The Sheik (a J!-ENT Blu-ray Disc Review)

May 21, 2017 by · Leave a Comment 

“The Sheik” is a film that no doubt made Valentino popular despite the fact that in reality, he didn’t care for the film, nor being a Sheik. But it did cement him as Hollywood’s first sex symbol and those details may overshadow the actual film, “The Sheik” is still quite entertaining after all these years. And one should at least watch this film before watching “The Son of the Sheik”. Recommended!

Images courtesy of © 1921 BY AMOUS PLAYERS AND LASKY CORP. All Rights Reserved.

TITLE: The Sheik


DURATION: 75 Minutes

BLU-RAY INFORMATION: 1080p, Color tinted, DTS-Master Audio 2.0

COMPANY: Kino Lorber

RATED: Not Rated

RELEASE DATE: May 30, 2017

Based on the Novel by Edith Maude Hull

Directed by George Melford

Adaptation by Monte M. Katterjohn

Music Composed and Performed by Ben Model

Cinematography by William Marshall


Rudolph Valentino as The Sheik, Ahmed Ben Hassan

Agnes Ayres as Lady Diana Mayo

Ruth Miller as Zilah

George Waggner as Yousaef, Tribal Chieftain

Frank Butler as Sir Aubrey Mayo

Charles Brinley as Mustapha Ali, Diana’s Guide

Lucien Littlefield as Gaston

Adolphe Menjou as Dr. Raoul de St. Hubert

Walter Long as Omair, the Bandit

Hollywood’s first male sex symbol, Rudolph Valentino, appears in his most iconic roles in The Sheik (1921). Agnes Ayres stars as Lady Diana Mayo, a headstrong Western woman who infiltrates the private party of the handsome Sheik Ahmed Ben Hassan (Valentino). When the Sheik later encounters Diana in the desert, he abducts her and takes her to his sumptuous lair. Unable to resist the Sheik’s cruel magnetism, Diana’s defiant nature crumbles and she begins to develop affectionate feelings for her captor. The Sheik plays upon a long tradition of Orientalism in Western art, which romanticized the sands of Northern Africa as a hotbed or seduction and captivity. Theatrical organ score by Ben Model.

“The Sheik”, it was the film that launched Hollywood’s first male sex symbol, Rudolph Valentino.

A man who made women swoon and angered many men due to being different from the typical male actors of his time, as Valentino was seen as a man who was very much into high fashion, slicking back his hair and was considered by the American male populace as being effeminate.

Needless to say, while Valentino was very much a different looking man in Hollywood courtesy of his Italian father and French mother and raised with a European influence.

And with the success of the 1921 film, “The Four Horseman of the Apocalypse”, earning $1,000,000 at the box office and Valentino’s looks, it would ear lead to Valentino working with Famous Players-Lasky (which would become Paramount Pictures) and Jessy Lasky wanting to capitalize on Valentino’s looks, cast him for “The Sheik” as the film’s protagonist Sheik Ahmed Ben Hassan.

The film is based on the bestselling romance novel by Edith Maude Hull and the adaptation was directed by George Melford and the adaptation written by Monte M. Katterjohn.

“The Sheik” starred Valentino along with Agnes Ayres (“Forbidden Fruit”, “Eve’s Love Letters”), Ruth Miller (“The King of Kings”, “The Affairs of Anatol”), George Waggner (who would later become a director of films such as “The Wolf Man”, “77 Sunset Strip”, “Operation Pacific”), Frank Butler (who would go on to write films such as “Going My Way”, “Road to Morocco”, “Road to Bali”, Babes in Toyland”), Charles Brinley (“Moran of the Lady Letty”, “In the Days of Daniel Boone”), Lucien Littlefield (“Sons of the Desert”, “The Little Foxes”), Adolphe Menjou (“Paths of Glory”, “A Star is Born”, “A Farewell to Arms”) and Walter Long (“The Birth of a Nation”, “Intolerance”).

And now the film will be released on Blu-ray  Kino Lorber in May 2017.

The film begins with an introduction to Sheik Ahmed Ben Hassan as the Arabs are having a wife lottery.

Meanwhile, in the North African town of Biskra, we are introduced to the independent Lady Diana Mayo (portrayed by Agnes Ayres).  Many of the women are gossiping about Lady Diana because she plans to go to the desert alone and take on a month-long trip escorted only by natives.

While her brother tries to convince her to not go, Lady Diana is dead set in going.  And her friend proposes to her but she tells him that she doesn’t want to be married because it would make her a captive and she would rather live a life of freedom.

As she goes to a local casino, the people tell her she can not enter because an important Sheik, Sheik Ahmed Ben Hassan is there for the evening and because she is not Arab, she is not permitted to go inside.  But when the Sheik arrives, he is captivated by Lady Diana’s beauty.

And Lady Diana decides to sneak into the casino by swapping clothes with a dancer and disguising herself as one of the women.  And what Lady Diana sees is women being given away for her marriage, which she can’t fathom.  And when Lady Diana is selected as one of the women to be put up in the lottery, the Sheik sees the woman’s reluctance and realizes its the woman he saw outside of the casino.  And for her protection, he escorts her out of the casino.  And he is told by Lady Diana’s guide that he will be escorting her for her trip.

As Lady Diana goes to ride with her guide for her month-long trip through the desert, the Sheik and his men arrive with their horses and while Lady Dianna tries to flee, the Sheik captures Lady Diana and takes her to his home.

As Diana is distraught and wants to leave, the Sheik tells her that she will learn to love him.

And as her captive, will she learn to love him or will she escape from him?


“The Sheik” is presented in 1080p High Definition and is color-tinted.  It’s important to note that the last version I have of this DVD is the 2002 Image Entertainment DVD.  And I can say that the quality of the film on Blu-ray is much better in terms of clarity and sharpness.  The film is color-tinted and while there are scratches and some frames look blurrier, the entire film actually looks very good considering the film is nearly a hundred years old.  The picture quality is definitely an improvement over the 2002 DVD.


“The Sheik” is presented in DTS-HD Master Audio 2.0 and the music presented for this release is music composed and performed by Ben Model.  And once again, another splendid musical composition by Ben but I’m sure there are people who may be wondering if a second musical score is included, there is only one and the Gaylord Carter composition is not included.


“The Sheik” comes with the following special features:

  • Audio Commentary – Featuring audio commentary by historian Gaylyn Studlar.
  • Archival Footage  – (3:02) Archived footage taken at Rudolph Valentino’s funeral.
  • “Blood and Sand” (1922) Theatrical Trailer – (2:02) The original theatrical trailer.

Considered as one of the biggest box office silent films and also socially influential films of all time, “The Sheik” is also known for propelling the career of Rudolph Valentino, making him Hollywood’s first sex symbol.

In someway, the film was an unknown risk.  As Edith Maude Hull’s best selling novel “The Sheik” was controversial for racial miscegenation and rape, the film left out certain aspects from the film.

The other risk was by Jesse Lasky of Famous Players-Lasky (which would eventually become Paramount Pictures) casting the not too established actor, Rudolph Valentino.  But wanting to capitalize on Valentino’s “Latin Lover” reputation, the risk paid off as many women turned out to the film to watch Valentino on the big screen.

For me, watching the film again over a decade later, I appreciate the film much more today.  For one, the film features Lady Diana Mayo, an independent woman, who speaks against herself getting married, as she sees marriage as being in captivity and the end of independence.  And the character, keeps her strong demeanor throughout the film, despite being distraught of being captured and possibly being forced to do things against her will.

In the original novel, the character of Lady Diana was raped by the Sheik but in the film, while the Sheik wants to take advantage of her, he sees her crying and distraught, that he decides to leave her alone.  Many critics wrote that they wish there was no deviation from the original novel, but perhaps rape would be strong for a major film and it works to the favor of Rudolph Valentino as he is shown as a man with sensitivity and not going primal and making his captive, his sexual plaything.

I also am in awe of how far the director and film crew had gone to ensure a desert setting involving many extras, especially many who are on horseback.  And while there is no clear answer of where the film was shot, set design to costume design is really well-done for this 1921 classic silent film.

My enjoyment of watching this film on HD is seeing the clarity of the film on Blu-ray versus how things looked on DVD 15-years ago.  While not pristine, the film still looks much better than it ever has.  And for the accompany musical score by Ben Model, he did a wonderful job scoring the film from beginning to end.  And you also get a small featurette featuring Valentino’s funeral and the original theatrical trailer for “Blood & Sand”.

While “The Sheik” will be remembered for being a successful film that propelled both Rudolph Valentino and Agnes Ayres, a film so beloved by women that it made women in the audience faint and “The Sheik” would also become part of teenage lingo and even created a fashion trend for Arabian clothing.  And the moniker “Valentino” has been used to describe certain type of guys still goes on today, despite many of those saying it, probably don’t know much about Rudolph Valentino at all.

“The Sheik” is a film that no doubt made Valentino popular despite the fact that in reality, he didn’t care for the film, nor being a Sheik.  But it did cement him as Hollywood’s first sex symbol and those details may overshadow the actual film, “The Sheik” is still quite entertaining after all these years. And one should at least watch this film before watching “The Son of the Sheik”.



The Gianfranco Rosi Collection (a J!-ENT Blu-ray Disc Review)

May 14, 2017 by · Leave a Comment 

Each of these four films presented in the “Gianfranco Rosi Collection” are entertaining but also highlight the artful technique of the skillful documentarian, Gianfranco Rosi.  Observational and enlightening, “The Gianfranco Rosi Collection” is an excellent addition to one’s cinema collection featuring the works of one of the most awarded and and respected documentarians of today.  Recommended!

Images courtesy of © 2017 Kino Lorber, Inc. All Rights Reserved.

TITLE: The Gianfranco Rosi Collection

DATE OF FILM RELEASE: Fire at Sea (2016), Below Sea Level (1988), Boatman (1993), Sacro GRA (2013)

DURATION: Fire at Sea (113 Minutes), Below Sea Level (117 Minutes), Boatman (57 Minutes), Sacro GRA (91 Minutes)

BLU-RAY INFORMATION: Fire at Sea (1:85:1, 5.1 Surround), Below Sea Level (1:85:1, 2.0 Stereo), Boatman (1:33:1, 2.0 Stereo), Sacro GRA (1:78:1, 2.0 Stereo)

COMPANY: Kino Lorber


RELEASE DATE: April 25, 2017

Fire at Sea

Written by Gianfranco Rosi

Idea by Carla Cattani

Produced by Roberto Cicutto, Paolo Del Brocco, Camille Laemle, Serge Lalou, Donatella Palermo, Gianfranco Rosi, Martine Saada

Co-Producer: Remi Burah, Olivier Pere

Cinematography by Gianfranco Rosi

Edited by Jacopo Quadri

Blow Sea Level

Written by Gianfranco Rosi


Written by Gianfranco Rosi

Fire at Sea

Samuele Pucillo, Pietro Bartolo, Samuele Caruana, Maria Costa, Maria Signorello, Mattias Cucina, Francesco Paterna, Giuseppe Fragapane, Francesco Mannino

Gianfranco Rosi has emerged as one of the most awarded and provocative documentarians working today. His observational films artfully and sympathetically depict the lives of subcultures and displaced peoples the world over. The Gianfranco Rosi Collection includes four of his greatest films. Fire at Sea (2016), an Academy Award® Nominee for Best Documentary Feature and winner of the Golden Bear at the Berlin Film Festival, is a heartwrenching portrait of African refugees pouring into the Italian island of Lampedusa. Sacro GRA (2013), winner of the Golden Lion at the Venice Film Festival, is an engaging tour of Rome s ring road, populated by a fascinating group of eccentrics. Rosi spent five years shooting Below Sea Level (2008), which documents the hand-to-mouth existence of California flatland squatters. And his first feature, Boatman (1993), captures life and death on the Ganges River in India.

One of the most prominent documentary filmmakers in Italy is Giafranco Rosi.  A man who not only directs, also is a camera operator, producer and screenwriter.

Rosi gained prominence when his 2013 documentary “Sacro GRA” won a Golden Lion at the 70th Venice International Film Festival and was the first documetnar film to win a Golden Lion in the history of the Venice Film Festival and the first Italian film to win at the festival in 15 years.

Rosi followed up with another award-winning documentary in 2016 titled “Fire at Sea”, which won a Golden Bear at the 66th Berlin International Film Festival.

Rosi has created a total of six films since 1993 and now his four films: “Fire at Sea”, “Below Sea Level”, “Boatman” and “Sacro GRA” will be released on Blu-ray and DVD courtesy of Kino Lorber.

The first film featured is Rosi’s most recent film “Fire at Sea” (2016) and is shot on the Sicilian island of Lampedusa.  Shot during the European migrant crisis but also featuring the reality of many people who are refugees and those who risk their lives to travel through the Mediterranean Sea in hopes to get to Lampedusa and start a new life.

