going to a larger village in search of samurai but the problem is, not one of them is interested until they meet Kanbei (played by Takashi Shimura), a strong and respectable samurai who is willing to help. Alongside with him is a young ronin named Katsushiro (played by Ko Kimura) who wants to learn from Kanbei. And from there, Kanbei is joined by an old friend, Shichiroji (played by Daisuke Kato) who finds another samurai named Gorobei (played by Yoshio Inaba) and Gorobei ends up finding Heihachi (played by Minoru Chiaki).
With five samurai, we then see Kanbei trying to recruit a master swordsman named Kyuzo (played by Seiji Miyaguchi) and all they need is one and that one is the unusual, wannabe samurai which the group has named Kikuchiyo (played by Toshio Mifune).
The second arc deals with Kanbei and fellow samurai as they plan out their strategy of defense against the bandits and also training the farmers on how to protect their land and the final third arc which deals with the bandits who now have arrived near the farming village to make their attack and pillage and the samurai and farmers ready to defend their home.



VIDEO:
“Seven Samurai” is presented in its original aspect ratio of 1:331. According to the Criterion Collection”, the original negative of the film is no longer available, so a duplicate negative was created from the original fine-grain master positive using wetgate processing. This high-definition digital transfer was then created in 2K resolution on a Spirit Datacine from the dupe negative. For the extensive restoration of “Seven Samurai”, several different digital hardware and software solutions were utilized to address flicker, instability, dirty, scratches and grain management. Including da Vinci’s Revival, Discreet’s Fire, Digital vision’s ASCII Advanced Scratch and Dirty Concealer, MTI’s DRS and Pixel Farm’s PFClean.
I’ve done quite a bit of comparing between this blu-ray version and the previous two Criterion Collection DVD releases and all I can say is that the “Seven Samurai” on Blu-ray is simply fantastic. This is a remarkable restoration of the original film. I was noticing detail, for example, the flag that Kikuchiyo hung up on top of the house, you can see the threading quite clearly. You can see detail and patterns on the clothing much more clearly as well as detail of the surrounding area (the farming village) from the buildings to the fields as well as the closeups of the character’s faces. You can actually see the strands of hair instead of just one big black and gray mesh, you can see strands of hair which was not as visible on the DVD version.
Blacks are nice and deep, whites and gray contrasts are just right. I didn’t see any artifacting, massive flickering or even edge enhancement. You do spot some scratches but nothing major. There is also a good amount of grain present in the picture. This is clearly the best looking version of “Seven Samurai” right now and fans of the film will be in awe of how beautiful this film looks! Fantastic!
AUDIO & SUBTITLES:
According to the Criterion Collection, the surround mix was created from original optical track recordings, original stereo music masters, and original production sound effects masters. The original monaural soundtrack was mastered at 24-bit from an optical soundtrack print. Clicks, thumps, hiss and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube’s integrated audio workstation.
Audio is presented in Japanese LPCM 1.0 (mono) and Japanese LPCM 2.0. The package does mention a Japanese DTS-HD Master Audio track but this was mistake on the packaging. But for the most part, audio is quite clear and if there is one thing that fans will notice is the clarity of Fumio Hayasaka’s score.
Donald Richie, author of “The Films of Akira Kurosawa” wrote in his book about the differentiation of the music which I noticed much more in this soundtrack. Drums are associated with the bandits, folk-music, flute and percussion with the farmers and a male chorus (low humming) with the samurai. Audio was excellent and I detected no audio problems, hissing or dropouts whatsoever.
Optional English subtitles are included.
SPECIAL FEATURES:
“Seven Samurai – THE CRITERION COLLECTION #2″ on Blu-ray comes with the following special features presented in HD (1080i):
Disc 1:
- Roundtable Audio Commentary - The following audio commentary is by film scholars David Desser, Joan Mellen, Stephen Prince, Tony Rayns and Donald Richie. Originally included on the “Seven Samurai” 2006 DVD re-release, the audio commentary features a different scholar taking on about a half hour or more segment of the film and giving their commentary for the film.
- Audio Commentary – Featuring the original audio commentary from the 1999 Criterion Collection DVD release by Japanese film expert Michael Jeck.
DISC 2:
- Akira Kurosawa: It is Wonderful to Create - (49:10) The making of “Seven Samurai” as part of the Toho Masterworks series “Akira Kurosawa: It is Wonderful to Create” featuring interviews with Kurosawa’s key collaborators, writer Shinobu Hashimoto, set decorator Koichi Hamamura, script supervisor Teruyo Nogami, actors Seiji Miyaguchi and Yoshio Tsuchiya and more. This is a wonderful documentary for anyone who wants to know how this masterpiece was made. This feature was originally included in the 2006 DVD release but is now presented in 1080i.
- My Life in Cinema: Akira Kurosawa – (1:55:59) Filmed for the Directors Guild of Japan in 1993, this featurette showcases director Akira Kurosawa talking with filmmaker Nagisa Oshima. Two two talk about Kurosawa’s life and career. This conversation between the two is very cool, especially if you have followed the careers for both filmmakers! This feature was originally included in the 2006 DVD release but is now presented in 1080i.
- Seven Samurai: Origins and Influences - (55:12) A documentary exclusive for the Criterion Collection, this documentary takes a close look at the history of samurai in Japanese life and art and the influence of the samurai figure in film leading up to Kurosawa’s masterpiece. Another awesome documentary featuring Tony Rayns, Donald Richie and David Desser discussing samurai in Japanese films. This feature was originally included in the 2006 DVD release but is now presented in 1080i.
- Trailers and Teaser – Featuring three trailers (3-5 minutes each) and a teaser (:42).
- Galleries - Using your remote, you can view galleries via behind-the-scenes and the film’s movie posters.
EXTRAS:
“Seven Samurai” comes with a slipcase and a 60-page booklet. The booklet features essays by Kenneth Turan (The Hours and Times), Peter Cowie (Seven Rode Together), Philip Kemp (A Time of Honor), Peggy Chiao (Kurosawa’s Early Influences), Alain Silver (The Rains Came), Stuart Galbraith (A Magnificent Year), A Tribute from Arthur Penn, A Tribute from Sidney Lumet and an interview with Toshiro Mifune (In His Own Words).
