“14 Blades” is an action film that many Donnie Yen fans have waited for a release in the United States. A film that is more about the action than a focus on its characters or storyline, if you love Chinese action films with excessive wirework, “14 Blades” is a film that will no doubt entertain you.
TITLE: 14 Blades
TELEFILM RELEASE: 2010
DURATION: 113 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition (2:35:1 aspect ratio), Mandarin Chinese DTS-HD MA 5.1 with English Subtitles
COMPANY: Anchor Bay Entertainment
RATED: R (Violence and Bloody Images)
Release Date: September 2, 2014
Directed by Daniel Lee
Original Story by Daniel Lee
Written by Daniel Lee, Abe Kwong, Tin Shu Make, Ho Leung Lau
Produced by Xiang Dong, Zhang He-Yun, Zhang Hong, Si Jian-Jun, Zhao Ping, Xu Ping-An, Wang Qi-Shun, Tianyun Wang, Cui Xiao-Wen
Executive Producer: Wang Fang, Jun Gao, Zhiyuan Liu, Xubqin Long, Wang Mao-Liang, Huang Qun-Fei, Zhong-lun Ren, Susanna Tsang, Zhanliang Wang, Tian Xiao-Ying
Associate Producer: Wen Xia Fu, Abe Kwong, Fan Yan-Mei, Jing Ye
Co-Producer: Grace Tang Yi-Lin
Music by Henry Lai
Cinematography by Tony Cheung
Edited by Ka-Fai Cheung, Man To Tang
Production Designer: Raymond Kwok, Daniel Lee
Art Direction by Cyrus Ho, Raymond Kwok, Daniel Lee
Costume Design by Petra Kwok, Ji-qing Li, Kwan Kit Mok, Ming-ha Wong
Donnie Yen as General Qinlong
Wei Zhao as Qiao Hua
Chun Wu as Judge of the Desert
Kate Tsui as Tuo Tuo
Yuwu Qi as Xuan Wu
Ma Wu as Qiao Yun
Kar-Ying Law as Jia Jingzhong
Xiang Dong Xu as Xiahou
Chen Zhi Hui as Bai Hu
Sammo Hung Kam-Bo as Prince Qing
Damin Lau as Zhao Shenyan
Qinglong (Action icon Donnie Yen) is a legendary royal guard trained in a clandestine form of combat from childhood in order to devote his life and lethal prowess to the service of the Emperor. When the Imperial Court is taken over by an evil traitor, Jia (Law Kar-Ying), and betrayal lurks at every corner, Qinglong finds himself hunted by those he once trusted. Now as the most wanted man in the land, he must seek out and rally the loyalists to rise against Jia and restore the Emperor to his rightful place!
For Donnie Yen fans, many have waited for his 2010 martial arts film “14 Blades” to receive distribution in the United States.
Directed by Daniel Lee (“Three Kingdoms: Resurrection of the Dragon”, “White Vengeance”, “Black Mask” and starring popular actor Donnie Yen (“Ip Man”, “Hero”, “Iceman”) and actress/singer Wei Zhao (“Shaolin Soccer”, “Red Cliff”, “Mulan: A Rise of a Warrior”), Anchor Bay has released “14 Blades” on Blu-ray and DVD.
“14 Blades” begins with introducing viewers of what is taking place during the late Ming Dynasty as the Imperial court is besieged with corruption. To help become the eyes and punishers of the emperor, the imperial military secret police known as Jinyiwei was created.
Street orphans were trained under a strict totalitarian regime and the Jinyiwei overruled judicial proceedings in prosecutions and can arrest, interrogate and punish anyone, including royalty and the relatives of royalty. So, they were feared.
Among the Jinyiwei, one person that is deemed the top of the guard receives the name Qinlong and are granted a special weapon known as the “14 blades”. Eight which are marked for interrogation, six used for execution.
The film begins with the introduction to Prince Qing (portrayed by Sammo Hung) and how he had his legs cutoff for trying to revolt against his uncle (the emperor). And his final order is to have his adoptive daughter and assassin, Tuo Tuo (portrayed by Kate Tsui) steal a seal.
Meanwhile, the current Qinglong (portrayed by Donnie Yen) and several members of the Jinyiwei are summoned to reclaim a box under the supposed secret orders of the Emperor from Imperial Councilor Zhao Shenyan, who is accused of trying to revolt against the kingdom.
As Qinglong and his men try to take the imperial seal from the Imperial Councilor, Zhao Shenyan tells him that he would never let the seal get in the hands of someone corrupt.
Immediately, they are attacked and Qinlong’s men are killed by an unknown assailant.
Qinlong watches as two of his men are taken captive and are to be tortured by one of their own, Commander Xuan Wu (portrayed by Yuwu Qi), who has been working with corrupt officials.
Realizing that he has been used by the corrupt officials, he manages to escape by seeking shelter with Qiao Hua (portrayed by Wei Zhao) and her father, paying them if they can escort him to the border, as he is being accused for the crimes against the Jinyiwei.
Meanwhile, the Jinyiwei led by Commander Xuan Wu are sent to kill Qinlong and the assassin Tuo Tuo is also after him for the seal.
Knowing that there is nothing but peril that lies ahead, Qinlong must ensure the seal gets into the hands of the Emperor. But will he succeed?
“14 Blades” is presented in 1080p High Definition. It’s important to note that this film was released back in 2010 and the film is quite sharp. Closeups show amazing detail, especially the face of Qinlong and other characters but there are moments of halo-ing, but the overall picture quality appears to have been sharpened intentionally to give the film it’s own look and style.
AUDIO & SUBTITLES:
“14 Blades” is presented in Mandarin DTS-HD Master Audio 5.1 with subtitles in English SDH and Spanish.
The lossless soundtrack benefits from its action scenes. While dialogue and music is crystal clear, there are a lot of special effects and sound effects that go hand-in-hand from blades clanging or being shot through a person’s body, boulders crashing, fist fights (or chicken bone hitting its mark) and more.
“14 Blades” does not come with any special features.
When it comes to Chinese cinema, there are not many films that touch upon the “jinyiwei” and while “14 Blades” has its moment of fictional fight scenes and weaponry, the film is quite fascinating and also exciting as an action film.
You have two of the top stars from China, Donnie Yen and Wei Zhao are very popular and considering they are the headlining cast, ensured the film had many audiences coming out to see the film. Both have great chemistry when they are onscreen together but this is a film more about the action and less about a cohesive storyline.
Having done well at the box office in China and Hong Kong, while receiving positive reviews in Asia, the action scenes are furious, the fight scenes are entertaining but the film relies more on its action and thus becomes more of a popcorn action film with an entertaining storyline that never becomes too deep.
While action fans in America clamoring for more Donnie Yen or action films from China/Hong Kong in general, “14 Blades” is a film that will no doubt entertain action fans, but for those looking for anything deeper in storyline may feel the film is overly banal, too long and a film that tries to incorporate too much for its own good.
As for the Blu-ray release, the film does showcase amazing detail on Blu-ray but the film is sharp, while its lossless soundtrack is no doubt active, there are no special features included.
Overall, “14 Blades” is an action film that many Donnie Yen fans have waited for a release in the United States. A film that is more about the action than a focus on its characters or storyline, if you love Chinese action films with excessive wirework, “14 Blades” is a film that will no doubt entertain you.
“Godzilla 2000″ may not be the best Godzilla film ever made, but it was an important film because it was literally a reboot of the long running “Godzilla” series. The film kicked of the Millennium Arc for a new generation of Godzilla fans at the time. While the film has its fair share of campiness, it’s still a lot of fun and the battle between Godzilla vs. Orga is worth watching!
TITLE: Godzilla 2000
TELEFILM RELEASE: 1999
DURATION: 107 Minutes (Japanese version), 99 Minutes (English Version)
BLU-RAY DISC INFORMATION: 1080p High Definition (2:35:1 and 2:40:1 aspect ratio), Japanese and English 5.1 DTS-HD MA, Subtitles: English, English SDH, French
COMPANY: Sony Pictures Home Entertainment
RATED: PG (For Monster Violence and Mild Language)
Release Date: September 9, 2014
Directed by Takao Okawara
Written by Hiroshi Kashiwabara, Wataru Mimura
US Version is written by Michael Schlesinger
Executive Producer: Shogo Tomiyama
Producer (US): Michael Schlesinger
Music by Takayuki Hattori
Cinematography by Katsuhiro Kato
Edited by Yoshiyuki Okuhara
Casting by Tadao Tanaka
Production Design by Takeshi Shimizu
Takehiro Murata as Prof. Yuji Shinoda
Hiroshi Abe as Mitsuo Katagiri
Naomi Nishida as Yuki Ichinose
Mayu Suzuki as Io Shinoda
Shiro Sano as Prof. Shiro Miyasaka
Get ready to crumble! The king of all monsters is back and bigger than ever! The action heats up when a UFO reveals itself as a massive alien monster with awesome destructive powers. The alien monster heads straight for the behemoth GODZILLA(r) who’s just crushed the entire city for the battle of theillennium. But GODZILLA(r)’s furious heat beam may not be enough to destroy the death-dealing alien, and the future of humankind is in jeopardy. Now, it’s a bang-up, threeway, no-holds-barred brawl as GODZILLA(r), the alien monster and the courageous citizens of Japan fight an unprecedented battle for survival in this earth-shattering new sci-fi action adventure that will blow you away.
In 1999, the 23rd Godzilla film “Godzilla 2000″ was released in theaters.
Directed by Takao Okawara and written by Hiroshi Kashiwabara and Wataru Mimura, the film is a reboot of the series and a film regarded as the first of the “Millennium” arc.
With three versions of the film released which included a 107-minute Japanese version of the film, a U.S. English dub and a dub created in Hong Kong, with the release of “Godzilla 2000″ on Blu-ray, included is both the Japanese and the U.S. English dub version of the film.
“Godzilla 2000″ takes place during a time when the Godzilla Prediction Network (GPN) have been trying to study Godzilla and predict when it comes to the land. Meanwhile, scientists of the Crisis Control Intelligence (CCI) are investigating a meteorite in the middle of the ocean.
As CCI are doing their research, the meteorite immediately moves on its own and flies out of the ocean towards the sky.
As GPN founder, Yuji Shinoda (portrayed by Takehiro Murata) and writer Yuki Ichinose (portrayed by Naomi Nishida) go to investigate the UFO, the dangerous threat brings Godzilla back to Japan. But the Japanese Self Defense Forces go on the attack against Godzilla, meanwhile the UFO starts observing Godzilla and begins attacking.
This leads to a battle between Godzilla and the UFO and for Yuji, he feels that he knows how Godzilla can regenerate his powers.
While Yuji does his research, Mitsuo Katagiri of CCI leads an assault on both the UFO and Godzilla. And it is learned that the UFO wants to invade Earth and its purpose is to study and steal Godzilla’s regenerative powers and reform itself to a Millenian but because Earth’s atmosphere is different, it changes to the terrifying monster known as Orga.
Which leads to a major battle between Godzilla vs. Orga.
NOTE: The U.S. English dub version is the same story but shorter by eight minutes and the dialogue utilizes more comedy in its dialogue.
“Godzilla 2000″ is presented in 1080p High definition. “Godzilla 2000″ does look better than its DVD counterpart and when it focuses on the actual characters, picture quality is good. But when it tries to go into the visual effects, you will notice scenes with more artifacts more, especially with the scene shot inside a viewing room. Of course, the graphics were early CG, so the UFO is not the greatest in quality and is a bit outdated. But fortunately, the majority of the film does look much better than the original DVD.
AUDIO & SUBTITLES:
“Godzilla 2000″ is presented in Japanese and English 5.1 DTS-HD Master Audio. While the Japanese
Subtitles are in English, English SDH and French.
“Godzilla 2000″ comes with the following special features:
- Commentary with Producer/Writer Michael Schlesinger and Crew - Audio commentary for the English version of the film.
- Behind the Scenes – (2:12) Behind the Scenes on the making of the UFO scene, Godzilla scenes and more.
- Original Trailer - (1:15) The original theatrical trailer for “Godzilla 2000″.
“Godzilla 2000″ comes with an Ultraviolet code which allows viewing the film in HD on PC’s, tablets and cell phones.
When it comes to Godzilla films, “Godzilla 2000 Millennium” was to be the new beginning of the series and upon release, the film met with mixed results in Japan.
Touted for its special effects and a more serious storyline, the film brought happiness to those who waited for a new Godzilla film, a new suit and a new enemy.
But as farfetched as the enemies of Godzilla has come to be, an enemy created by a UFO that has been stuck in the ocean for millions of years is really a bit much, but as Godzilla has always been about the battles and often a cheesy dialogue, the Japanese version tried to have a serious message and tone.
