The Blue Angel (2-Disc Ultimate Edition) (a J!-ENT Blu-ray Disc Review)

December 1, 2013 by  

“The Blue Angel” is a classic film that is compelling, enjoyable and a highlight of Weimar cinema.  And with this classic film on Blu-ray, for fans of older classic cinema, “The Blue Angel (2-Disc Ultimate Edition)” is highly recommended!

Images courtesy of © 2013 Kino Lorber, Inc. 1930 UFA. All Rights Reserved.

TITLE: The Blue Angel (2-Disc Ultimate Edition)


DURATION: 107 Minutes (German)/ 104 Minutes (English)

BLU-RAY DISC INFORMATION: 1080p High Definition, 1:18:1 Aspect Ratio, Black and White, 2.0 Monoraul

COMPANY: Kino Classics/Kino Lorber Incorporated

RATED: Not Rated

Release Date: December 17, 2013

Directed by Josef von Sternberg

Based on the novel “Professor Unrat” by Heinrich Mann

Written by Carl Zuckmayer, Karl Vollmoller, Robert Liebmann

Producer: Erich Pommer

Cinematography by Gunther Rittau

Edited by Walter Klee, Sam Winston

Art Direction by Otto Hunte

Costume Design by Tihamer Varady


Emil Jannings as Prof. Immanuel Rath

Marlene Dietrich as Lola Lola

Kurt Gerron as Kiepert the Magician

Rosa Valetti as Guste, the Magician’s Wife

Hans Alberts as Mazeppa, the STorngman

Reinhold Bernt as The Clown

Eduard von Winterstein as the Director of School

Hans Roth as The Caretaker of the Secondary School

Rolf Muller as Pupil Angst

Roland Varno as Pupil Lohmann

Carl Balhaus as Pupil Ertzum

Robert Klein-Lork as Pupil Goldstaub

The crowning achievement of the Weimar cinema, The Blue Angel is an exquisite parable of one man’s fall from respectability. This exclusive two-disc set from Kino Classics includes both the newly-restored German version and the English version, both in high definition.

Emil Jannings (The Last Laugh, Faust, Othello), the quintessential German expressionist actor, stars as Professor Rath, the sexually-repressed instructor of a boys’ prep school. After learning of the pupils’ infatuation with French postcards depicting a local nightclub songstress, he decides to personally investigate the source of such indecency. But as soon as he enters the shadowy Blue Angel nightclub and steals one glimpse of the smoldering Lola-Lola (Marlene Dietrich), commanding the stage in top hat, stockings, and bare thighs, Rath’s self-righteous piety is crushed. He finds himself fatefully seduced by the throaty voice of the vulgar siren, singing ”Falling In Love Again”. Consumed by desire and tormented by his rigid propriety, Professor Rath allows himself to be dragged down a path of personal degradation. Lola’s unrestrained sexuality was a revelation to turn-of-the-decade moviegoers, thrusting Dietrich to the forefront of the sultry international leading ladies, such as Greta Garbo, who were challenging the limits of screen sexuality.

For director Josef von Sternberg, he would be known for silent films such as “Underworld”, “The Last Command” and “The Docks of New York”, but for this Austrian-American film director, like many filmmakers who worked in the silent era, his career would be in question with the coming of the talkies.

It was when he was invited to make a film in Germany that his life would change forever.  In 1929, Sternberg would create a film known as “Der blaue Engel” (The Blue Angel) and he would later have a muse who would become one of the greatest actresses of all time… Marlene Dietrich.  A film that is loosely based on Heinrich Mann’s 1905 novel, “Professor Unrat” (Professor Garbage).

As von Sternberg would return to America, Dietrich would follow as she would have a U.S. contract with Paramount Pictures and as Greta Garbo was the Swedish sensation, Dietrich would be the German sensation and together, she and von Sternberg would work on films such as “Morocco”, “Dishonored”, “Shanghai Express”, “Blonde Venus”, “The Scarlett Empress” and “The Devil is a Woman”.

But before she would excel in the later films with von Sternberg, it was her very first film with him “The Blue Angel” that would make her a movie star and a singer.  Interesting enough, while a German version was filmed, von Sternberg also created an English version simultaneously but the latter would require re-filming of certain scenes much later.

While the English-language version had been released in the U.S. courtesy of Kino Video in its regular format and also included in the “Glamour Girls” DVD set, the German version was only available via “The Blue Angel: Special Two Disc Set”.

In Dec. 2013, Kino will be releasing “The Blue Angel (2 Disc Ultimate Edition)” which will include both the original German-language version with optional English subtitles, newly restored in HD from archival 35 mm elements by the Friedrich-Wilhel-Murnau-Stiftung and the English-language version, on Blu-ray for the first time.

It is important to note that while “The Blue Angel” is known to many as a Marlene Dietrich film but even Dietrich herself was known to remind people that she was on the bottom of the list at the time and not top-billed because the actress was not known at the time.

