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Original Sin (a J!-ENT Blu-ray Disc Review)

June 13, 2011 by · Leave a Comment 

Erotic, mysteriously dark with beautiful cinematography!  Angelina Jolie and Antonio Banderas sizzle in “Original Sin”!

Images courtesy of © 1977 Metro Goldwyn Mayer. All Rights Reserved

TITLE: Original Sin

FILM RELEASE DATE: 2001

DURATION: 118 minutes

BLU-RAY DISC INFORMATION: 1080p High Definition (widescreen 2:35:1), English 5.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Subtitles: English SDH, Spanish and French

RATED: UNRATED (This Motion Picture was released previously in a version rated R for strong sexual content and some violence.  This unrated version contains material different from the original and rated version).

COMPANY: Metro-Goldwyn-MayerTwentieth Century Fox

RELEASE DATE: June 7, 2011

Directed by Michael Cristofer

“Waltz into the Darkness” novel by Cornel Woolrich

Screenplay by Michael Cristofer

Produced by Denise Di Novi, Kate Guinzburg, Carol Lees

Co-Producer: Edward McDonnell

Executive Producer: Sheldon Abend, Ashok Amritraj, David Hoberman

Line Producer: Michael S. Glick

Music by Terence Blanchard

Cinematography by Rodrigo Prieto

Edited by Eric A. Sears

Casting by Libby Goldstein, Junie Lowry-Johnson

Production Design by David J. Bomba

Art Direction by John R. Jensen

Set Decoration by Beth A. Rubino

Costume Design by Donna Zakowska

Starring:

Antonio Banderas as Luis Antonio Vargas

Angelina Jolie as Julia Russell/Bonny Castle

Thomas Jane as Billy/Walter Downs/Mephisto

Jack Thompson as Alan Jordan

Gregory Itzin as Colonel Worth

Allison Mackie as Augusta Jordan

Joan Pringle as Sara

Cordelia Richards as Emily Russell

James Haven as Faust-Stage

A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp.

Erotic, mysteriously dark with beautiful cinematography!  Angelina Jolie and Antonio Banderas sizzle in “Original Sin”!

In 2001, Angelina Jolie reunited with writer/director Michael Cristofer (“Gia”, “The Witches of Eastwick”, “Casanova”) and starred alongside Antonio Banderas (“Desperado”, “The Mask of Zorro”, “Once Upon a Time in Mexico”) and Thomas Jane (“The Mist”, “Deep Blue Sea”, “Dream Catcher”) in possibly her sexiest, most erotic film yet.

“Original Sin” takes place in 19th century Cuba and we see a woman awaiting her execution and telling her final story to a priest.

The story begins with Luis Vargas (played by Antonio Banderas), a wealthy Cuban businessman who awaits American Julia Russell (played by Angelina Jolie) to come to his country and become his bride.  The first thing that Luis notices is that she looks nothing like the photos she had sent him and wonders if he can trust her.  But Julia tells him that she was only being deceptive because she wants a man that is not interested in just a pretty face and Luis admits that he was also being deceptive into making her think that he was a poor man but in reality, he is the wealthy owner of a coffee company.

Within hours, the two get married and immediately, the two become passionate with each other.  Also, to find out that she awakes with nightmares for some apparent reason.

But Luis starts to feel weird about his new wife when Julia’s sister Emily is worried about her and has been trying to contact her, so Luis forces Julia to write her sister back, so her sister wouldn’t worry.  But for some reason, Julia is reluctant to.

As Luis starts to fall heavy in love with Julia, he wants to make her happy and so he adds Julia to his business and also access to his bank accounts. And all seems to be good for Luis, until he meets with Emily, Julia’s sister and finds out that the letter that she has received is not from Julia and it is not her handwriting.  Surprised by all this, he goes back home to talk to Julia, to find out that she is gone.  But not just her, she ran away with all his money.

Luis finds out that he has been conned and that she took everything from him.

Now Luis wants revenge and teams up with detective Walter Down (played by Thomas Jane) to find out where Julia is but what he doesn’t know is that Walter and Julia are working together…. or are they?

VIDEO:

“Original Sin” is presented in 1080p High Definition (widescreen 2:35:1).  Picture quality for “Original Sin” is very good!  A lot of detail can be seen on the original print, from the clothing to Banderas’ chest hairs.  Colors are vibrant, skin tones are natural and black levels are good.  I did notice some banding but nothing too distract your viewing.

I do give credit to the cinematography by Rodrigo Prieto (“Brokeback Mountain”, “Babel”, “21 Grams”) which is actually quite beautiful.  A lot of cut scenes and the sex scene between Banderas and Jolie was well-shot and tastefully done.  But for the most part, the film looks good on Blu.

AUDIO & SUBTITLES:

“Original Sin” is presented in 5.1 DTS-HD Master Audio, Spanish 5.1 Dolby Digital and French 5.1 Dolby Digital.  “Original Sin” is pretty much a dialogue driven film, there were moments in which you can hear crowd ambiance and there are times where the action sequences (mainly gun shots) are heard through the surround channels but for the most part, the film is driven by its dialogue and Terence Blanchard’s (“Inside Man”, “X”, “Talk to Me”) musical score.  So, the lossless audio is good, not too immersive but for a dialogue driven film, the soundtrack is appropriate.

Subtitles are English SDH, Spanish and French.

SPECIAL FEATURES:

“Original Sin” comes with the following special features:

  • Audio Commentary by Michael Cristofer – An insightful commentary by Michael Cristofer who talks about the differences between the novel and the film, working with Angelina Jolie and Antonio Banderas, shooting various scenes and more.
  • “You Can’t Walk Away” Music Video – Gloria Estefan’s music video for “Original Sin”.
  • Trailer – Original theatrical trailer for “Original Sin”.

When this film came out on DVD, needless to say, the films reputation was more popular for those who wanted to see the Angelina Jolie and Antonio Banderas sex scene.  It’s rather interesting that the film is known more for its sex scene than its story and the question is, whether or not the story is worth it.

I know that film critics were split when it came to this film and for me, when I first watched this film back then, I was not surprised by the twist nor was I enjoying the storyline.  If anything, I found myself wondering if the film was about the occult or a vampire film because it had those dark elements.  But the truth is, “Original Sin” was good for its first half but by the second half, I realized that this film was primarily eye candy for Angelina Jolie and Antonio Banderas fans.  Yes, the two sizzle in their sex scene but the pacing of the film was all over the place that I was growing bored.

I also have to say that Angelina Jolie has come a long way acting-wise since this film.  According to the audio commentary by director Michael Cristofer, he saw a transformation of Jolie as she had married Billy Bob Thornton and as their relationship was sexually driven, we saw her becoming Julia in the film.  I felt that the sexual chemistry was good between both talents and each time they were on film, that is when the storyline peaked my interest but this cat and mouse chase that ensues was not exactly the best.  The twists and big reveal was tame.  Especially if you compare it to the twists that people watched with Jolie’s “Salt” and even “The Tourist”, it was much better planned in these films versus “Original Sin”.

The fact is that I know people flock to this film for the unrated sex scene and director Michael Cristofer does explain that Jolie insisted that she did not want the patch and to make this scene real, she had to go all out, which Banderas agreed as well.  So, that was an interesting tidbit of information.