Meanwhile, for the U.S. English dub, “Godzilla 2000″ was about bringing in more humor to the film while trimming down non-essential scenes and make the film flow much better.
For me, I always prefer watching films in their original language but personally, I felt that the editing of the U.S. dubbed version and its humorous storyline took things back as far as the ’70s Godzilla titles. Godzilla kicking butt but its fair share of comedy and drama. It’s what people remember most of the film series, which has since changed since the release of the big budget Hollywood film in 2014.
There is no doubt that “Godzilla” has improved with age and while I’m always going to be biased towards the original film, the truth is that I found myself enjoying “Godzilla” films for what they are…good or bad. What I want to see is Godzilla taking on new enemies and in this case, you see Godzilla being defeated but getting prepared for its final battle vs. Orga.
The new Godzilla suit for the film at that time, looked fantastic and Orga looked like a fascinating enemy for Godzilla and while the battles were fun to watch, especially moreso during that time, the hype surrounded the return of Godzilla. Watching it again many years later and it was more campier than I previously remembered it to be.
The Blu-ray release features very good picture quality most of the time, while there are a few scenes that look very ugly with artifacts but that is a very short scene and this ugliness is not seen that many times at all. You get a fascinating audio commentary on the English dub and a few other special features included on the Blu-ray as well.
But most importantly, you get both Japanese and English dub versions of the film included on one Blu-ray disc!
Overall, “Godzilla 2000″ may not be the best Godzilla film ever made, but it was an important film because it was literally a reboot of the long running “Godzilla” series. The film kicked of the Millennium Arc for a new generation of Godzilla fans at the time. While the film has its fair share of campiness, it’s still a lot of fun and the battle between Godzilla vs. Orga is worth watching!
“Moms’ Night Out” is a fun Christian comedy with a positive message for mothers. Featuring a well-known cast, the film is entertaining, fun and worth checking out!
TITLE: Moms’ Night Out
TELEFILM RELEASE: 2014
DURATION: 99 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition (2:40:1 aspect ratio), English, French 5.1 DTS-HD Master Audio, English Audio Description Track 5.1 Dolby Digital, SUBTITLES: English, English SDH, French
COMPANY: Sony Pictures Home Entertainment
RATED: PG (For Mild Thematic Elements and Some Action)
Release Date: September 2, 2014
Directed by Andrew Erwin, Jon Erwin
Written by Jon Erwin, Andrea Gyertson Nasfell
Produced by Kevin Downes, Andrew Erwin, Jon Erwin, Elizabeth Hatcher-Travis, David A.R. White, Russell Wolfe
Executive Producer: Patricia Heaton, David Hunt, Dave Alan Johnson
Associate Producer: Joshua Walsh
Line Producer: Daryl C. Lefever
Music by Marc Fantini, Stefan Fantini
Cinematography by Kristopher Kimlin
Edited by Andrew Erwin, Jonathan Olive
Casting by Beverly Holloway
Production Designer: Mark Garner
Art Direction by John Tegethoff
Set Decoration by Sallie Sabatini
Costume Design by Anna Redmon
Sarah Drew as Allyson
Sean Astin as Sean
Patricia Heaton as Sondra
Trace Adkins as bones
David Hunt by Cabbie
Andrea Logan White as Izzy
Harry Shum Jr. as Joey
Abbie Cobb as Bridget
Robert Amaya as Marco
Kevin Downes as Kevin
Alex Kendrick as Pastor Ray
Sammi Hanratty as Zoe
Michael Leone as Brandon
Shiloh Nelson as Bailey
Brett Rice as Sergeant Murphy
Rhoda Griffis as Glenda
Anjelah Johnson-Reyes as Hostess
All Allyson and her friends want is a peaceful, grown-up evening of dinner and conversation… a long-needed moms’ night out. But in order to enjoy high heels, adult conversation and food not served in a paper bag, they need their husbands to watch the kids for three hours—what could go wrong?
From Affirm Films comes the Christian-based comedy “Moms’ Night Out”, directed by directorial duo Andrew Erwin and Jon Erwin (both directed “October Baby” and “The Mysterious Islands”).
The film stars Sarah Drew (“Grey’s Anatomy”, “Everwood”, “Radio”), Sean Astin (“The Goonies”, “The Lord of the Rings” films), Patricia Heaton (“Everybody Loves Raymond”, “The Middle”, “Beethoven”), country singer Trace Adkins, Andrea Logan White (“Sarah’s Choice”, “Brother White”), Harry Shum Jr. (“Glee”, “Step Up 2: The Streets”), Abbie Cobb (“StarStruck”, “Good Luck Charlie”, “90210”), Robert Amaya (“Courageous”, “October Baby”), Kevin Downes (“Courageous”, “The Moment After”) and Alex Kendrick (“Courageous”, “Facing the Giants”).
“Moms’ Night Out” will be released on Blu-ray in Sept. 2014.
The film revolves around busy mother and mommy blogger Allyson (portrayed by Sarah Drew) who wants to have the perfect family life and to be the perfect mother.
But the stress of being a mother is difficult for Allyson as she feels overworked and stressed.
Allyson’s friends include Sondra (portrayed by Patricia Heaton), the wife of the local pastor and Izzy (portrayed by Andrea Logan White).
As Allyson starts to realize that trying to push herself as a mother is becoming exhausting and making her unhappy, her friends are in similar situations.
Sondra and her husband are dedicated to the church but are too busy for their teenage daughter, while Izzy who has two twins with her husband Marco, is not sure how her husband will react to her pregnancy.
In order to have a break from it all, Allyson wants to have one day away from the children, so she decides to have a “Moms’ Night Out” with Sondra and Izzy, and leaving her and Izzy’s children with Sean (portrayed by Sean Astin). But Allyson is a bit freaked out that Sean’s video game buddy is coming by and she doesn’t trust him being around the children because he’s a hardcore gamer.
Meanwhile, his step-sister Bridget (portrayed by Abbie Cobb) is starting a new job and is hoping for Allyson to take care of her son Phoenix, but instead decides to leave her son with her ex-boyfriend.
As Allyson, Sondra and Izzy plan to have an exciting night, will Allyson’s planning for a “perfect” night work out as she expected?
“Moms’ Night Out” is presented in 1080p High Definition (2:40:1 aspect ratio). Picture quality features great detail for closeups, skin tones look natural and fort he most part, picture quality is well-saturated. I did not notice any artifacts or banding issues during my viewing of the film.
AUDIO & SUBTITLES:
“Moms’ Night Out” is presented in English 5.1 DTS-HD MA and English – Audio Description Track 5.1 Dolby Digital and a Spanish 5.1 Dolby Digital soundtrack. This comedy is primarily dialogue-driven and sounds crystal clear through the center and front channel.
While the film is primarily a all-dialogue soundtrack, there are moments where music is well-utilized from Psy’s “Gangnam Style” to other contemporary music plus there are some action scene moments (such as a chase scene) that utilizes the surround channels, but primarily the soundtrack is dialogue-driven.
Subttles are in English, English SDH and French.
“Moms’ Night Out” comes with the following special features:
- Commentary with Directors Andrew Erwin and Jon Erwin and Producer Kevin Downes
- Deleted Scenes – (2:55) Featuring five deleted scenes.
- The Heart of Moms’ Night Out - (3:55) The cast and crew discuss why they were drawn to make this film.
- Casting of Moms’ Night Out – (6:20) How the cast was selected for “Moms’ Night Out”.
- The Art of Improv – (4:46) How improv was utilized in “Moms’ Night Out”.
- The Art of Action – (5:10) The chase scene for “Moms’ Night Out”.
- Bloopers – (5:36) Outtaks from “Moms’ Night Out”.
“Moms’ Night Out” comes with an Ultraviolet code which allows viewing the film in HD on PC’s, tablets and cell phones.
As a husband and also a Christian, I found “Moms’ Night Out” to be an entertaining film with a message that doesn’t overly preach but it takes on a topic that isn’t explored in films all that much.
And that is the role of the mother.
Sure, there are films and even television shows that explore the mother’s connection with a child and the parental duties of a mother. But rarely do you see films that features the wife needing a break from the parenting but needing time off to hang out with friends.
I know in my marriage, the ability to take breaks away from family is important and I know many women who are similar to the protagonist Allyson. They try very hard to be a perfect mother, dedicating themselves 100% to being a mother, but what happens when the person needs that break and for some, one find ways to accomplish that. From hanging out with friends, some take jobs, hiring a nanny or babysitter, having that break to achieve clarity is important.
But with Allyson, she represents many mothers who are unhappy because they feel their lives after having children is being cooped up in a house and are unable to have that necessary break.
“Moms’ Night Out” gives us three mothers with different issues. Allyson trying to be perfect mother, Sondra trying to be a perfect wife and Izzy expecting another child and not sure how her stressed-out husband will react.
So, there is a positive message in this film that deals with motherhood and I know women, mothers and wives can sympathize with the characters, while men/husband/fathers, should understand.
I admit that I was surprised about the cast of this film. Affirmed Films has really done a great job in bringing in well-known talent for Christian films. There has been a long standing criticism towards the quality of Christian films, from the casting of unknown talent, to the overly preaching message which some critics felt was overly forced.
But with “Moms’ Night Out”, the message is easy to understand and not shoved in your face. The talent are well-known from Sarah Drew, Sean Astin, Patricia Heaton, Trace Adkins and others being part of the film. The working chemistry between Sarah Drew and Sean Astin was fantastic.
And for those who are familiar with the Christian film “Courageous”, will be thrilled to see a few members of the cast reunited for this film.
And while there are a number of positives that work with the film, unfortunately the quality of the storyline starts to go south a bit. Granted, seeing mothers going to a bowling alley with “Gangnam Style” blasting in the background or seeing them in jail, just seems a bit farfetched. Especially the drastic measures that the husbands must go through during the night. While sometimes hilarious, sometimes certain plot lines make you want to roll your eyes and leaving you with an impression that writers could have done much better.
As for the Blu-ray release, picture quality is very good. Colors are well-saturated and detail is also noticeable. Lossless soundtrack is primarily dialogue and musically driven, but there are some moments with surround usage due to the action scenes. And you get an audio commentary track with a few special features.
Overall, “Moms’ Night Out” is a fun Christian comedy with a positive message for mothers. Featuring a well-known cast, the film is entertaining, fun and worth checking out!
“The World Wars” is not an in-depth analysis on both World Wars but it is an accessible, simplified and captivating miniseries that does a great job of introducing to people to the key figures of both World Wars and a few things that transpired during the 30-years. Captivating and entertaining, “The World Wars” is recommended!
Image courtesy of © 2014 A&E Television Networks. All Rights Reserved.
TITLE: The World Wars
YEAR OF FILM: 2014
DURATION: 270 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition, 1:78:1 Aspect Ratio, English DTS-HD MA, Spanish and English SDH
RELEASE DATE: September 9, 2014
Directed by John Ealer
Written by Chelsea Coates, Randy Counsman, Zachary Herrmann, Claire Lawton, Alec Michod, Keith Palmer, Frederick Rendina, Jordan Rosenblum, David Schaye, David C. White
Produced by Randy Counsman, Brian Burstein
Co-Producer: Alec Michod, Jonathan Soule
Executive Producer: Stephen David, Paul Cabana, Russell McCarroll, Christian Murphy
Co-Executive Producer: Tim W. Kelly
Cinematography by Roger Chingirian
Edited by Mike Alfin, Tim W. Kelly, John Kilgour, Brian McAllister, Jonathan Soule
Casting by Erica Arvold, Donny DeSeta, Kevin Kuffa, Brian Burstein
Production Design by Hugh D.G. Moody
Art Direction by Carmen Cardenas
Set Decoration by Kathleen Pullan
Costume Design by Sarah Beers
Jeremy Renner – Narrator
Kevin McKillip as Young FDR
David Mitchum Brown as Harry S. Truman
C. Conrady Cady as Vladimir Ilyich Lenin
Don Hartman as General George Patton
Matt Dearman as Young Patton
Hugh Scully as Adolph Hitler
Maximilian Klas as Young Hitler
Don Meehan as Charles DeGaulle
Michael Perrie Jr. as Young DeGaulle
Jacopo Rampini as Young Stalin
Nabil Vinas as Young Mussolini
Daniel Martin Berkey as The Elder General Douglas MacArthur
Prescott Hathaway as Young MacArthur
Tom Vickers as Young Churchill
Ian Beyts as Winston Churchill
Jonathan Hartman as Benito Mussolini
Adolf Hitler. Franklin Delano Roosevelt. Benito Mussolini. Winston Churchill. Charles de Gaulle. George Patton. Before they were the giants of WWII, they were infantrymen and privates in WWI, the “war to end all wars.” The World Wars from HISTORY® and H2™ brings you the story of the devastating three decades of 20th-century world war through the eyes of the men whose characters were forged in the trenches before they commanded a world on the brink of disaster. See how, from Ypres and the Somme to the Battle of the Bulge and the invasion of Normandy, the iconic figures of WWII became synonymous with either battlefield glory or murderous fascism.