Also, the “Seven Samurai” is presented in a digipack case in which both the case and the booklet fits into a slipcase.
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Like many fans of the Criterion Collection, I purchased the original “Seven Samurai” when it was released, followed by the DVD re-release and then here I am once again reviewing another magnificent release of the film but this time on Blu-ray.
“Seven Samurai” on Blu-ray has much more detail and clarity than any previous release of the film and for those who are passionate about the film, this is the definitive version to own.
There is no doubt that the Criterion Collection is passionate about Akira Kurosawa and his work. From the various Criterion Collection releases to the eclipse series releases and the AK100 set released earlier this year, Akira Kurosawa is a filmmaker that many people all over the world respect and with the announcement of the Blu-ray release of “Seven Samurai”, needless to say, many fans have been waiting patiently and it was definitely worth the wait.
The film exemplifies the magnificence of Kurosawa and here we are with a beautiful release of this film, with the intermissions and not hacked and cut like when it first was released in the US. In Japan, it was uncut. In the US, in 1954, this 207 minute film was reduced to 160 minutes and further cuts were made. And I can’t even fathom this film being shortened, as nearly every minutes, every hour of this 207-minute film was important to the story.
But there is so much to love about “Seven Samurai”, it’s storytelling is well-paced, the characters especially the samurai were well-planned and their scenes were well written, the discussion of strategy was well-thought and planned and the action is well-executed.
Both actors that have worked with Akira Kurosawa in his previous movies, Takashi Shimura and Toshiro Mifune were fantastic! Shimura as Kanbei, the disciplined leader who is aware, always thinking and is very astute when it comes to the samurai way and always practicing caution with his knowledge of strategy and how the farmers can use their surroundings to their advantage. It’s one thing for Shimura to shine two-years earlier as Kanji Watanabe in the 1952 film “Ikiru” but in “Seven Samurai”, Shimura fit the part as a samurai leader. Convincing and a leader onscreen that wins your respect and you want this man to truly succeed.
Actor Toshiro Mifune as Kikuchiyo is phenomenal. A popular actor in Kurosawa films such as “Drunken Angel”, “Stray Dog”, “Rashomon”, in “Seven Samurai”, Mifune masterfully plays the wannabe samurai Kikuchiyo who tries to convince everyone he is a samurai but his public display, awkward, weird, unusual, abrasive and crude at times, shows that he is a man with a kind heart and a man who wants to be with men like Kanbei and earn his respect as one of them. But no matter how unusual Kikuchiyo is….whether he is impulsive, talks a lot, laughs a lot and downright mouthy, this is a character who rises to the occasion. He is a man who does all he can to defend the farmers from the bandits, he is also a man that will earn the respect of his comrades.
Awesome performances by both men but also everyone in this film. The main characters to the supporting characters are well thought of, are well-utilized…and each talent and even the crew braved through cold weather, cold water and gave the best performance onscreen as Kurosawa demanded and expected the best and got the best performance out of them.
As mentioned, the film is 207 minutes long but by no means does the film make you want to look at the clock. I’ve seen long films before but with “Seven Samurai”, I was glued to my seat.
Film critic Roger Ebert wrote in his review of the film, “Akira Kurosawa’s ‘The Seven Samurai’ (1954) is not only a great film in its own right but the source of a genre that flowed through the rest of the century.” (from Roger Ebert, “The Great Movies”, pg. 400)
“Seven Samurai” is a wonderful triumph in cinema. Kurosawa’s wanting to create a jidaigeki samurai film but wanting to make it real, making it entertaining for the viewer that no matter how long the film is, the viewer is captivated. We know this war with the bandits is not going to go perfectly, some will live and some will die. We watch to see how well the plans of Kanbei are executed, how well prepared the farmers are in defending their home and we see how ruthless and cunning the bandits are and how they also have other weapons such as muskets and bows and arrows to their disposal.
Film critic Pauline Kael wrote about “Seven Samurai” (in her , “It is the Western form carried to apotheosis – a vast celebration of the joys and torments of fighting, seen in a new depth and scale, a brutal imaginative ballet on the nature of strength and weakness.” (from Pauline Kael, “For Keeps”, pg. 61)
“Seven Samurai” is a battle of underdogs vs. a large group of samurai-turned-bandits and we find ourselves supporting the seven samurai and the farmers in hoping they can become victorious? But with victory comes a price. But it’s not about just the battle, it’s about the relationships of each characters. The samurai who follow the Bushido way, the farmers who hire the samurai for protection but at the same time, have their own set secrets of what they have done to samurai in the past. The farmer who lives with revenge for the wife that was taken from him, the man who wants to be a samurai but sympathizes with the farmers for a reason. There is so many layers within this film, masterfully pieced together, amazing shots that Kurosawa is known for and like a maestro, manages to make the 207 minutes an incredible cinema experience. The word “masterpiece” can be a bit misused and even overused but there is no doubt, “Seven Samurai” is a Kurosawa masterpiece and a truly a magnificent film.
As for this Criterion Collection Blu-ray release of “Seven Samurai”, there will be some who may want to know if it’s worth it, especially after purchasing the magnificent 2006 DVD release. While not having any newer special features, you do get the best presentation of the film (and special features) in HD, as well as the two audio commentaries, the three lengthy special features that with special re-release and the booklet as well. This is truly the definitive version of “Seven Samurai”, a wonderful HD version of the film and if that matters to you, then “Seven Samurai” on Blu-ray is absolutely worth it.
“Seven Samurai” is Akira Kurosawa’s ultimate masterpiece that has been one of the highlight release for the Criterion Collection for more than a decade. It’s a film that many cinema fans have in their collection and if you are a cineaste is practically essential to have in your film collection. This Blu-ray release of “Seven Samurai” looks fantastic and is the definitive version to watch and own. Overall, with the film, commentary and lengthy special features, “Seven Samurai” on Blu-ray is a 5-star release and it receives our highest recommendation!