The film’s star was Emil Jannings, the popular silent star who was in the 1922 film “Othello” and F.W. Murnau’s “The Last Laugh”, “Herr Tartuff” and in “Faust”.   The actor would be the first person to receive an Oscar which he won in 1929 for “The Way of All Flesh” (1927) and the 1928 film “The Last Command” (the only year when multiple awards were issued).

But it was Marlene Dietrich would win people with her performance as Lola and would cement her career as a lead actress.

“The Blue Angel” revolves around Prof. Immanuel Rath (played by Emil Jannings), a professor at a local college in Germany.  He is very strict and his wily students are known to make fun of him quite often.  But it is when he catches the students with photographs from the beautiful Lola that angers him.  Why would his students be wasting their time at a cabaret?

When he goes to the cabaret one night to catch his students in the act, he runs into Lola Lola (played by Marlene Dietrich).  Accidentally entering her changing room, some of the students are hiding and watching Lola Lola’s interaction with the professor, as they see him as a sexually repressed man.  The next thing you know, the Prof. is calmed around the cabaret singer. As Lola Lola is changing, she throws her undies out in which one of the students grab it and put it inside the Rath’s front pocket.

When Rath returns home, wiping off his sweat, he accidentally wipes uses her undies.  Feeling ashamed that he may taken her undergarment back home with him, he returns back to the cabaret.

But when people that work with Lola, especially Kiepert the magician (played by Kurt Gerron) feel that an esteemed professor has come to the Blue Angel, they give him the red carpet in hopes that they can attract other well-known people to their club.

As for Rath, he has fallen in love with Lola Lola and no matter how badly the students tease him and make fun of him, he does not care.  The students become such a distraction at the school that a fellow colleague tries to tell him that a person of his stature should not be with a woman like Lola but it is too late.  Rath is in love, he wants to marry Lola and he could care less what anyone else thinks.

And sure enough, Lola and Rath get married…but then we start to see the Prof. Rath’s life crumble professionally and personally and see how people including Lola react around him.  How a man’s morality is lured to the life of immorality and is led to ruin and ridicule.


“The Blue Angel (2-Disc Ultimate Edition)” on Blu-ray features a newly restored in HD from archival 35 mm elements by the Friedrich-Wilhel-Murnau-Stiftung.

Before I go into the picture quality, it’s important for those not familiar with Kino Blu-ray releases is that these films are presented as they were direct from the film source.  There is no clean up of the film and they are presented in 1080p HD (1:19:1) black and white.

With that being said, considering “The Blue Angel” is a film that is over 80-years-old, I was pretty surprised to see this 1930 film in good condition.  Considering that many 1910-1930 nitrate films did not survive, many early talkie films did not survive and those that did survive, some look better than others (such as Kino’s release of “The General”) and others that are not crystal clear but don’t have massive damage.  In the case of “The Blue Angel”, you are going to see occasional fickering, you are going to see dust, speckles and vertical lines, but for any classic fan especially for earlier films, one must realize that you get what you get and if it’s complete, as a cinema fan of these older films, you’re fortunate that they don’t look any worse.

For “The Blue Angel”, the film on Blu-ray features rich blacks while whites and grays are well-contrast.  The film maintains its grain but also I noticed much more clarity in the film when it comes to clothing, backgrounds and even closeups.  So compared to the DVD release, I do notice differences in picture quality when it comes to clarity and better detail with no blurring.  I did notice that with the English version, it is a tad bit brighter than the German version.

Once again, considering this film’s age at over 90-years-old, the film looks very good for its age!


As for the lossless audio if “The Blue Angel”,  audio is clear and heard no major warbling or hiss for both films.  Audio is presented in LPCM German and English 2.0.  It’s important to mention that both soundtracks are clear with no major notice of any hiss or crackle for both German and English versions. But there are differences between both versions as the English version is not as clear, has that tinnish sound of an early ’30s film and unlike the German version, I had to crank up the volume a little bit.

I do prefer the sound of the German version but for those wondering, about the English dub, the English version features a redub by Marlene Dietrich, as both films were shot simultaneously, as opposed to having different actors dubbing the main characters.


“The Blue Angel (2-Disc Ultimate Edition)” comes with the following special features:

  • Scene Comparison – (3:18) Screen comparisons of a single scene between the German and the English version of the film and their differences and similarities.
  • Screen Test – (3:38) A screen test made of Marlene Dietrich in the Babelsberger Studios back in Oct. 1929.
  • Marlene Interview – (1:25) A 1971 interview with Marlene Dietrich in Stockholm in regards to “The Blue Angel”.
  • Marlene Performances– (3:30) Featuring Marlene Dietrich performing “Falling in Love Again” (3:26) from a concert back in 1963 in Stockholm and a performance of “You’re the Cream in My Coffee” (3:30) and “Lola” (2:14) recorded in London in 1972 as part of her “I Wish You Love” performance.
  • Trailers – Two theatrical trailers for “The Blue Angel”.  One from the ’30s (3:42) and the other from the ’60s (2:59).
  • Photo Gallery – Featuring still photographs and production stills for “The Blue Angel”.