One must regard these 30 years of strife in Europe as part of one story…one story of a 30 years‘ war. – Winston Churchill
On July 1914, the First World War began.
During this time, a young Franklin D. Roosevelt, Winston Churchill, Joseph Stalin and Adolph Hitler were young men, who would one day become leaders for their countries during World War II which ended in September 1945.
What connection do these men and others have between both World Wars? And how did the First World War shape these men?
These are questions that is answered in “The World Wars”, a three-part six hour event miniseries which aired on the History Channel on Memorial Day and viewed by 13 million viewers and later viewed by audiences in 160 countries.
Produced by Stephen David Entertainment (who produced the Emmy Award winning miniseries, “The Men Who Built America”), the miniseries was narrated by actor Jeremy Renner (“The Avengers”, “The Hurt Locker”, “The Bourne Legacy”) and would feature dramatic reenactments, archived footage and interviews with historians, authors and prominent political figures such as U.S. Senator John McCain, former U.S. General and Secretary of State Colin Powell, former British Prime Minister John Major, former Italian Prime Minister Mario Monti, former U.S. Defense Secretary Leon Panetta and many more.
The series showcases the younger version of Roosevelt, Churchill, Hitler, Stalin, Patton, McArthur and others during World War I and shows us how these men were shaped into the men they became during World War II.
“The World Wars” is presented in 1080p High Definition (1:78:1 aspect ratio). The mini-series is presented in HD and mixes modern dramatic re-enactments, footage from archived news sources and also older films, plus modern digital footage for interviews.
So, you can expect a mix of quality differences for this mini-series but for the most part, “The World Wars” looks fantastic. There are moments which I saw some artifacts and banding but for the most part, the entire mini-series looks great. Skin tones look natural, closeups showcase detail, use of CG to show people dying in war is often used and may not look too realistic but it does work.
Overall, solid picture quality for this miniseries.
AUDIO & SUBTITLES:
As for audio, “The World Wars” is presented in English 5.1 DTS-HD Master Audio. I was quite surprised by this mini-series as I expected it to be focused on the center and front channels and would be primarily dialogue driven, but surprisingly, there are moments of surround channel usage and LFE. So, you can hear bombs going out in a distance, you can hear crowds of soldiers in the background.
Dialogue and its musical soundtrack are crystal clear and overall, a very good lossless soundtrack for this miniseries.
“The World Wars” comes with the following special features:
- Characters InDepth - (25:40) An in-depth look at Winston Churchill, Joseph Stalin, Harry Truman, Franklin Delano Roosevelt, Dwight Eisenhower and Adolf Hitler by Amy Woodson-Boulton (Professor of History at Loyola Marymount University), former NBC news correspondent Tom Brokaw, Joshua Goode (Asst. Prof. of History and Cultural Studies at Claremont Graduate University) and more.
- WWI: One Word – (2:30) Former military personnel, historians, professors and authors on their thoughts of World War I.
- Tech Developments of WWI – (3:03) Former military personnel, historians, professors and authors on their thoughts on the technology utilized in World War I and use of open warfare.
- Life in a Trench - (3:16) Former military personnel, historians, professors and authors on their thoughts of life in a trench.
- The US in WWI – (3:32) Former military personnel, historians, professors and authors on their thoughts of the United States involvement in World War I.
- Did WWI Lead to WWII? – (2:20) Former military personnel, historians, professors and authors on their thoughts about if World War I led to World War II.
- Legacy of WWI – (2:31) Former military personnel, historians, professors and authors on their thoughts on the legacy of World War I.
- Deleted Scenes – Featuring three deleted scenes.
“The World Wars” comes with a slipcover, Blu-ray and an UltraViolet code to watch your films on your PC, laptop, tablet or cell phone.
While I missed the original television premiere of “The World Wars” and hearing my wife tell me how wonderful the miniseries was, I was so thrilled to know that Lionsgate would be releasing it on Blu-ray.
And after watching the miniseries and being captivated for the last two days by its wonderful writing and re-enactments, I learned a lot about World War I, which I never knew before, but nor am I one wanting to be an erudite on both World Wars.
So, for those wanting something simplified on the involvement of key figures of both World Wars, then “The World Wars” will surely entertain you. Otherwise, for those who are knowledgeable and want to learn more about the war, the strategies employed, the people involved, there are many documentaries and books out there that will no doubt satisfy you.
But “The World Wars” is for the most part entertainment and the aim of the miniseries is not just to educate but primarily to entertain. From the earlier years of Winston Churchill and how his career was nearly destroyed during World War I, Adolph Hitler and how he nearly was killed twice and how one soldier could have killed Adolph Hitler and changed the course of history if he took the shot, Patton’s use of a machine gun to fight Mexico leading him to lead a tank battalion and many more.
I absolutely loved this miniseries because not only did it feature smart writing, wonderful presentation and acting for its reenactment segments but how it incorporates historians, educators, political and military figures to shed their thoughts on various parts of the war.
I never knew about the strategies that were employed during the war and there were a lot of things that I never knew, such as Patton’s slapping of a shell-shocked U.S. soldier which grounded him or even General Douglas MacArthur and how he was originally defeated in the Philippines.
Having had a grandfather who fought during World War II as a Philippine soldier and being given the opportunity to work and retire in the U.S. Navy, I have had two grandfathers who discussed World War II and always instilled in our heads of the greatness of General MacArthur and what he did for the Filipino people.
But watching and seeing how these men were during World War I, when they were younger but also knowing that while the war was over in World War I, there was still growing tension as many people from different countries were still suffering economically. And each country wanted had their own agenda in the war.
And considering the tensions with Russia and forming the uneasy alliance with Joseph Stalin, just knowing the tension of a new world tyrant and how it could have led to a new World War is quite shocking.
As for the reenactments, of course, everyone is speaking in English and some actors are better than others. What would have been nice to see is a longer miniseries than the three parts. There is no doubt that “The World Wars” could have been extended for another six or more hours but for all that the writers and editors had to work with and getting so much into the six hours, I felt the series was entertaining and didn’t seem too rushed.
But I do know that those knowledgeable about the war especially with the original uniforms, weapons and tanks will be critical of the re-enactment scenes.
Yes, there are other documentaries on both World Wars that have aired on the History channel (or PBS) alone that are more thorough, but I found “The World Wars” to be much more simplified and accessible for everyone because it didn’t seem too cerebral, nor technical. The presentation was overall entertaining and captivating, but it’s great for those who are not interested in getting to deep and just wants a shortened version of what happened during both World Wars and the key figures involved or lived during the time of both wars.
As for the Blu-ray release, picture quality for the miniseries is great. Granted, there are many different sources utilized but for the most part, the miniseries looked great on HD and the lossless soundtrack was much better than I was expecting. And you also get several fascinating special features as well.
While I don’t envy writers who have to compile 30-years of war, tensions between countries and many situations into a 6-hour miniseries, I do feel that the miniseries turned out much better than I expected. Sure, the miniseries has its flaws and I’m sure historians and war erudites can pick apart the miniseries, but for me, from what I watched, I was entertained and felt that the series may spark interest in the young and old to research, watch and read more about both World Wars.
Overall, “The World Wars” is not an in-depth analysis on both World Wars but it is an accessible, simplified and captivating miniseries that does a great job of introducing to people to the key figures of both World Wars and a few things that transpired during the 30-years. Captivating and entertaining, “The World Wars” is recommended!
Fans of Italian cinema or Italian Neo-Realism will enjoy “L’Amore in Citta (Love in the City)”. While only one film from this project was created, “L’Amore in Citta” is a fascinating time stamp of Italian culture in the 1950’s and one of the more enjoyable “love” anthologies to feature multiple filmmakers. Entertaining and recommended!
TITLE: L’Amore in Citta (Love in the City)
FILM RELEASE: 1953
DURATION: 105 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition, 4:3 Letterbox, Italian Linear PCM Dual Mono, Subtitles in English
COMPANY: Raro Video
RATED: Not Rated
RELEASE DATE: July 22, 2014
Michelangelo Antonioni (segment “Tentato suicido”)
Federico Fellini (segment “Agenzia matrimoniale, Un'”)
Alberto Lattuada (segment “Italiani si voltano, Gli”)
Carlo Lizzani (segment “Amore che si paga, L'”)
Francesco Maselli (segment “Storia di Caterina”)
Dino Risi (segment “Paradiso per 3 ore”)
Cesare Zavattini (segment “Storia di Caterina”)
Michelangelo Antonioni (segment “Tentato suicidio”)
Aldo Buzzi (segments “Tentato suicidio”, “Gli Italiani si voltano”, “Amore che si paga, L'”, “Paradiso per 4 ore”)
Luigi Chiarini (segments “Tentato suicidio”, “Gli Italiani si voltano”, “Amore che si paga, L'”)
Federico Fellini (segment “Agenzia matrimoniale, Un'”)
Marco Ferreri (segment “Paradiso per 4 ore”)
Alberto Lattuada (segment “Italiani si voltano, Gli”)
Luigi Malerba (segments “Tentato suicidio”, “Gli Italiani si voltano”, “Amore che si paga, L'”, “Paradiso per 4 ore”)
Tullio Pinelli (segments “Tentato suicidio”, “Agenzia matrimoniale, Un'”, “Italiani si voltano, Gli”, “Amore che si paga, L'”, “Paradiso per 4 ore”)
Dino Risi (segment “Amore che si paga, L'”), (story) (segment “Paradiso per 4 ore”)
Vittorio Veltroni (segments “Tentato suicidio”, “Gli Italiani si voltano”, “Amore che si paga, L'”, “Paradiso per 4 ore”)
Cesare Zavattini (segments “Tentato suicidio”, “Gli Italiani si voltano”, “Storia di Caterina”, “Amore che si paga, L'”, “Paradiso per 4 ore”)
Produced by Marco Ferreri, Riccardo Ghione
Associate Producer: Cesare Zavattini
Music by Mario Nascimbene
Cinematography by Gianni Di Venanzo
Edited by Eraldo Da Roma
Production Design by Gianni Polidori
Rita Josa (segment “Tentato suicidio”)
Rosanna Carta (segment “Tentato suicidio”)
Enrico Pelliccia (segment “Tentato suicidio”)
Donatella Marrosu (segment “Tentato suicidio”)
Paolo Pacetti (segment “Tentato suicidio”)
Nella Bertuccioni (segment “Tentato suicidio”)
Lilia Nardi (segment “Tentato suicidio”)
Lena Rossi (segment “Tentato suicidio”)
Maria Nobili (segment “Tentato suicidio”)
Antonio Cifariello – Giornalista (segment “Agenzia matrimoniale, Un'”)
Livia Venturini (segment “Agenzia matrimoniale, Un'”)
Maresa Gallo (segment “Agenzia matrimoniale, Un'”)
Angela Pierro (segment “Agenzia matrimoniale, Un'”)
Rita Andreana (segment “Agenzia matrimoniale, Un'”)
Lia Natali (segment “Agenzia matrimoniale, Un'”)
Cristina Grado (segment “Agenzia matrimoniale, Un'”)
Ilario Malaschini (segment “Agenzia matrimoniale, Un'”)
Sue Ellen Blake (segment “Agenzia matrimoniale, Un'”)
Silvio Lillo (segment “Agenzia matrimoniale, Un'”)
Caterina Rigoglioso (segment “Storia di Caterina”)
Mara Berni (segment “Italiani si voltano, Gli”)
Valeria Moriconi (segment “Italiani si voltano, Gli”)
Giovanna Ralli (segment “Italiani si voltano, Gli”)
Ugo Tognazzi (segment “Italiani si voltano, Gli”)
Patrizia Lari (segment “Italiani si voltano, Gli”)
Raimondo Vianello (segment “Italiani si voltano, Gli”)
Edda Evangelista (segment “Italiani si voltano, Gli”)
Liana Poggiali (segment “Italiani si voltano, Gli”)
Marisa Valenti (segment “Gli Italiani si voltano”)
Maria Pia Trepaoli (segment “Italiani si voltano, Gli”)
Marco Ferreri (segment “Gli Italiani si voltano”)
Mario Bonotti (segment “Gli Italiani si voltano”)
Seven top Italian filmmakers pooled their talents on the omnibus “reality” feature Amore in Citta Love in the City. The film is divided into six separate episodes; the first of these, “Paid Love,” is a straightforward study of prostitution written and directed by Carlo Lizzani. In the second, Michelangelo Antonioni’s “Attempted Suicide,” several would-be suicides discuss the reasons for their despair. Dino Risi’s “Paradise for Four Hours” is a humorous glance at a provincial dance hall. Federico Fellini’s “Marriage Agency” finds an investigative reporter posing as a husband-to-be. Cesara Zavattini and Umberto Maselli’s “Story of Caterina” dramatizes the true story of a young unwed mother. And “Italians Stare,” written and directed by Alberto Lattuada, illustrates the various “girl-watching” techniques of Italian males. Among the actors participating in the six vignettes are Ugo Tognazzi, Maressa Gallo, and Caterina Riogoglioso. Originally intended as the first installment in a “movie magazine” titled “The Spectator,” Amore in Citta was released at 110 minutes; most American prints are bereft of the opening “Paid Love” segment.