Death Note Collection (a J!-ENT Blu-ray Disc Review)
September 2, 2010 by Dennis Amith · 1 Comment

Compelling, dark, twisted and awesome! Both “Death Note” films get the Blu-ray treatment in HD and lossless audio. If you love the manga and anime series, you’re going to enjoy both films. Slightly different than the original series but the films yet manage to capture the thrilling spirit of the series.
Images courtesy of © 2006 “DEATH NOTE” FILM PARTNERS © 2003 Tsugumi Ohba, Takeshi Obata . All Rights Reserved.

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TITLE: Death Note Collection
FILM RELEASE DATE: 2006
DURATION: 120 Minutes (Death Note), 140 Minutes (Death Note II)
BLU-RAY DISC INFORMATION: 1080p High Definition, Japanese and English DTS-HD Master Audio 5.1, Subtitles: English
COMPANY: VIZ Pictures
RATED: Not Rated
RELEASE DATE: August 24, 2010

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DEATH NOTE:
Directed by Shusuke Kaneko
Based on the Bestselling Japanese Comic by Tsugumi Ohba and Takeshi Obata
Screenplay by Tetsuya Oishii
Music by Kenji Kawai
Cinematography by Hiroshi Takase
Lighting by Koichi Watanabe
Production Design by Hajime Oikawa
Produced by Takahiro Salute, Toyoharu Fukuda, Takahiro Kobashi
Executive Produced by Seiji Okuda
DEATH NOTE II:
Directed by Shusuke Kaneko
Based on the Bestselling Japanese Comic by Tsugumi Ohba and Takeshi Obata
Screenplay by Tetsuya Oishii
Music by Kenji Kawai
Cinematography by Kenji Takama
Lighting by Masamichi Uwabo
Production Design by Hajime Oikawa
Editor: Yusuke Yafume
Produced by Takahiro Salute, Toyoharu Fukuda, Takahiro Kobashi
Executive Produced by Seiji Okuda

Starring:
Tatsuya Fujiwara as Light Yagami
Kenichi Matsuyama as L
Asaka Seto as Naomi Misora
Shigeki Hosokawa as FBI Agenty Ray
Erika Toda as Misa Amane
Sujui Fujimura as Watari
Takeshi Kaga as Soichiro Yagami
Nana Katase as Kiyomi Takada
Michiko Godai as Sachiko Yagami
Hikari Mitsushima as Sayu Yagami
Yu Kashii as Shiori Kashino
Shido Nakamura as the voice of Ryuk
English Dub Voice Actors:
Christopher Britton as Soichiro Yagami
Shannon Chan-Kent as Misa
Brian Drummond as Ryuk
Brad Swaile as Light Yagami
Matt Lagan as Lind L. Taylor

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Death Note
Law student Light is upset with the justice system and when he finds the Death Note dropped by a death god, he vows to rid the world of evil. Any human whose name is written in the notebook dies. As criminals all over the world begin to mysteriously die, a world-renowned detective known only as “L” is put on the case to stop this serial killer that the public calls “Kira.”
Death Note 2: The Last Name
The battle between Light and L continues as Light joins the investigation team. L suspects Light of being Kira while Light attempts to learn L’s real name. Time becomes even more crucial with the appearance of a second Kira. Whose name will be the last written in the Death Note?