While the Blu-ray of “Original Sin” does look very good in HD and definitely warrants an upgrade from its DVD counterpart.

But overall, “Original Sin” was an OK film that is filled with sexual tension and an average storyline.  If you enjoyed the film, then it’s definitely worth checking out, otherwise, if you are a person who is in it just for the sex scene, the Blu-ray is pretty much recommended as a rental.

You Will Meet a Tall Dark Stranger (a J!-ENT Blu-ray Disc Review)

January 25, 2011 by · Leave a Comment 

Woody Allen returns with a karma-esque romantic comedy with an all-star cast that is entertaining, romantic and delightful.

Images courtesy of © 2010 Mediaproduccion S.L., Versatil Cinema S.L. and Gravier Productions, Inc. All Rights Reserved.

TITLE: You Will Meet A Tall Dark Stranger

FILM RELEASE DATE: 2010

DURATION: 99 Minutes

BLU-RAY DISC INFORMATION: 1080p High Definition (1:78:1), English, French LCR DTS-HD MA (Discrete Surround), Subtitles: English, English SDH, French

COMPANY: Sony Pictures Classics

RATED: R (Some Violence)

RELEASE DATE: February 15, 2011

Written and Directed by Woody Allen

Produced by Letty Aronson, Jaume Roures, Stephen Tenenbaum

Co-Producer: Nicky Kentish Barnes

Co-Executive Producer: Jack Rollins

Associate Producer: Mercedes Gamero

Cinematography by Vilmos Zsigmond

Edited by Alisa Lepselter

Casting by Patricia Kerrigan DiCerto, Gail Stevens, Juliet Taylor

Production Design by Jim Clay

Art Direction by Dominic Masters

Set Decoration by John Bush

Costume Design by Beatrix Aruna Pasztor

Starring:

Gemma Jones as Helena Shebritch

Pauline Collins as Cristal

Anthony Hopkins as Alfie Shebritch

Naomi Watts as Sally Channing

Josh Brolin as Roy Channing

Freida Pinto as Dia

Antonio Banderas as Greg

Lucy Punch as Charmaine

Roger Ashton-Griffiths as Jonathan

Narrated by Zak Orth

Neil Jackson as Alan

Two couples discover the grass may not always be greener on the other side in Woody Allen’s breezy comedy on wry, You Will Meet A Tall Dark Stranger. Hoping to relive the pleasures of youth, Alfie Shepridge (Anthony Hopkins) dumps his wife of 40 years (Gemma Jones) and pursues a young call girl (Lucy Punch). So when daughter Sally (Naomi Watts) develops a crush on her boss (Antonio Banderas) and husband Roy (Josh Brolin) becomes obsessed with the beauty (Freida Pinto) who lives across the way, the entire clan’s fantasies take on reality as their passions not only drive them out of their marriages, but out of their minds as well.

With a Woody Allen film, I always come with an expectation of an enjoyable time.  A few films have been misses but for the majority of Woody Allen’s oeuvre, they have been its, not all masterpieces but still, with a filmmaking career that has spanned over 50 years, even now, you can’t help but enjoy a Woody Allen romantic comedy.

Which brings us to his latest film “You Will Meet A Tall Dark Stranger”, a film that literally is split amongst film critics.  Some who feel that the 75-year-old Woody Allen can never match his style of filmmaking during his peak and others who feel that he is able to create enjoyable films.

In “You Will Meet a Tall Dark Stranger”, I look at this film as a story of karma biting one back in the rear.

The film revolves around the Shebritch family and everything is coming undone.  Both Helena (played by Gemma Jones) and Alfie (played by Anthony Hopkins) are ending their long marriage as Helena has become more and more opinionated and blunt about her husband especially during their older years and for Alfie, he wants to retain that youth, so he works out and wants to be look good.

Unfortunately, because of their differing opinions later in their life, the two often clash and sure enough Alfie leaves his Helena.

Helena is so much in a mess that she has been seeing a psychiatrist and wants to put her on medication.  But for now, all Helena can go to for comfort is her daughter Sally Channing (played by Naomi Watts).

Sally is married to Roy (played by Josh Brolin), a writer who has had two bestselling books but is unable to come up with another.  The Channing’s are barely able to survive and pay their rent and bills and Sally is becoming disenchanted with their marriage and overall progression of their livelihood.  She wants her marriage to progress and Roy to get a job and Roy tries.  But because he writes at night, a day job has become difficult and when he had a job as a chauffeur, he was tired and got into an accident and lost his job.

But Sally is trying to be as supportive of her husband as best as she can and hopes that his latest book will get approved by the publisher and not depend on her mother (who is paying their rent).

As for Roy, he knows that life is not going so well for him but the only happiness he has found in his life was each time he looks out the window, he sees a woman across the building, playing the guitar and just finds her alluring.  And the two eventually start communication from their window.  Roy immediately becomes a voyeur and looks forward to each time he can watch the woman from the other building.

Meanwhile, Alfie has changed his life since leaving Helena.  He has gotten a tan, living in a posh apartment and has been hanging out with his young employees to find a young woman to be with.  Eventually, he manages to get hooked up with a prostitute named Charmaine (played by Lucy Punch) and despite his pursuit of youth, Alan is traditional in his beliefs that if you have a romantic fling, you want to marry the woman and thus he becomes engaged to Charmaine.

Needless to say, this shocks Helen and she keeps visiting her daughter which angers Roy because Helen is very opinionated on everything.  In order to feel stability, Sally has helped her mother find someone to go for counseling, a fortune telling guru named Cristal (played by Pauline Collins).  Sally and Roy knows she is a fake but if it keeps Helen at ease (and not have her spend much money), then they will support her.

So, as Helen tries to figure out her life through Cristal, Alfie now with a younger woman (who loves to spend money), Sally feeling not so loved in her marriage, goes to take a job with an art gallery owned by Greg (played by Antonio Banderas) and as for Roy, he initiates contact with Dia (played by Freida Pinto), the woman he has been watching across the street.

For Sally, working with Greg has exposed her to a lifestyle that she wants and finds herself falling for Greg but he is married and she is married.  As for Roy, he finds himself falling for Dia, but he is married and she is getting married.

How will life eventually play out for these individuals?

VIDEO:

“You Will Meet a Tall Dark Stranger” is presented in 1080p High Definition (1:78:1).  As usual with Woody Allen films, he tries to bring out the city he films in.  In this case, London.  Collaborating once again with his cinematographer Vilmos Zsigmond (“Close Encounters of the Third Kind”, “The Bonfire of the Vanities”, “The Witches of Eastwick”), who worked with Allen in his last London-based film “Cassandra’s Dream” (2007).

While the film does provide some parts of London and possibly one awesome shot in the rain when Roy gets to meet Dia, most of the film is shot indoors especially inside Sally and Roy’s apartment.  For the most part, the lighting is good and picture quality definitely shows a vibrancy at times, especially when focusing on Dia’s red dress.  Skin tones are good and you can see Roy’s shaggy hair (Probably one of the worst hair styles in the film for Josh Brolin) to a tired and disheveled Sally (Watts).

But overall, the picture quality is very good, colors range from natural to vibrant, black levels are nice and deep and I saw no hint of artifacting or banding.