In 1953, filmmaker Cesare Zavattini wanted to create a film project to capture reality.
The original plan was to create a six-monthly film journal titled “Lo Spettatore” (The Spector) and kick off with the first project titled “L’Amore in Citta” (Love in the City).
Produced by Zavattini, Riccardo Ghione and Marco Ferreri, the film did poorly and Zavattini’s project ended.
But decades later, for cinema fans, “L’Amore in Citta” is one of those rare Italian neo-realism films that would bring together various filmmakers for six short vignettes on various aspects of love and sex. What Zavattini wanted to accomplish was to get different (young) filmmakers at the time, who brought different perspectives for his project.
The film would feature the work of Carlo Lizzani, Michelangelo Antonioni, Dino Risi, Federico Fellini, Francesco Maselli and Cesare Zavattini and Alberto Lattuada.
And now, “L’Amore in Citta” (Love in the City) has been released on Blu-ray courtesy of Raro Video.
“L’Amore in Citta” kicks off with an eleven minute short film by director Carlo Lizzani showcasing different types of love in Italian society. The following 22-minute short film titled “Attempted Suicide” is directed by Michelangelo Antonioni and revolves around various women who fell in love and had their hearts broken and thus, tried to kill themselves.
The 12-minute short film titled “Paradise for Three Hours” and is directed by Dino Risi about men and women who meet at the dance halls and members of both opposite sex wanting to have fun with each other by dancing and possibly having a relationship and seeing how the various sexes respond during those three hours.
“Marriage Agency” directed by Federico Fellini is a 16-minute film revolves around a journalist trying to find an underground marriage agency and wants to know why people would use such a service. So, he invents a story in order to meet one of the women who wants to get married with someone anonymous and find out why.
The longest film in “L’Amore in Citta” goes to Francesco Maselli and Cesare Zavattini’s film titled “Story of Caterina” and revolves around a single mother and her child. The mother is doing all she can to make money by becoming a prostitute or whatever she can to take care of her young son. But how far will this mother go, when she decides that taking care of her son is too difficult.
The final film titled “Italians Turn Their Heads” is a 14-minute film that requires no dialogue but showcasing beautiful actresses: Valeria Moriconi, Giovanna Ralli, Patrizia Ralli and various women walking through crowds and seeing many men turning their heads to see their legs or derriere.
“L’Amore in Citta (Love in the City)” is presented in 1080p High Definition (black and white, 4:3). While there are traces of some white specks, the film looks great.
According to Raro Video, “the scene negatives and inflammable soundtrack conserved at Studio Cine where they were processed in 2001 were made avaialble for restoration by the owners, Studio Canal Image and Minerva International Group, while the project was funded with a contribution from the Municipality of Rome. As well as problems deriving from breakage and interpolations which interrupt the narrative, a whole section of the scene negatives – the final part of Antonioni’s episode – was also damaged, probably erased by the censors. Nevertheless, a check-print and a lavender were printed and thus a dupe negative was created, while a vintage lavender, made available by Minerva International Group, was used to reintegrate the gaps in the original.”
AUDIO & SUBTITLES:
“L’Amore in Citta (Love in the City)” is presented in Italian linear PCM dual mono with English subtitles. Dialogue is clear via center channel. I didn’t notice any hiss, crackling or pops during my viewing of the film.
According to Raro Video, “the sound was transcribed onto a digital support from a safety dupe soundtrack conserved at the National Film Library and then re-transcribed onto a new photographic negative at Cinecitta Studios. Two positive copies were thus printed from the new negative soundtrack and the restored dupe”.
“L’Amore in Citta (Love in the City)” comes with the following special features:
- Audio Commentary – Featuring audio commentary by: Gabrielle Lucantonio (introduction), Carlo Lizzani (Love for Money), Guido Chiesa (Attempted Suicide), Mimmo Calopresti (Paradise for Three Hours), Silvano Agosti (Marriage Agency), Francesco Maselli (Story of Caterina) and Mario Brenta (Italian Turns Their Heads).
- Interview with Paolo Mereghetti – (13:12) Film critic Paolo Mereghetti discusses “L’Amore in Citta”.
- Interview with Luca Bandirale – (23:39) Film critic Luca Bandirale talks about the music compositions of “L’Amore in Citta”.
- Interview with Angelo Pasquini – (15:04) Screenwriter Angelo Pasquini discusses “L’Amore in Citta”.
- Trailer – (3:10) Theatrical trailer for “L’Amore in Citta (Love in the City)”.
“L’Amore in Citta” comes with an 20-page booklet featuring “Young Directors Mature” by Gabrielle Lucantonio, “Notes on the Restoration of the Film” and “According to Cesare Zavattini”. A slip cover is also included.
As a cinema fan of Italian Neo-Realism, “L’Amore in Citta” was a fascinating and bold project for Cesare Zavattini and his fellow filmmakers.
To create a cinematic “issue” and giving free reign to the filmmakers to create whatever they want, but in the grounds that there is no pay but they would be responsible for their own expenses. In some ways, some may cringe at the idea of doing pro bono type work and incurring expenses but the fact is these men were friends, they were filmmakers and they banded together to create such a film.
“L’Amore in Citta” unfortunately was not a success but what we have is a collaborative film project, a staple of time from older Italy and a film that cineaste can observe the various cinematic styles, the different perspectives of Italian society in the early 1950’s and enjoy or be nostalgic of the past.
As the film focuses on various types of “love”, as we have seen in recent films such as “Paris, Je T’aime” or “Heroes in Love” which also featured various filmmakers create short films about love, “L’Amore in Citta” is a film that captures early ’50s Italian society with efficacy.
A look at prostitution post-war in “Love for Money” by Carlo Lizzani, people who claim they tried to kill themselves due to love or failed love in Michelangelo Antonioni’s “Attempted Suicide” or where everyone goes to hook up – the dance hall as featured in “Paradise for Three Hours” by Dino Risi.
According to Risi, at the time of the filming, he focused on young housemaids who only had a few hours on Sunday off and for fun and entertainment, all they had were the dance houses.
But it’s the next three films that captivated me.
Federico Fellini’s “Marriage Agency” about a journalist trying to uncover why men and women are getting hitched through an underground marriage agency, which has been since superseded in cinema about people marrying under the table for citizenship, the next film “Story of Caterine” by Francesco Maselli and Cesare Zavattini is the heaviest of the three films in terms of plot as it deals with a poor woman, a single mother with a young boy who is unable to raise him like she wants to and is torn by keeping him or leaving him to ensure a better life for him. And of course, the storyline of a love between a mother and her child is a fitting storyline for the film.
But what’s interesting is the final story of the film, which is the most lighthearted of them all, is “Italians Turn Their Heads” by filmmaker Alberto Lattuada. While Lattuada filmed behind a minibus with black curtains, he captured the real reactions of people walking by beautiful women as they checked out the women’s rear and their legs. While it’s a combination of real footage mixed with footage that was planned, both are able to co-exist in a natural and amusing manner.
But these are all stories that I found quite effective, while others worked much better than others, all were rather fascinating pieces of Italian life. I have to admit that the one that I was most disappointed in was Michelangelo Antonioni’s “Attempted Suicides”. Even Antonioni felt that two cases were real, while others seemed contrived and fake. I have to agree. Some of the individuals do not seem genuine and in turn, made his portion of the film seemed unnatural.
The most surprising is the “Story of Caterine”. Granted, Francesco Maselli and Cesare Zavattini used a real actress in Caterina Rigoglioso but still, the point was capturing a mother’s connection to her child and the desperation of the character, it’s an emotional scene that anyone watching the film can understand and sympathize with. It does go against the Neo-Realism of utilizing professional actors vs. non professional actors but he needed emotion, he needed desperation and Caterina Rigoglioso delivered.
As for the Blu-ray release, “L’Amore in Citta (Love in the City)” is a magnificent release. The restored film looks fantastic on Blu-ray and the soundtrack is clear with no significant hissing or crackling. You also get audio commentary along with interviews.
Overall, fans of Italian cinema or Italian Neo-Realism will enjoy “L’Amore in Citta (Love in the City)”. While only one film from this project was created, “L’Amore in Citta” is a fascinating time stamp of Italian culture in the 1950’s and one of the more enjoyable “love” anthologies to feature multiple filmmakers. Entertaining and recommended!
Emotional, uplifting, tragic but also a film of hope, “anohana – The Flower We Saw That Day: The Movie” is an animated film that will captivate you and a Blu-ray release that I highly recommend!
Image courtesy of © ANOHANA PROJECT. All Rights Reserved.
TITLE: anohana – The Flower We Saw That Day: The Movie
YEAR OF FILM: 2013
DURATION: 99 Minutes
BLU-RAY INFORMATION: 1080p High Definition, Japanese Linear PCM 2.0, Japanese DTS-HD Master Audio 5.1 CH, Subtitles: English
RATED: Suggested 13 and Up
Release Date: July 15, 2014
Director: Tatsuyuki Nagai
Screenplay: Mari Okada
Storyboard: Tatsuyuki Nagai
United Director: Shinobu Yoshioka
Music by REMEDIOS
Character Design: Masayoshi Tanaka
Art Director: Tsutomu Ishigaki
Art by Takayoshi Fukushima
Anime Production: A-1 Pictures
Featuring the following voice talent:
Ai Kayano as Meiko “Menma” Honma
Haruka Tomatsu as Naruko “Anaru” Anjō
Miyu Irino as Jinta “Jintan” Yadomi
Saori Hayami as Chiriko “Tsuruko” Tsurumi
Takahiro Sakurai as Atsumu “Yukiatsu” Matsuyuki
Takayuki Kondou as Tetsudō “Poppo” Hisakawa
Aki Toyosaki as Tetsudō (child)
Asami Seto as Atsumu (child)
Mutsumi Tamura as Jinta (child)
Jintan, Menma, Anaru, Yukiatsu, Tsuruko, and Poppo – six grade-school students who were the best of friends. As the “Super Peace Busters,” they always played together at their “secret base” until Menma died in a tragic accident.
Five years later, Menma appeared before Jintan, now a high school freshman. No one could see her but Jintan, and Menma told him that she wanted the Super Peace Busters to grant her a certain wish. But not even Menma herself remembered what that wish was.
Having been traumatized by Menma’s death, the five had drifted apart, but after giving vent to their bottled-up feelings in an emotionally-charged moment, they gradually went back to being the “gang” of years past. And then Menma said goodbye, leaving letters to everyone of the Super Peace Busters.
One year later – once again, they gather at their secret base, each of them with a letter to Menma in hand.
It was one of the saddest anime series to debut back in 2011, the series “Ano Hi Mita Hana no Namae wo Bokutachi wa Mada Shiranai” or “Anohana: The Flower We Saw That Day” debuted on television.
An 11-episode series produced by A-1 pictures and directed by Tatsuyuki Nagai (“My-HiME”, “A Certain Scientific Railgun”) and written by Mari Okada (“AKB0048″, “Vampire Knight”, “Black Rock Shooter”, “Black Butler”), the series revolves around six childhood friends that drifted apart after one of them dies in an accident.
Jinta “Jintan” Yadomi is the main protagonist and as a kid, he was very close to Meiko “Menma” Honma
Together with their friends (which they are known as the “Super Peace Busters”) included Naruko “Anaru” Anjo (who had a crush on Jinta), Atsumu “Yukiatsu” Matsuyuki (who likes Menma and looked at Jinta as his rival for Menma’s feelings), Chiriko “Tsuruko” Tsurumi (has feelings towards Asumu) and Tetsudo “Poppo” Hisakawa (always looked at Jinta as “cool”).
On the day before “Menma” died, everyone wanted to know if Jinta loved Menma but being a child and embarrassed, he said he would never fall for someone like her. Embarrassed, he ran away. But when she tried to find him, by the time he went to look for her an apologize, it was too late. She slipped and fell into a river and drowned.