The film gives us perspectives of those living in Lampedusa.  A young boy named Samuele who belongs to generations of fisherman living in Lampedusa and gives us an innocent look at life on the island.  The film also shows us a perspective through the life of Dr. Bartolo, the doctor and director of the hospital at Lampedusa who is sensitive and wanting compassion towards refugees.  To not turn them away and lead them to their deaths but to let them, treat them and then discussion can begin.  But far too often the harsh reality is many who travel far to go to Lampedusa do not survive.

And we learn from the refugees of why many of them risk their lives to travel to Lampedusa.

For the 2008 film “Below Sea Level”, the film gives us a perspective of people who live their lives in Slab City, a desolate area in Imperial County, California where many RV owners and squatters from North America come to live permanently.  Some to stretch their retirement income, others to live off the grid and others to get away from society.

“Below Sea Level” was shot over a five-year period and documented the lives of a small group of homeless residents living in RV’s, buses or tents.

For Rosi’s first film “Boatman” (1993), the film is set in the River Ganges in India which stretches from the Himalayas to the Bay of Bengal.  The river is considered sacred and millions of Hindus cremate their dead.

It is believed by practicing Hindus that an unwed girl given a water burial will ensure she is born again into the family.  Also, due to poverty, to avoid the cost of cremation, many conduct water burials.

Also, many go into the river to cleanse themselves, believing that the river will cleanse them of sin and free them from the cycle of rebirth.

While the film interviews and showcases many who have come to the river to bury the dead including travelers who are in awe of what they are seeing, as boats run through the river with dead bodies floating up in the water.

The film focuses on a boatman whose job is to ferry people through the rivers and Rosi gives us a personal look at the life of the boatman, his job and the questions that he receives from foreigners so often.

And the final film is “Sacro GRA” (2013), the film features life for those who live along the Grande Raccordo Anulare, the ring-road highway that circles Rome.

Rosi spent two years filming and another eight months to edit and the film was inspired by Italo Calvino’s novel “Invisible Cities”, which is about Marco Polo as imagined describing his travels to the Emperor of China Kublai Khan.

The film showcases those who live near the highway such as EMS worker Roberto and taking care of his elderly mother.  Francesco is a scientist who catalogues palm trees that were ravaged by the red palm weevil.  Paolo and his daughter Amelia from northern Italy transferred to a new housing block.  Cesare is one of the last eel fisherman on the Tiber River who talks about the endangered traditions due to the GRA.  Filippo is a proprietor with a home with statues and an emporium of memorabilia that is rented out for movie sets and theater companies.  Also, to host parties and also is a B&B.  Also, life featuring prostitutes and go-go dancers at some of the neighborhoods.

No interactions with the camera, just the camera capturing the day and the life of the various people living near the GRA.


For “The Gianfranco Rosi Collection”, the more recent the film, the better the picture quality.  “Fire at Sea” and “Sacro GRA” being the latest films (the former presented in 1:85:1 aspect ratio and the latter in 1:78:1 aspect ratio) by Rosi looks great on Blu-ray, “Below Sea Level” (presented in 1:85:1 aspect ratio) also looks very good, while “Boatman” being the oldest of the films, is presented in black and white 1:33:1.


Each of the films from “The Gianfranco Rosi Collection” is presented in 2.0 stereo, with the exception of “Fire at Sea” which is is presented in Italian 5.1 surround.  “Below Sea Level” is presented in English, “Boatman” in English, Italian and Hindi” and “Sacro GRA” in Italian.  Each with optional English subtitles.

Dialogue is clear through the front channels and English subtitles are easy to read.


“The Gianfranco Rosi Collection” comes with the following special features:

  • Interview with Gianfranco Rosi – (5:12) Filmmaker Gianfranco Rosi talks about his filming style and waiting for the right moments to shoot and how the location and the people are important.
  • Interview with Pietro Bartolo – (29:55) Interview with Pietro Bartolo, doctor and director of the hospital of Lampedusa.
  • NYFF: Q&A with Gianfranco Rosi  – (23:41) Q&A with filmmaker Gianfranco Rosi.  Q&A is moderated by Dennis Lim, courtesy of Film Society of Lincoln Center.


“The Gianfranco Rosi Collection” comes with a 12-page booklet featuring an essay “Unsentimental Journeys: The Films of Gianfranco Rosi” by Nicolas Rapold.

Filmmaker Gianfranco Rosi is known for his attentiveness to form, waiting for the right moments to capture emotion and reactions and showcase reality in its purest form for his documentaries.

Kino Lorber’s “The Gianfranco Rosi Collection” features four different type of documentaries capturing humanity in various levels.

The first film featured is Rosi’s “Fire at Sea”, a heartbreaking film that shows us the reality of African, Syrian and other refugees from other countries who have risked their lives to leave their country in hopes for a better life in Lampadusa.

Visually, “Fire at Sea” is Gianfranco Rosi’s most impressive film.  Each shot is beautiful one side and the other side is tragic.  As the film tries to show us the more joyful side of Lampadusa of young Samuele on the island, the reality is that the island is the destination for those seeking refuge away from Africa, the Middle East and so many people perish because no other country would allow them in, but the island of Lampadusa.

We watch as a boat of African refugees arrive.  While at first you think everyone on top is safe and has made it, you start to learn the reality that the boat is a triple decker.  Those who paid more are put in the boat like sardines on top, others who have windows through the middle but those on bottom, with barely enough air to breath and to move, these are the ones that paid only a few hundred dollars less and have the most terrible conditions and where most of the dead are found.

Dr. Pietro Bartolo is a man we learn on how tragic things are, as he is the main physician and director at the hospital trying to help these refugees.  And questioning why so many have to die, when others could have let them into their countries, maybe not to live but at least give them treatment because the rid on the Mediterranean Sea is not only treacherous but they are in inhumane conditions to begin with.

And to see death as Italian authorities remove people from the boat one by one is shocking and heartbreaking and gives a new perspective to those wondering why people sacrifice their lives.  And for these people, it’s hope.  Hope that they can start a new life away from a country they once called home but is actually a living hell.  Having lived in that hell, to confront death on sea in hopes that they can survive and live a new life in a new country.

“Below Sea Level” is not as heartbreaking but more of a day in the life of those who chose to live in Scab City, away from society, homeless and all they have is whatever is in their RV or bus and just trying to make it.  Those who have called the region their home, a desolate area where many joint together to play instruments and have fun.  While others get annoyed by their neighbors.

The main highlight of the film is watching two intelligent individuals, a man and woman who are together for intelligent conversation but also for companionship.  But because their nasty living conditions with scabies and unclean areas, the female woman known as “Doctor” (who helps those in the area with medical needs) has enough and complains to her companion that she can’t live in such conditions.  But the man retorts with the fact that they are both homeless and she shouldn’t be complaining.

Others who have families, stays in touch with them via cell phone but know they chose a life of desolation.

This is not a film for one to feel bad about the individuals because for many of them, this is the life they live and are used to living.  Only a few of them want to escape that life but for the most part, it’s the only life they have lived and are comfortable with.  And Rosi just captures their conversations and their day-to-day life without questioning their lifestyle.

The third film “Boatman” is probably one of my favorites in the collection because of the correlation of what is presented on camera back in 1993 but then reading in the newspapers of the problems today.

The documentary shows us a boatman rowing through deep waters, many coming to the River Ganges to cleanse themselves of their sins or the poor to bury their loved ones in the water.  The problem today, 25-years after the film was shot is that the river has receded and the bodies are now all floating, the stench is gastly and dogs and vultures feed upon the deceased.

Eliminating the problems of the present, the film is rather interesting because we see many people who flock to the river for river burials or cleansing, travelers being taken on a tour through the river as the foreigners take pictures of the thousands who have flocked to the river, meanwhile dead bodies are floating all around.  And we learn from the Boatman of why their are bodies floating, why people bury their loved ones and while non-natives may question the Hindu tradition, the Boatman looks at it as part of life.  How it has been and no one questions it…just the foreigners who have so many questions.

Also, featured are interviews with foreigners living in India.  This includes an Italian man who is broke and homeless and stuck in India, an English doctor who cleanses himself in the waters, to foreigners who immersed themselves in Hinduism and more.

But “Boatman” is a compelling and fascinating documentary.

“Sacro GRA” is the final film which shows us the various people living near the highway circling Rome.  The winner of the Golden Lion at the Venice Film Festival, the film is also a day-in-the-life of various people.  Whereas “Below Sea Level” features people who are homeless and living as a community in a desolate area in California, “Sacro GRA” is about the different people, each with different lives, living near Sacro GRA.

Each of these four films presented in the “Gianfranco Rosi Collection” are entertaining but also highlight the artful technique of the skillful documentarian, Gianfranco Rosi. Observational and enlightening, “The Gianfranco Rosi Collection” is an excellent addition to one’s cinema collection featuring the works of one of the most awarded and and respected documentarians of today. Recommended!



Anatahan (A J!-ENT Blu-ray Disc Review)

May 6, 2017 by · Leave a Comment 

Josef von Sternberg’s “Anatahan” is his personal and also his final film that looks amazing with the new 2K remaster.  If you are a fan of Josef von Sternberg’s cinematic works, you will no doubt enjoy “Anatahan”.  Recommended!

Images courtesy of © 1976 Meri von Sternberg. All Rights Reserved.

TITLE: Anatahan

DATE OF FILM RELEASE: 1953 & 1958 (uncensored version)

DURATION: 91 Minutes

BLU-RAY INFORMATION: 1:33:1, Monaraul English with optional English SDH Subtitles

COMPANY: Kino Lorber


RELEASE DATE: April 25, 2017

Based on the Novel by Michiro Maruyama and translated by Younghill Kang

Directed by Josef von Sternberg

Screenplay by Tatsuo Asano, Josef von Sternberg

Produced by Kazuo Takimura

Executive Producer: Nagamasa Kawakita, Yoshio Osawa, Josef von Sternberg

Music by Akira Ifukube

Cinematography by Kozo Okazaki and Josef von Sternberg

Art Direction by Takashi Kono


Akemi Negishi as Keiko Kusakabe, the “Queen Bee”

Tadashi Suganuma as Kusakabe, Husband of Keiko

Kisaburo Sawamura as Kuroda

Shoji Nakayama as Nishi

Jun Fujikawa as Yoshisato

Hiroshi Kondo as Yanaginuma

Shozo Miyashita as Sennami

Tsuruemon as Bando

Kikuji Onoe as Kaneda

Rokuriro Kineya as Marui

Daijiro Tamura as Kanzaki

Chizuru Kitagawa

Takeshi Suzuki Takahashi

Shiro Amikura

Narrator: Josef von Sternberg

Inspired by actual events, ANATAHAN explores the conflicting personalities of a dozen Japanese sailors stranded on a remote island in the Pacific during the waning days of World War II. For a time, they maintain their military discipline, but when they discover a young woman (Akemi Negishi) living on the island, the paradisal island becomes a nest of jealousy, violence, and desire. Filmed in Japan on elaborately constructed sets, with non-English-speaking actors, ANATAHAN was a deeply personal project for director Josef von Sternberg (The Blue Angel, Morocco, The Scarlet Empress), and provided a thoroughly unique capstone to his extraordinary career.

Anatahan.  An inhabited island in the Northern Mariana Islands in the Pacific Ocean due to its active and violent volcano and frequent typhoons.  But was used for coconut plantations in the 1800’s for the production of copra.

But the island was also the control of the Empire of Japan during World War I and in June 1944 during World War II, 30 survivors from three Japanese shipwrecks reached Anatahan.  But after the surrender of Japan, many of the castaways refused to believe the war had ended and fled to the interior of the island as Japanese holdouts.

But by 1950, it was realized that the holdouts were led by Kazuko Higa, the only woman left on the island and was discovered to live with a harem of five men, eleven who did of unknown circumstances until each surrendered in 1951.

The story of the holdouts inspired the film “Anatahan” (or “The Saga of Anatahan”) in 1953 by filmmaker Josef von Sternberg (“The Blue Angel”, “Dishonored”, “The Last Command”, “Shanghai Express”).

The film would receive an uncensored version, which is Sternberg’s preferred cut of the film.  Both were remastered in 2K and the 1958 version is mastered from film elements preserved by the Library of Congress and Cinematheque Francais.

The film begins in 1974 when a Japanese ship is sunk by enemy aircraft.  Survivors who swam from the Mariana’s Trench were able to find an island thought deserted.  One of the survivors found a village and when the survivors go to the village, they meet Kusakabe (portrayed by Tadashi Suganuma), a farmer of the coconut plantation.  While Kusakabe is not thrilled by seeing the men on Anatahan, he first tells them that he is alone.  But out of his home comes the beautiful Keiko (portrayed by Akemi Negishi) and immediately all the men become smitten that a beautiful woman is living on the island.

In truth, Kusakabe has a wife and son and Keiko had a husband, but everyone had evacuated on a boat during the war to Saipan four years earlier and the two were the only ones left alone and became a common law couple.