Both films are compelling, dark, twisted and awesome!
Based on the popular manga and anime series that has captured the attention of viewers worldwide and the live action “Death Note” films (including the third, “L” film) have been popular among fans who have enjoyed this film featuring a battle of wits between Light Yagami and L.
With the “Death Note” films previously released on DVD from Viz Pictures in the U.S., many have wondered if there would be a Blu-ray release due to the films being released on BD in Japan.
“Death Note” is an adaption of the popular manga series written by Tsugumi Ohba and illustrated by Takeshi Obata and stars Tatsuya Fujiwara (known for his work in the popular “Battle Royale” films), directed by Shusuke Kaneko (known for the 2006 hit film “Gamera”) and the theme song “Dani California” (for “Death Note”) and “Snow (Hey Oh)” (for “Death Note II: The Last Name”) by the popular rock band RED HOT CHILI PEPPERS.
The film focuses on Light Yagami (Fujiwara), an intelligent student who wants to work in criminal law and follow his father’s footsteps and catch criminals. But one day after hacking into the police department’s computer system, Fujiwara is just sickened to know that the police has released criminals who should be incarcerated. One night, Yagami discovers a notebook called “Death Note” that has specific rules:
-The human whose name is written in this note shall die.
-This note will not take effect unless the writer has the person’s face in their
mind when writing his/her name. Therefore, people sharing the same name will
not be affected.
-If the cause of death is written within 40 seconds of writing the person’s name,
it will happen.
-If the cause of death is not specified, the person will simply die of a heart
attack.
-After writing the cause of death, details of the death should be written in the next 6 minutes and 40 seconds.
-This note shall become the property of the human world, once it touches the
ground of (arrives in) the human world.
-The owner of the note can recognize the image and voice of its original owner,
i.e. a god of death.
-The human who uses this note can neither go to Heaven nor Hell.
Anxious to test this book out, Light writes the name of a criminal, thinking that the book is a joke. That is until the person’s name that was written actually dies. Thus Light finds a way to get justice and does what he can to rid the world of all evil and become “the God of the new world”.
He also meets the owner of the Death Note, a shinigami (God of Death) named Ryuk, who is fascinated by Light of his ways of killing the criminals but the way his mind works.
Light who uses the name “Kira” starts writing the names of criminals in the Death Note and each die by heart attack and thus causing a frenzy in the media and the police force who now need to go after the person killing the criminals. But Kira is not your average criminal, as he is quickly generating a large fandom of people who support Kira’s goal of eliminating criminals.
Of course, the police force led by Light’s father, Soichiro Yagami, has no idea of how to go after this criminal but unbeknownst to them is a mysterious person that goes by the name of L. An intelligent detective who has an unorthodox way of catching criminals and so far, has been very succesful with his cases worldwide.
The cat and mouse chase has begun as L goes after Kira and Kira realizes his greatest enemy is L and thus the battle begins.
The film stars an all-star cast with “Battle Royale” actor Tatsuya Fujiwara as Light Yagami, Kenichi Matsuyama who starred in films “Linda Linda Linda” and “NANA” as the mysterious detective L.
Joining the two is one of Japan’s most popular actress, Asaka Seto as Naomi Misora, a former FBI agent who’s fiance is killed by Kira. Model and actress Yu Kashii as Light’s girlfriend Shiori Akino. Shigeki Hosokawa as FBI Agent Raye who is hot on the trail of catching Kira, actress Erika Toda who plays the character of pop star Misa Amane and Takeshi Kaga, best known for the host of the original “Iron Chef”, who plays the role as Light’s father and head of police, Soichiro Yagami.
In the second film, “Death Note II: The Last Name”, we learn that another individual has the “Death Note”. Her name is Misa Amane, a pop star and TV talent who has shortened her life span for the eyes of the shinigami. This allows her to see the names of the individuals and thus easy to write them down on the Death Note. She is a follower of Kira and all she wants is to be with him. And thus, she murders innocent people in order to get the attention of Light.
Upon meeting Misa, Light realizes that with her “eyes”, he can use her to finally kill his nemesis L. But with L and the police suspecting Light as Kira and Misa as Kira II, Light devises a plan. With Misa Amane captured by the police force, he submits himself to being captured and being held by the police. But he has given Misa’s Death Note to another person. A newscaster named Kiyomi Takada who also idolizes Kira and his mission and is willing to further his plan of eliminating criminals.
Now the police force who has both Light and Misa in custody in order to find out if they are both Kira now have a new threat in the outside world. Who can outwit the other and who will become the victor – Kira or L?
The film is 140 minutes long, pacing was indeed well done and overall, despite being different from the manga and anime series, both Shusuke Kaneko and Tetsuya Oishii managed to come up with a thrilling, dark and gripping storyline that remains faithful to the overlying theme of the film.