Fast forward into the future and Jinta has become depressed and anti-social after the death of his mother and Menma. But when Menma reappears as a ghost, at first he thinks it’s his stress manifesting, but when he starts to realize that she has returned, Jinta slowly reunites with his old friends to tell him about his visions of Menma.
Of course, not everyone believes him, as he is the only person that can see her. But some fans give him the benefit of the doubt and Poppo believes that she may be stuck on Earth because she has a goal that she must reach or a wish that she must fulfill. But as Menma hears this, she is not sure about her thoughts nor does she remember much.
But as these friends slowly reunite, we learn that not only does Jinta feel guilty about Menma’s death, each of them do for some sort of reason.
And a the eleven episodes delves into each character’s life in the present, they also share with each other their thoughts and the pain they have felt all these years and in many ways, allowing each to receive some type of closure in regards to Menma’s death but giving them the chance to say their final goodbye and vice-versa.
With the film adaptation of “anohana – The Flower We Saw That Day: The Movie”, the film does its best to condense all eleven episodes down to a 99 minute film with new footage to showcase how the characters are doing since their experience (seen in episode 11 of the TV series) with helping out Jinta but also showing flashbacks from those episodes to make up one emotional story.
“anohana – The Flower We Saw That Day: The Movie” is a film that looks gorgeous. While character designs are shaded, the background art is well-detailed and for the most part, you are drawn with the many cut-scenes and flashbacks but the lush green and vibrant colors instantly grab you. I didn’t notice any artifacts or banding issues,
AUDIO & SUBTITLES:
“anohana – The Flower We Saw That Day: The Movie” is presented in Japanese Linear PCM Stereo 2.0 and Japanese DTS-HD Master Audio 5.1. This is primarily a dialogue-driven soundtrack, so one should not expect to hear a lot coming from the lossless soundtrack. If anything, the surround channels are more about environment and ambiance. There is no English dub included.
Subtitles are in English and Spanish.
“anohana – The Flower We Saw That Day: The Movie” comes with the following special features:
- TV Spot & Trailers
- Announcement- (2:32) Film announcement
- TextlessOpening (Special O.A. Version)
“anohana – The Flower We Saw That Day: The Movie” comes with the awesome Aniplex Inc. swag that you expect from the company. Included is a musical soundtrack which include the following tracks:
- Aoi Shiroi 5:39 Galileo Galilei
- The Next Morning 1:03 REMEDIOS
- Beautiful Seasons With You 4:06 REMEDIOS
- Thin Moonlight – Thin As Ice 2:04 REMEDIOS
- Secret Feelings – Hidden Feelings of Love 2:52 REMEDIOS
- Sink – Frozen Memories 1:35 REMEDIOS
- All About her Death – It Has To Do With Her Not Being Here 1:29 REMEDIOS
- My Star… – Steady As A Star 4:31 REMEDIOS
- Guitar Afternoon – Lazy Afternoons 2:31 REMEDIOS
- Secret Feelings – Tender 2:02 REMEDIOS
- Before It Gets Dark – While the Sun Sets 1:27 REMEDIOS
- I Left You – Did I Leave You 1:58 REMEDIOS
- Dynamic Sunset – Words I Heard in the Silent Dawn 1:40 REMEDIOS
- Lost Childhood – Wondering About 1:44 REMEDIOS
- Dear Love – My Sweet and Most Dearest Love 2:12 REMEDIOS
- Sounds Inside The House 1:53 REMEDIOS
- Still… – Follow you Still… 1:21 REMEDIOS
- On A Silent Afternoon – Childhood Marks On the Wall 2:03 REMEDIOS
- Going Crazy Over You – Going Crazy Over Her 3:19 REMEDIOS
- I Left You – I’m Here To Make You Cry 6:49 REMEDIOS
- Leaving The Ceremony 2:11 REMEDIOS
- Not As Friends – Can We Make It Not As Friends 5:40 REMEDIOS
- Last Train Home – Twinkle Train Take Us Home 2:47 REMEDIOS
- secret base – Kimi ga kureta mono (10 years after Ver.) 5:53 Meiko Homa, Naruko Anjo and Chiriko Tsurumi
- When It All Comes To An End 1:25 REMEDIOS
- Epilogue… From Time to Time 3:34 REMEDIOS
- Circle Game 4:43 Galileo Galilei
Also, include is a slipcover artbox illustrated by character designer Masayoshi Tanaka, a 20-page booklet, four memorial postcards and a double-sided Menma poster. Also, included is a Blu-ray and DVD version of the film.
Emotional, uplifting, tragic but also a film of hope, “anohana – The Flower We Saw That Day: The Movie” is an animated film that will captivate you!
Once in awhile, with a lot of action-driven anime films or films that are deep, hilarious and dramatic, once in awhile, you will run into a film that makes you laugh, makes you cry but most of all, makes you feel happy that you watched it because you enjoyed it so much.
“anohana” was an animated series that was one of the saddest anime series to come out in 2013 but one that made you watch because like all childhood friends, everyone drifts apart. But in the case of these friends, it was because one friend’s tragic death, everyone had went on their separate ways.
Some harboring guilt or feelings about their friend, Menma’s death that they have kept in their heart for so long.
And now as these young children have grown up to be young adults, they are brought together once again, because of their deceased friend. A friend who has shown up for some reason and only Jinta can see her.
The film is about child innocence but also holding on to emotions that were kept inside but never said. The film has a message of letting people know how much you care about them before it’s too late. And while most people don’t get the opportunity to tell that person how they truly feel, what if you were given that final chance.
I often think about films such as “Ghost” (the classic romantic drama with Patrick Swayze and Demi Moore), where the film’s protagonist is murdered and comes back as a ghost and needing to fix things in order to go back to heaven. With “anohana”, Menma is somewhat a ghost but one that can be seen by Jinta and also one that is unaware of why she was brought back and not knowing if she would disappear if she was able to make a wish come true. She doesn’t know.
Of course, Jinta seeing the deceased Menma is hard to believe for some individuals until Jinta shares details that only they and Menma knows about. And to see everyone coming together, but also having these unresolved feelings… it makes for a dramatic and emotional film.
“anohana – The Flower We Saw That Day: The Movie” is more or less an extension of the film. Like any animated film that tries to condense many episodes of story into one animated film, the fact is that you lose a lot of details, a lot of story and some key emotional moments that made the series so wonderful.
But what you do get is extra footage of the characters in the present time but also connecting the dots to the original series with new scenes that will no doubt make fans appreciative of the new scenes, no matter how heartbreaking or sad those scenes are. If anything, it was great to see how each individual handles Menma’s return but also dealing with these unresolved emotions they have kept inside.
As for the Blu-ray release of “anohana – The Flower We Saw That Day: The Movie”, the picture quality is vibrant, the character design is well done and the background art is fantastic! While the lossless soundtrack is more dialogue-driven with ambiance played through the surround channels.
While special features are not as many in this release, Aniplex makes up in swag. You get a 20-page booklet, a musical soundtrack, memorial postcards and a double-sided poster plus an illustrated slipcase.
Overall, “anohana – The Flower We Saw That Day: The Movie” is a film that manages to carry on the emotional storyline from the 11-episode TV series to an animated film. While an extension of the series, one who has not seen the film will easily laugh and cry by its storyline and possibly lead them into watching the entire series.
Emotional, uplifting, tragic but also a film of hope, “anohana – The Flower We Saw That Day: The Movie” is an animated film that will captivate you and a Blu-ray release that I highly recommend!
Jim Jarmusch’s “Only Lovers Left Alive” is a non-mainstream vampire film that is fantastic, wonderfully acted, smart and fresh! For those who have grown tired of the banal mainstream vampire film, “Only Lovers Left Alive” is highly recommended!
TITLE: Only Lovers Left Alive
TELEFILM RELEASE: 2013
DURATION: 123 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition (1:85:1 aspect ratio), English 5.1 DTS-HD Master Audio, English Audio Description Track 5.1 Dolby Digital, SUBTITLES: English, English SDH, French
COMPANY: Sony Pictures Classics
RATED: R (For Language and Brief Nudity)
Release Date: August 19, 2014
Written and Directed by Jim Jarmusch
Produced by Reinhard Brundig, Jeremy Thomas
Co-Producer: Carter Logan, Marco Mehlitz, Gian-Piero Ringel, Christine Strobl
Executive Producer: Christos V. Konstantakopoulos, Stacey E. Smith
Associate Producer: Viola Fugen, Alainee Kent, Richard Mansell
Music by Carter Logan, Jozef van Wissem
Cinematography by Yorick Le Saux
Edited by Affonso Goncalves
Casting by Ellen Lewis
Production designer: Marco Bittner Rosser
Art Direction by Anja Fromm, Anu Schwartz
Set Decoration by Christiane Krumwiede, Selina van den Brink
Costume Design by Bina Daigeler
Tilda Swinton as Eve
Tom Hiddleston as Adam
Anton Yelchin as Ian
Mia Wasikowska as Ava
John Hurt as Marlowe
Jeffrey Wright as Dr. Watson
Slimane Dazi as Bilal
The tale of two fragile and sensitive vampires, Adam (Tom Hiddleston) and Eve (Tilda Swinton), who have been lovers for centuries. Both are cultured intellectuals with an all-embracing passion for music, literature and science, who have evolved to a level where they no longer kill for sustenance, but still retain their innate wildness. Their love story has endured several centuries but their debauched idyll is threatened by the uninvited arrival of Eve’s carefree little sister Ava (Mia Wasikowska) who hasn’t yet learned to tame her wilder instincts. Driven by sensual photography, trance-like music, and droll humor, Jim Jarmusch’s ONLY LOVERS LEFT ALIVE is a meditation on art, science, and the mysteries of everlasting love.
Filmmaker Jim Jarmusch (“Ghost Dog: The Way of the Samurai”, “Broken Flowers”, “Down by Law”) returns with a British-German vampire film known as “Only Lovers Left Alive”.
A film that was nominated for the Palme d’Or at the 2013 Cannes Film Festival and received positive reviews from film critics, “Only Lovers Left Alive” will now be released on Blu-ray courtesy of Sony Pictures Classics.
“Only Lovers Left Alive” stars Tom Hiddleston as Adam, a vampire who has lived his long life helping many famous musicians and scientists but since then, has become a reclusive vampire (and a popular, working musician) that feels that humanity is doomed. And the only person he is in contact with is a rock-obsessed young ma named Ian (portrayed by Anton Yelchin).
Still living in the past and living in a neighborhood in Detroit, he survives on the blood given to him by Dr. Watson. But now, Adam has grown depressed and is contemplating suicide. He wants to shoot himself with a wooden bullet but when he gets a call from his wife Eve (portrayed by Tilda Swinton), Eve can tell how depressed Adam has been.
Living in Tangier and living through the blood from a vampire known as Christopher Marlowe (portrayed by John Hurt). Sensing his pain, Eve goes to Detroit to be with him and enjoy each other’s company.
But as the two share their time together, their peace and love is shattered by the arrival of Eve’s younger sister Ava (portrayed by Mia Wasikowska).
“Only Lovers Left Alive” is presented in 1080p High Definition (1:85:1 aspect ratio). Picture quality for the film is fantastic, despite being shot primarily outdoors.
AUDIO & SUBTITLES:
“Only Lovers Left Alive” is presented in English 5.1 DTS-HD MA and English – Audio Description Track 5.1 Dolby Digital. The lossless soundtrack is primarily dialogue driven.
Subttles are in English, English SDH and French.
“Only Lovers Left Alive” comes with the following special features:
- Traveling at Night with Jim Jarmusch- (49:18) A featurette on the making of “Only Lovers Left Alive”, behind-the-scenes making of the film.
- Yasmine Hamdan “Hal” Music Video – (4:48)
- Deleted and Extended Scenes - (26:18) Several deleted scenes from “Only Lovers Left Alive”.
- Theatrical Trailer – (2:19) The theatrical trailer for “Only Lovers Left Alive”.
You can leave it to filmmaker Jim Jarmusch to go the other direction of vampire film banality and create something unique and fresh.
The filmmaker is not trying to reinvent the way vampires are seen in film, nor is he trying to create a film that would satisfy teens or their mothers. “Only Lovers Left Alive” is a vampire film that was made for the cineaste who rather stay away from mainstream vampire films and want something very smart, yet entertaining.
The story of two old vampires that want to live as hip and stylish despite the drudgery of humanity, these vampires also have problems.
Quality blood is becoming hard to come by and when you lose your source of blood and have avoided killing humans for blood, what are you left to do?
But this film goes farther than the problems that vampires are facing but about a married vampire couple named Adam and Eve but living far from each other.