“The Blue Angel (2-Disc Ultimate Edition)” comes with a slipcase and comes with two Blu-ray discs (in one case) which features the film in German with optional English subtitles and the other disc featuring the film in English.

“The Blue Angel” is an important film in cinema as it is among the most discussed films when it comes to movies created in the Weimar period.  It was also an film as it required to be shot in German and in English.

And like many German films of the era, there is an air of darkness, moral descent and while it may seem as the film contains the banality of what has been done in German films, rarely do these films showcase a beautiful woman, a woman who is literally not wearing much (which definitely sent conservatives up in a tizzy) and as it was a von Sternberg film, its the unknown actress who has won the hearts of many viewers worldwide.

That actress is Marlene Dietrich who didn’t stick around to find out how the film would do in the box office as she packed up and left to America to embark on a career which she would be signed by Paramount and would headline many more films after “The Blue Angel”.

But this film was made possible because of actor Emil Jannings who personally requested producer Erich Pommer to hire Josef von Sternberg to direct the film, the first film for Jannings that would include sound.

First, the performance by Emil Jannings is wonderful.  As Dr. Immanuel Rath, he is your professor that is always strict and one who will not put up with anyone’s guff.  He is an intellectual and he is proud of his role as a professor at the local college.  And as someone would think that Jannings is a man who is so strict and possibly sexually repressed, he is a man afterall and that is where is naivety gets the best of him.

For an intelligent man, he has made a bad/desperate decision to go after a woman who probably has been around the block many times and a woman who literally offers nothing to him intellectually but perhaps only sexually.  If not sexually, just a woman who appears to accept him for how he is and a man who has dropped his guard for the sake of companionship.

As a viewer, you can sympathize with his decision.  Many of the young men can only dream of being with Lola, but now this man is with the beautiful Lola.

And it is Marelene Dietrich who is able to take the role of Lola Lola and give us a sense of intense sexuality and domination.  From the moment Dr. Rath proposes to Lola and you hear this devious laugh, it is like the snake who has convinced Eden to take a bite of the apple, but in this case, it is Dr. Rath who chose to go the path of Lola, despite being warned and now she will take him on this journey to moral descent and over the years, we see this distinguished professor go from a strict intellectual to a ridiculous clown.  No money, no respect and even lost any sympathy from Lola and those around him.

And this is where Josef von Sternberg is able to capture with efficacy, the destruction of a man, all decency stripped and you can only watch and realized that this man, blinded by his love of wanting to be loved, wanting to find a beautiful companion, has literally thrown everything in his life that is decent, away.

While the collaboration between Sternberg and Dietrich would lead to bigger things and better films, “The Blue Angel” is special for the fact that it introduced Dietrich to the world, it was an early German and English talkie but it is a film that was able to capture German filmmaking but with a filmmaker from America.

The film has long been debated by historians whether or not “The Blue Angel” is a German film or an American film based on von Sternberg’s imagination of what Germany was or what he grew up with versus achieving accuracy as depicted in the 1905 novel.  I personally look at the film of integrating the best of both worlds, Weimar and Hollywood cinema balancing each other out and the result is something special.

“The Blue Angel” does have cinematic important and while loosely based on the more darker “Professor Unrat” novel by Heinrich Mann, the film was a big success in the box office and most of all, Paramount knew that having both von Sternberg and Dietrich together will continually bring home box office gold!

And the fact that you do get both films on Blu-ray is awesome!  For anyone who really wants to experience this film, those extra 10-12 minutes in the German version, do make a difference as the sexuality of the character of Lola plays an important part of this film.  She is a vixen, she is erotic but it’s only scene in the German version of the film, not the English version.  There are other noticeable changes to make things much more accessible for international viewers but part of what makes “The Blue Angel” such a fantastic film is the performance and everything that is included in the German version.  I can’t emphasize enough about how the German version of “The Blue Angel” is the version to be seen, unless the viewer has a disdain towards reading English subtitles, then the English version will suffice.

And to answer the big question for those who own the previous DVD release of “The Blue Angel”, is the Blu-ray worth owning.  My answer to that is if you want the film in HD, then yes!  To watch the film on Blu-ray may not be a huge difference from the DVD release but the better contrast does make the Blu-ray worth owning.

And if you own only the English version, my answer is yes, get the Blu-ray, so you can watch the original German version.

With that being said, I also recommend those who were planning to upgrade their DVD copies of “The Blue Angel” to Blu-ray, to let you know that you may not want to get rid of your two-disc DVD version of “The Blue Angel” as the Blu-ray does not include the audio commentary by film historian Werner Sudendorf.

Overall, “The Blue Angel” is a classic film that is compelling, enjoyable and a highlight of Weimar cinema.  And with this classic film on Blu-ray, for fans of older classic cinema, “The Blue Angel (2-Disc Ultimate Edition)” is highly recommended!

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