VIDEO:
“Death Note” and “Death Note II: The Last Name” are presented in 1080p High Definition and everything about these two films on Blu-ray looks much better and more vibrant than its DVD counterpart.
You can see the detail for example on the wooden grain of Light’s bedroom doorway, the metallic finish of his cell phone to the pixels of the screen on his cell phone and the strands of Light’s hair much clearly.
The film features a fine layer of grain, Colors pop out much more especially during the day light sequences, blacks are nice and deep and I don’t recall seeing any major compression artifacts or DNR.
Probably only one scene where I felt there was a bit of low-light noise seen on the blacks and reds (a scene before the ending credits of “Death Note II”) but for the most part, the picture quality for both films are very good.
My main interest was to see how the CGI would be for the shinagami Ryuk and Rem. And how that would translate on film and the two shinigami look exactly like it does in the anime and manga series but Rem seems to look more less detailed than Ryuk. But overall, the CG works with the film. It’s important to note that the CG was created in 2005-2006, so one should not compare this to 2009 “Avatar” or Pixar-based animation with heavy detail.
AUDIO & SUBTITLES:
“Death Note” and “Death Note II: The Last Name” are presented in Japanese and English 5.1 DTS-HD Master Audio. As for the lossless audio, this is another highlight of the Blu-ray version as I found the dialogue and musical soundtrack to be crisp and clear through the front and center channels.
The gunshots and crowd and overall ambiance (doors latching, stairs being climbed, etc.) is well-featured throughout the film through the surround channels. I was pretty impressed of how much the audio stood out through the surround channels versus when I watched both films originally on DVD. Ryuk and Rem’s voice echoes through the surround channels, certain movements can be heard through the surround channels and also certain parts of the musical score are played through the surround channels as well.
I found that “Death Note II: The Last Name” had a bit more surround sound usage with vehicles crashing, thunder, gun shots and a bit more destruction utilized in the sequel.
As for LFE, I didn’t really catch any major booms through my subwoofer during the more action-based scenes but mainly during the bass sequences of the music-filled sequences or during a sequence when Light had touched a Death Note.
I typically dislike English dubbing of Asian language films but what brought a smile to my face was that VIZ used the original voice actors of the anime series (which had great English dub work) on this series.
So, for those who are fond of Brandon Swaile’s Light, Alessandro Juliani’s L, Brian Drummond’s Ryuk, Shannon Chan-Kent as Misa and the other English dub voice actors will be happy to know that they did the English dub for the live film.That surprised me and definitely major kudo points for Viz Media for keeping things consistent in the voice acting

SPECIAL FEATURES:
The “Death Note Collection” comes with the following special features:
- Making of Death Note – (50:00) Featuring the making of “Death Note” and interviews with the director, talent and behind-the-scenes of the making of various scenes from the original film. A weekly video journal of various scenes and how they were shot.
- Making of Death Note II: The Last Name - (50:00) Featuring the making of “Death Note II: The Last Name” and interviews with the director, talent and behind-the-scenes of the making of various scenes from the sequel. A weekly video journal of various scenes and how they were shot.
- Viz Pictures Presents – Featuring trailers for upcoming and currently released Viz Picture films.
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First, let me say how happy I was to find out that both “Death Note” films were coming out on Blu-ray and even happier when I found out that they would be bundled together. I enjoyed both films when they came out and although different from the manga and anime series (as you can only fit so much into two 2-hour films), the writers managed to craft two films that were fine on its own despite its difference from the original storyline.
But even with the slight changes, everything worked out. The pacing was well done, the CGI of Ryuk was well done. But those changes from the original series is what gives the film it’s own life.
Unlike the manga and anime series, Naomi Misora (Seto) has a slightly different role, as does Shiori Akino (Kashii) that plays a major pivotal role early in the series of how demented Light has become, even with a followup comment by Ryuk. Fantastic!
But the plus for this film was the talent involved. Tatsuya Fujiwara is such an impressive actor that it was great to see him take on the role of Light Yagami. To see Fujiwara’s acting show the believable and caring Light Yagami evolve into the killer known as Kira was just fantastic. Kenichi Matsuyama as L was also well done.
But of course, the addition of other talents such as Asaka Seto. She’s such a popular TV drama and film star that it was great to see her as the vengeful Naomi Misora and it’s great to see Mr. “Iron Chef” Takeshi Kaga as Soichiro Yagami.
I was extremely pleased with the first live action film and the treatment it has received on DVD. I enjoyed watching it in Japanese but watching it again with the voice actors of the original anime series. Again, I’m not fond with English dubbing for a lot of Asian films but VIZ was smart in utilizing the voice actors for the anime series on this live film. Well done!
“DEATH NOTE II: The Last Name” was extremely popular in Japan. Having been #1 in the box office for five weeks and earning 5.5 Billion yen in Japan, the film was a major success.
I enjoyed the film a lot and the pacing was much better with the second film but if anything was amazing, it was Tetsuya Oishii’s screenplay.
It is challenging to get so much storyline from the manga and making a live action film. There is so much story in the “Death Note” manga that it would be difficult to translate all that in two films. So, there had to be major differences in the live film versus the manga and unfortunately, for many films based from a long manga series, they don’t succeed because they try to condense everything into one film.
As for “Death Note II: The Last Name”, Oishii manages to create a new storyline that is so different from the manga series but yet manages to stay within the confines of the main focal point. Kira vs. L and finding a right conclusion. Having the storyline so different from the manga, I was pleasantly surprised by it but by the film’s end, I was rather pleased. Both Kaneko and Oishii pulled it off.
What I love about this film is that Kira and L are two individuals who are intelligent and the way they try to outdo each other, is always amazing.
In a way, it’s like a chess game between these two as they do what they can to outwit each other. Also, I enjoyed seeing how many other characters were integrated into the overall storyline. And knowing how different this film is from the manga and anime series, I was satisfied with the conclusion of the film and overall, I really enjoyed the sequel. Good storytelling by Oishii and managing to pull of a storyline that is just as satisfying as the manga but yet quite different.
If you enjoyed the first live film, then you will definitely want to pick up the sequel. “Death Note II: The Last Name” is a thrilling, suspenseful and enjoyable film.
Overall, this collection is pretty awesome because you do get both films in one set, you also get the films in HD and lossless English and Japanese audio as well. And you also get the special features in a third disc and there was no skimping by Viz Pictures for their first major Blu-ray release.
It’s important to note that the special features that were on the original DVD release are not the same. The special features on the Blu-ray are longer and actually feature the making of, whereas the first “Death Note” DVD featured only the interview with the director and “Death Note II” DVD featured a 23-minute interview with the director and talent of the film.
I know there are some people who wish the “L” film was included with this set but this collection focuses primarily on “Death Note” especially the psychological battle between Light Yagami versus L. And although not as heavy on the details like the manga or animated series, these two films turned out quite well on its own and is definitely recommended!