AUDIO & SUBTITLES:

“You Will Meet a Tall Dark Stranger” is presented in English and French LCR DTS-HD MA.  The film is pretty much a dialogue and music-driven film.  Most of the scenes are with two people talking and there may be scenes with crowds (like at a bar) but for the most part, this is a dialogue-driven film and most of the sound is coming through the front and center channels.  There was one scene with heavy rain but I was expecting a more immersive sound at that point but I didn’t really hear it coming from the surround channels.  So, for the most part, dialogue is clean and understandable as with its jazzy music (which works for this film and a style that Woody Allen is known for), the lossless soundtrack is good but don’t expect anything  immersive.

Subtitles are presented in English, English SDH and French.

SPECIAL FEATURES:

It is well-known that Woody Allen is not fond of special features and no matter what release you watch of his, the most you’re going to get from a Woody Alley DVD or Blu-ray is a theatrical trailer.  And the theatrical trailer of “You Will Meet a Tall Dark Stranger” (1:36) is included.

When Woody Allen created “You Will Meet a Tall Dark Stranger”, his reasoning to create the film was because of his interest in the concept of “faith in something”.  Those who successfully delude themselves seem happier than those who can’t.

What I got out of this film were two things.  One, the power of faith and believing something positive and the other is “karma” and how it can come back to get you.

For a Woody Allen film, at first glance, “You Will Meet a Tall Dark Stranger” is quite interesting in how Allen is able to take a normal family and easily throw believable things that can literally destroy it.  In the case of this family, Helena is the matriarch but she is so opinionated and blunt that it upsets those around her.  She can’t stop, its her nature to say how she feels.  While she seems like it’s right, others don’t feel that same way.  And thus karma gets her in which her husband leaves her and alienates her family.

But where Helena manages to redeem herself is finding faith, even though the person she believes in, may not be genuine (ala fortune teller), she’s happy and the changes she makes in her life leads to happiness.

On the other hand, for Alfie, it’s one thing to not like getting badgered by your wife but leaving her to pursue a young woman (a prostitute) and try to live young and live a luxurious lifestyle which he shouldn’t have done.  You don’t know how much you miss someone until their gone and in Alfie’s case, he finds himself in a situation where he goes for a very sexual woman that attracts men and the fact that he is older, he realizes that her lifestyle and how she is…it’s too much for him and will probably lead him to a quick death because now he constantly worries about her promiscuity and how much of his money she spends.

And for the daughter Sally, she wants a better life as her once famous novelist of a husband doesn’t make money nor can he hold a job.  She wants to grow in her relationship but its not happening.  While most audiences probably may feel sympathetic to her character, the problem is that she is the person that helped egg her mother on to going to a fortune teller in order to make her happy and while it’s a success, it ultimately becomes the major force in hurting Sally.

As for Sally’s husband Roy, the problem lies in the fact that he starts becoming a voyeur and falls for the woman across the street, gets closer to her and prevents her from finding happiness with another man she is to marry and does the unthinkable by stealing a dead man’s novel and gets it published.  Unfortunately, karma will end up biting him in the rear as well.

And the film comes full circle with the fact that Helena does find happiness thanks to her newfound faith in a crooked fortune teller.

“You Will Meet a Tall Dark Stranger” was definitely a delightful film that has enough of Woody Allen’s humor to make it enjoyable.  But I can see why some people watching this film may feel it was a bit of a drag.  Because really, it’s not a film about happy endings, happy marriages and such.  It is a movie about a dysfunctional family and how it begins to impact those into making impulsive decisions.    There is no fighting for the marriage, there is no counseling, these characters think they found their way out by finding love elsewhere.

Gemma Jones does a wonderful job of portraying Helena as a neurotic and paranoid woman.  Anthony Hopkins plays an older man finding a second wave of youthfulness.  Naomi Watts does a great job of playing the wife who wants more and Josh Brolin as the husband and voyeur.  Everyone in this film manages to play their role quite well and Lucy Punch was a much better choice in playing Charmaine and there is just no way I can see Nicole Kidman, who was originally supposed to play Charmaine, in that role.  And Freida Pinto brought a more elegant side to the film as she is the total opposite of Sally.

Overall, “You Will Meet a Tall Dark Stranger” may not be a Woody Allen classic and I know many film critics feel that he’s just churning out movies that do not reach the levels of the types of films he once created.  But I do believe that every filmmaker goes through various life differences, adjustments in life and as much as some would like original Woody Allen ala 1970′s, it’s surely not going to happen.

So, far I have managed to enjoy a lot of Allen’s later films and while they may not have the resonance of “Manhattan”, “Sleeper” or “Annie Hall”, they are still quite enjoyable and fun.

“You Will Meet a Tall Dark Stranger” was delightful!

El Mariachi/Desperado Double Feature (a J!-ENT Blu-ray Disc Review)

December 26, 2010 by · Leave a Comment 

The first two films of Robert Rodriguez “El Mariachi” trilogy” receive the HD treatment.   For fans of the director Robert Rodriguez, these two films are classics and if you want to be a filmmaker, these two films give you the best insight on how Rodriguez created “El Mariachi” for only $7,000 and how he also was able to keep “Desperado” within its budget.  If you own the double feature DVD’s, its definitely worth the upgrade to Blu-ray!

Images courtesy of © 1993 Columbia Pictures Industries, Inc. All Rights Reserved., © 1995 Columbia Pictures Industries, Inc. All Rights Reserved.

TITLE: El Mariachi/Desperado Double Feature

FILM RELEASE DATE: El Mariachi (1993), Desperado (1995)

DURATION: El Mariachi (85 Minutes), Desperado (104 Minutes)

BLU-RAY DISC INFORMATION: El Mariachi: 1080p High Definition (1:85:1), Spanish, English and French 2.0 Stereo DTS-HD MA, Subtitles: English SDH, French and Spanish/Desperado: 1080p High Definition (1:85:1), Spanish, English and French 4.1 Stereo DTS-HD MA, Spanish 5.1 Dolby Digital, Subtitles: English SDH, French and Spanish

COMPANY: Columbia Pictures/Sony Pictures Home Entertainment

RATED: R (For Strong Bloody Violence , Strong Sex Sequence and Language)

Release Date: January 4, 2011

El Mariachi

Written and Directed by Robert Rodriguez

Produced by Carlos Gallardo, Robert Rodriguez

Associate Producer: Elizabeth Avellan, Carmen M. De Gallardo

Music by Eric Guthrie, Chris Knudson, Alvaro Rodriguez, Cecilio Rodriguez, Mark Trujillo

Cinematography by Robert Rodriguez

Edited by Robert Rodriguez

Desperado

Written and Directed by Robert Rodriguez

Produced by Bill Borden, Robert Rodriguez

Co-Producer: Elizabeth Avellan, Carlos Gallardo

Music by Los Lobos

Cinematography by Guillermo Navarro

Edited by Robert Rodriguez

Production Design by Cecilia Montiel

Art Direction by Felipe Fernandez del Paso

Costume Design by Graciela Mazon

“El Mariachi” starring:

Carlos Gallardo as El Mariachi

Consuelo Gomez as Domino

Jaime de Hoyos as Bigoton

Peter Marquardt as Mauricio

Reinol Martinez as Azul

Ramiro Gomez as Cantinero

Jesus Lopez as Viejo Clerk

“Desperado” starring:

Antonio Banderas as El Mariachi

Salma Hayek as Carolina

Joaquim de Almeida as Bucho

Cheech Marin as Short Bartender

Steve Buscemi as Buscemi

Carlos Gomez as Right Hand

Quentin Tarantino as Pick-Up Guy

Tito Larriva as Tavo

Angel Aviles as Zamira

Danny Trejo as Navajas

Abrahama Verduzco as Nino

Carlos Gallardo as Campa

Desperado – Antonio Banderas, Joaquim De Almeida, Salma Hayek, Steve Buscemi, Cheech Marin and Quentin Tarantino star in this stylish shoot-’em-up described as a south-of-the-border PULP?FICTION, now remastered in high definition for Blu-ray™. Writer/director Robert Rodriguez follows up his legendary debut film, EL?MARIACHI, with this sexy sequel about a mysterious guitar player (Banderas) searching for vengeance against the men who murdered his girlfriend. El Mariachi – All he wants is to be a mariachi, like his father, his grandfather and his great grandfather before him. But the town he thinks will bring him luck brings only a curse of deadly mistaken identity. Forced to trade his guitar for a gun, the mariachi is playing for his life in this critically acclaimed film debut from writer/director Robert Rodriguez, now remastered in high definition for Blu-ray™.


Ten Minute Cooking School

Ten Minute Flick School

The Anti-Hero’s Journey

When it comes to stories of how young director’s break into Hollywood, Robert Rodriguez is perhaps one of the most inspiring filmmakers to have emerged back in the early ’90s.

Rodriguez had the filmmaking bug at a young age but because his grades weren’t that great, he attended the University of Texas (College of Communication) and would showcase his talent as an illustrator and create cartoons for the student newspaper “The Daily Texan”.

But his passion would still be with filmmaking.  He went on to create a short titled “Bedhead” in 1990 and enter it in a local film contest and he won an award for it.

So, he was determined to create his first film titled “El Mariachi” with money raised by his friend Carlos Gallardo and also money that Rodriguez would make by taking part in medical research studies.  But with his knowledge of film editing using home software and having to cut corners to get the shots that he needed, he would go on to create the film “El Mariachi” which he figured that he could make money and have it released on video in Mexico.

So, both Rodriguez and Carlos started to shop the film to several Mexican companies in hopes that he could get a filmmaking job and also earn a little money.  One company offering $25,000 for “El Mariachi”.  But knowing that there was interest in his film, Rodriguez wanted to see how other companies felt.  Bigger companies.

By 1991, Rodriguez was desperate so he sent his video to ICM veteran Robert Newman in Beverly Hills, how Rodriguez knew about the industry veteran was that Newman was supposed to give a seminar in Texas.  Calling the number out of the blue, Rodriguez and Gallardo got the opportunity to meet with him and Newman gave him the advice to make three films.  Rodriguez gave him a copy of the trailer and over the weekend both Rodriguez and Gallardo took their time enjoying the sights of the area but then he received a call from Newman.  Newman told Rodriguez he loved the trailer and that he loved it and wanted a subtitled copy of “El Mariachi”.  After viewing it, Newman wanted to represent Robert Rodriguez and even got his support to try and send it to Miramax, despite it being a longshot.

By 1992, several studios have seen “El Mariachi” and were impressed and Columbia Pictures made their first offer, while other movie studios wanted to get their hands on “El Mariachi”.  In the end, Columbia Pictures offered Rodriguez a pretty substantial deal for a young filmmaker.  $125,000 for distribution rights, 25% on video sales and for a film created for $7,000 and the chance to be screened with other major Hollywood films at festivals was an incredible moment for Rodriguez.

Although the film did not make a huge earning in the box office, the film went on to make $1.5 million in video sales and for Robert Rodriguez, his dreams of becoming a filmmaker came true as he went on to make two TV movies in 1994 and the sequel to “El Mariachi” titled “Desperado” which would cost $7,000,000 and became a box office hit while the final film in the trilogy “Once Upon a Time in Mexico” (2003) would meet incredible financial success in the box office.  Since “El Mariachi”, Robert Rodriguez has inspired filmmakers who have dreamed of getting a shot in Hollywood and his story of his adventures in making “El Mariachi” was written in his book “Rebel Without a Crew”.

With successful sales on VHS, LD and on DVD of “El Mariachi” and “Desperado”, the trilogy will now be released on Blu-ray in January 2011 (note: “El Mariachi/Desperado” as a double feature and “Once Upon a Time in Mexico” will be reached simultaneously).

“El Mariachi” is a Spanish film which stars Carlos Gallardo as El Mariachi, a man who is looking for a job to play his guitar and sing and going town to town in hopes of finding a job of being a Mariachi like his father and grandfather.  El Mariachi arrives to the small town of Acuna in hopes of getting work.

Meanwhile, a criminal in jail named Azul is being targeted by his former partner named Moco.  Azul wants his cut of profits but he doesn’t know that his former partner has sent men to the jail to kill him.  Expecting such a move, Azul and his men easily kill Moco’s men and walks out of prison and wants revenge.

As El Mariachi tries to find a job at a local pub, he is turned away.  Moments later, Azul who also carries a guitar case like El Mariachi, pulls out several guns and kills Moco’s men inside the pub.  The bartender calls Moco’s men and tells them to look for a man in black carrying a black guitar case.

Needless to say, in a case of mistaken identity, Moco’s men start going after El Mariachi instead. Not knowing why these men are out to kill him, Carlos manages to find refuge at a bar owned by a woman named Domino who tries to help him. But now Moco’s men are searching the whole town for El Mariachi, meanwhile the real killer Azul wants his revenge on Moco and the only person he knows that can take him right to Moco is Domino (since Moco finances the bar).

In 1995, Robert Rodriguez was given the opportunity to make a feature film with a higher budget and a film that would star Antonio Banderas and Salma Hayek.

In “Desperado”, El Mariachi (played by Antonio Banderas) wants revenge for the tragedy (which took place at the end if “El Mariachi”) and is in search of a man named Bucho.  With the help of Buscemi (played by Steve Buscemi), Buscemi goes to bars trying to get information on where Bucho is.

At one bar, Buscemi sees how the bartender (played by Cheech Marin) and his sidekick Tavo (played by Tito Larriva) behave when he tells him a story about a man who gun downed people at a bar at another town and is determined to get revenge against a man named Bucho.  Giving the information to El Mariachi, El then goes to the bar and begins executing the men who are loyal to Bucho.

When El Mariachi leaves the bar, thinking he is done.  He is unaware that Tavo is behind him and is warned by Carolina (played by Salma Hayek).  Tavo shoots and  El Mariachi knows that the woman will be hit, so he pushes her out of the way and takes the bullet and killing Tavo with a shot. As Carolina nurses him and fixes his arm up, both El Mariachi and Buscemi are unaware that a killer named Navajas (played by Danny Trejo) is after them.

Meanwhile, Bucho fearing El Mariachi sends all his men to kill El Mariachi and El knows he’s close to getting his revenge against Bucho.  Or is he?

VIDEO:

“El Mariachi” is presented in 1080p High Definition (1:85:1) and “Desperado” is presented in 1080p High Definition (1:85:1).

Starting off with “El Mariachi”, the fact that this is an older film from 1993, it was a low budget independent film and there is only so much that can be done to make this film look great.  Surprisingly, the film does look a lot better on Blu-ray.  I’m noticing the textures of the blue walls and paint coming off and just details that never really caught my attention until now.