But as men try to get close to Keiko, she eventually gets close to one of the young survivors.  Kusakabe ends up beating on Keiko and warns the men to not go near his wife.

As the survivors are expecting to be rescued on the island, time goes on longer and longer and what becomes days, becomes months and eventually years.

And as time goes on, each of the men start to feel lustful towards Keiko and wanting her to belong to them.  And eventually, men succumb to savagery as they vie for her.

Will any of them be rescued or will they want to be rescued?


“Anatahan” is presented in 1080p (1:33:1 aspect ratio). Presented in black and white, the film looks magnificent.  Clarity and sharpness are noticeable, blacks are nice and deep, while the contrast between white and gray levels look fantastic.


“Anatahan” is presented in English Dolby Digital Monaural. Dialogue and music are crystal clear through the center channel, I didn’t notice any pops or clicks considering the age of the film. The monaural lossless soundtrack is very good.


“Anatahan” comes with the following special features:

  • 1953 Theatrical Version – The original censored version of the film without any nudity.
  • Saga: The Making of Anatahan – (15:34) Interview with Nichgolas von Sternberg about his family living in Japan during the filming of “Anatahan”.
  • Visual Essay by Tag Gallagher – (16:16) Tag Gallagher’s visual essay.
  • Outtake Footage– (2:54) Featuring unused (nude) footage shot for the 1958 version of the film.
  • U.S. Navy Footage – (7:52) Actual video footage of the real Japanese holdouts who have surrendered and went home.
  • Comparison of the 1953 and 1958 versions – (8:16) A comparison of scenes and the differences between the 1953 and 1958 version of the film.

When I was younger, I would often hear stories from my family about Japanese soldiers who were still hiding in remote areas and didn’t know World War II had ended.

My parents would talk about the soldier (who turned out to be Hiroo Onda) found 30-years later in the jungles of the Philippines had refused to believe the war was over until his former commanding officer traveled to the Philippines to meet with him.

I have read about Japanese holdouts, those who refused to believe that Japan would surrender.  And that would lead me to read about Kazuko Higa and the group of sailors who were shipwrecked and found their way to the island of Anatahan, which was left uninhabited due to a vicious volcano and terrible typhoons.

The real life story of how these survivors were taken in by the real Kikuichiro Higa (who ran a coconut plantation) and his live-in wife Kazuko.

What is known is that the survivors had lived with Kazuko, a few died and stories came out that the men died as they submitted to savagery for their love for Kazuko.

Needless to say, this story which was big news in the media worldwide and also a novel based on actual events written by one of the survivors, Michiro Maruyana, translated by Younghill Kang, became an inspiration for filmmaker Josef von Sternberg to create a movie based on the true story.

With the Sternberg family living in Japan and having enjoyed their time in the country, Sternberg was able to get funding from Japanese producers and he would create his final film, “Anatahan” in 1953.  While the film did well in Japan, due to anti-Japanese sentiment (as the film was released a few years after World War II), the film didn’t do well in America.

The film was a deeply personal project for Sternberg, as he created the film for his love of Japanese culture but also wanted to create a film that had an anti-war message.  Also, a film that he was involved in ever facet down to directing, writing a screenplay, the set design, camera and more.

And the fact that all actors were Japanese and had no knowledge of English, led Sternberg to find ways to communicate with his actors of what he wanted to achieve through storyboards and creative planning.

While the film was released in 1953, a preferred uncensored cut of the film was released in 1958.  And many decades later, both versions of the film had been remastered in 2K from film elements preserved by the Library of Congress and Cinematheque Francaise.  And this remastered version is what is available in the 2017 Blu-ray release of “Anatahan” from Kino Lorber.

Watching this film, it’s not a surprise to see many lonely men being attracted to the only woman on the island with them.  In the film, Keiko Kusakabe (portrayed by actress Akemi Negishi) is attractive and sexual.  She is a common-law wife of Kusakabe, because their own loved ones had evacuated to Saipan during the outbreak of the war and the two were left behind to watch over the plantation on the island of Anatahan.

Not having heard from their loved ones, they had only each other for the next four years.  And eventually, a dozen of shipwrecked sailors now living with them and how it would become a problematic situation for Kusakabe, as he knows nearly every man wants his wife and if anything, she is the person who keeps them all going.

But as days turn to months and months turn to years, these men eventually start to think about whoever has the power (weapons) would be the leader and have the right to be with Keiko.  And this would lead certain men to challenge other men to be with Keiko.

While messages are broadcasted towards the island that Japan has surrendered, none of the soldiers believe it and think that it’s their enemies lying to them.

But while Sternberg made sure to let viewers know that the stories were from one and that actual situations can’t be verified, the story of what happened in Anatahan still remain a mystery.  Fortunately, in 1998, the story was revived by Japanese author, Kaoru Ohno who researched and interviewed a few people who survived or were rescuers and the new information became Ohno’s novel, “Cage on the Sea”.

And the more people read about the story, the real story especially what happened to the “Queen Bee”, Kazuko Hige, was just as tragic.  But many wonder how many people were killed just to be with her?  News reports have it at six.

While there are survivors who know what happened but to respect the dead, will not ever speak about how certain people were murdered.

Kazuko Hige had said that only two died because of her.  One was shot and the other was stabbed to death.  The man who was shot was the man she lived with for three years after her husband died at sea.  She lived with one man, which lasted for 20 days.  And he happened to die while fishing.  She lived with another man for two years but didn’t love him.  So, she was with a fourth man, who was responsible for stabbing man #3.  And she and man #4 lived together until they surrendered to the Americans and had said in an interview, she would go on stage to clear her name and what happened.

But the real life of Kazuko Higa after returning back to Okinawa is that she fell into prostitution and poverty, worked as a garbage collector and died at the age of 51.

Needless to say, this story is quite captivating and it’s no surprise considering the tragedies that transpired and how a lone woman was pinpointed as the person responsible.  May it be unfair, especially for media of portraying the woman they call “Queen Bee” as a tramp.  There is more to this story that we may never know what truly transpired.

But for Josef von Sternberg’s film, he was able to create a film to capture the loss of war, loyalty to one’s country, lust, passion, abuse, anger, happiness, you name it.  With two version of the film presented, I found the 1958 film to be the definitive version and it’s what Sternberg had preferred.  The main difference is that the 1958 had nudity, the 1953 film didn’t.

The 1958 version of the film featured Keiko as a woman who knew that the men are entertained by her.  She enjoyed the attention and these men wanted to see more of her.  May it be her smiling, dancing, happy and sometimes catch her nude.  She was not happy with the men she had been with in the island, he was an abuser, he had control over her and having these other men who made her happy and gave her attention, changed her life on the island.  But her naivety was somewhat of her undoing, not knowing that men would go so low to fight and kill each other for her.  In essence, a few of these men became just as bad as the man she lived with.  They wanted power and with that power, they wanted to control her.

As for the Blu-ray release, this 2K remaster looks magnificent.  The film looks sharp, clarity is much better and amazing contrast within the grays and whites of the film.  While you can hear the Japanese dialogue, the majority of the film is narrated by Josef von Sternberg who narrates over the Japanese dialogue.  But the English narration is crystal clear.  And last, you get a good number of special features included such as the interview with Nicholas von Sternberg (Josef’s son), a visual essay by Tag Gallagher, U.S. Navy footage of the actual survivors from Anatahan and a comparison between both 1953 and 1958 films.

While Josef von Sternberg may be known for his earlier films in his oeuvre such as “The Salvation Hunters” (considered to be the first American independent film), his German film “The Blue Angel” which would lead to six U.S. collaborations with actress Marlene Dietrich.  “Anatahan” should be looked at his final, personal film which he wrote, narrated, photographed and directed.  Sure, it had a limited release and was a financial failure due to anti-Japanese sentiment not long after World War II, but I do feel that many who are discovering the film today thanks to Kino Lorber’s remastered Blu-ray release will be captivated by the story.  Considering it was inspired on a real-life story.

Overall, Josef von Sternberg’s “Anatahan” is his personal and also his final film that looks amazing with the new 2K remaster.  If you are a fan of Josef von Sternberg’s cinematic works, you will no doubt enjoy “Anatahan”.  Recommended!


The Wanderers (a J!-ENT Blu-ray Disc Review)

April 14, 2017 by · Leave a Comment 

Kino Lorber’s Blu-ray release of “The Wanderers” is not only entertaining and cool, it’s the definitive version of the film to own!  Highly recommended!

Images courtesy of © 1979 Orion Pictures Company. All Rights Reserved.

TITLE: The Wanderers


DURATION: 117 Minutes


COMPANY: Kino Lorber


RELEASE DATE: March 28, 2017

Based on the Novel by Richard Price

Directed by Philip Kaufman

Screenplay by Rose Kaufman, Philip Kaufman

Produced by Martin Ransohoff

Executive Producer: Fred C. Caruso, Richard R. St. Johns 

Associate Producer: Fred C. Caruso

Cinematography by Michael Chapman

Edited by Stuart H. Pappe, Ronald Roose

Casting by Scott Rudin

Production Design by John Jay Moore

Set Decoration by Thomas C. Tonery

Costume Design by Robert De Mora


Ken Wahl as Richie

John Friedrich as Joey

Karen Allen as Nina

Toni Kalem as Despie Galasso

Alan Rosenberg as Turkey

Jim Youngs as Buddy

Tony Ganios as Perry

Linda Manz as Peewee

William Andrews as Emilio

Erland van Lidth as Terror

Val Avery as Mr. Sharp

Dolph Sweet as Chubby Galasso

Michael Wright as Clinton

Dion Alabanese as Teddy Wong

Olympia Dukakis as Joey’s Mom

Brand New 2K Restoration! Meet the Wanderers, the Coolest Guys in Town! Tully High School seniors Richie, Joey and Perry run with a gang called The Wanderers in the Bronx. The year is 1963 but their experiences are universal: falling in love, surviving in school and defending their turf against rivals like the Fordham Baldies, the Del Bombers and the Ducky Boys. From the acclaimed first novel by Richard Price (Clockers), The Wanderers is a rich fabric of comedy and tragedy, fantasy and farce. Director Philip Kaufman (The Right Stuff) mixes dynamic talents that include Ken Wahl (The Soldier), Karen Allen (Raiders of the Lost Ark), Toni Kalem (The Sopranos) and Linda Manz (Days of Heaven) with a jukebox full of golden oldies to generate a heady atmosphere. Like American Graffiti and Saturday Night Fever, this cult-classic is a nostalgic window to a vanished world. Beautifully shot by the great Michael Chapman (Taxi Driver, Raging Bull). This special edition includes both the original theatrical version and the very rarely seen Preview Cut.

Back in 1979, director Philip Kaufman released his American drama film “The Wanderers” which was loosely based on the novel by Philip Price.

Featuring a screenplay by Philip Kaufman and his wife Rose, “The Wanderers” would star Ken Wahl (“Wiseguy”, “Fort Apache, The Bronx”, “Purple Hearts”), John Friedrichs (“The Boy in the Plastic Bubble”, “Thank God It’s Friday”, “The Final Terror”), Karen Allen (“Raiders of the Lost Ark”, “Indiana Jones and the Kingdom of the Crystal Skull”, “The Perfect Storm”), Toni Kalem (“Sister Act”, “Silent Rage”), Jim Youngs (“Footloose”, “Youngblood”, “Hotshot”), Tony Ganios (“Die Hard 2”, “Porky’s”, “Porky’s Revenge”), Linda Manz (“Days of Heaven”, “The Game”, “Out of the Blue”), William Andrews (“Saturday Night Fever”, “Plainsong”), Michael Wright (“The Interpreter”, “The Five Heartbeats”, “The Principal”) and Olympia Dukakis (“Look Who’s Talking”, “Moonstruck”).

Since its debut in 1979, “The Wanderers” has a significant cult following and with the new brand new 2K restoration, the Kino Lorber Blu-ray and DVD release of “The Wanderers” features the original 118 minute theatrical version and the very rarely seen 124 minute “Preview Cut”.

The film is set in the Bronx back in 1963 and begins with a gang of Italian-American teenagers known as the Wanderers and members Joey (portrayed by John Friedrich) and Turkey (portrayed by Alan Rosenberg) walking around.  Turkey has shaved his head in hopes he could join the rival gang, the Fordham Baldies.

Joey tries to persuade Turkey from joining and when Joey says something bad about the Baldies, the rival gang’s leader’s girlfriend Peewee (portrayed by Linda Manz) overhears them. She tells her boyfriend, Baldies leader Terror (portrayed by Erland van Lidth) and Joey and Turkey take off running and the Baldies gang chases after them.

Meanwhile, Wanderers leader, Richie (portrayed by Ken wahl) is having sex with his girlfriend Despie (portrayed by Toni Kalem), but when he hears the two in trouble, Richie and Buddy (portrayed by Jim Youngs) try to give them help but find out the entire Baldies gang is after them.