Daido Moriyama – Stray Dog of Tokyo – New People Artist Series 003 (a J!-ENT DVD Review)
August 15, 2010 by Dennis Amith · Leave a Comment

Legendary and world renown photographer Daido Moriyama gives unprecedented access to filmmaker Kenjiro Fujii to create a film/documentary on his life. If you are a fan of Moriyama’s photography and want to learn more about his work and photography technique, “Stray Dog of Tokyo” is definitely recommended!
© 2001 B.B.B. Inc. All Rights Reserved.

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DVD TITLE: Daido Moriyama – Stray Dog of Tokyo – New People Artist Series 003
FILM RELEASE DATE: 2001
DURATION: 84 Minutes
DVD INFORMATION: 4:3, Color, Dolby Digital
COMPANY: Viz Pictures
RATED: UNRATED
RELEASE DATE: January 26, 2010

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Directed by Kenjiro Fujii

Starring:
Daido Moriyama
Michiko Kasahara (Curator of Tokyo Metropolitan Museum of Photography)
Sandra Phillips (Director of the exhibition, San Francisco Museum of Modern Art)
Nobuyoshi Araki
Kazuo Nishii

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Follow the charismatic photographer Daido Moriyama as he takes his first digital photos and observe his style of quick snapshots without looking in the finder. His stark and contrasting black and white images symbolize his fervent lifestyle.


Daido Moriyama – one of the world’s renown photographers who’s shaky and off focus photographers were unacceptable in the past but now is considered one of the greatest artistic photographers living today and known for creating anew era of photography for postwar Japan.
His photographs captured everday subjects but with a focus on the dark and gloomy part of Japanese cities that are typically unnoticed and eventually becoming a photographer who took images depicting the breakdown of traditional values in post-war Japan.
Influenced by Shomei Tomatsu, William Klein, Andy Warhol and Eiko Hosoe, Moriyama studied photography under the tutelage of Takeji Iwamiya, another popular Japanese photographer known for his photography capturing architecture, gardens and Japanese crafts.
Not much is known about Daido Moriyama because he is an extremely private man, but in 2000, Moriyama gave director Kenjiro Fujii unprecedented access to create a film about his work and a more personal interview about his life in general and now that film is available in the US courtesy of Viz Pictures “New People Artist Series vol. 003″.
Click here to view Daido Moriyama’s photography