So, for those who have owned the VHS, LD or a DVD copy of “El Mariachi”, the picture quality on Blu-ray is much clearer.  Not spectacular but definitely the best looking of the version film thus far.

As for “Desperado”, definitely a film that looks great on Blu-ray.  Blacks are nice and deep, earth tones and reds pop, good amount of grain.  Also, a good amount of detail can be seen.  From the sweat beeding off of El Mariachi’s face to the detail of the textures of Carolina’s booksstore to the cafe and even Bucho’s painted red walls and more.  Colors and detail look very good!

There are scenes where hair splitting, skin pores, beads of sweat are much more evident and clear on Blu-ray!

While “El Mariachi” does show its age as a shot in 1991 film, “Desperado” doesn’t show it’s 1995 age (just only the beginning when we see a group of Americans in ’90s clothing).

For those who owned the “El Mariachi/Desperado” Double Feature on DVD or even “El Mariachi” in its previous video formats, the jump to Blu-ray is definitely recommended!

AUDIO & SUBTITLES:

“El Mariachi” is presented in Spanish, English and French 2.0 Stereo DTS-HD MA.  “Desperado” is presented in English, French 5.1 DTS-HD MA and in Spanish 5.1 Dolby Digital.

“El Mariachi” is pretty much front channel driven and with it being in lossless, there is more clarity to the soundtrack.  But where people are going to hear the best use of sound is in “Desperado”.

Gunshots and action sequences utilize the surround channels quite effectively and I was very impressed to hear how the film sounds in lossless.  The lossless audio definitely enhanced my experience in watching the film again.  Dialogue and music is very clear through the center and front channels.  Great explosions utilize LFE and definitely a film that sounds great on Blu-ray!

Subtitles are presented in English, English SDH, French and Spanish.

SPECIAL FEATURES:

“El Mariachi/Desperado” are presented in standard definition, English Stereo/Mono and with Spanish subtitles. Special features include:

El Mariachi

  • MovieIQ - If you have a Blu-ray player that is connected to the Internet, while watching the film, you can access trivia, facts and information about the “El Mariachi”.
  • The Cutting Room – Allows viewers to edit and cut footage from a film and send it to friends online.
  • Director Robert Rodriguez Audio Commentary – A wonderful audio commentary by director Robert Rodriguez who breaks down the scene and talks about how he was able to make certain scenes without a large crew, high production equipment and creating his film for $7,000.
  • Robert Rodriguez’s Student Film: “Bed Head” – (9:08) A B&W short film about a girl named Rebecca narrating about why she is in the hospital and it all started with her brother’s severe case of bed head and how she tried to make it go down.
  • 10 Minute Film School – (14:39) A wonderful featurette about how Robert Rodriguez created “El Mariachi” with for $7,000 and revealing his secrets on how he pulled off various scenes of his film and edited the movie at home.

Desperado

When it comes to “El Mariachi/Desperado”, for any fans who have followed the career of Robert Rodriquez and was inspired by his book “Rebel Without a Crew” to his mini-film school special features and audio commentary, you can’t help but respect Robert Rodriguez.

From the time he made “El Mariachi” and doing all he can (including interesting ways to fund “El Mariachi” back then) to stay within a budget, he has become a studio’s favorite director and since 1993 and for any film student, you can’t help but respect his determination and his passion for making a movie and trying to get his independent film recognized.  But most of all, even today, he manages to keep it real, continuing to help future filmmakers by providing tips and advice on DVD and Blu-ray releases that he takes part in.

For me, “El Mariachi” was an inspiring film.  Creating a $7,000 movie and using whatever he had at his disposal (like a wheelchair for smooth shooting and editing the video at home) but doing it right.  Not everyone gets that chance in Hollywood but by watching this film, even though it was geared to the Spanish video market, everyone can see why the film has become a fan favorite.  Plenty of action, drama and for the most part, giving independent filmmakers and future filmmakers a chance to see how a young 23-year-old could craft a film that would literally knock people’s socks off.

While “El Mariachi” was an impressive film at $7,000, “Desperado” was fantastic!  Antonio Banderas was a wonderful “El Mariachi” showcasing charisma but also a man that literally can kick ass and shoot a gun!  And while you have a sexy male character, you need someone equally sexy and you have Salma Hayek as the character of Carolina and both characters exude Latin sexiness.  These two worked very well on-screen togehter and also feature other characters such as Joaquim de Almeida as Bucho, Cheech Marin as Short Bartender, Steve Buscemi, Quentin Tarantino and Danny Trejo and you have one hell of an awesome shootout film that surpasses the original in production quality, acting and coolness.

Granted, it helps when you have a much higher budget and instead of $7,000, Rodriguez had $7,000,000 and the film managed to bring more than three times its budget, so it was a great feature film for the young director at that time.

And of course, it continues to get better with the final film in the “El Mariachi” Trilogy with “Once Upon a Time in Mexico” which will be released on Blu-ray simultaneously with the “El Mariachi/Desperado” release.

While the DVD release of “El Mariachi/Desperado” was a perfect release, of course, on Blu-ray…there is only so much you can do with “El Mariachi” and its look via HD.  Also, the special features are presented in standard definition but you do get a few more extra features that were not included on the original DVD release.

While “El Mariachi” and “Desperado” look better and sound better than its DVD counterpart, it’s not reference quality.  But still, if you enjoyed the first two films of the trilogy and did not own the original DVD release with both films, you definitely will want to check out this Blu-ray out!  In fact, I feel it’s definitely worth the upgrade to Blu-ray.

If you are fan of the “El Mariachi” trilogy or a fan of Robert Rodriguez films, “El Mariachi/Desperado” is highly recommended!

Filed Under: Blu-ray Reviews

Once Upon a Time in Mexico (a J!-ENT Blu-ray Disc Review)

December 26, 2010 by · Leave a Comment 

The final film of the “El Mariachi” trilogy.  “Once Upon a Time in Mexico” is a film that delivers in action, guns, explosions…you name it.  And to hear this film on Blu-ray is fantastic.  But compared to the other two films (“El Mariachi” and “Desperado”), the film delivers as a popcorn action-flick but the focus of the film is not all about El Mariachi.  Otherwise, an essential film to own if you have enjoyed the trilogy and worthy of upgrading to Blu-ray, if you own the original DVD.

Images courtesy of © 2003 Columbia Pictures Industries, Inc. All Rights Reserved.