Adam is a musician living in Detroit who has lived many lifetimes but still loves taking part in making music with rare and expensive guitars. He depends on Ian to find him his musical instruments and complains of how humanity has become zombies and drives him crazy that people have moved towards digital (and watching music performers on YouTube).
Meanwhile, Eve lives in Tangier and depends on her aging handler Christopher Marlowe, a man who wrote Shakespeare’s plays and not thrilled that he never received credit for his work.
And these two vampires love the finer things in life. They live quite well, appreciate creativity and would not feast on humans because they don’t know where their blood has come from.
But as Adam has lived a long time, humanity has really made him depressed about the world and he wants to take his life. So, Eve leaves her home of Tangier to travel to Detroit and visit her husband.
In many ways, this is a fascinating drama because they are people who have lived through the best times of the world and see how humanity has changed so much to the point that they question the world and what has happened to humanity.
It’s a film that doesn’t try to be happy, nor does it try to be anything different. Real world problems affecting a vampire couple who lived a lifetime of creativity, meeting talented individuals and now seeing human decline. And for Adam, as a man who treasures music, seeing music today is severely bumming him out. It’s not a horror film, by no means is this a love film like “Twilight”.
If anything, the film is quite elegant and both Tilda Swinton and Tom Hiddlestone are fantastic. The production and costume design is gorgeous, the film is creative and fresh and once again, another magnificent film in the oeuvre of filmmaker Jim Jarmusch.
As for the Blu-ray release, picture quality is great but it doesn’t try to be vibrant, it’s a moody film, shot indoors primarily and the scenes are well-lit and artistic. The lossless soundtrack is primarily dialogue driven with scenes with music incorporated. And you get a few special features including a fascinating making of the film, so you can see how Jarmusch approached the film with his two talents.
Overall, Jim Jarmusch’s “Only Lovers Left Alive” is a non-mainstream vampire film that is fantastic, wonderfully acted, smart and fresh!
For those who have grown tired of the banal mainstream vampire film, “Only Lovers Left Alive” is highly recommended!
“We Won’t Grow Old Together” is an entertaining drama about two people who are don’t deserve to be a couple. Two people in a dysfunctional relationship but portrayed on film in a unique fashion by filmmaker Maurice Pialat. A captivating film full of blow-ups and reconciliation, “We Won’t Grow Old Together” is recommended!
TITLE: We Won’t Grow Old Together
FILM RELEASE: 1972
DURATION: 106 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition, 1:68:1 Aspect Ratio, French 2.0 DTS-HD MA, English Subtitles
COMPANY: Kino Lorber
RATED: Not Rated
Release Date: August 12, 2014
Written and Directed by Maurice Pialat
Based on the novel by Maurice Pialat
Produced by Maurice Pialat, Jean-Pierre Rassam
Associate Producer: Jacques Dorfmann
Cinematography by Luciano Tovoli
Edited by Bernard Dubois, Arlette Langmann
Marlene Jobert as Catherine
Jean Yanne as Jean
Christine Fabrega as Mere de Catherine
Patricia Pierangeli as Annie
Jacques Galland as Pere de Catherine
Maurice Risch as Michel
Harry-Max as Pere de Jean
Muse Dalbray as La grand-mere de Catherine
Macha Meril as Francoise
Maurice Pialat’s We Won’t Grow Old Together is the “ultimate bad break-up movie” (J. Hoberman), a combustible portrait of a couple whose love tears them apart. Pialat’s (À nos amours) second feature was a hit in France upon its release in 1972, won actor Jean Yanne Best Actor at the Cannes Film Festival, and screened at the New York Film Festival, but it never opened in the United States (and is here receiving its U.S. home video premiere). Jean (Jean Yanne, Weekend), a married 40-year-old filmmaker, and his young working class lover Catherine (Marlène Jobert, Masculin Féminin) engage in a circular series of spectacular blow-ups and tentative reunions, their mutual desire a fire that burns them again and again.
Before Maurice Pialat directed “To Our Loves”, “Under the Sun of Satan” and “Loulou”, there was his 1972 drama film titled “Nous ne Vieillirons pas ensemble” (We Won’t Grow Old Together).
Best known for its fascinating structure of going against traditional forms of filmmaking and not giving the audience any breathing room thanks to the film’s editing and lack of timeline, “We Won’t Grow Old Together” has always been one of Pialat’s fascinating films due to its portrayal of a dysfunctional couple, which was based on Pialat’s former relationship.
Wanting to create a film that showcased Maurice Pialat and his former flame Catherine’s life with one another through their breakup, Pialat would cast actress Marlene Jobert (“Masculin Feminin” “Rider on the Rain”,”Swashbuckler”) and actor Jeanne Yanne (“Week End”, “Le Boucher”, “Brotherhood of the Wolf”).
And now, We Won’t Grow Old Together” will be released on Blu-ray and DVD courtesy of Kino Lorber.
The film revolves around a married filmmaker named Jean (portrayed by Jean Yanne) who has had a relationship with another woman named Catherine (portrayed by Marlene Jobert). While the two love each other and have great sexual chemistry, Jean tends to mistreat Catherine quite often.
Having a hot temper, he often screams at her, slaps her, kicks her out of his home or hotel room. While Catherine has tried her best to put up with Jean and his temper, but despite loving him, she is slowly losing her love for him and doesn’t think she can be with him any longer due to how he has mistreated her.
But as these two have major blow-ups and reunite, how much longer can these two be with each other?
“We Won’t Grow Old Together” is presented in 1080p High Definition (1:66:1 aspect ratio). While the film is made in 1972 and does show it’s age, the film does look very good as there is no major damage. There is a good amount of grain, good detail for closeups and for the most part, the film looks fantastic (not pristine) in HD, as there is now white specks or damage for the entire film.
AUDIO & SUBTITLES:
“We Won’t Grow Old Together” is presented in French 2.0 DTS-HD MA. Dialogue is clear and understandable, while English subtitles are easy to read. I didn’t notice any hiss or any problematic audio during my viewing of the film.
“We Won’t Grow Old Together” comes with the following special features:
- Video Appreciation – (3:46) Alex Ross Perry’s audio overview of the film.
- Interview – (19:58) An insightful interview with Marlene Jobert about the film and how it mirrors the actual events in Maurice Pialat’s life.
- Theatrical Trailer – (3:54)
A four-page insert about the film by New York-based writer and film programmer Nick Pinkerton.
“We Won’t Grow Old Together” is a fascinating drama that will captivate you entirely due to its unpredictable, dysfunctional couple.
Based on the life of Maurice Pialat and his former girlfriend named Catherine, the film documents an intense relationship that was rife with arguments, violent blow-ups followed by constant reunions between the couple.
While actor Jeanne Yanne had to play an unlikeable protagonist who is seen beating his girlfriend, yet often visiting his wife that truly loves him but yet Jean never divorces her, you can’t help but think about how problematic the relationship truly is.
Catherine loves Jean, waits to see if their relationship will get any better but slowly starts to realize with each blow-up, with each reunion, that perhaps they were never meant to be.
Marlene Jobert as the beautiful Catherine is no doubt captivating in this film. Much younger than Jean, her ranging emotions from sadness to happiness, love to whatever emotion she is feeling, you can’t help but wonder why she has stayed with Jean, the ultimate jerk that does not know how to treat her any better.
Part of you is stuck watching because you can’t help but watch this dysfunction relationship get worse and want to see Catherine end it and how she will end it. And quite often, you are wondering how many chances she can give to Jean as the two often get into big fights and later reunite.
There is no film like it. While there are films that are about a breakup, “We Won’t Grow Old Together” holds up quite well in 2014 because these people or types of couple exist. No matter the hardship brought towards an individual, somehow one in the relationship is unable to let go.
As for the Blu-ray release, the picture quality looks good for a 1972 film. The film doesn’t look too aged, but due to the clothing of the time, the film does slightly look its age but yet retains its color, the grain of the film and detail is evident in character close-ups.
As for special features, you get an insightful overview by Alex Ross Perry but also a fascinating interview with Marlene Jobert about the film and how it relates to Maurice Pialat’s own personal life.
“We Won’t Grow Old Together” is an entertaining drama about two people who are don’t deserve to be a couple. Two people in a dysfunctional relationship but portrayed on film in a unique fashion by filmmaker Maurice Pialat. A captivating film full of blow-ups and reconciliation, “We Won’t Grow Old Together” is recommended!
“The Amazing Spider-Man 2″ is an action-packed popcorn film. Where it stumbles on character development and potentially a much deeper plot, the film does deliver in action and visual effects. The film does look and sound magnificent in HD and definitely one of the better looking and sounding Blu-ray releases of 2014! If you are a big fan of the “Spider-Man” films, “The Amazing Spider-Man 2″ is recommended!
Image courtesy of © 2014 Columbia Pictures Industries, Inc. and LSC Film Corporation. All Rights Reserved. Marvel, Spider-Man and all related character names and their distinctive likenesses: ™ & © 2014 Marvel Entertainment, LLC and its subsidiaries. All Rights Reserved.
TITLE: The Amazing Spider-Man 2
YEAR OF FILM: 2014
DURATION: 141 Minutes
BLU-RAY DISC INFORMATION: 1080p High Definition, 2:401 Aspect Ratio, English and French 5.1 DTS-HD MA, Spanish and English – Audio Description Track 5.1 Dolby Digital, Subtitles: English, English SDH, French and Spanish
COMPANY: Sony Pictures Home Entertainment
RELEASE DATE: August 19, 2014
Directed by Marc Webb
Screenplay by Alex Kurtzman, Roberto Orci, Jeff Pinkner
Screenstory by Alex Kurtzman, Roberto Orci, Jeff Pinkner, James Vanderbilt
Based on the comic book by Stan Lee and Steve Ditko
Produced by Avi Adrad, Matthew Tolmach
Executive Producer: Alex Kurtzman, Stan Lee, Roberto Orci, E. Bennett Walsh
Associate Producer: Beatriz Sequeira
Music by Johnny Marr, Pharrell Williams, Hans Zimmer
Cinematography by Daniel Mindel
Edited by Pietro Scalia
Casting by Kathleen Chopin
Production Design by Mark Friedberg
Art Direction by Kim Jennings, Richard L. Johnson
Set Decoration by Susan Bode
Costume Design by Deborah Lynn Scott
Andrew Garfield as Spider-Man/Peter Parker
Emma Stone as Gwen Stacy
Jamie Foxx as Electro/Max Dillon
Dane DeHaan as Green Goblin/Harry Osborn
Colm Feore as Donald Menken
Felicity Jones as Felicia
Paul Giamatti as Aleksei Sytsevich
Sally Field as Aunt May
Embeth Davidtz as Mary Parker
Campbell Scott as Richard Parker
It’s great to be Spider-Man (Andrew Garfield). For Peter Parker, there’s no feeling quite like swinging between skyscrapers, embracing being the hero, and spending time with Gwen (Emma Stone). But being Spider-Man comes at a price: only Spider-Man can protect his fellow New Yorkers from the formidable villains that threaten the city. With the emergence of Electro (Jamie Foxx), Peter must confront a foe far more powerful than himself. And as his old friend, Harry Osborn (Dane DeHaan), returns, Peter comes to realize that all of his enemies have one thing in common: Oscorp.
With the first film in the Spider-Man reboot, “Amazing Spider-Man” and it’s dominating the box office with over $757 million earned, there was no doubt that a second film would be made.
Featuring the return of filmmaker Marc Webb (“(500) Days of Summer”, “The Amazing Spider-Man”) and the return of Andrew Garfield (“The Social Network”, “The Imaginarium of Doctor Parnassus”), Emma Stone (“The Help”, “Easy A”, “Zombieland”) and Sally Field (“Mrs. Doubtfire”, “Lincoln”, “Forrest Gump”), the sequel would continue the casting of star talent.
“The Amazing Spider-Man 2″ would star Jamie Foxx (“Django Unchained”, “Ray”, “Collateral”), Dane DeHaan (“Chronicle”, “Lincoln”), Colm Feore (“Thor”, “Face/Off”), Felicity Jones (“Like Crazy”, “The Tempest”, “The Invisible Woman”) and Paul Giamatti (“Sideways”, “Saving Private Ryan”, “The Illusionist”).
And similar to the first film, “The Amazing Spider-Man 2″ would earn over $708 million in the box office, thus ensuring a third film and also an expected success when released on 3D Blu-ray, Blu-ray and DVD in August 2014.
“The Amazing Spider-Man 2″ continues the storyline of Peter Parker, who is also the masked hero known as Spider-Man. The second film does incorporate Peter’s search for his parents as seen from the first film:
“The Amazing Spider-Man” begins with a four-year old Peter Parker, looking for his dad in his office. But suddenly his father and mother are seen gathering their belongs, and his father, a scientist, gathering his work and taking young Peter to stay with his uncle Ben (portrayed by Martin Sheen) and Aunt May (portrayed by Sally Fields).