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VIDEO:
“Daido Moriyama – Stray Dog of Tokyo – New People Artist Series 003″ is presented in color, 4:3. The majority of the shots were captured in Moriyama’s studio and footage of the photographer wandering through Japan as he takes his pictures. The documentary was shot with a regular camcorder and thus picture quality displays quite a bit of combing which is visible while watching. But mostly in scenes where there is a lot of motion. It’s not really disturbing, considering this is more of a documentary type of film but for those who are concerned about PQ, there is quite a bit of combing that is quite evident throughout the film but mostly evident when Moriyama is outdoors shooting his photos.
AUDIO & SUBTITLES:
“Daido Moriyama – Stray Dog of Tokyo – New People Artist Series 003″ is presented in Japanese Dolby Digital with English subtitles. Audio is clear and I didn’t hear any major hissing or pops during viewing. Music is also utilized on this film.
SPECIAL FEATURES:
“Daido Moriyama – Stray Dog of Tokyo – New People Artist Series 003″ comes with no special features but trailers for currently released or coming soon “New People Artist Series” titles. You do get a one sheet bio. on Moriyama and director Fujii and personal history on the photographer.
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Typically when you hear about artists who keep to themselves, they typically are not so embracing of being filmed. As we have seen in the previous two New People Artist Series volumes with Yoshitomo Nara and Yayoi Kusama, although they have given unprecedented access to them creating their work, we have seen them get upset to nearly trying to find ways to get away from the camera because they don’t like being shot on camera and want their work to be the vocal point and not them.
But interesting enough, Daido Moriyama, who is not known to give access to media, is rather cool and aloof in “Stray Dog of Tokyo”. Moriyama wanted this documentary to be shot in an amateur way and thus gave access to director Kenjiro Fujii and one assistant and let them cover him for five months, wanting the documentary to have a feel like a photo documentation type of style to it.
The legendary photographer answers every question asked of him and doesn’t stray away from them, especially questions in concerns to his family and his past drug use. Moriyama is candid about his whole life experience and we get to learn of his challenges, his inspirations and despite going on shooting photography for over 50 years, he is not ready to give up photography just yet. And even in one segment, he borrows the filmmaker’s digital camera and starts experiencing how digital cameras work and what kind of photography he is able to capture with one.
And also we get perspectives from photographer Nobuyoshi Araki, critic Kazuo Nishii and others who give us an idea of what makes Moriyama’s photography so special and what he is able to capture that most people are unable to repeat. But most of all, we learn of Moriyama’s take towards photography and his mentality with shooting pictures. From the use of high contrast, the emphasis of grays and more.
As for the DVD, yes it may have been shot on a regular camcorder and it’s a DVD that does not come with many special features but when you get unprecedented access to these legendary artists and photographers, you can’t help but grateful that there is a documentary based on that creator and in this case, you get you’re money’s worth with this DVD release.
So, far these first three volumes from the New People Artist Series have been wonderful. We can always appreciate these works of art and photography by the creators but these releases give us a chance to see what goes on behind-the-scenes of these creators today and watch them in action as they are working on a project. While most of the New People Artist Series focuses on paintings, I was grateful to see a photographer was included into the series.
Overall, if you are a fan of Daido Moriyama’s work, I definitely recommend picking up “Stray Dog of Tokyo”. Definitely recommended!

Battle Horumo League (a J!-ENT DVD Review)
August 11, 2010 by Dennis Amith · Leave a Comment

Hilarious, fun and entertaining! Director Katsuhide Motoki (“Gegege no Kitaro”) returns with another quirky film that will definitely appeal to Japanese pop culture, anime and Japanese RPG/tactics video game fans. Definitely recommended!
© 2009 Kamogawa Horumo Film Partners. All Rights Reserved.

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DVD TITLE: Battle Horumo League (Kamogawa Horumo: Battle League in Kyoto)
FILM RELEASE DATE: 2009
DURATION: 113 Minutes
DVD INFORMATION: 16:9 Anamorphic Widescreen, Japanese Dolby Digital with English Subtitles
COMPANY: Viz Pictures
RATED: UNRATED
RELEASE DATE: July 6, 2010

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Based on a novel by Manabu Makime
Directed by Katsuhide Motoki
Screenplay by Maruo Kyozuka
Produced by Chiaki Noji, Takashi Yajima
Music by Yoshikazu Suo
Cinematography by Shoji Ebara
Edited by Isao Kawase
Art Direction by Takashi Nishimura

Starring:
Takayuki Yamada as Akira Abe
Chiaki Kuriyama as Fumi Kusunoki
Gaku Hamada as Koichi Takamura
Sei Ashina as Kyoko Sawara
Takuya Ishida as Mitsuru Ashiya
YosiYosi Arakawa as Makoto Sugwarara
Tamiyasu Cho as Akahito Kakimoto
Renji Ishibashi as Pub Owner
Takayo Mimura as Tomiko Takanobu

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After failing the entrance exam and enduring 2 years of cram school, Akira Abe (Takayuki Yamada) finally gets accepted to the prestigious Kyoto University. One day on his way home with a friend, they meet a senior who invites them to a welcome party hosted by his club, “Azure Dragon.” With nothing to lose, they decide to go for the free food, and there, Abe meets Kyoko Sawara, the girl with the perfect nose, and falls head over heels for her. Abe drags his friend Takamura to join the club with him in hopes that he can get closer to the girl of his dreams.
At first, the club appears to be an ordinary social club, but the new members soon find out about the 1000-year-old tradition upheld by the four universities of Kyoto and the “Horumo” battle. The battle is fought between 10 players from each team with the players manipulating an army of 100 spirits (referred to as Oni) to fight the opponent. The members go through a rigorous training achieving the fluency of the Oni language as well as the indefinable gestures required to go along with it. Let the battles begin!