TITLE: Once Upon a Time in Mexico

FILM RELEASE DATE: 2003

DURATION: 102 Minutes

BLU-RAY DISC INFORMATION: 1080p High Definition (1:78:1), English, French, Portuguese 5.1 DTS-HD MA, Spanish 5.1 Dolby Digital,  Subtitles: English SDH, French, Portuguese and Spanish

COMPANY: Columbia Pictures/Sony Pictures Home Entertainment

RATED: R (For Strong Violence and for Language)

Release Date: January 4, 2011

Written and Directed by Robert Rodriguez

Produced by Elizabeth Avellan, Carlos Gallardo, Robert Rodriguez

Co-Producer: Sue Jett, Tony Mark, Luz Maria Rojas

Music by Robert Rodriguez

Cinematography by Robert Rodriguez

Edited by Robert Rodriguez

Casting by Mary Vernieu

Production Design by Robert Rodriguez

Art Direction by Melo Hinojosa

Set Decoration by Eva Castro, Patrice Laure

Costume Design by Graciela Mazon


Starring:

Antonio Banderas as El Mariachi

Salma Hayek as Carolina

Johnny Depp as Sands

Mickey Rourke as Billy

Eva Mendes as Ajedrez

Danny Trejo as Cucuy

Enrique Iglesias as Lorenzo

Marco Leonardi as Fideo

Cheech Marin as Belini

Ruben Blades as Jorge FBI

Willem Dafoe as Barillo

Gerardo Vigil as Marquez

Pedro Armendariz Jr. as Advisor

Leaping back into action, gun-slinging, guitar-toting hero “El Mariachi” is back in town in ONCE UPON A TIME IN MEXICO, as director Robert Rodriguez delivers the epic final chapter of his pulp Western trilogy. Starring Antonio Banderas, Salma Hayek, Johnny Depp, Mickey Rourke, Eva Mendes, Enrique Iglesias and Willem Dafoe ONCE UPON A TIME IN MEXICO is a full-frontal assault.


Ten Minute Cooking School

Ten Minute Flick School

The Anti-Hero’s Journey

In 1993, filmmaker Robert Rodriguez debuted with his Spanish independent film “El Mariachi” created for $7,000.

Although the film did not make a huge earning in the box office, the film went on to make $1.5 million in video sales and for Robert Rodriguez, his dreams of becoming a filmmaker came true as he went on to make two TV movies in 1994 and the sequel to “El Mariachi” titled “Desperado” which would cost $7,000,000 and became a box office hit.

Since “El Mariachi”, Robert Rodriguez has inspired filmmakers who have dreamed of getting a shot in Hollywood and his story of his adventures in making “El Mariachi” was written in his book “Rebel Without a Crew” and he has become a hero among upcoming filmmakers who have been inspired by his story of doing all it takes to get your film noticed and eventually making your dream come true of becoming a successful filmmaker.

From the first two films of the “Mariachi Trilogy”, Rodriguez went on to create the “Spy Kids” trilogy and direct films such as “The Faculty” and “From Dusk Till Dawn”.  But the film that helped him get established needed its final conclusion for the trilogy and by 2003, he would go on to create “Once Upon a Time in Mexico”. The trilogy would feature an all-star cast with Antonio Banderas, Salma Hayek, Johnny Depp, Mickey Rourke, Eva Mendes, Danny Trejo, Enrique Iglesias, Cheech Marin, Ruben Blades, Willem Dafoe, Marc Leonardi and more!

It was the most expensive film in the trilogy with a budget of $29 million but earned its money and more with over $98 million in the box office.

With successful sales on VHS, LD and on DVD of the first two films, the trilogy will now be released on Blu-ray in January 2011 (“El Mariachi/Desperado” as a dual feature and “Once Upon a Time in Mexico” as a standalone).

“Once Upon a Time in Mexico” features El Mariachi (played by Antonio Banderas).  El lives in a small Mexican town where people make their living building guitars.  But one day, Cucuy (played by Danny Trejo) shows up with his men and start questioning some of the guitarmakers of the whereabouts of El Mariachi.  Because they are protecting him, one is killed.  To prevent further bloodshed, El gives himself up to Cucuy and his men.

El is taken to meet with CIA agent Sheldon Sands (played by Johnny Depp).  El is hired to kill General Emiliano Marquez (played by Gerardo Vigil), a leader of a guerrilla force who has been hired by Mexican drug lord Armando Barillo (played by Willem Dafoe) to assassinate the President of Mexico (played by Pedro Armendariz Jr.) and overthrow the Mexican government who is clamping down on drug dealers.

For El, this is what he has been waiting for as we see his history and we learn that he and Carolina (played by Salma Hayek) fought against corruptness together (after the events of “Desperado”) and in a shootout, ended up wounding General Marquez.   A few years later, El and Carolina are happily married with a young daughter but one day, in retaliation for getting shot by El/Carolina, the General killed Carolina and his daughter in cold blood and even left El for dead.

So, El wants revenge against General Marquez and knows he will need to bring some friends, Mariachi and weapons experts Lorenzo (played by Enrique Iglesias) and Fideo (played by Marco Leonardi).

Meanwhile, Sheldon Sands shows a sign that he is a corrupt CIA agent and uses his plan to bring FBI Agent Jorge Ramirez (played by Ruben Blades) out of retirement to exact his revenge against the Mexican drug lord Barillo who murdered his partner.  Also, Sheldo is working with AFN operative Ajedrez (played by Eva Mendes) to follow Barillow.

Throughout the film, we see allegiances shift between characters who are dedicated to helping CIA agent Sands and those loyal to the Mexican drug lord Armando Barillo.  As for El, his main goal is for revenge and that is to avenge Carolina and his daughter by killing General Marquez.  Who will die and who will survive in this final “El Mariachi” film?

VIDEO:

“Once Upon a Time in Mexico” is presented in 1080p High Definition (1:78:1).  Of the three films in the “El Mariachi” trilogy, as one would expect from a film created in 2003 versus the previous two from the early-to-mid ’90s, this film looks absolutely great on Blu-ray.  The colors are vibrant, there is detail that can be seen with the characters, their surroundings and the picture quality looks much clearer.  The blacks are nice and deep, the reds, browns and ambers are brilliant and for the most part, you can see details such as grime on the faces of characters (especially the child that helps out CIA agent Sands) and more detail on the weapons and surroundings much better on Blu-ray than its DVD counterpart.

AUDIO & SUBTITLES:

“Once Upon a Time in Mexico” is presented in English, French and Portuguese 5.1 DTS-HD MA and Spanish 5.1 Dolby Digital.  Where “Desperado” definitely shined with its guns ablazing lossless soundtrack, “Once Upon a Time in Mexico” is an action driven film that features many gunshots, many rifle shots, bullets whizzing, explosions galore.  If you thought “Desperado” was action-packed, “Once Upon a Time in Mexico” is a tour-de-force when it comes to action and weapons being shot in full force within this trilogy.

Dialogue and music is clear through the center and front channels but there is such a wonderful use of the surround channels and LFE that audiophiles should be happy with the lossless soundtrack.  It sounds absolutely wonderful in HD especially when you compare it to the original DVD, the Blu-ray packs a wallop in terms of audio!

Subtitles are in English, English SDH, French, Portuguese and Spanish.

SPECIAL FEATURES:

“Once Upon a Time in Mexico” special features are presented in standard definition, English Stereo and with Portuguese and Spanish subtitles.  Special features include:

When it comes to the “El Mariachi” trilogy, for any fans who have followed the career of Robert Rodriquez and was inspired by his book “Rebel Without a Crew” to his mini-film school special features and audio commentary, you can’t help but respect Robert Rodriguez.

From the time he made “El Mariachi” and doing all he can (including interesting ways to fund “El Mariachi” back then) to stay within a budget, he has become a studio’s favorite director and since 1993 and for any film student, you can’t help but respect his determination and his passion for making a movie and trying to get his independent film recognized.  But most of all, even today, he manages to keep it real, continuing to help future filmmakers by providing tips and advice on DVD and Blu-ray releases that he takes part in.