His parents leave with no explanation of where they are going.
Fast forward over a decade later and Peter Parker is a talented photographer and a smart student who excels in science. But he’s not an athlete and is constantly bullied by jock, Flash Thompson (portrayed by Chris Zylka) and not popular with the girls at school either.
But one student recognizes his intelligence and compassion, Gwen Stacy (portrayed by Emma Stone), a girl that Peter Parker likes.
While living with his uncle and aunt, Peter accidentally finds a hidden bag in the house containing information left behind by his father, including a photo of his father with another scientist. Dr. Curt Connors. But unfortunately, not much is known of why Richard and Mary Parker left. But being the curious teen who wants to know what really happened to his parents, Parker’s investigation leads him to Oscorp Industries. where Dr. Curt Connors works and interesting enough, where Gwen Stacy works as an assistant.
He amazes Dr. Connors on his knowledge but is unable to talk to him and we learn that Dr. Connors is being pressured by Dr. Ratha to complete a serum that will cure a terminally ill Norman Osborn, the head of Oscorp Industries. But for Dr. Connors, he is more interested in regenerating his right arm, which he lost long ago.
As for Peter, Peter goes into a lab, where genetically modified spiders are kept. One of the spiders ends up escaping and crawling on Peter Parker and bites him on the neck. Not feeling well, Peter Parker starts to learn that he has the ability to stick to things, has superhuman speed, strength and a heightened sense of danger.
With “The Amazing Spider-Man 2″, the film begins with Richard and Mary Parker abandoning Peter at a young age and leaving him with his Aunt May. Richard Parker explains to his wife that their lives are over and to protect their son, they will need to be on the run. Richard manages to record one final recording before both leave on flight. But as Richard is uploading data, a gunman comes and a fight ensues on the plane in which Mary Parker is shot, while the data is uploaded.
Fastforward and we see a confident Peter Parker as Spider-Man tracking down a group of criminals who stole chemicals from OsCorp Industries and late for his graduation. While tracking these criminals, he still sees the face of Gwen’s deceased father, who gives Peter a look (reminding Peter of the promise they made that Peter would not allow Gwen to get into any danger and he would stay away from her).
As both Peter Parker and Gwen Stacy celebrate their graduation, the burden of having seen Gwen’s deceased father everywhere he goes, is starting to take his toll on Peter who wants to keep his father’s promise and both Peter and Gwen break up.
At OsCorp, Peter Parker’s childhood friend Harry Osborn (portrayed by Dane DeHaan) finds out that his father Norman is dying of a disease which he tried experimenting with different chemicals to keep himself alive to no avail. With Harry having the same type of disease, Harry learns that he is going to die and hopes he can find a way to keep himself alive as the inheritor of OsCorp.
As Peter meets with Harry to discuss the past, Harry tells Peter that he needs his help to find Spider-Man (as Peter is known for getting photos of the web crawler) and needs his blood to experiment and see if it can save him.
Meanwhile, Max Dillon (portrayed by Jamie Foxx) is an electrical engineer who works for OsCorp and gets no respect. An obsessed fan of Spider-Man, Max is forced to fix a problem in which he falls into a tube of electrical eels which have their way with Max.
Thought as dead, Max manages to escape from OsCorp (who are trying to do studies on him) and learns firsthand that he has inherited great electrical power and can absorb and use that power to be someone important. But when Max’s paranoia kicks in and thinks Spider-Man is trying to ruin him, and becomes a threat to anyone who goes against him.
As Peter follows Gwen, he starts to learn that he loves her so much, that he can’t stop himself from being away from her. But will being with her, put her in the path of danger?
“The Amazing Spider-Man 2″ is presented in 1080p High Definition (2:40:1 aspect ratio). The sequel is mastered in 4K and the picture quality for this film is amazing. Closeups are full of detail, Spider-Man’s costume is fully detailed and colors are vibrant, skin tones look natural and black levels are nice and deep. If anything, one will notice how detailed this film looks on HD, this is reference quality and Blu-ray videophiles will no doubt feel that this is one of the better looking action films on Blu-ray of the year!
AUDIO & SUBTITLES:
As for audio, “The Amazing Spider-Man 2″ is presented in English 5.1 DTS-HD MA and sounds fantastic. The soundtrack is immersive as the film is full of action from beginning to end, but also music plays a big part in directional sound as well as the ambiance of New York City.
There is no doubt that “The Amazing Spider-Man 2″ is one of the best sounding action films on Blu-ray for 2014 and audiophiles will no doubt be proud of how fantastic the lossless soundtrack is with its use of crystal clear dialogue, music and sound effects.
“The Amazing Spider-Man 2″ comes with the following special features:
- Audio Commentary - Featuring an audio commentary with writer Alex Kurtzman and Jeff Pinkner along with producers Matt Tolmach and Avi Arad.
- Deleted and Alternate Scenes – (23:01) Featuring 13 deleted and alternate scenes with optional commentary with Director Marc Webb.
- The Wages of Heroism: Making the Amazing Spider-Man 2 – (1:43:42) featuring almost two hours of special features that goes into the making of the film, the development, direction, shooting in New York, the villains introduced, costume design, visual effects, music and more.
- The Music of Amazing Spider-Man 2 with Director Marc Webb – (8:09) Marc Webb discusses how he wanted music to be utilized for the film and Hans Zimmer discusses working on the film and series.
- Music Video – (3:49) Featuring “It’s On Again” by Alicia Keys.
“The Amazing Spider-Man” comes with a slipcover, Blu-ray and DVD version of the film plus an UltraViolet code to watch your films on your PC, laptop, tablet or cell phone.
As a long time fan of Spider-Man, let alone a collector of the comic books, there is no doubt a difference between the first trilogy of films and “The Amazing Spider-Man” films.
The good news is that the humor of Peter Parker is kept in-tact, the wisecracks are there, the boy scout Peter Parker that he has towards the children or unfortunate is seen in this film. But of course, the biggest difference is the better use of action, special effects and integration of the villains for this series.
And as most comic book fans should know by now, what you read in the comics, are always going to change in the movie adaptations.
And this is where “The Amazing Spider-Man 2″ tends to stray far from the comic books is that the whole history of Electro and the character itself has changed significantly in the movies. Aside from the fact that the original character was Caucasian, I feel that the character of Max was more of a man with a mental issue and having been shunned for years, he has became a powerful villain and wanting more energy and power.
I felt the character looked too much like an alien species and devoid of anything cool that the comics had him to be. Sure, the special effects were fantastic but the character could have been developed more, instead of focusing on how music could be integrated with the character of Electro.
The other caveat with this sequel is too much storyline being forced into the film. There was no doubt the goal was to make “The Amazing Spider-Man” into an action film, but there is so much action that the plot suffers as the characters suffer from the overall plot.
After Peter Parker is seen with Gwen Stacy at graduation, hours later, he is an emotional wreck. After tragedy, once again, there is too much story in trying to incorporate into the film and parts of the film’s plot felt rushed.
With that being said, despite its rushed storyline and underdeveloped characters, both Andrew Garfield and Emma Stone do shine as Peter Parker and Gwen Stacy. If anything, Emma Stone does a fantastic job playing the girlfriend who is in love with Peter and would do anything for him. And if it wasn’t for their storyline, she brought a more humanistic feel to the film as the relationship bond between the two is there, but not so much when it comes to the film’s villains.
As for the Blu-ray release, “The Amazing Spider-Man 2″ is a reference quality Blu-ray disc as picture quality and lossless audio are both phenomenal. There is also a good amount of special features included, especially features on the making of the film that are fascinating to watch.
It’s important to note that if you want the 3D version of “The Amazing Spider-Man 2″, you will need to purchase that version of the film on Blu-ray. The normal version on Blu-ray includes a DVD.
Overall, “The Amazing Spider-Man 2″ is an action-packed popcorn film. Where it stumbles on character development and potentially a much deeper plot, the film does deliver in action and visual effects. The film does look and sound magnificent in HD and definitely one of the better looking and sounding Blu-ray releases of 2014!
If you are a big fan of the “Spider-Man” films, “The Amazing Spider-Man 2″ is recommended!
The films included in this special set is one of the best releases I have seen from the Criterion Collection. For its films and all the bonus content that comes with each Blu-ray release featured in “The Essential Jacques Demy” Blu-ray and DVD collection, this box set is essential and it is simply magnificent. “The Essential Jacques Demy” Blu-ray and DVD set is a must-own for all cineastes. Highly recommended!
Image courtesy of © 2014 The Criterion Collection. All Rights Reserved.
TITLE: The Essential Jacques Demy” Blu-ray + DVD Box Set – The Criterion Collection #714-719
YEAR OF FILM: “Lola” (1961), “Bay of Angels” (1963), “The Umbrellas of Cherbourg” (1964), “The Young Girls of Rochefort” (1967), “Donkey Skin” (1970) and “Une Chambre En Ville” (1982)
DURATION: “Lola” (88 Minutes), “Bay of Angels” (84 Minutes), “The Umbrellas of Cherbourg” (92 Minutes), “The Young Girls of Rochefort” (126 Minutes), “Donkey Skin” (90 Minutes) and “Une Chambre En Ville” (93 Minutes)
BLU-RAY DISC INFORMATION: 1080p High Definition, Color, French DTS-HD MA 5.1 or DTS 2.0 DTS-HD MA or LPCM 1.0 Monaural with English Subtitles
COMPANY: THE CRITERION COLLECTION
RELEASE DATE: July 22, 2014
French director Jacques Demy didn’t just make movies—he created an entire cinematic world. Demy launched his glorious feature filmmaking career in the sixties, a decade of astonishing invention in his national cinema. He stood out from the crowd of his fellow New Wavers, however, by filtering his self-conscious formalism through deeply emotional storytelling. Fate and coincidence, doomed love, and storybook romance surface throughout his films, many of which are further united by the intersecting lives of characters who appear or are referenced across titles. The works collected here—made from the sixties to the eighties and ranging from musical to melodrama to fantasia—are triumphs of visual and sound design, camera work, and music, and they are galvanized by the great stars of French cinema at their centers, including Anouk Aimée, Catherine Deneuve, and Jeanne Moreau.
When it comes to French cinema, Jacques Demy is looked at as a pioneer. As many filmmakers through the ’60s were heavy into creating films as part of the Nouvelle Vague, Jacques Demy was forging his career path of not following the same route as his fellow filmmakers but doing what he felt was right for him. And for Demy, it was bringing some of that classic Hollywood musical bravado to France but creating a film his way, his style but yet showing his nod to Hollywood musicals but also the French New Wave.
While Jacques Demy is known for his musicals, he also created films with fascinating characters and strong storytelling. And to celebrate the 25th year anniversary since his death, what better than to release the films he is best known for as a collection.
With his wife, filmmaker Agnes Varda and many cinema companies wanting to restore Jacques Demy’s works, included in the Criterion Collection’s “The Essential Jacques Demy” Blu-ray and DVD box set which will include the following films (please click on the film’s title to access our review):
“The Essential Jacques Demy” comes with slipcase to hold all six films and includes a 70-page book featuring the following essays: “Demy’s Paradise Found” by Ginette Vincendeau, “Walking on Sand” by Terrence Rafftery, “A Finite Forever” by Jim Ridley, “Not the Same Old Song and Dance” by Jonathan Rosenbaum, “Demy’s Fairy-Tale Worlds” by Anne E. Duggan, “Love and Death” by Geoff Andrew” and “Jacques Demy and Nantes: The Roots of Enchantment” by Jean-Pierre Barthome.
While there are notable names from the French New Wave, may it be Jean-Luc Godard, Alan Resnais, Francois Truffaut, Eric Rohmer, Claude Chabrol, to name a few. Filmmaker Jacques Demy has established himself differently from the other filmmakers by creating films that are musicals, inspired by fairytales or the golden age of Hollywood.
Married to another filmmaker from the French New Wave, Agnes Varda, both have established their careers in cinema and for Demy, best known for his musicals such as “Les Parapluies de Cherbourg (The Umbrellas of Cherbourg)”, “Les Demoiselles de Rochefort (The Young Girls of Rochefort), “Peau d Ane (Donkey Skin)”, to name a few.
But for every filmmaker, there is a beginning and for Jacques Demy, his beginning in cinema was his first feature film titled “Lola”. One of the films to be included in “The Essential Jacques Demy” on Blu-ray and DVD courtesy of the Criterion Collection.
For anyone who has followed Jacques Demy’s oeuvre, let alone the films included in the Criterion Collection’s “The Essential Jacques Demy”, will see how “Lola” is possibly one of his greatest works that people had forgotten about.