As the four Wanderers are cornered by members of the Baldies, a tall Italian guy named Perry (portrayed by Tony Ganios) comes to their rescue and beats up some of the Baldies and saves them.

As the Wanderers gang are happy that Perry came to rescue them, Joey finds out that Perry has recently moved to the Bronx from New Jersey and they live across the hall from each other.  And Perry becomes the latest member of the Wanderers.

As Joey introduces Perry to the various gangs in the school and how the Blacks and the Asians are separated from each other, during class, their teacher wanted to show them how they shouldn’t hate each other, by having the Italians and the African-American students think of derogatory terms towards each other.

Unfortunately, what the teacher was trying to get them to do and show them how they are alike, instead pits the two together and Richie and Clinton (portrayed by Michael Wright) decide to fight each other with no knives or weapons, just a fight between the two ethnic groups.

But Richie and the Wanderers know they don’t have the numbers, so they start reaching out to other ethnicities, but none of them are interested.  And those who are, want to use weapons, which Richie said he and Clinton made a promise not to.

The group try to get the Wongs involved but their leader Teddy said they will make a decision at a later time to decide who they want to side with.

So, that leaves Richie, Joey and Turkey going to the Baldies for help.  But instead, they get back at the Wanderers for their earlier skirmish and have Richie and Joe take off their pants and have Turkey do the dirty work.  And allowing Turkey to join the Baldies after betraying his friends.

Meanwhile, Richie, Joey, Perry and Buddy later have fun with the women by playing a game of “elbow titting” and Richie meets Nina (portrayed by Karen Allen).  While Richie is interested in Nina and both are flirtatious towards each other, because Richie is dating Despie, he tries to set Joey up with Nina.  And the all decide to meet up at Despie’s party.

But what happens on the night of the party?


“The Wanderers” is presented in 1080p (1:85:1 aspect ratio). Watching this cult classic once again, the 2K restoration actually looks fantastic and the best I have seen of the film yet.  Details are much more evident, closeups show better detail and I like how the colors look more vibrant instead of muted colors as seen with the older VHS version of the film.


“The Wanderers” is presented in English Dolby Digital Monaural.  While dialogue and music are crystal clear through the center channel, I didn’t notice any pops or clicks considering the age of the film.  The monaural lossless soundtrack is very good.


“The Wanderers” comes with the following special features:

  • Audio Commentary – Featuring audio commentary by director Philip Kaufman.
  • Audio Commentary – Featuring an insightful audio commentary by Columbia University Film Professor 7 author of “Philip Kaufman”, Annette Insdorf.
  • Back in the Bronx with Richard Price – (35:17) Author Richard Price talks about his book “The Wanderers” and it be adapted to a film.
  • Wanderers Forever – Live Q&A At NYC’s Film Forum – (16:37) Featuring a Q&A with Karen Allen, Toni Kalem, Tony Ganios and Richard Price.
  • The Wanderers Q&A at LA’s Cinefamily – (31:57) A Q&A with director Philip Kaufman, Alan Roseburg and Peter Kaufman
  • Audio Q&A at NYC’s Film Forum (19:46) An audio Q&A with director Philip Kaufman.
  • Audio Q&A at NYC’s Film Forum – (16:41) An audio Q&A with writer Richard Price
  • Re-Release Trailer
  • TV Spot

“The Wanderers” is no doubt a cult classic that entertains audiences for its take on the Bronx life of teenagers during the early ’60s, the gangs that existed back in the day but also the segregation among ethnic groups.

It was no doubt a tough and dangerous time back in the day, and despite the film being made in 1979, director Philip Kaufman who would be known for his work on the “Indiana Jones” films, will also be celebrated for creating this film adaptation of Richard Price’s original novel.

The film featured a cast of young talent who would later go on to make a name for themselves after “The Wanderers”.

Ken Wahl was a fixture on television thanks to the “Wiseguy” but unfortunately after an accident, his acting career was over.  But he and wife Shane Barbi (of the Barbi Twins) focus their energy on animal rights issues.

Karen Allen would become a big film star in the ’80s with “Raiders of the Lost Ark”, “Starman”, “Scrooged”). Toni Kalem would star in “The Sopranos” and “Sister Act and became a filmmaker (as did Karen Allen), Linda Manz was well-known for starring in Terrence Malick’s “Days of Heaven” in 1978 but would continue acting for two more decades and star in the David Fincher film “The Game”.

Alan Rosenberg would be seen in TV shows “The Guardian” and “Cybill” and Michael Wright would star in numerous films including “The Interpreter”, “The Five Heartbeats”, “The Principal” to name a few.

And while most of the film, these young talent would be character with their own differences, its the storyline and adaptation by Philip Kaufman that would bring these characters to life.  While not as risque as Richard Price’s original novel, “The Wanderers” manages to incorporate what people loved of films depicting ’60s life but also the film’s undertones and messages.  May it be to a reaction of JFK’s death, the music of Bob Dylan, teen fun and sexual innuendo, it’s an honest depiction of the times, including racial turbulence that was prevalent in the Bronx.

And there are numerous reasons to love the film.  For me, it was the characters, the adventures, the cultural complications, the gang lifestyle of the ’60s and as an adult, I appreciated the film so much more, in terms of character dynamics but also knowing the context of the characters and the meaning of certain scenes that I was not aware of when I saw this film in my early teens.

With the release of “The Wanderers” on Blu-ray, not only do fans get the definitive version to own but also a small reunion of characters for the film’s Q&A decades after the film was released in theaters.  But you learn about the filming and experiences behind-the-scenes as well.

I absolutely enjoyed the various Q&A featurettes but also the two insightful audio commentaries and for the most part, this is one of the most entertaining, pleasant Blu-ray releases one can own if you love “The Wanderers”.

Kino Lorber’s Blu-ray release of “The Wanderers” is not only entertaining and cool, it’s the definitive version of the film to own!  Highly recommended!


Deluge (a J!-ENT Blu-ray Disc Review)

March 7, 2017 by · Leave a Comment 

“Deluge” on Blu-ray can be seen as a watching an entertaining 1933 natural disaster film, which was once considered as lost. Others may find the Blu-ray as a wonderful collection of two films starring actress Peggy Shannon.  I will say that this Blu-ray release is a fantastic collaboration between Kino Lorber and Lobster Films giving audiences the opportunity to watch and enjoy two entertaining films from the 1930’s.  Recommended!

Images courtesy of © 2017 Kino Lorber. All Rights Reserved.

TITLE: Deluge


DURATION: 70 Minutes

BLU-RAY INFORMATION: 1:33:1, English DTS-HD 2.0

COMPANY: Lobster/Kino Lorber Inc.


RELEASE DATE: February 21, 2017

Based on the Novel by S. Fowler Wright

Directed by Felix E. Feist

Written by Warren Duff, John F. Goodrich

Produced by Samuel Bischoff, Burt Kelly, William Saal

Music by Val Burton

Cinematography by Norbert Brodine

Edited by Martin G. Coh, Rose Loewinger

Art Direction by Ralph M. DeLacy


Peggy Shannon as Claire Arlington

Lois Wilson as Helen Webster

Sidney Blackmer as Martin Webster

Lane Chandler as Jack

Ronnie Cosby as Ronny Webster

John Elliott as Preacher

Ralf Harolde as Norwood

Samuel S. Hinds as Chief Forecaster

Fred Kohler as Jepson

Matt Moore as Tom

Newly Restored! Earthquakes in the Pacific send a massive tsunami around the globe, reducing New York City to rubble. Martin Webster (Sidney Blackmer, Rosemary’s Baby) survives the catastrophe but is separated from his wife (Lois Wilson) and children. Pairing up with a headstrong young woman (Peggy Shannon), Webster struggles to rebuild civiilzation and cultivate a new post-apocalyptic moral code amidst the pillagers and vigilantes who remain. For years considered a lost film, and later emerging in a poor-quality Italian-dubbed version, Deluge is the holy grail of disaster movies. In 2016, Serge Bromberg of Lobster Films, with the help of the Library of Congress, located the original 35mm film elements, including the English-language soundtrack, and it is from these materials that the restoration has been meticulously performed. Directed by Felix E. Feist (The Devil Thumbs a Ride, Donovan s Brain), DELUGE lives up to its near-mythic reputation. Not only are the destruction scenes truly extraordinary, the drama of survival among the rubble is presented with a dark candor that is far more complex than one expects of a film of this vintage. Also featured on this disc is the Pre-Code drama BACK PAGE, starring Peggy Shannon (DELUGE) as a small-town newspaper woman who tries to bring down a notorious white-collar criminal.

In 1933, RKO Radio Pictures released a loose adaptation of S. Fowler Wright’s 1928 novel “Deluge”.

A film about life after a worldwide disaster, the film was directed by Felix E. Feist (“The Big Trees”, “Donovan’s Brain”, “The Man Who Cheated Himself”) and a screenplay co-written by Warren Duff (“Angels with Dirty Faces”, “Varsity Show”, “Frisco Kid”) and John F. Goodrich (“My Lady’s Lips”, “The Last command”, “Lilies of the Field”).

The film stars Peggy Shannon (“Back Page”, “Hotel Continental”, “The Devil’s Mate”), Lois Wilson (“Guiding Light”, “Miss Lulu Bett”, “Bright Eyes”), Sidney Blackmer (“Rosemary’s Baby”, “High Society”, “Little Caesar”), Lane Chandler (“Winds of the Wasteland”, “Samson and Delilah”, “The Well”), Fred Kohler (“Underworld”, “Fighting Caravans”, “The Iron Horse”), Ralf Harolde (“Murder, My Sweet”, “I’m No Angel”, “Smart Money”) and Samuel S. Hinds (“It’s a Wonderful Life”, “You Can’t Take It With You”, “Scarlet Street”).

The film was a modest hit for RKO Radio Pictures but the film (which was later bought by Republic Pictures) is more remembered for its destruction footage which was used for films in the ’40s.

But for many decades, the film was lot until  an Italian print dub was found (note: there are two versions of how this Italian version of the film was found, one via a film archive in 1981 discovered by Forrest J. Ackerman.  The other is Wad Williams discovering a nitrate version of the film in an old mansion in Rome in 1981).  The film was eventually subtitled in English and released on VHS.

But in 2016, the nitrate dupe negative with the English soundtrack was discovered and Lobster Films did a 2K scan restoration and the film would receive a theatrical released and now a Blu-ray and DVD release courtesy of Kino Lorber.

The film begins with scientists discovering that a violent storm is heading towards New York City and they issue warnings throughout the city.  Suddenly an eclipse of the sun leads to global destruction as unending earthquakes slam cities causing major tsunamis and leveling cities.

We are introduced to Claire Shannon (portrayed by Peggy Shannon), a world-class long distance swimmer who was supposed to go on another challenge but since the change of weather, she ends up going with a friend and staying with her family in the country.

We are then introduced to lawyer Martin Webster (portrayed by Sidney Blackmer) and his wife Helen (portrayed by Lois Wilson) putting their two kids to sleep.  As the couple know bad weather is coming their way and their home may be destroyed, Martin takes his children and wife to stay behind a huge boulder in hopes it would protect them from the bad weather.

As Martin knows they need more provisions and clothes, he leaves his wife and children to go back to the house.  But the next major earthquake hits, which destroys New York City and destroys the home.

Martin is knocked unconscious and when he awakes, his home and land is gone and water has covered  the ground all around him.  And he fears that he lost his family to the tsunami.

Meanwhile, at a small house nearby, two men, the burly Jepson (portayed by Fred Kohler) and the anxiety-filled Norwood (portrayed by Ralf Harolde) are afraid they may be the last two people on the planet.  As Jepson goes outside the cabin, he discovers an unconscious Claire.

Fastforward and over a month and a half has passed.  Martin has built a shelter behind a rock and uses a nearby tunnel in a cave to store many provisions.

As for Jepson and Norwood, the two get into a major disagreement of who owns Claire.  Jepson tells Norwood that since he found the house and Claire, she belongs to him.  As Jepson goes to work on the boat, Norwood tries to sexually assault Claire and Jepson walks in and angered, he chokes and kills Norwood.  As for Claire, it gives her the moment to slip away and swim away from Jepson.  Who then gets his rifle and boat to go after her.

As Martin walks out of his home, he sees a body from the distance.  He goes to it and discovers Claire who is nearly unconscious and nurses her back to health.  Meanwhile, he sees from a distance, Jepson arriving near his home with his boat.  As he trails Jepson from a distance, both men discover a woman who was raped and killed.

Jepson comes across a gang of ruffians and he tells him that he is looking for a woman that belongs to him.  Meanwhile, Martin goes back hom to make sure he can protect Claire.  And the two start to have feelings towards each other.

Meanwhile, not far from the area, survivors in a nearby town have gathered to start a new civilization.  Among the survivors are Helen and her two children.  One of the townsmen, Tom (portrayed by Matt Moore) has taken care of Helen (and has fallen in love with her).  He tells her to forget about her husband, but she says that she believes Martin is alive.  She can feel it.