Even with the release of the wonderful “Sin City” Blu-ray to most of the releases that he gets to become involved in, typically all DVD and Blu-ray releases featuring the work of Robert Rodriguez are worth owning.  Future filmmakers, both the “El Mariachi/Desperado” and “Once Upon a Time in Mexico” are recommended.  The amount of information and advice he gives to filmmakers through his commentary and special features are incredible!

With that being said, let’s first talk about “Once Upon a Time in Mexico”, a film that has had its positives and negatives among film critics because unlike the previous two films, because it featured plenty of characters, the main character of El Mariachi is diluted.  He has a presence in the film, he is important in the film but he is just a part of the film whereas the two previous films were shaped around him.  In fact, USA Today film critic Claudia Puig was correct in my opinion when she said the film paid homage to spaghetti Westerns such as Sergio Leone’s “The Good, The Bad and the Ugly”.

The film is focused more on bodies dropping, weapons firing, explosions and action after action, while the romantic and dramatic elements of El Mariachi and a woman is much different in this film as the love of his life has been killed and once again, he must get his revenge.  The previous two films helped shape the character of El Mariachi, the third film tends to make him out like a Jonah Hex/Punisher comic book anti-hero in which he is a man that is literally untouchable and whoever goes against him, you know they are not going to survive.

So, approaching the film in that aspect, the film works on that level because viewers want to see bodies drop and how El Mariachi wins over the bad guys is what has been impressive in the previous two films.  This time, the story has a lot going on with the characters of CIA agent Sands, agent Ajedrez, drug dealer kingpin Armando Barillo, retired FBI agent Jorge Ramirez, Billy Chambers and I have to admit that If found myself lost when it came to connecting the dots of the characters relationships, down to the point where I just wanted to see more of El Mariachi and his buddies getting revenge.

By the end of the film, I was content and for those who want a very good Western action popcorn flick, “Once Upon a Time in Mexico” fits the bill!  For those who wanted more of a character driven storyline, unfortunately this film diverts itself from how the previous two films and aims to fit everyone else’s storyline in the film.

So, “Once Upon a Time in Mexico” is pretty subjective to the viewer and feel that some will have a mixed feeling towards this film but action fans and those wanting to see an all-star cast will find the film to be an enjoyable, fun and action-packed.  If anything, this film is an early Rodriguez movie that showcases his love of featuring many characters, many stars as he would continue to do again in his later films such as “Sin City”, “Planet Terror” and “Machete”.

Now if you own the trilogy on DVD, is the Blu-ray worth upgrading to?  If you want the best PQ and AQ and have the hardware to support it, then most definitely.  These films benefit from the lossless soundtrack and the picture quality is awesome as well.  The special features are the same with the exception of the trailer and the two (not-so-fun) games that were included on the original DVD but not on the Blu-ray release.  But if you do have the hardware to take advantage of the HD lossless, then you’re going to love the upgrade because films such as “Desperado” and “Once Upon a Time in Mexico” sounds fantastic!  And also they look great in 1080p.

Overall, “Once Upon a Time in Mexico” is a film that definitely delivers in action but unlike the two films, is not a character driven story that focus on El Mariachi completely.  But still an essential film as part of the trilogy and both Blu-ray releases are definitely worth owning and are worthy of the upgrade to High Definition.  Definitely recommended!

Filed Under: Blu-ray Reviews

Antonio Banderas promotes “The Secret” in NYC

May 12, 2010 by · Leave a Comment 

Antonio Banderas Launches New Fragrance & Unveils First-Ever Photo Exhibit

Antonio Banderas introduced his new fragrance, ‘The Secret’, and his first collection of photographs, ‘Secrets on Black’, on Wednesday night at Instituto Cervantes on May 12, 2010 in New York City. Six of the twenty-three photographs were auctioned off last week and benefited Broadway Cares/Equity Fights AIDS. (Photo by Larry Busacca/Getty Images for PUIG USA). Content © 2010 Getty Images All rights reserved.

Filed Under: GALLERY

The Mask of Zorro (a J!-ENT Blu-ray Disc Review)

November 27, 2009 by · Leave a Comment 

Fun, sexy, exciting and highly entertaining! Definitely the best “Zorro” film ever made thus far!  Fans of the film will love the picture quality and lossless audio soundtrack on Blu-ray.  A solid release!

Images courtesy of © 1998 Global Entertainment Productions GmbH & Co. All Rights Reserved.

TITLE: The Mask of Zorro

DURATION: 137 Minutes

BLU-RAY INFORMATION: 1080p High Definition/2:40:1, English, French, Portuguese 5.1 DTS-HD MA, Spanish 5.1, Subtitles: English, English SDH, French, Portuguese and Spanish.

RATED: PG-13 (For Some Intense Action and Violence)

COMPANY: Tri Star/Sony Pictures Home Entertainment

RELEASE DATE: December 1, 2009

Based on the character “Zorro” by Johnston McCulley

Directed by Martin Campbell

Screenplay by John Eskow, Ted Elliott, Terry Rossio

Story by Tedd Elliott, Terry Rossio, Randal Jahnson

Executive Producers: Steven Spielberg, Walter F. Parkes, Laurie MacDonald

Produced by Doug Claybourne, David Foster

Co-Producer: John Gertz

Music by James Horner

Cinematography by Phil Meheux

Editing by Thom Noble

Casting by Pam Dixon

Production Design by Cecilia Montiel

Art Direction by Michael Atwell

Set Decoration by Denise Carnargo

Costume Design by Graciela Mazon

Starring:

Anthony Hopkins as Don Diego de la Vega/Zorro

Atonio Banderas as Alejandro Murrieta/Zorro

Catherine Zeta-Jones as Elena Montero/Elena Murrieta

Stuart Wilson as Don Rafael Montero

Matt Letscher as Capt. Harrison Love

Tony Amendola as Don Luiz

Pedro Armendariz Jr. as Don Pedro

William Marquez as Fray Felipe

Jose Perez as Cpl. Armando Garcia

Victor Rivers as Joaquin Murrieta

L.Q. Jones as Three-Fingered Jack

Julieta Rosen as Esperanza de la Vega

Luisa Huertas as Nanny

When a power-crazed despot schemes to buy California from Mexico, it takes two Zorros – the legendary Don Diego de la Vega (Anthony Hopkins) and his chosen successor Alejandro Murrieta (Antonio Banderas), a dashing bandit-turned-hero-to defeat the tyrant’s unscrupulous plans.  But can even their combined skills, bravado and derring-do be enough to achieve de la Vega’s ultimate goal: revenge against the man who killed his wife, kidnapped his daughter and held him prisoner for twenty years?

For 90 years, many fans of “Zorro” have seen quite a few adaptation of the swashbuckling hero who dons a black mask, cape, clothing and his sword.

From the original books from 1919 by pulp writer Johnston McCulley to the silent films by Douglas Fairbanks and one of my favorites, the 1958-1960 Disney television series starring Guy Williams.  But there has been a sort of lull when it came to “Zorro” films and before the 1998 film “The Mask of Zorro”, we were left with the George Hamilton comedy “Zorro, the Gay Blade” in 1981.