Because Jacques Demy has been identified for his work in the French New Wave and how his musical work would be known for its music and vibrant colors, “Lola” was the film that wasn’t a film that people would identify with Demy.
A film about several individuals with a storyline tied together, “Lola” is a film that represents Demy’s childhood in Nantes, France. The bustling city that would eventually become France’s sixth largest city, was a much different city back then.
At the time the film was shot, Nantes was shown as a city yet in the rebuilding phase after World War II.
But unlike a film of Italian Neorealism, “Lola” is not about the seedy areas of France. What we see are normal working people or people doing all they can to survive and raise a family.
With our main characters, Roland Cassard (portrayed by Jacques Demy) is a young man trying to find himself. Wanting to find work, wanting to be a better man and wanting one woman in his life…Cecile/Lola (portrayed by Anouk Aimee).
While the character of Roland Cassard is your “everyman” or at least a man that wants to make something of himself, what is most interesting is where we would find the character of Roland Cassard years later, as the character once again appears in a Jacques Demy film, the 1964 French musical, “The Umbrellas of Cherbourg”. Having watched the musical first and somewhat despising the character of Cassard for interfering with young love, after watching “Lola”, I felt that those feelings I had towards Cassard has since dissipated.
I learned of how Cassard is literally a representation of the many guys who dream of dating a beautiful girlfriend at a younger age and wonder if that same man fared much better many years later.
And while Cassard represents the “everyman”, the character of Cecile/Lola, is a representation of the woman you really like but has no interest in being with you. The ultimate beauty that you peel away many layers and realize that she was unattainable.
In the film, Cecile or Lola, as the prostitute that an American sailor named Frankie (portrayed by Alan Scott) has had sex with but knows he will get nothing from their relationship. As Cecile, she is the teenage girl that Roland has always loved, but as adults, she doesn’t feel the same way because her heart belongs to one man, Michel. A man who has disappeared and has not seen his wife or son, but yet Cecile holds out hope that she will be reunited with him someday.
The film tries to have a little breather and fun with the addition of the Desonyers, a family who looks wealthy and consists of a mother (portrayed by Elina Labourdette) and her young teen daughter Cecile (portrayed by Annie Duperoux). For both Frankie and even Roland, there is something about this young teen that reminds them of Cecile/Lola. Perhaps her young act of defiance to her mother despite her wise but yet spunky behavior or the fact that this well-mannered girl may not be what she seems.
The film also features actress Corinne Marchand, best known for her role on Agnes Vardas “Cleo from 5 to 7″ as Daisy, one of Lola’s co-workers.
But “Lola” is a film is more than just its characters, story and location shots. The film features the gorgeous cinematography by Raoul Coutard (“Jules et Jim”, “Breathless”, “Band of Outsiders”, “Pierrot le Fou”, “Z”) and last, the restoration and remastering of “Lola” is fantastic. Agnes Varda and crew should be commended for seeking out surviving elements of this film and restoring it for a new generation of cineastes who have discovered Jacques Demy’s work.
By 1963, actress Jean Moreau had become a popular star in France.
From her role in “Elevator to the Gallows” (1958), “La Notte” (1961) and “Jules et Jim” (1962), Moreau had become an actress in demand but also an actress who chose her films very carefully. Primarily, choosing films with directors that she wanted to work with.
And after watching Jacques Demy’s “Lola” in 1961, Moreau knew she wanted to work with the filmmaker for his second film, “La Baie des Anges (Bay of Angels)”.
Can their be a love story amongst gambling addicts?
As hokey it may sound, fortunately Jacques Demy’s romantic drama “Bay of Angels” is a non-banal film about two gambling addicts, one who lives for the thrill of risking it all and another who falls for the addict and wants to save her, but can he?
While “Bay of Angels” is remembered as one of Demy’s more sombering works but for me, the film was literally held on the shoulders of actress Jean Moreau.
Hot after the release of “Jules and Jim”, Jeanne Moreau was the French starlet that many filmmakers had wanted for her to be in their film. But being the creative actress that she was, it was important for her to work with the people of her choosing. And for her, it’s the director that was more important than the actual story.
In 1963, Jeanne Moreau decided that the filmmaker she wanted to work for was Jacques Demy because of his work on “Lola”.
Foregoing her darker hair for a platinum blonde look, Moreau’s transformation to the sexy Jacqueline “Jackie” Demaistre in a role that is rather fascinating in a Marilyn Monroe-esque type of way but also found enjoyable because of Moreau’s transformation to this gambling addict.
It’s very rare to see Moreau play such a role, but to see her play a divorced mother who has chosen to leave her husband and child in order to gamble, let alone mess with a guy she just met. This was rather bold for 1963.
But Jacques Demy was able to craft a film that utilized the actress very well and while Claude Mann was a young actor that was right for the role, it was Moreau who embodied the role and made you want to see how far her character will push the character of Jean Fourier to go from his clean cut boyish style to becoming a man that is more demanding.
While the film is primarily shot around a casino and hotel, the interactive banter between the characters was rather interesting. Almost like a tug-of-war that seemed as if one side is tipped and until we get a conclusion that works. And a conclusion that was more pleasant, compared to Demy’s first film “Lola”.
Considered as Jacques Demy’s masterpiece, the 1964 musical “The Umbrellas of Cherbourg” receives the HD treatment for its 2014 Blu-ray release from the Criterion Collection as part of “The Essential Jacques Demy” Blu-ray and DVD box set.
The winner of the Palme d’Or at the 1964 Cannes Film Festival and nominated for an Academy Award for “Best Foreign Language Films” in 1965 and four more Academy Awards at the 1965 Academy Awards, “The Umbrella of Cherbourg” received critical acclaim worldwide.
A beloved musical by man, this 2014 Criterion Collection Blu-ray release features the new restoration that was created in order to celebrate the 50th anniversary of the original release which captures Demy’s vision of a vibrant and colorful Cherbourg but also a high quality restoration of the original 4-track stereo sound masters to digital by original composer Michel Legrand.
I have watched many fantastic musicals in my lifetime. And when it comes to musicals and when it comes to romantic films in general, “The Umbrellas of Cherbourg” is one of the greatest romantic films and one of the great musical films created in all time.
“The Umbrellas of Cherbourg” is Jacques Demy’s most noticeable work in his oeuvre but it’s also his masterpiece that anyone who has watched it, the majority will agree about how fantastic this film is.
There was no doubt that Jacques Demy was inspired by “West Side Story” and Gene Kelly films but this is the film he wanted to make. Colorful, vibrant, a musical with wonderful music but a storyline that would make audiences cry. Originally, he wanted “Lola” to be a vibrant and colorful musical but it all worked out because the chemistry between Catherine Deneuve and Nino Castelnuovo was magnificent.
The return of the character Roland Cassard from “Lola” was unexpected for audiences at the time but developed that connection to Demy’s first film and in someways, giving closure to the storyline of “Lola” in regards to Cassard’s character and how he evolved in “The Umbrellas of Cherbourg”.
But the overall storyline of the strongest of love or no matter how much people are in love, things always change. Some for the good and some for the bad but until that love is challenged, how long can one stay in love if separated.
What I love about the film is its structure and how it flows from upbeat but suddenly serious and that is what makes this film so original. Jacques Demy is able to tell a story that flows perfectly and we see these characters evolve and its final scenes are heart-wrenching but yet you know in your heart that it’s right.
Everything about this film is right. From its use of color, its use of set design and costume design. It’s a vibrant film with a wonderful and memorable musical score from Michel Legrand that I absolutely love listening to.
With the success of his musical “The Umbrellas of Cherbourg”, Jacques Demy wanted to go much larger, grander and create a French musical like what Hollywood has produced with music and choreography and most importantly, bringing one of his favorite American musical talents for his latest film, Gene Kelly.
Collaborating with composer Michel Legrand, “The Young Girls of Rochefort” would reunite Jacques Demy with Catherine Deneuve, her sister Francoise Dorleac, Jacques Perrin, Michel Piccoli, Danielle Darrieux, George Chakiris and Grover Dale.
While the story is about everyone wanting to find their ideal love and similar to “The Umbrellas of Cherbourg” in which the songs act like conversation with another character, “The Young Girls of Rochefort” is definitely much grander in spectacle, thanks to its many musical numbers and exciting choreography from its cast and extras.
But while an enjoyable film, what made “The Umbrellas of Cherbourg” so captivating was its storyline of love lost and the drama that grew as the movie continued. With “The Young Girls of Rochefort”, there really is no major dramatic element but many characters telling stories. And when they are not telling stories, they are singing and dancing.
While not as great as “The Umbrellas of Cherbourg”, “The Young Girls of Rochefort” is a different kind of musical that focuses on the beauty of Rochefort, the use of strong colors, music and choreography. And this should entertain musical fans, especially with Gene Kelly starring in the film and hearing him sing in French and lending a credibility of having a top American musical star in the musical.
As Jacques Demy has achieved success with his musicals “The Umbrellas of Cherbourg” and “The Young Girls of Rochefort”, the filmmaker went on to create his first English-language film in 1969 titled “Model Shop” (which reprised the role of Lola starring Anouk Aimee).
But as the ’70s began, Demy has always wanted to create a children’s film and inspired by the fairy tales of Charles Perrault, Demy wanted to adapt “Peau d’ Ane” (Donkey Skin).
“Donkey Skin” is a fascinating film because it is Demy’s foret in to creating films for families, films that children can enjoy. But also accomplishing his goal of adapting a Charles Perrault fairy tale for the big screen.
Once again, Catherine Deneuve is absolutely ravishing as the princess, but also interesting to see her don the donkey skin and seen as the outcast of the kingdom.
But what I found really fascinating is the storyline about a princess’ refusal to take part in an incestuous relationship.
While stories of incestuous relationships were common from Greek mythology (Zeus and Hera) and royal intermarriage have been well-documented, it was interesting to watch a film and see the princess doing all she can to get out of it.
Of course, the film has the feel of “Cinderella” but I loved the fairy tale touch when it came to set design and costume design as well. From the servants of the Blue Kingdom painted in blue, or the Red Kingdom as servants are painted in red, along with their horses. But also to see interesting symbolism displayed in the film in which a dream sequence of the Prince has a song about partaking in something naughty, while in the background, you see a statue of a devil. There are moments of fascinating symbolism, so I found that very interesting to see throughout the film.
While the music of Michel Legrand is good, it’s not as strong as the music in “The Umbrellas of Cherbourg” or “The Young Girls of Rochefort” but Catherine Deneuve manages to make these songs which could have been forgettable to be much more interesting, playful and fun.
With the success that Jacques Demy achieved in his lifetime, by the early ’80s, there was a return to the past for the filmmaker, especially for his 1982 film “Une Chambre en Ville”.
“Une Chambre en Ville” is the final film featured in the Criterion Collection’s “The Essential Jacques Demy” Blu-ray and a fitting musical to be featured in the set because of Demy’s return to Nantes, France and the return to a musical style in which conversations are all sung.
But where “The Umbrellas of Cherbourg” was a film in which Demy set out to make audiences cry, for “Une Chambre en Ville” was about the tragedy of the workers’ strike of 1955.
In reality, the strike of 1955 in Nantes, Saint-Nazaire was the workers fighting against union bureaucrats, demonstrating in streets, occupying buildings and because the workers were fighting collectively for a pay raise without any true leader, the strike led to violence and a war between workers vs. bureaucrats. Workers occupied factories, bosses called in the CRS and the workers fought against the CRS.
The film is no doubt dark and tragic. Capturing a collective strike on the street of Nantes as hundreds of workers taking on the CRS (Compagnies Republicaines de securite), to see such a strike/riot converted to a musical is mesmerizing and unthinkable, but yet Jacques Demy was able to pull it off.
While many fans of Demy films will gravitate to his more vibrant musicals, “Une Chambre en Ville” does feature a different approach by Demy and the final ten minutes of the film are memorable.
And as these six films and its special features make up a perfect release for “The Essential Jacques Demy”, one can only hope there is a volume two.
I would love to see the 1969 film “Model Shop” (which features the return of the character Lola from the film “Lola”), his 1979 film “Lady Oscar” based on the Japanese manga “The Rose of Versailles”, his 1980 film “Break of Day” and his 1985 fantasy and musical film “Parking”.
Overall, the films included in this special set is one of the best releases I have seen from the Criterion Collection. For its films and all the bonus content that comes with each Blu-ray release featured in “The Essential Jacques Demy” Blu-ray and DVD collection, this box set is essential and it is simply magnificent.
“The Essential Jacques Demy” Blu-ray and DVD set is a must-own for all cineastes. Highly recommended!