Tom tells her that soon, the women in the town will be assigned a man.  If she wants to prevent being hooked up with someone else, she should marry him now.

What will happen to Martin, Claire and Lois?


“Deluge” is presented in 1080p (1:33:1 aspect ratio). Before I begin, it’s important for everyone to know that when it comes to film cleanup, Kino Lorber and Lobster Films do not invest in significant cleanup compared to major film releases from the large studios or film foundations.  What you are going to get are HD scanning of the original negatives to feature the film in the best resolution, but you will see white specks, scratches, slight frame damage, mild flickering, etc.

For those who watch silent films to early talkies, I’m just grateful these films are released and for this release, Lobster Films had done a 2K scan of this film once considered lost.

Picture quality is good considering the age of the film and the fact that a nitrate version of the film with an English soundtrack, “Deluge” is no doubt a film that looks very good.  The film maintains its grain structure and I’ve seen classic Hollywood films with major damage and this film does not suffer from major damage.  Yes, there are white specks, scratches, and some frames with an occasional larger white speck but really, this is common with older films, let alone nitrate films.  So, I felt the picture quality was very good in HD!


“Deluge” is presented in English DTS-HD 2.0 Surround. The lossless soundtrack is crystal clear through the front channels and the dialogue and soundtrack is crystal clear with no major crackle or pops.


“Deluge” comes with the following special features:

  • Audio Commentary – Featuring an insightful audio commentary by film historian Richard Harland Smith.
  • Interview with Director Gabriel Mascaro – (21:09) Interview with filmmaker Gabriel Mascaro about “Neon Bull”
  • Back Page (1934 film) – (1 hr., 04 min.) In this film starring Peggy Shannon, the film features Peggy as Jerry Hampton, a young female reporter who was fired from a major big city newspaper.  Jerry decides to take over a troubled small town newspaper and learns about small town politics and the difficulties of finding advertisers to keep the newspaper afloat.  Also, the troubles she receives as people don’t feel confident a woman can run the newspaper.
  • The Hurricane Trailer
  • Avalanche Trailer
  • Meteor Trailer

“Deluge” is a fascinating 1934 natural disaster film that despite its visual effects for its time and at times for its corny dialogue, I actually enjoyed “Deluge” more than many other natural disaster films, including big budget natural disaster films that came out decades after.

A loose adaptation of S. Fowler Wright’s novel, “Deluge” focuses on a global natural disaster during a time when technology and natural disaster warnings was limited, where earthquakes become rampant and along with a tsunami, cities were destroyed and humanity is reduced.

While no one knows how many people survived, the storyline of “Deluge” shows a side of humanity that is often depicted in post-apocalyptic films and that is the worst of society where gangs are rampant and some reverting to troglodyte behavior.  Women are raped and murdered and women are seen as possessions and not equal partners.

Sure, its a film that rings loud and clear of society back in the 1930’s, but the film provides a glance of the 1930’s through its characters.

Ziegfeld Follies Peggy Shannon who was to be the new “It” girl, is glamorous and beautiful sporting a bikini (when most women wore one piece swimsuits) and a woman who behaved independently until being convinced by her protector that she must make a decision to fall in love.

I bring up Peggy’s character of Claire as being independent because Shannon starred in a film titled “Back Page” about a fired big city reporter who wants to prove that she can run a smalltown paper, despite people thinking she can’t do that because she’s a woman.  The 1934 film is also included on this “Deluge” Blu-ray release, which makes the release quite enticing because it’s a film that follows a woman determined to succeed despite the challenges she may face.

Unfortunately, like a few other Hollywood talent of that time who were hooked on drugs and alcohol, Peggy Shannon’s star career was dimmed due to her alcoholism.

“Deluge” also stars Sidney Blackmer and Lois Wilson.  Blackmer plays the main protagonist Martin Webster, a man who thinks his wife and children died from the earthquake/tsunami and has built a home near a rocky mountain and in better shape as he has managed to stockpile on provisions.  His life changes when he meets Claire and slowly falls in love with her, not knowing that his wife Lois and her children are very much alive.

The primary antagonist is Jepson (portrayed by Fred Kohler), a burly man who thinks he is one of the last people left alive and since he found a house and also an unconscious Claire, he assumes that she belongs to him and no other.

Claire escapes from him and thanks to her world class swimming skills, she swims to the area that Martin is staying.  But not far behind is Jepson, who wants nothing but to bring Claire back.  Jepson meets the Bellamy Gang, who raped and killed a woman.

The film manages to establish that there is a good number of riff raff and in the new world, but there are good people who are willing to fight back which we have seen in movies such as “Mad Max” and other storylines.

This classic film manages to incorporate a lot of action and drama and definitely one of the earlier lower budget natural disaster films that is upstaged by the bigger budget MGM natural disaster film “San Francisco” starring Clark Gable, Spencer Tracy and Jeanette MacDonald that was released three years later (1936).

Part of the problem with “Deluge”, while some may point to visual effects, while cheesy for today’s standards, I felt the visual effects were customary for its time and the fact it uses stock footage of a natural disaster (hurricane) in the film shows that RKO Film, really wanted to drive the images of chaos and panic, while many cities are being destroyed by a global natural disaster, leading to the death of millions.  And one must remember, this is a low budget RKO film, not a big budget MGM film.

Where “San Francisco” focused on few characters, it also tries to show humanity really being affected by a major disaster.  In “Deluge”, too many times where the female characters are just seen as objects meant to be possessed.  They must make a choice to be with a man or else it’s too late.

Because it’s a pre-code film, I do like the fact we see violence in the film.  People die in this film, not just through the natural disaster but because of greed or envy.  The film goes to show how people are affected by chaos but even for those in the side of good, I feel later in the film, they aren’t more affected by the natural disaster, but the fact that their relationships are affected.

With the 1936 film “San Francisco”, the film was ambitious in special effects but the 1906 earthquake gave writers the opportunity to craft a story about the human spirit of willing to rebuild a city and start over.  In the 1993 film, “Deluge”, it’s not about human spirit during a time of chaos but the man and woman and the importance of a relationship during a time of chaos.

But once again, there are differences between the two films from star power and money budgeted.  And “Deluge” is in essence a low budget film, with no major big name talent, but still you see talent who had true potential and a natural disaster film that rivals big budget natural disaster films made in the last 40 years.  I enjoyed “Deluge” and what they were able to accomplish.

And as mentioned, this Blu-ray release comes with the Peggy Shannon 1934 film “Back Page”, and it’s one of the few pre-code films which shows an independent business woman trying to prove everyone that she can be a leader and a woman who can run a small town newspaper.  Also, for “Winnie the Pooh” fans, the longtime voice of the popular character courtesy of Sterling Holloway, has a role in the film.

But I found “Back Page” quite interesting because you rarely find career-driven women in classic Hollywood films.  Far too often, women were portrayed as vamps seducing men, women who need saving by a man or women having to be good wives or mothers.  But “Back Page” was interesting to see a protagonist running a newspaper and one that is so driven and standing her own ground.  A rarity to see in older Hollywood films.

As for the Blu-ray, as mention earlier, picture quality is very good, not pristine but considering what Lobster Films was able to accomplish, I’m quite grateful to have the best presentation of “Deluge” and “Back Page” to date with this Blu-ray release.  The lossless soundtrack features no significant crackle or pops and the special features include a wonderful and insightful audio commentary by film historian Richard Harland Smith.

Overall, “Deluge” on Blu-ray can be seen as a watching an entertaining 1933 natural disaster film, which was once considered as lost. Others may find the Blu-ray as a wonderful collection of two films starring actress Peggy Shannon.  I will say that this Blu-ray release is a fantastic collaboration between Kino Lorber and Lobster Films giving audiences the opportunity to watch and enjoy two entertaining films from the 1930’s.  Recommended!


Neon Bull (a J!-ENT Blu-ray Disc Review)

September 24, 2016 by · Leave a Comment 

Gabriel Mascaro’s “Neon Bull” is a unique, sensual film that entertains viewers with its honest portrayal of its characters that work within the vaquejada in northeastern Brazil.  Recommended!

Images courtesy of © 2015 Desvia, Malbicho cine, Viking Film, Canal Brasil. All Rights Reserved.

TITLE: Neon Bull


DURATION: 103 Minutes

BLU-RAY INFORMATION: 2:35:1, Portuguese 5.1 Surround, Optional English Subtitles

COMPANY: Kino Lorber Inc.


RELEASE DATE: September 6, 2016

Directed by Gabriel Mascaro

Written by Gabriel Mascaro

Produced by Rachel Ellis

Co-Produced by Rodrigo Pia, Sandino Saravia Vinay, Marleen Slot

Music by Carlos Montenegro, Otavio Santos

Cinematography by Diego Garcia

Edited by Fernando Epstein, Eduardo Serrano

Art Direction by Maira Mesquita


Juliano Cazarre as Iremar

Maebe Jinkings as Galega

Josinaldo Alves as Mario

Roberto Berindelli as Fazendeiro

Samya De Lavor as Geise

Vinicius de Oliveira as Junior

Abigail Pereira as Valquiria

Carlos Pessoa as Ze

Alyne Santa as Caca

Neon Bull is a wild, sensual and transporting experience. Brazilian writer-director Gabriel Mascaro s second fiction feature (after August Winds), it takes place within the world of the vaquejada, a demanding traditional style of rodeo in which cowboys attempt to wrest bulls to the ground by their tails. Neon Bull explores this dangerous job through the eyes of Iremar (Juliano Cazarre ), a mysterious and handsome cowboy who cares for the bulls. While riding the roads with the animals and his close-knit circle of outcast friends, he begins to think of a world outside the ring, dreaming of sequins and fabrics and of his desire to become a fashion designer.

Filmmaker Gabriel Macaro known for his documentary “HOUSEMAIDS” and his first feature film “Ventos de Agosto” (August Winds) has received a lot of attention and critically praised reviews.  And his 2015 film “Boi Neon” (Neon Bull) would receive nominations and win awards at various festivals around the world.

And now Macaro’s “Neon Bull” will be released on Blu-ray and DVD courtesy of Kino Lorber.

Shot in northeastern Brazil, the film captures life for those who work at the Vaquejadas (a rodeo in which two cowboys ride on horseback to bring down a bull by grabbing its tail).

One of the cowboys, Iremar (portrayed by Juliano Cazarre) shares his quarters with others from the rodeo and lives in a truck that transports livestock to various events.  While most of the day, he is grooming the animals and doing his fill of shoveling manure, his passion is creating costumes, especially for his sexy female friend, Galega.

One of the truck drivers, Galega (portrayed by Maeve Jinkings) is an exotic dancer who is a truck driver by day, but participates in sexy dances for patrons wearing a horse head and tail, while neon lights shine upon her.

Galega’s husband is hardly in the picture but she has to raise her daughter Caca (portrayed by Aline Santana) who is a bit curious for her own good and being one of the youngsters touring with the Vaquejadas crew, she tends to find things that others are not wanting her to know.  Such as Ze’s (portrayed by Carlos Pessoa) stash of pornography.

But Galega is more interested in trying to live her life and is not so thrilled that Caca lives with her and not going to school and feels she should live with her grandmother, so she can live a better life at school.

Meanwhile, Galega becomes attracted to the new guy named Junior (portrayed by Vinicius de Oliveira).  While, Iremar starts to take interest in a pregnant woman who tends to show up selling cologne and perfume which she works during the day and working as a security guard at night.

Gabriel Mascaro’s “Neon Bull” is a honest portrayal of life within a group of people within a Vaquejadas crew.


“Neon Bull” is presented in 1080p (2:35:1 aspect ratio).  Picture quality for the most part is very good.  Closeups show great detail, lighting is very well done when focused on the characters (lighting plays a big part in the film).  Skintones look natural, black levels are nice and deep and there is a good amount of grain throughout the film.


“Neon Bull” is presented in Portuguese 5.1 Surround.  The lossless soundtrack is crystal clear, rodeo announcer and crowd ambiance or animal ambiance can be heard through the surround channels.  Dialogue is crystal-clear as the club music and subtitles are easy to read.


“Neon Bull” comes with the following special features:

  • Behind-the-Scenes Featurette – (14:30) Behind-the-scenes of the rehearsing and filming of “Neon Bull”.
  • Interview with Director Gabriel Mascaro – (21:09) Interview with filmmaker Gabriel Mascaro about “Neon Bull”
  • Trailer – Theatrical trailer for “Neon Bull”

When it comes to showcasing characters in a natural light, filmmaker Gabriel Mascaro is able to accomplish that very well in his previous films including his latest, “Neon Bull”.

A film that focuses on people that work within the vaquejada in northeast Brazil, “Neon Bull” is a film that is not a film one follows for its story, because there really isn’t one.  If anything, it’s an honest portrayal of workers that live their life, making sure they take care of the animals and try to co-exist with each other.