But in 1998, producer Steven Spielberg (“Indiana Jones” films, “Schindler’s List”, “E.T.”, “Jurassic Park” films) along with director Martin Campbell (“Casino Royale”, “Vertical Limit”, “GoldenEye”) began working on a new action film based on the hero for a new generation of moviegoers.  Featuring a screenplay by John Eskow (“Air America”, “Pink Cadillac”), Ted Elliott (“National Treasure”and “Pirates of the Carribean” films) and Terry Rossio (“Pirates of the Carribean” films), music by James Horner (“The Spiderwicke Chronicles”, “Troy”, “Enemy at the Gates”) and cinematographer Phil Meheux (“Casino Royale”, “Around the World in 80 Days”, “GoldenEye”).

The film was released in theaters during the Summer of ’98 and with a budget of $95 million, the film went on to make over $250 million worldwide and was received positively by critics.

For those not familiar with the “Zorro” storyline, the films and TV series have focused on the Don Diego de la Vega, a man who comes from a political family from Spain and is known for being an intellectual man in high society but a man who does not like seeing the corrupted military officials mistreating the locals.  So, in order to help them, Don Diego dons the black mask and cape and uses the disguise of Zorro to fight the oppression and help the unfortunate in California and takes on the Spanish military leaders and their soldiers.  Whenever people are mistreated, Zorro comes to the rescue.

In “The Mask of Zorro”, Don Diego de la Vega (played by Anthony Hopkins, “Howards End”, “Silence of the Lambs”, “Hannibal” “Red Dragon”) is now an older man in his 40′s.  He is married to Esperanza and together, they have a new baby named Elena.  While the Spanish rule in California is winding down, the antagonist Don Rafael Montero (played by Stuart Wilson, “Enemy of the State”, “Grindhouse”, “Hot Fuzz”) knows his power is slipping and wants to show his power towards the Mexican people one more time by having a few more executions.

But Don de la Vega puts on the mask of Zorro one last time to save the people and in the process, saving two kids named Alejandro Murrieta and his older brother Joaquin and giving Joaquin his silver medallion.

Coming home injured, Don knows that he is getting to old to be the hero, he promises Esperanza that it was his last time he will be Zorro but unknown to both people, Montero and his men were listening.  As they try to apprehend Don, his wife is accidentally shot by one of Montero’s soldier.  Because Montero has looked at de la Vega as his rival for Esperanza, he wants to take away everything from him.  Burning his home, locking him up in prison for 20 years and in the process, taking his daughter and raising her as his own.

Flash forward twenty years later, the two kids that Zorro saved: Alejandro (played by Antonio Banderas, “Spy Kids” films, “Desperado”) and Joaquin Murrieta are now adults and are thieves.  After a robbery, the Murrieta brothers who plan to make a getaway, are stopped by Capt. Harrison Love (Matt Letscher, “Eli Stone”, “Brothers and Sisters”) and instead of leniency, Love savagely kills Joaquin and shoots down their other friend, leaving Alejandro by himself.

Meanwhile, Montero returns to California and returns to the prison which Don de la Vega had been held for 20 years.  This opportunity gives de la Vega a chance to escape and exact his revenge on Montero.  But realizing that his own daughter Elena (played by Catherine Zeta-Jones, “Traffic”, “Entrapment”, “Chicago”) has been raised thinking that Montero is her true father.

Through circumstances, Don Diego de la Vega and Alejandro Murrieta’s path comes together once again and both are bent on getting revenge.  But before they go any further, Don Diego trains the Alejandro to become the new Zorro and to become a gentleman in society.

VIDEO & AUDIO:

“The Mask of Zorro” is presented in 1080p High Definition (aspect ratio 2:40:1).  I was quite pleased with the picture quality of the film as there was pretty good detail on the texture of the Mexican and Spanish clothing, detail of the interiors of Don’s cave hideout and the dirt and grime on the Murrieta boys.  A good number of shots were outdoors, so there was a good amount of lighting.  Skin tones were natural and you can see Anthony Hopkins blue eyes quite clearly.  I tend to get a bit unnerved with some films shot during the 80′s and 90′s because they look a bit waxy but “The Mask of Zorro” looks very good for a 1998 film.

As for audio, the film is presented in English, French and Portuguese 5.1 DTS-HD MA (and Spanish 5.1).  The soundtrack for the film is actually fantastic.  For an older film, I was expecting a front and center channel driven soundtrack but “The Mask of Zorro” really takes advantage of the surround and rear surround channels and also some LFE.  You hear the crowds clapping all around you during a scene when Montero arrives back to California.  Horses galloping and thunder is also well heard.  Fighting sequences, gun shots, explosions are really utilized quite well and for the most part, similar to “Air Force One” which is a 90′s film that was given great audio by Sony, the same can be said for “The Mask of Zorro”.  The lossless soundtrack is clear, understandable and quite immersive during the action sequences.

Subtitles are in English, English SDH, French, Portuguese and Spanish.

SPECIAL FEATURES:

“The Mask of Zorro” comes with the following special features presented in standard definition, English stereo and optional Portuguese or Spanish subtitles:

It actually has been a Zorro month for me during Fall/Winter 2009.  Having watched the complete “Zorro” TV series from 1958-1960, I was enchanted by the humor, drama and the action.  So, watching “The Mask of Zorro”, I felt that it was perfect timing on my part because the film was almost like a continuation of previous films and even the TV series because you forward to the future in which the hero Don de la Vega is now an older man, married and knowing that he’s getting too old to be doing jumps and escaping harm.

I was a bit skeptical at first seeing Anthony Hopkins taking on the role of Don Diego.  Mainly because I’ve gotten so used to seeing Guy Williams playing the role of “Zorro” but because this role calls for an older Don Diego, Hopkins is such a talented actor, that he makes you feel comfortable towards his character.

You easily accept him and sympathize for him as Don Diego goes through the worst, imaginable things that the hero has ever experienced.  But enter Antonio Banderas.  One thing that Guy Williams captured in the classic TV series is a character with class, charisma and is able to deliver in the action.  Banderas starts off as a bit of a ruffian but through the course of the film, we see the thief become the hero and much more refined.

And as for Catherine Zeta-Jones, she looks absolutely beautiful in this film and together, she and Banderas played their characters of Alejandro and Elena quite well.  They both have that chemical/sexual attraction towards each other but also, aside from the dramatics, the two also have a good repertoire for utilizing their characters to earn some laughs from the audience.

One thing that the original TV series had was high production value in which Walt Disney himself made sure “Zorro” utilized.  So, when Steven Spielberg was the name behind the producing of this film, you knew that there would be significant action scenes and most of all, a film that would receive good financing to pull off these fight scenes that Zorro is known for.  May it be him battling with a sword, climbing on rooftops or chandeliers,  being chased on horseback to Zorro taking on dozens of men, fight choreography was done well and cinematography was also solid and for the most part, those scenes were highly enjoyable.

“The Mask of Zorro” was definitely a hallmark for Zorro films.  After that periodic lull of having nothing satisfying since the late 1950′s and early 60′s, it was great to see the character of Zorro done well for this film. A screenplay that is not only action-driven but also character driven and you get all the humor and sexual attraction in this film as well.

Having seen the TV series and a few of the Zorro films in the past, I’m confident to say that “The Mask of Zorro” is the best Zorro film ever made thus far. For those of us who grew up watching the adventures of Don Diego de la Vega, this film is simply the passing of the title to a new character for a new generation of viewers.  Fortunately, the film was handled quite well and I really enjoyed seeing this film again and I’m sure you will too.  Definitely recommended!

Filed Under: Blu-ray Reviews

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