From Katsuhide Motoko (director of “Gegege no Kitaro and the 2000-2002 “Tsuribaka Nisshi” films) comes his latest film “Battle Horumo League” which stars Takayuki Yamada (“Ikigami the Final Limit”, “Densha Otoko”) and Chiaki Kuriyama (“Battle Royale”, “Azumi 2″, “Kill Bill Vol. 1″) and an adaptation by a novel by Manabu Makime.
The film revolves around Kyoto University freshman Akira Abe (played by Takayuki Yamada) and as most students in college in Japan are members of circles, especially members of a club.
Akira and his friend Koichi Takamura (played by Gaku Hamada) are approached by a group to join a college which they know nothing about. But at the first day of the club, both Akira and Koichi think the club members are a bit weird and both think that the club is not for them, that is until Akira sees a beautiful student named Kyoko Sawara (played by Sei Ashina) join the club.
Now Akira is head over heels for Kyoko and is determined to join the club and after a few club meetings, Akira and other students learn that the club is a Horumo Club. That is they are in contact with oni (demons) and through the club, they can learn how to communicate with them and a member can lead them into battle competitions with other groups. But before they can do this, they need to be trained during their freshman year and by their sophomore year, they will be pass the test and will be able to see the oni.
Part of the new members joining the club is the weird and technical Fumi Kusunoki (played by Chiaki Kuriyama) who has a secret crush on Akira and the very aggressive bully Mitsuru Ashiya who seems to have a connection with Kyoko Sawara. But for Akira, as long as Kyoko is part of the club, that’s all he cares about and being close to her.
Despite the odd training the club members go through, many stick it out and learn the various commands and dances and sure enough after their first year and passing the test, they are able to see these little miniature oni and with the commands learned, the will take them into battle against other groups.
But after a failed battle and a lot of tension between members, the team is split into two and although legal, the splitting of the team has angered the gods and now evil spirits are now disrupting the lifestyle of Akira and friends. In order to stop this, Akira must lead his new team in a Horumo battle against his rival Ashiya, his former teammates including the girl he had fallen for, Kyoko.
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VIDEO:
“Battle Horumo League” is presented in 16:9 Anamorphic Widescreen. With the film shot outdoors in many sequences, the film does showcase a lot of the vibrant color from the film. Some people may find the CG of the Oni a bit unusual for the film or expected something a bit more menacing, but overall picture quality for the film is very good and I wouldn’t be surprised if someday in the future, this film will be released in the US on Blu-ray.
AUDIO:
“Battle Horumo League” is presented in Dolby Digital Japanese with English subtitles. The dialogue is clear and understandable, the sound of the taiko drums come very nicely through the front channels but you also get the crowd ambiance and the swishing of weapons during the battles as the effects come clearly through the surround channels. So, you do get an active soundtrack.
Overall, “Battle Horumo League” features a pretty good Dolby Digital soundtrack and would even be better via HD lossless if released on Blu-ray.
SPECIAL FEATURES:
“Battle Horumo League” comes with the following special features:
- Japanese Original Trailers – (1:40) Theatrical trailer for “Battle Horumo League”.
- Japanese TV Spots – (:32) The original Japanese TV commercial for “Battle Horumo League”
- Viz Pictures Presents – Trailers for upcoming or currently available Viz Pictures films on DVD.
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“Battle Horumo Leauge” is a fun, hilarious and entertaining film from director Katsuhide Motoki.
If anything, the first thing that came to my mind while watching this film is that it’s like a live action version of anime or a strategy tactical-based RPG video game. It was interesting to see the various characters really dedicate themselves to the club to learn the various offensive and defensive techniques and in some ways, because of the supernatural element to the film, you get quite a bit of CG special effects as well.
While the film is essentially a combat action comedy and does focus on two battles, the film is pretty much a relationship film. We see how Akira Abe is with his best friend (especially when things go downhill), a good part of the film features Akira’s love for Kyoko, Akira’s awkward friendship with Kusunoki and essentially his relationship to his club members and seeing him become a bit more determined when he discovers who his true friends are.
Takayuki Yamada does a great job of playing the lovesick Akira Abe. Capturing his innocent yet goofy characteristics and also that little perverted side of him as he sniffs his bed after Kyoko slept on it for the night.
Actress Chiaki Kuriyama plays a much different role compared to her previous bad girl roles on “Kill Bill Vol. 1″ and “Battle Royale”. With her bobbed hair and glasses, her role as Fumi Kusunoki is pretty much as the nerdy tomboy. But as she starts to fall for Akira, we start to slowly see her feminine side.
But the most interesting character would have to go to Gaku Hamada’s Koichi Takamura. The friend of Akira who loves being part of the club, but is a weak man that during battle, he is seen frozen and wetting himself. But the humiliation by peers changes him to become a different man, even shaving his head with the hair on top similar to a feudal era samurai. Needless to say, Koichi is the comedy-driven character of the film as his weakness is exploited but we also start to see the character starting to redeem himself.
As a fan of Japanese strategic/tactical video games and also enjoying quirky Japanese stories, it was a given that I would enjoy this film. Although at first, the CG oni’s did make my interest in the film wane a little, I suppose the cuteness of the little oni starts to grow on you and essentially it becomes quite interesting to see how these little characters come into play during battle.
Overall, “Battle Horumo League” is a fun, hilarious and entertaining film, especially for those who have an interest in Japanese pop culture especially anime or JRPG/tactics style video games will find themselves enjoying the film even more.
Definitely recommended!