Iremar works in the upkeep of the animals, creating sultry costumes for the female driver, Galega (who behave like brother and sister) and often helping out her daughter Caca, who is at that age of sexual curiosity but still wanting her mother’s attention but never receiving much of it.

While the film can be described as sensual or sultry, considering how much dedication is put into the sex scenes in the film, one can find enjoyment in the film for its actions and dialogue.  To even the animals as Iremar and Ze use the scent of a mar to arouse a stallion, to steal his sperm to a group of guys showering together nude, filmmaker Gabriel Mascaro wants to show viewers how sex, to maintaining animals is just as everyday part of life for the characters.

But humor can be found in the film as Iremar’s pot-bellied co-worker Ze is often looking at porno and while his sticky nude pages are often drawn over by Iremar trying to envision fashion and drawing it on the nude women, he and Ze are often involved in verbal spars as Ze can’t understand why Iremar focuses to much on fashion and not the women.

But when Ze is transferred and a long-haired young man named Junior arrives and immediately, he starts to get the attention of all the women including young Caca, which leaves Iremar quite jealous.

Meanwhile for female character, Galega, she is stuck trying to work as a truck driver for the animals, wanting to have fun with the men but her life is made difficult as she feels her young daughter Caca is in her way.  So, as Galega tries to focus on her work and her life, most often, Caca is with Iremar.

So, if anything, it’s those small interactions which makes up for the film.  Emotions of characters, character interaction and how everything culminates into an honest, entertaining film.

As for the Blu-ray, picture quality is very good as cinematography showcases the characters, character interactions with animal or their daily worklife, to the lighting that shines on them when indoors, to their events with the neon bull.  The cinematography brings the characters to life.  And as for audio, the loss audio features crystal clear dialogue, music and also surround sound usage geared for crowd, animals or announcer ambiance.  And the film has a good number of special features included such as a behind-the-scenes featurette and an interview with director Gabriel Mascaro.

Overall, Gabriel Mascaro’s “Neon Bull” is a unique, sensual film that entertains viewers with its honest portrayal of its characters that work within the vaquejada in northeastern Brazil.  Recommended!


Destiny (a J!-ENT Blu-ray Disc Review)

September 7, 2016 by · Leave a Comment 

“Destiny” is no doubt a wonderful, technical achievement by Fritz Lang for its time and one can see how this film would inspire filmmakers during that era for its use of storytelling and special effects.  This new restoration is the authorized and definitive presentation of “Destiny” and another Kino Lorber Fritz Lang Blu-ray release that I strongly recommend!

Images courtesy of © 2016 Friedrich-Wilheim-Murnau-Stiftung, Wiesbaden. All Rights Reserved.

TITLE: Destiny


DURATION: 98 Minutes

BLU-RAY INFORMATION: Color Tinted, 1:33:1, Intertitles, 20 Stereo

COMPANY: Kino Classics/Kino Lorber Inc.


RELEASE DATE: August 23, 2016

Directed by Fritz Lang

Screenplay by Fritz Lang and Thea von Harbou

Produced by Erich Pommer

Music by Cornelius Schwehr as commissioned by ZDF/ARTE performed by the 70-member Berlin Rundfunk Symphony Orchestra under the director of conductor Frank Strobel

Photographed by Erich Nitzschmann, Hermann Saalfrank, Fritz Acno Wagner

Art Direction by Robert Herlth, Walter Rohrig, Hermann Warm with Bernhard Goetzke, Lil Dagover, Walter Janssen, Hans Sternberg, Wilhelm Diegelmann, Rudolf Klein-Rogge


Lil Dagover as Young Woman, Das junge Madchen, Zobeide, Monna Fliametta, Tiao Tsien

Walter Janssen as Young Man, Der junge Mann, Franke, Giovan Francesco, Liang

Bernhard Goetzke as Death, der Tod, El Mot, Bogner, Archer

Hans Sternberg as Mayor, Burgermeister

Karl Ruckert as Reverend

Max Adalbert as Notary, Notar, Schatzmeister, Chancellor

Wilhelm Diegelmann as Doctor, Arzt

Erich Pabst as Teacher, Lehrer

Karl Platen as Pharmacist, Apotheker

Hermann Picha as Taylor, Schneider

Paul Rehkopf as Grave-Digger, Kuster

A dizzying blend of German Romanticism, Orientalism, and Expressionism, Fritz Lang s DESTINY (Der made Tod) marked a bold step for Lang, away from the conventional melodrama and into the kind of high-concept filmmaking that would culminate in such über-stylized works as Die Nibelungen and Metropolis. DESTINY is a visually ambitious, cinematic allegory in which a young woman (Lil Dagover) confronts the personification of Death (Bernhard Goetzke), in an effort to save the life of her fiancé (Walter Janssen). She is transported to a Gothic cathedral, where lives are represented as burning candles of varying length. Death weaves three romantic tragedies, and offers to unite the girl with her lover, if she can prevent the death of the lovers in at least one of the episodes. Thus begin three exotic scenarios of ill-fated love, in which the woman must somehow reverse the course of destiny: Persia, Quattrocento Venice, and a fancifully-rendered ancient China. Restored by Anke Wilkening on behalf of the Friedrich-Wilhelm-Murnau-Stiftung, this definitive presentation of Destiny preserves the original German intertitles and simulates the historic color tinting and toning of its initial release. Accompanying the film is a newly-composed score by Cornelius Schwehr as a commissioned composition by ZDF / ARTE performed by the 70-member Berlin Rundfunk Symphony Orchestra under the direction of conductor Frank Strobel.

Before filmmaker Fritz Lang created films such as “Metropolis”, “M”, “Woman in the Moon”, “Spies” and his “Dr. Mabuse” films, he created the film, “Destiny” (Der müde Tod).  A film which he also co-written with Thea von Harbou.

Originally released in the US with the title “Behind the Wall”, the silent film is known for its special effects, which was innovative for its time and a film that incorporates three Expressionistic stories.

“Destiny” was also an influential film in the careers of filmmakers, Alfred Hitchcock and Luis Bunuel.

And now “Destiny” will be released on Blu-ray courtesy of Kino Lorber.

“Destiny” begins with Death (portrayed by Bernhard Goetzke) appearing near an area where lovers, a young woman (portrayed by Lil Dagover) and  man (portrayed by Walter Janssen) are sharing an intimate time together.

Death goes into the carriage and rides alongside the couple and when they get into town, Death who is known as “The Stranger” purchases a local cemetery and immediately erects a tall wall around the area with no entrance gates which mystifies the townspeople.

As the couple are enjoying a meal together, the Stranger immediately sits next to them and as the couple are playing with a periscope, they see something that scares both of them that they stop.

As the young woman goes upstairs and finds a dog with a few kittens to play with them, the young man stays with the Stranger at the table.  When the young woman returns, the young man is gone and the townspeople tells her that he left with the stranger.

When she goes to look for him, she can’t find him.

When she looks around, she ends up near the cemetery area and she sees ghosts approaching her and going through the wall to the cemetery and then sees her lover, coming towards her as a ghost and then entering the cemetery.

She faints after seeing the love of her life, now dead.  But somehow the young woman has found a way to enter Death’s domain.

When she confronts Death and she anguishes over the death of her beloved, Death grants her three chances to bring back her love if she can prove that love can overcome death.

But can she defeat destiny?


“Destiny” is presented in 1:33:1 and is color-tinted. It’s important to note that the 2K digital restoration supervised by Anke Wilkening on behalf of Friedrich-Wilhelm-Murnau-Stiftung is magnificent.

As for picture quality, as one can expect from a film that is a 100-years-old, you are going to see some scratches but in the context of silent films, “Destiny” looks quite magnificent as there was great love (and a lot of hardwork) that was put into this restoration.  The film on blu-ray does not exhibit any major nitrate damage, warping, blurring or blackening on the film print.

I also liked the changes that were made to this film in order to get the color tinting right to match with the storyline and its toning of its initial release.

This is another Kino Lorber Fritz Lang film that looks absolutely magnificent on Blu-ray!


“Destiny” is presented in lossless stereo with German intertitles with optional English subtitles. The music featured on this Blu-ray releases is by Cornelius Schwehr as commissioned by ZDF/ARTE performed by the 70-member Berlin Rundfunk Symphony Orchestra under the director of conductor Frank Strobel.

The lossless soundtrack is crystal clear and I absolutely loved the score.


“Destiny” comes with the following special features:

  • Restoration Demonstration Footage – (15:22) A comparison between the original film and the restored version of the film.
  • 2016 Re-release Trailer

“I think the main characteristic of all my pictures is this fight against destiny, against fate.  I once wrote in an introduction to a book that is the fight which is important, not the result to it…” – Fritz Lang

Before Fritz Lang would create his plethora of silent film masterpieces within his extensive oeuvre, one of his most influential and technological marvels was his 1921 silent film, “Destiny”.

Using the technology of superimposition to show the dead going through the wall, all done with filming via camera before the days of editing in a laboratory shows and what great length the filmmaker went in order to create this supernatural tragic love story.

A film of surrealism showcasing death on his mission of what is destiny, confronting a woman in anguish over the death of her love one, who dares to prove to him that love overcomes death and she can go against what is destiny.

Is love stronger than death?  Can it overcome death?  Can she prove it?

This stoic death may look threatening but this version does not have the horrors of a skeletal being cloaked in a robe or anything too macabre.  In fact, Bernhard Goetzke’s version of “Death” must perform his mission but yet he does have compassion enough to give the young woman three chances that love is stronger than death.

And so, there are three different stories in which the young woman (portrayed by Lil Dagover) must save her lover (portrayed by Walter Janssen).

The first chance/story is set in the Middle East during Ramadan, and a man, who is a Franke wants to rescue Zobeide (sister of the Caliph of Baghdad) from the palace.  But when it is revealed that the man has desecrated the holy site, he is targeted for death by everyone.  But can Zobeide rescue him?

The second chance/story is set in Quattrocento, Venice.  The story revolves around a planned sword fight between Monna Fiametta’s lover Giovan Francesco and the best swordsman, Girolamo.  Girolamo expects Monna to marry him after he kills Giovan.  But can Monna rescue her lover?

The third chance/story is set in China and the Chinese emperor wants the magician’s daughter, Tiao Tsien to be with him.  But she likes Liang instead.

Of the three stories, the third is rather fascinating for its use of special effects and its multiple uses of superimposition.

But there is a fourth chance but I would rather not spoil it with a summary as it is used as part of the final conclusion to the film.

But the film manages to exhibit surrealism, expressionism and romanticism combined with various stories to show tragedy in various aspects but how a woman feels her destiny is to be with the man she loves.

As for the restoration of this wonderful Fritz Lang film, the 2K digital restoration supervised by Anke Wilkening was fantastic.  The film looks very good considering it’s a century old and while scratches and few frames of damage do appear, there is no significant major nitrate damage or major film warping that interrupts your viewing of the film.

The lossless soundtrack features a wonderful score by Cornelius Schwehr as commissioned by ZDF/ARTE performed by the 70-member Berlin Rundfunk Symphony Orchestra under the director of conductor Frank Strobel.  The music really brings emotion to the characters and was quite pleased with the soundtrack.

In addition, there is also a restoration featurette and a trailer included.

Overall, “Destiny” is no doubt a wonderful, technical achievement by Fritz Lang for its time and one can see how this film would inspire filmmakers during that era for its use of storytelling and special effects.  This new restoration is the authorized and definitive presentation of “Destiny” and another Kino Lorber Fritz Lang Blu-ray release that I strongly recommend!


The Spiders (a J!-ENT Blu-ray Disc Review)

August 21, 2016 by · Leave a Comment 

“The Spiders” is a Blu-ray release worth watching.   You often don’t come upon a silent film release in which its main protagonist has that James Bond suave look, characters traveling to exotic locations and action sequences in different parts of the world.  If you are a cineaste who is passionate about Fritz Lang’s oeuvre especially his very early works, this Blu-ray release featuring both episodes of Fritz Lang “The Spiders” films is a fine addition to add in your silent cinema collection!

Images courtesy of © 2016 Friedrich-Wilheim-Murnau-Stiftung. All Rights Reserved.

TITLE: The Spiders (Die Spinnen)

DATE OF FILM RELEASE: (1919)  The Spiders – Episode 1: The Golden Sea (Die Spinnen, 1. Teil – Der Goldene See), (1920) The Spiders – Episode 2: The Diamond Ship (Die Spinnen, 2. Teil – Das Brillantenschiff)

DURATION: (1919)  The Spiders – Episode 1: The Golden Sea (Die Spinnen, 1. Teil – Der Goldene See – 69 Minutes), (1920) The Spiders – Episode 2: The Diamond Ship (Die Spinnen, 2. Teil – Das Brillantenschiff – 104 Minutes)

BLU-RAY INFORMATION: Color Tinted, 1:33:1, Intertitles

COMPANY: Kino Classics/Kino Lorber Inc.


RELEASE DATE: August 23, 2016

Episode One: The Golden Sea

Directed by Fritz Lang

Written by Fritz Lang

Produced by Erich Pommer

Music by Max Josef Bojakowski

Cinematography by Karl Freund, Emil Schunemann

Production Design by Otto Hunte, Carl Ludwig Kirmse, Heinrich Umlauff, Hermann Warm

Costume Design by Otto Hunte, Carl Ludwig Kirmse, Heinrcih Umlauff, Hermann Warm

Episode Two: The Diamond Ship

Directed by Fritz Lang

Written by Fritz Lang

Produced by Erich Pommer

Cinematography by Karl Freund

Art Direction by Otto Hunte, Carl Ludwig Kirmse, Heinrich Umlauff, Hermann Warm

Costume Design by Otto Hunte, Carl Ludwig Kirmse, Heinrich Umlauff, Hermann Warm



Carl de Vogt as Kay Hoog

Ressel Orla as Lio Sha

Georg John as Dr. Telphas

Lil Dagover as Sonnenpriesterin Naela

Rudolf Lettinger as Terry Landon

Friedrich Kuhne as All-Hab-Mah

Meinhart Maur as Chinese/Bucherwurm

Paul Morgan as Jude/Diamantenexperte

Edgar Pauly as Vierfinger-John

Reiner Steiner as Kapitan des Diamantenschiffs

Thea Zander as Ellen Terry

With this exotic adventure film, director Fritz Lang established himself as a master of epic storytelling, a talent that would reach its pinnacle in such monumental films as Metropolis and Die Nibelungen. Influenced by the French serials of Louis Feuillade (Fantômas) and infused with Lang s own fascination with Asian culture, THE SPIDERS follows international adventurer Kay Hoog (Carl de Vogt) in his quest for Incan gold and the precious Buddha s head diamond. Along the way, he must contend with an organization of criminal spies known as The Spiders, who will employ any form of treachery, including murder, to snatch the artifacts from his possession.

Many decades before Steven Spielberg and George Lucas would create the “Indiana Jones” films, back in the 1919, Austrian filmmaker Fritz Lang would write and direct his adventure epic “The Spiders (Die Spinnen)”.

It all began not long after Lang was discharged from the Austrian Army, having been wounded in combat, Lang would use his time during his recovery to write ideas he had for films.  As an actor for the Viennese theater circuit, he was hired at Decla, which was a Berlin-based production studio led by producer Erich Pommer.

During the early stages of his career, Fritz Lang would create art films but his popular thriller “The Spiders” was known for combining German Expressionist techniques and popular mainstream cinema and in essence, it was considered as art house cinema.

And for many decades, this film had been considered lost until it was discovered in the 1970’s.  While a restoration was done in 1978 and released on DVD in 1999.  A new restoration was commissioned from a tinted 35mm print and footage that was not included in the 1999 DVD release was added to the 2012 DVD release courtesy of Kino Lorber Inc.  And now in 2016, the film receives a remastered HD version as “The Spiders” will be released on Blu-ray courtesy of Kino Lorber.

“The Spiders” is considered to be the beginning of the golden age of silent cinema.  Originally, there was a planned trilogy but only two films were created.

The first episode “The Golden Sea” begins with a man escaping from the Inca’s who are planning to use him as a sacrifice. The man, a Harvard professor who has been missing since his travel to Peru,  writes a note, which he puts into a bottle and throws it off to the ocean before being speared.

We are then introduced to Kay Hoog (played by Carl de Vogt), a sportsman who is attending a high society party for those involved in a major yacht race from San Francisco to Japan.  But Kay is not planning to take part in the competition as he found a bottle in sea from the missing Harvard professor that said there is treasure located inside a temple of a lost Incan civilization.  Coordinates were included and now Kay hopes to travel to that area and find some treasure.

But also attending the party is Lio Sha, the head of a secret criminal organization known as the Spiders now wants that information that Hoog possesses.  And immediately, they break into Hoog’s home and steals the treasure map.

It’s a race against time as Hoog begins his expedition to find the treasure at the lost Incan civilization and hopefully get it before the Spider’s can.  But in return for them stealing his map, Hoog ends up stealing an even more important map from the Spiders on the location of The Diamond Ship.

As Kay is wanted by the Spiders and everyone trying to find the lost treasure, Kay encounters the beautiful Priestess of the Sun named Naela.  But with the Incan’s aware that there are outsiders in their area, who will live and who will die?

In episode two, “The Diamond Ship”, after facing a major tragedy caused by the hands of the Spiders, they have now made things personal for Kay.

With the Spiders now seeking a diamond on the “Diamond Ship”, the Spiders hope with the possession of the Buddha head diamond will release Asia from tyranny.  And Lio Sha believes that the diamond may be in the possession of a millionaire named Terry Landon (played by Rudolph Lettinger).  But when the Spiders do not find it, they kidnap his daughter Ellen (played by Thea Zander) and will not release her until they get the diamond.

But since Kay has the information about the Diamond Ship which he stole from the Spiders, perhaps he can find it and help bring Ellen back home.


“The Spiders” is presented in 1:33:1 and is color-tinted from sepia to red.  It’s important to note that the color-tinting is not the same as the 1999 Image Entertainment DVD release.  With the new restoration that was done by the Blazena Urgosikova and Ingrid Tetkova, the main goal was to introduce some of the missing footage but also to fix the speed of the film.

With the original 1999 DVD release, there were silent film fans who were critical that “The Spiders” was a bit too fast.  I personally have not seen the 1999 DVD release but have read that the new restoration does fix that problem.  Personally, movements seemed natural to me and not overly sped up or too slow.

As for picture quality, as one can expect from a film that is 90-years-old, you are going to see some scratches but in the context of silent films, “The Spiders” looks very good and doesn’t have any major nitrate damage, warping, blurring or blackening on the film print.

While it’s not my preference to see a lot of red color tinting in the film (as I’m so used to seeing sepia, orange, blue and green), I am not too sure of the differences of the color tinting from the previous Dave Shepard restoration.

As for those who owned the Kino Lorber 2012 DVD release, you will be pleased to know that the 2016 Blu-ray releases looks even better in HD as details are much more evident.  Black levels are much sharper, gray and white scenes are well-contrast and the film just looks a bit better.  Sure, the film has not been restored, scratches still remain but this is the best I have seen of “The Spiders” yet!


“The Spiders” is presented in lossless stereo with English intertitles.  The music featured on this Blu-ray releases is the same Ben Model score that was featured in the 2012 Kino Lorber DVD release.


“The Spiders” does not come with any special features.

The release of “The Spiders” on Blu-ray is fantastic!

Compared to the older 1999 DVD release of “The Spiders”, this 2016 version is superior not only in picture quality because it’s presented in HD  because it includes lost footage and is also presented in a corrected speed.

The original Image Entertainment DVD ran for 137 minutes, this new version is 170 minutes long (which is possibly the newer footage and the slowing down of speed).  According to the credits, this version was licensed by Transit Film on behalf of the Friedrich-Wilhelm-Murnau-Stiftung and archival sources were from the Cinematheque Royale de Belgique and Filmovych laboratorich Barrandov Praha.

“The Spiders” was an intriguing and surprising adventure epic.

Sure, “The Spiders” was shot many decades before the Indiana Jones films and sure, the technology involved in production has evolved a lot since 1919 and 1920 but considering what was accomplished on this film, there was a decent amount of production in recreating the Incan civilization with its appearance of Incan carved rocks in the first film and a lot of focus on makeup and costume design for both films.

The first film “Episode One: The Golden Sea” was enjoyable as you get the suave adventurer/sportsman Kay Hoog.  With the tuxedo and the slicked back hair and look that seemed more like a prototype to a James Bond film, “The Spiders” had style but it also had an intriguing story with Kay trying to get to the treasure before his adversaries, the criminal organization the Spiders and their leader Lio Sha gets to it.

And for 1919, the overall storyline was adventurous and intriguing but it’s that extra touch at the end which you don’t expect, that made the first film so much more enjoyable and exciting and making you want to see the sequel.

But one you do watch the sequel, “Episode Two: The Diamond Ship”, I felt that the second film was rushed as Fritz Lang tried to incorporate too much and focus more on the adventures and action than the storyline itself.

While it was intriguing to see Kay Hoog going underground in China Town to find Lio Sha and the Spiders, everything afterward seemed as if it was not well-planned.  As much as I enjoyed the fact that Lang wanted to take the viewer from one location to another, unfortunately, it’s not executed all that well.  There were far too many characters and unlike the first film which tried to narrow things down between Kay Hoog and Lio Sha, the storyline was all over the place.

But bare in mind, this was Fritz Lang’s earlier work, done way before “Metropolis”, “Spies”, “M” and his “Dr. Mabuse” films, but there is no doubt that with Lang working on these two films, he would improve significantly a few years later to take on films such as “Destiny” (1921), “Dr. Mabuse: The Gambler” (1922) and “Siegfried” (1924).

For any Fritz Lang cinema enthusiasts, “The Spiders” is essential viewing if you want to see Lang’s earlier work but how he tries to integrate German expressionism and arthouse with a action/adventure theme.  Whether or not it’s good, it is all subjective but I enjoyed “The Spiders”, the first episode a lot more than the second.  But for any cineaste, one can see how much Fritz Lang evolved in filmmaking during the 1920’s and eventually for hardcore fans, how much his work has changed when he left to work in America.

Overall, “The Spiders” is a Blu-ray release worth watching. You often don’t come upon a silent film release in which its main protagonist has that James Bond suave look, characters traveling to exotic locations and action sequences in different parts of the world. If you are a cineaste who is passionate about Fritz Lang’s oeuvre especially his very early works, this Blu-ray release featuring both episodes of Fritz Lang “The Spiders” films is a fine addition to add in your silent cinema collection!


Fastball (a J!-ENT Blu-ray Disc Review)

July 16, 2016 by · Leave a Comment 


“Fastball” is one of the best baseball documentaries ever created! Well-researched, well-edited and featuring well-selected archived sources and also going as far to interview former legends to current elite pitchers in the MLB. “Fastball” is a documentary that well-crafted, amazing and highly recommended!

Images courtesy of © 2015 Pitcher’s Mound Productions LLC. All Rights Reserved.

TITLE: Fastball


DURATION: 86 Minutes

BLU-RAY DISC INFORMATION: 1080p High Definition (1:78:1), English 5.1 Suround

COMPANY: Kino Lorber


Release Date: June 28, 2016

Directed by Jonathan Hock

Produced by Philip A. Aromando, Michael Tollin, Thomas Tull

Executive Producer: Jack Selby

Co-Executive Producer: David Check, Nicholas Trotta

Associate Producer: David Kaufmann

Music by Tony Morales

Edited by Peter Panagoulias, Steven Pilgrim


Kevin Costner (Narrator)

Derek Jeter

Denard Span

Craig Kimbrel

Nolan Ryan

Justin Verlander

Bryce Harper

Miguel Cabrera

Todd Frazier

Matt Harvey

Giancarlo Stanton

Yasiel Puig

Andrew McCutchen

David Price

The essence of baseball is the primal battle between the pitcher and the batter, a magical moment only 396 milliseconds in the making. The mysteries and memories of baseball s greatest heroes are revealed in Fastball, as it features interviews with dozens of former players, from legendary Hall-of-Famers to up-and-coming All-Stars, including Hank Aaron, Nolan Ryan, and Derek Jeter, with narration by Kevin Costner (Field of Dreams). Fastball is peppered with archival footage of baseball s greatest moments, plus original high-speed 4K footage and motion graphics that unlock the secrets hidden within a ball traveling over 100 mph. While players, historians, and scientists might disagree on who was actually the fastest pitcher in history – and yes, the film does the physics and concludes with a clear verdict – Fastball tells the story of the game itself.

To throw a fastball, it’s a duty of a pitcher to throw this type of pitch.

But in the history of baseball, there are a few “power pitchers” who are able to consistently throw over 100 mph with great control.

Jonathan Hock, director of ESPN’s “30 for 30”, “Through the Fire”, “Off the Rez”, “The Lost Son of Havana” and producer Thomas Tull (“Dark Knight”, “Inception”, “42”, “Jurassic World”) explores the mysteries and memories of baseball’s greatest heroes.

Narrated by Kevin Costner (“Dances with Wolves”, “Waterworld”, “The Untouchables”, “Robin Hood: Prince of Thieves”), the film features interviews with current and former baseball players about the fastball, their approach to it but also their memories of the best pitchers.  But also examining data of who has thrown the fastest fastball in baseball history.

The film explores the pitching of Walter “The Big Train” Johnson, the person who is known for popularizing the fastball and became a hero for throwing the fastest fastball of all time (122 feet per second).  And many people who traveled long and far to watch Walter Johnson pitch. And also showcasing one of the fastest pitchers today, Aroldis Chapman.

But also exploring various fastball pitchers such as Richard Michael “Goose” Gossage, Bob “Hoot” Gibson, Craig Kimbrel and more.

But also showcasing Steve Dalkowski, considered as one of the best fastball pitcher’s (rumored to throw 125 mph) that unfortunately never played an official game due to a freak accident before he was to pitch his first game in the majors.  An a player that inspired the character of “Nuke” LaLoosh in the 1988 film “Bull Durham”.

And also featuring legendary pitcher, Sanford “Sandy” Koufax, who had  six outstanding years (including becoming the first pitcher to achieve four no-hitters, the eighth pitcher to pitch a perfect game and winner of the NL Triple Crown) but unfortunately, had a career that ended at the age of 30 due to arthritis.

And featuring one of the best pitchers of all time, Nolan Ryan who is the all-time leader in no-hitters, leader in strikeouts, fewest hits allowed per nine innings and a player who has played in 27 seasons.

Also, the documentary showcases the the original and modern technology to estimate the speed of a fastball.  The human brain’s perception of a fastball pitch, which player that baseball legends think is the hardest pitcher of all time and ending with the evaluation by scientists of who is the fast pitcher of all time.


“Fastball” is presented in 1080p High Definition (1:78:1 aspect ratio) and is a documentary that features modern footage via digital video and also incorporates footage from archived sources throughout baseball history.  For the most part, for a documentary with so much classic footage, different sources vary in quality but for the most part, “Fastball” looks very good in HD!


“Fastball” is presented in English 5.1 Surround and narration and spoken dialogue is clear and understandable.

Subtitles are in English SDH.


“Fastball” comes with the following special features:

  • Extended Interviews – (31:15) Featuring extended versions of the interviews featured in the film.
  • Hall of Fame Outtakes – (2:21) Featuring outtakes with five Hall of Famers discussing various pitchers.
  • Steve Dalkowski Extended Scene – (11:37) Featuring more extended scenes of the Steve Dalkowski segment.
  • Trailer – The theatrical trailer for “Fastball”.

For any baseball fan, “Fastball” is a magnificent documentary researching the fastest and hardest throwing pitchers in baseball history.

Well-researched, edited and featuring archived footage of the best pitchers who can throw a fastball to interviews with baseball legends and current MLB players, “Fastball” will no doubt entertain you but it also tackles one of the most hotly debated topics of baseball with an unofficial test of who has thrown the fastest fastball in MLB history.

“Fastball” definitely takes a lot of players into consideration but also paying respect by showcasing magical moments of baseball history, including what was once lost footage of Sandy Koufax’s pitching during the night of his famous no-hitter, a fascinating interview with Bob “Hoot” Gibson, especially going into his ability to take on batters (including throwing a ball at them) but also the racial tensions that existed at the time.

Possibly two of the most fascinating scenes involve the legend Nolan Ryan and his historical moments throughout his career, but also interviewing the pitcher about his final pitch.

But as the documentary showcases those who have achieve success, the documentary also shows one of the heartbreaking stories of baseball, the legend that never was, Steve Dalkowski.  “Fastball” creators were able to track down Dalkowski, who went through hard times after the freak accident that claimed his baseball career and to show what had happened to the player after the accident and what is he up to today.

And of course, showcasing the technology that was used from past to present in measuring the speed of a pitch and scientist trying to determine who threw the fastest pitch of all time.  And trying to ascertain how fast the pitchers from the past were, and compared to pitchers today.

The Blu-ray release features great picture quality but one should know that because the documentary features different archived sources from different eras of baseball history, picture quality of those archived sources differ from each other.  But modern footage looks great!  As for lossless audio, the documentary is primarily dialogue-driven and dialogue is crystal clear.  “Fastball” also comes with a few special features including extended interviews, Hall of Fame outtakes and an extended scene of Steve Dalkowski’s segment.

Overall, “Fastball” is one of the best baseball documentaries ever created!  Well-researched, well-edited and featuring well-selected archived sources and also going as far to interview former legends to current elite pitchers in the MLB.

“Fastball” is a documentary that well-crafted, amazing and highly recommended!



Gold (a J!-ENT Blu-ray Disc Review)

June 19, 2016 by · Leave a Comment 


It is rare to find any films, especially science fiction films released during the Third Reich era to be released in the U.S. And for cineaste that are passionate about German cinema, it is wonderful to see Kino Lorber releasing Karl Hartl’s 1934 sci-fi film, “Gold” on Blu-ray. An entertaining film worth recommending!

Images courtesy of © 2014 Friedrich-Wilhelm-Murnau-Stiftung. All Rights Reserved.



DURATION: 117 Minutes

BLU-RAY DISC INFORMATION: 1080p High Definition (1:33:1), German Monaural with English Subtitles

COMPANY: Kino Classics


Release Date: June 14, 2016

Directed by Karl Hartl

Written by Rolf E. Vanloo

Produced by Alfred Zeisler

Music by Hans-Otto Borgmann

Cinematography by Otto Baecker, Werner Bohne, Gunther Rittau

Edited by Wolfgang Becker

Art Direction by Otto Hunte


Hans Albers as Werner Holk

Friedrich Kaybler as Prof. Achenbach

Brigitte Helm as Florence Wills

Michael Bohnen as John Wills

Ernst Karchow as Willi Luders, alias Charlie Jenkins

Lien Deyers as Margin Moller

Eberhard Leithoff as Harris, a Technician

Rudolf Platte as Schwarz

Walter Steinbeck as Braun

Heinz Wemper as Vesitsch

Hansjoachim Buttner as Becker, the Murderer

Erich Haubmann as Secretary

A rare science fiction film made in National Socialist Germany, Karl Hartl’s GOLD is a high-tech thriller dramatizing the ongoing war between scientific progress and corporate greed (resurrecting some of the themes and spectacle of Fritz Lang’s Metropolis). Hans Albers stars as Professor Holk, an idealistic scientist developing the process of atomic fracturing, constructing an enormous electrical device to transform common lead into gold. When the operation is sabotaged by corporate rivals, resulting in the death of Holk’s mentor (Friedrich Kayssler), Holk must accept the backing of a ruthless English businessman, John Wills (Michael Bohnen), whose interest in atomic fracturing is purely economic. Though he makes a deal with the devil, in order to continue his research, Holk recognizes it as a golden opportunity not for a paycheck, but for payback and plots to destroy Wills’s titanic gold-making machinery. While Holk enacts his revenge, he captures the interest of the millionaire’s rebellious daughter (Brigitte Helm, Metropolis), who is enthralled by the scientist’s vision and integrity. GOLD is not only a handsomely-produced drama of corporate espionage, it also reveals the ways in which English and American culture was subtly condemned in films made under the Third Reich.

Best known for films such as “The Life and Loves of Mozard”(1955), “The Angel with the Trumpet” (1948) and  “Two Merry Adventurers” (1934), filmmaker Karl Hartl was known earlier in his career for his science fiction work.

Which began with “Der Tunnel”, in 1934, Hartl would work on his next sci-fi film, “Gold” which took about 14 months to shoot.

The film would star Hans Albers (“The Blue Angel”, “The Adventures of Baron Munchausen”, “Two Merry Adventurers”), Friedrich Kaybler (“Der Zerbrochene Krug”, “Frisions in Distress”), Brigitte Helm (“Metropolis”, “L’Argent”, “L’Atlantide”) and Lien Deyers (“Spies”, “Captain Fracasse”, “Laughing Heirs”).

While the film was made in Germany in 1934, a French version (“L’or”) was made the same year but the only actor that would work on both films was actress Brigitte Helm for her role as Florence Wills.

And now Karl Hartl’s “Gold” will be available on Blu-ray and DVD courtesy of Kino Lorber.

The film begins with a written introduction of how for hundreds of years, men have tried to create gold artificially as it is the joy and curse of the world.  How clans, tribes and nations have been in war with each other for the sake of gold.  Men cheat, persecute and have killed for gold.

In the United Kingdom, a British scientist is convinced that he can turn base materials into gold by using a giant underwater atomic reactor.

Prof. Achenbach (portrayed by Friedrich Kaybler) is a German scientist working on a similar experiment of trying to turn lead into gold, meanwhile earlier before the experiment, the professor’s technician, Becker (portrayed by Hans-Joachim Buttner) has been given something by a group of men  in order to sabotage the experiment.

While Prof. Achenbach (portrayed by Friedrich Kaybler) and his assistant Professor Werner Holk (portrayed by Hans Albers) is working on the experiment, an explosion takes place killing the professor, while Holk is seriously injured.

With the help of the blood donation by Margit Moller (portrayed by Lien Deyers), Holk is able to heal and immediately and when he goes to check the area of the explosion, finds the lead components and feel they have been tampered with.

Offered to work with Scotch mining magnate John Wills (portrayed by Michael Bohnent), Holk wonders if Wills may be responsible for sabotaging Prof. Achenbach’s experiment.  So, Holk offers to meet with Wills in order to find out if he is responsible for Achenbach’s death.

Holk agrees to work on Wills project, but Wills knows that Holk is trying to establish a connection with him and Achenbach’s death.

How far will Holk go to get his revenge?


“Gold” is presented in 1080p High Definition (1:33:1 aspect ratio), black and white.  It’s important to note that Kino Lorber does not do any film restoration with their films, they simply present them in HD as the films are in their current format (so, if films are restored, then they will receive the latest restoration on Blu-ray and DVD).

With that being said, “Gold” does feature some damage and at times some frames have more scratches, flickering and even missing frames at times.  But by no means is the film’s picture quality terrible.  Picture quality is good and offers better clarity and sharpness over the IHF DVD.


“Gold” is presented in German monaural with English subtitles.  I personally didn’t notice any major hissing or crackle during my viewing of the film.  Dialogue including the shrieking of the atomic reactor is crystal clear.

Subtitles feature optional English subtitles.


“Gold” does not come with any special features.

With the collapse of the Weimar Republic in 1933, cinema would change in Germany as many filmmakers and performers would leave the country as the Nazis came to power and the establishment of the Third Reich and its Reichsfilmkammer (Reich Chamber of Film).

All those employed in the film industry must be members for the Reichsfachschaft film and those whose politics or personal life were unacceptable by the Nazis were excluded and denied employment.

Needless to say, the artful cinema of the Wiemar Republic had ended but UFA would create an expensive film that would take 14-15 months to create and it was Karl Hartl’s science fiction film, “Gold”.

A film that took so long to make that even actor Hans Albers tried to sue for almost double his salary.  But because two versions of the film were created, one in German and one in French (with a different cast, except Brigitte Helm who starred in both productions), the film took long to make.

Back in 1934, even Americans were enamored by the production quality of its film and mechanical designs.

“New York Times” reviewer H.T.S. wrote, “This time the dream of many ancient, and some modern, would-be gold manufacturers is realized on the screen by the UFA, with a remarkable display of thrilling scenes involving excellent views of some fearful and wonderful machinery.”

The film is primarily a revenge-driven film that showcases the competition of scientific progress and corporate greed, as countries try to find a way to create gold using atomic reactors.

In the film, the Germans are close to making a discovery and with their experiment, was sabotaged and the leading scientist is killed and the assistant is badly injured.

Saved by a woman who donated blood, the assistant, Professor Holk wants to find out who was responsible of sabotaging their experiment.  And what best way but to infiltrate the organization who he suspects are responsible, the evil Scotch mining magnate, John Wills.

But Wills knows that Holk is trying to establish a connection to him and Professor Achenbach’s death and audiences watch to find out if Professor Holk can get his revenge.

For those who have watched Friz Lang’s 1927 silent film masterpiece “Metropolis”, will love that the film stars the beautiful Brigitte Helm as the daughter of John Wills, who has fallen for Professor Holk.

But for German cinema fans, it is not very often to get any film (aside from Leni Riefenstahl films) made during the Third Reich era to be released in North America on Blu-ray. Especially UFA films of that era, before all film companies were seized and formed one corporation, UFA-Film GBMN (UFI) in 1942.

So, “Gold” is a rare gem to see and for its era, was considered a high-tech thriller, so much that Allied Censorship boards after World War II made viewers wonder if German scientists had been able to build a nuclear reactor long before it was originally thought that they did.

As for the Blu-ray release, the Blu-ray is no doubt better than the previously released IHF DVD’s.  Because of the upscale to HD, the black and whites are well-contrast but because Kino Lorber does not do any restoration work, any dust, scratches that were on the film can be seen on this Blu-ray release.  Any flickering or missing frames can be seen on this Blu-ray release.  But by no means is there any damage that makes the film unviewable, in fact, “Gold” looks very good in HD.  And cineaste should be thrilled that this rare gem was released on Blu-ray.

Unfortunately, there are no special features included, and I was hoping that either the French version of the film or featurettes with film scholars discussing the making of the film were included.

Overall, it is rare to find any films, especially science fiction films released during the Third Reich era to be released in the U.S.  And for cineaste that are passionate about German cinema, it is wonderful to see Kino Lorber releasing Karl Hartl’s 1934 sci-fi film, “Gold” on Blu-ray.

An entertaining film worth recommending!



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